Narrower headlights give it a more aggressive appearance and the body's sheet metal has a smoother, more flowing shape.
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The interior is upgraded and trades the jumbled-together look of older models for a more flowing and modern dash.
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As some stand-up is moving toward a more flowing, storytelling state, it's nice to have the bold staccatos of sketch in the mix, too.
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About 20 pipelines send up to five billion cubic feet of American gas a day to Mexico, with more flowing in liquefied form by tanker.
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And in every innovation — more flowing drapery, more dynamic movement, more lifelike faces and hands — Verrocchio set the bar for virtuosity that his students tried to ape and exceed.
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"Play against the natural angles of your face," he says, by looking to angled brow shapes to balance more rounded faces and more flowing brow shapes to soften faces with sharper features.
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Watching the bout you can clearly see a lighter, more flowing type of grappling and Shamrock seems to theatrically rolled out of the same heel hook and into the kneebar once again.
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She was also playing a West Texan, but her accent was more flowing, in part because she was relaxing her vowels — Bay described it as a legato to Cooper's staccato, appropriate for her world-weary character.
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Saffron Amis, a British student on Gili Trawangan - the largest of the islands fringed by white beaches and surrounded by turquoise sea - said at least 200 people were stranded there with more flowing in from the other two, Gili Air and Gili Meno.
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The "Menuetto" is brighter and lighter; whereas the "Trio" creates a more flowing effect. Also notable is that Mozart used chromaticism freely in the "Trio", but limited its use within the "Menuetto".
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His style name was 'Tingzhen'. Lu's paintings display two distinct styles. Some of his works use brilliant colors in an almost inhibited presentation, while other are more flowing but with subdued ink and water colors.
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The revised Regency DF304 labelled Mark II was announced in October 1954. Left-hand-drive cars used the DF305 designation. The new more flowing body was slightly longer with a much longer boot and mudguards and was lower-set. It could now be purchased with a 3½-litre or 4½-litre engine.
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The minuet is in the home key of E major. Charles Rosen, in The Classical Style, chose this minuet to illustrate the point that Classical-era minuets often have very strong first beats, in contrast to the more flowing rhythm of the Baroque minuet.Rosen, Charles. "The Classical Style: Haydn, Mozart, Beethoven". p. 90.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ḹ as found in Brahmi was missing in earlier geometric styles, but emerged during more flowing styles of Brahmi, such as the Kushana and Gupta. In both Tocharian and Kharoṣṭhī, Ḹ is not currently known from any source materials.
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For learners of calligraphy, the regular script is usually studied first to give students a feel for correct placement and balance, as well as to provide a proper base for the other, more flowing styles. In the regular script samples to the right, the characters in the left column are in Traditional Chinese while those to the right are in Simplified Chinese.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ḷ as found in Brahmi was missing in earlier geometric styles, but emerged as a vowel mark during more flowing styles of Brahmi, such as the Kushana and Gupta. In both Tocharian and Kharoṣṭhī, Ḷ is not currently known from any source materials.
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Harris and Carr worked together until 1887, but their tastes differed, with Carr favoring simpler, more flowing designs in the Aesthetic dress style. Their disagreements reached a head in 1887 over designs for the plays Henry VIII and The Amber Heart, and Harris resigned. Carr succeeded her as Terry's head costumer designer. Information is lacking about the succeeding decade of Harris's career.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Jha as found in standard Brahmi, Jha was a simple geometric shape, with variations toward more flowing forms in later times. The Tocharian Jha Jha did not have an alterante Fremdzeichen form. There is no evidence of a Jha in the corpus of Kharoṣṭhī texts currently known.
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The vases' profiles are more flowing and less angular than the more common styles, making them more Greek in character. Two of the vases were produced by the potter Pamphaios and painted by Oltos. Like all Nikosthenic amphorae, works of the Class of Cabinet des Médailles 218 were found exclusively at Caere. This indicates that following the tradition of Nikosthenes, they produced exclusively for export to Etruria.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Nga as found in standard Brahmi, Nga was a simple geometric shape, with variations toward more flowing forms by the Gupta Nga. The Tocharian Nga Nga did not have an alterante Fremdzeichen form. Unlike the other early Brahmic scripts, Kharoṣṭhī did not have a letter Nga.
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Shotokan training is usually divided into three parts: kihon (basics), kata (forms or patterns of moves), and kumite (sparring). Techniques in kihon and kata are characterised by deep, long stances that provide stability, enable powerful movements, and strengthen the legs. Shotokan is regarded as a dynamic martial art as it develops anaerobic, powerful techniques as well as developing speed. Initially strength and power are demonstrated instead of slower, more flowing motions.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Dha as found in standard Brahmi, Dha was a simple geometric shape, with variations toward more flowing forms by the Gupta Dha. The Tocharian Dha Dha did not have an alterante Fremdzeichen form. The third form of dha, in Kharoshthi (Dha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Na as found in standard Brahmi, Na was a simple geometric shape, with variations toward more flowing forms by the Gupta Na. The Tocharian Na Na had an alterante Fremdzeichen form, Na. The third form of na, in Kharoshthi (Na) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Da as found in standard Brahmi, Da was a simple geometric shape, with variations toward more flowing forms by the Gupta Da. The Tocharian Da Da did not have an alterante Fremdzeichen form. The third form of da, in Kharoshthi (Da) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so- called slanting Brahmi. Pha as found in standard Brahmi, Pha was a simple geometric shape, with variations toward more flowing forms by the Gupta Pha. The Tocharian Pha Pha did not have an alterante Fremdzeichen form. The third form of pha, in Kharoshthi (Pha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ddha as found in standard Brahmi, Ddha was a simple geometric shape, with variations toward more flowing forms by the Gupta Ddha. The Tocharian Ddha Ddha did not have an alterante Fremdzeichen form. The third form of ddha, in Kharoshthi (Ddha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Nna as found in standard Brahmi, Nna was a simple geometric shape, with variations toward more flowing forms by the Gupta Nna. The Tocharian Nna Nna did not have an alterante Fremdzeichen form. The third form of nna, in Kharoshthi (Nna) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Tha as found in standard Brahmi, Tha was a simple geometric shape, with variations toward more flowing forms by the Gupta Tha. The Tocharian Tha Tha did not have an alterante Fremdzeichen form. The third form of tha, in Kharoshthi (Tha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Pa as found in standard Brahmi, Pa was a simple geometric shape, with variations toward more flowing forms by the Gupta Pa. The Tocharian Pa Pa had an alterante Fremdzeichen form, Pa. The third form of pa, in Kharoshthi (Pa) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ta as found in standard Brahmi, Ta was a simple geometric shape, with variations toward more flowing forms by the Gupta Ta. The Tocharian Ta Ta had an alterante Fremdzeichen form, Ta. The third form of ta, in Kharoshthi (Ta) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Tta as found in standard Brahmi, Tta was a simple geometric shape, with variations toward more flowing forms by the Gupta Tta. The Tocharian Tta Tta did not have an alterante Fremdzeichen form. The third form of tta, in Kharoshthi (Tta) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ra as found in standard Brahmi, Ra was a simple geometric shape, with variations toward more flowing forms by the Gupta Ra. The Tocharian Ra Ra had an alterante Fremdzeichen form, Ra. The third form of ra, in Kharoshthi (Ra) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Va as found in standard Brahmi, Va was a simple geometric shape, with variations toward more flowing forms by the Gupta Va. The Tocharian Va Va had an alterante Fremdzeichen form, Va. The third form of va, in Kharoshthi (Va) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ya as found in standard Brahmi, Ya was a simple geometric shape, with variations toward more flowing forms by the Gupta Ya. The Tocharian Ya Ya did not have an alterante Fremdzeichen form. The third form of ya, in Kharoshthi (Ya) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ha as found in standard Brahmi, Ha was a simple geometric shape, with variations toward more flowing forms by the Gupta Ha. The Tocharian Ha Ha did not have an alterante Fremdzeichen form. The third form of ha, in Kharoshthi (Ha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Sa as found in standard Brahmi, Sa was a simple geometric shape, with variations toward more flowing forms by the Gupta Sa. The Tocharian Sa Sa had an alterante Fremdzeichen form, Sa. The third form of sa, in Kharoshthi (Sa) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Sha as found in standard Brahmi, Sha was a simple geometric shape, with variations toward more flowing forms by the Gupta Sha. The Tocharian Sha Sha had an alterante Fremdzeichen form, Sha. The third form of sha, in Kharoshthi (Sha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ssa as found in standard Brahmi, Ssa was a simple geometric shape, with variations toward more flowing forms by the Gupta Ssa. The Tocharian Ssa Ssa had an alterante Fremdzeichen form, Ssa. The third form of ssa, in Kharoshthi (Ssa) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. La as found in standard Brahmi, La was a simple geometric shape, with variations toward more flowing forms by the Gupta La. The Tocharian La La had an alterante Fremdzeichen form, La. The third form of la, in Kharoshthi (La) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ca as found in standard Brahmi, Ca was a simple geometric shape, with variations toward more flowing forms by the Gupta Ca. The Tocharian Ca Ca did not have an alterante Fremdzeichen form. The third form of ca, in Kharoshthi (Ca) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Cha as found in standard Brahmi, Cha was a simple geometric shape, with variations toward more flowing forms by the Gupta Cha. The Tocharian Cha Cha did not have an alterante Fremdzeichen form. The third form of cha, in Kharoshthi (Cha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ja as found in standard Brahmi, Ja was a simple geometric shape, with variations toward more flowing forms by the Gupta Ja. The Tocharian Ja Ja did not have an alterante Fremdzeichen form. The third form of ja, in Kharoshthi (Ja) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Gha as found in standard Brahmi, Gha was a simple geometric shape, with variations toward more flowing forms by the Gupta Gha. The Tocharian Gha Gha did not have an alterante Fremdzeichen form. The third form of gha, in Kharoshthi (Gha) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Nya as found in standard Brahmi, Nya was a simple geometric shape, with variations toward more flowing forms by the Gupta Nya. The Tocharian Nya Nya did not have an alterante Fremdzeichen form. The third form of nya, in Kharoshthi (Nya) was probably derived from Aramaic separately from the Brahmi letter.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Dda as found in standard Brahmi, Dda was a simple geometric shape, with variations toward more flowing forms by the Gupta Dda. The Tocharian Dda Dda did not have an alterante Fremdzeichen form. The third form of dda, in Kharoshthi (Dda) was probably derived from Aramaic separately from the Brahmi letter.
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The stories were rewritten and reorganised to create a more flowing novel form. The novel tells the story of impoverished, embarrassment-prone Archibald "Archie" Moffam (pronounced "Moom") and his difficult relationship with his art-collecting, hotel-owning, millionaire father-in-law Daniel Brewster, who is the father of Archie's new bride Lucille. Archie's attempts to ingratiate himself with Brewster only get him further into trouble. The story takes place in New York City.
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His auto empire collapsed in 1937 and production ceased. Major technological innovations were introduced or were widely adopted during the 1930s, such as synchromesh manual transmissions, semi-automatic transmissions, automatic transmissions, hydraulic brakes, independent front suspension, and overhead-valve engines. The Cord 810 used front-wheel drive, had hidden headlights, and was offered with a supercharger. Exterior styling designs were more flowing, as shown most noticeably on the Auburn Speedster and the Cord 810/812.
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Notable clients included the soprano Marie Tempest, and the actors Ellen Terry, Winifred Emery, Sarah Bernhardt, and Mrs Patrick Campbell. In 1884, she made Constance Lloyd's wedding dress for her marriage to Oscar Wilde. She made other dresses for Lloyd as well that helped to set the new Aestheticist fashion for looser, more flowing garments with theatrical touches such as lace, embroidery, or brocade. Ellen Terry as Lady Macbeth, by John Singer Sargent, 1889.
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The terse and understated accounts there make their point wittily without the need of further elaboration.Will Rowe and David Tipton’s “Introduction”, Land of Angels 1985, p.3 The style was further elaborated in his next, equally successful collection, Canto ceremonial contra un oso hormiguero (1968); there too a growing familiarity with the new style of writing in the United States led Cisneros to experiment from then onwards with a more flowing, longer-lined poetry.
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Schubert often notated his opening movements with moderate tempo indications, the extreme case being the Molto moderato of the B piano sonata. The latter movement in particular, has been interpreted in vastly different speeds. Ever since the famous performances by Sviatoslav Richter, taking the opening movement at an extremely slow pace, similar tempo interpretations for this movement have been frequent. However, the majority of Schubert scholars tend to dismiss such an interpretation, arguing instead for a more flowing pace, a measured allegro.
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The New York Times called it "a half hearted attack on the receivership racket... it's feeble as a crusade and sluggish as melodrama."At the Criterion. F.S.N. New York Times 6 May 1935: 22. Writing for The Spectator, Graham Greene described the film as "an excellent American melodrama", commenting that despite the lack of big- name stars the acting displayed a "delightful vividness" and "even the hats have been carefully chosen: the crookeder the deal, the more flowing the brim".
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. I as found in standard Brahmi, I was a simple geometric shape, with variations toward more flowing forms by the Gupta I. Like all Brahmic scripts, Tocharian I I has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including I are indicated with vowel marks added to the letter A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Aa as found in standard Brahmi, Aa was a simple geometric shape, with variations toward more flowing forms by the Gupta Aa. Like all Brahmic scripts, Tocharian Ā Aa has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including Ā are indicated with vowel marks added to the letter A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ī as found in standard Brahmi, Ī was a simple geometric shape, with variations toward more flowing forms by the Gujarat Ii. Like all Brahmic scripts, Tocharian Ī Ii has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including Ī are indicated with vowel marks added to the letter A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. U as found in standard Brahmi, U was a simple geometric shape, with variations toward more flowing forms by the Gupta U. Like all Brahmic scripts, Tocharian U U has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including U are indicated with vowel marks added to the letter A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. Ū as found in standard Brahmi, Ū was a simple geometric shape, with variations toward more flowing forms by the Gujarat Ū. Like all Brahmic scripts, Tocharian Ū Uu has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including Ū are indicated with vowel marks added to the letter A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. O as found in standard Brahmi, O was a simple geometric shape, with variations toward more flowing forms by the Gupta O. Like all Brahmic scripts, Tocharian O O has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including O are indicated with vowel marks added to the letter A.
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1989 interior For 1990, the LeBaron's interior was refreshed, featuring an all new dashboard, gauge cluster, door panels, and center console design. All of the new components were designed to be smoother and more flowing than the comparatively boxy 1987-89 interior style, making it more in tune with the "aero" revolution of the early 1990s. The 1992 LeBaron coupes and convertibles could be ordered with a new "sport package", which featured a monochrome appearance including body-colored grille, accent stripe, and decklid logo.
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Robert Palmer of The New York Times noted "Mr. (Milton) Nascimento, and Brazilian pop in general, combine African- derived rhythms that tend to be more flowing and buoyant than their North American funk counterparts with a melodious pop lyricism based on relatively complex, jazzy harmonies, and Maurice White has done something very similar on Earth, Wind and Fire's Powerlight album." Vanity Fair found that "Earth, Wind & Fire's oddysey of uplift, Powerlight is, impossible as it may seem, even more relentlessly cheerful than its predecessor Raise!, a concoction designed to do precisely that to listeners' spirit".
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Columns forming the arcades within churches of this period became more slender and elegant, the foliage of the capitals more flowing. Examples of the earlier form include the choir and chapter house of Westminster Abbey and the north transept of Hereford Cathedral; later forms include the nave of York Minster. The octagon at Ely, a timber framed lantern tower over the crossing, demonstrates the adventurousness of the developed style. But it can be seen in parish churches from Snettisham and Aylsham in Norfolk to Beverly in Yorkshire and Madley in Herefordshire.
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The second idea of the verse, (And holy is his name), builds similarly. The alto begins, marked "dolce and tranquillo" (sweet and calm) a melody of ten measures, beginning like the first motiv but more flowing. The alto keeps singing sustained notes, while first soprano and tenor sing the melody in a canon one measure apart, then bass and soprano sing it in a canon, one measure apart and the soprano a fifth higher. Finally the sustained notes are sung by the bass, while the other three voices continue the imitation.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. A as found in standard Brahmi, A was a simple geometric shape, with variations toward more flowing forms by the Gupta A. Like all Brahmic scripts, the Tocharian A A is the inherent vowel for all consonant characters, apart from the alternate Fremdzeichen forms, which have the inherent vowel "Ä". In Kharoṣṭhī, the only independent vowel letter is for the inherent A, with all other independent vowels built from vowel marks added to A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so-called slanting Brahmi. E as found in standard Brahmi, E was a simple geometric shape, and remained basically unchanged all the way through the generally more flowing Gupta as E. Like all Brahmic scripts, Tocharian E E has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including E are indicated with vowel marks added to the letter A.
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There are three different general early historic scripts - Brahmi and its variants, Kharoṣṭhī, and Tocharian, the so- called slanting Brahmi. Au was not found in the earliest forms of Brahmi, but was found in the more flowing forms the Kushana Au and Gupta Au. Like all Brahmic scripts, Tocharian Au Au has an accompanying vowel mark for modifying a base consonant. In Kharoṣṭhī, the only independent vowel letter is for the inherent A. All other independent vowels, including Au are indicated with vowel marks added to the letter A.
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HP boats tend to have a lot of nose rocker, little to no tail rocker, flat hulls, sharp rails and up to four fins set up as either a three fin thruster or a quad fin. This enables them to move at high speed and maneuver dynamically. IC boats have to be at least long and until a recent rule change had to have a convex hull; now flat and slightly concave hulls are also allowed, although fins are not. Surfing on international boats tends to be smoother and more flowing, and they are thought of as kayaking's long boarding.
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Much of the southernmost section of the Tramroad was followed by the later Neath and Brecon Railway and this route obliterates long sections of the tramway. From Penwyllt, the main route north is again followed by the railway line though the occasional tighter bend is preserved where the later railway had to assume a more flowing curve.Abandoned loop near Coelbren. The modern A4067 road follows the line of the tramway north from Bwlch Bryn-rhudd before the grassed-over route is seen to sweep around to the east to cross the Nant Gyhirych at the edge of a plantation.
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Mercedes-Benz E 200 (W 213) The fifth generation E-Class was unveiled at the 2016 North American International Auto Show. The next generation E-Class has design cues from the smaller W222 S-Class and the larger W205 C-Class. While the W212 E-Class has tighter surface and harder edges, the new model is curvier and more flowing. Engine options for the W213 E-Class will see a major update, thanks to the switch to inline-6 engines from the current V6 engines, along with a new generation of four-cylinder diesel engines, codenamed OM654, and existing four-cylinder petrol engines.
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He stated, "A more flowing style presented by the Russians was replacing an older, more disconnected style".Hines (2006), p. 190 The Protopopovs, like single skaters Sonja Henie in the 1930s and Dick Button in the 1940s, while winning multiple Olympic medals, "altered dramatically the direction of figure skating", and marked the beginning of the Soviet domination of pair skating for the rest of the 20th century. Irina Rodnina, with her partner Alexei Ulanov and later Alexander Zaitsev, also from the Soviet Union, dominated pair skating throughout the 1970s and "led the trend of female pair skaters as risk-taking athletes".
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A sequel for Tekken Tag Tournament, titled Tekken Tag Tournament 2, was announced at the Tokyo Game Show 2010 on September 18, 2010. The game expanded on the original's tag mechanics, allowing for more flowing tag combos and combined moves, inherited some gameplay mechanics from Tekken 6, and featured characters from more recent Tekken games. It was released as an arcade cabinet in Japan on September 14, 2011, with an "unlimited" revision following on March 27, 2012. PlayStation 3 and Xbox 360 versions were released in all territories in the week of September 11, 2012, and a Wii-U port followed in November 2012.
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Instead of being separated from the main programme, the comedy- drama element was woven into the main programme, with characters from the fictional production team mingling with hosts and guests to create a more flowing storyline. The cast of this element was completely different from that of Spin-off and included Carla Mendonça, who played Juliet Nichols, and Cal McCrystal, who played Max Church. The wedding between Juliet and Max formed the backbone storyline in the final edition of the series. The programme also included imported cartoons as inserted content; cartoons which were featured during the programme's run included She-Ra: Princess of Power, Samurai Pizza Cats, The Real Ghostbusters and Scooby-Doo.
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1965 Pontiac Catalina 4-Door Vista 1966 Pontiac Catalina 4-Door Sedan 1967 Pontiac Catalina 2-Door Sedan 1968 Pontiac Catalina Hardtop Coupe 1969 Pontiac Catalina wagon 1970 Pontiac Catalina Convertible The 1965 full-sized Pontiacs were completely restyled with more flowing sheetmetal featuring "Coke-bottle" profiles and fastback rooflines on two-door hardtops. Wheelbases increased to on all models. Pontiacs for the 1965 were now available with GM's new-for-1964 three- speed Turbo Hydramatic 400 transmission, often abbreviated as THM-400. This new unit replaced the older three-speed, four-range Roto-Hydramtic in the Catalina, as well as the four-speed Super-Hydramatic that was equipped in other Pontiacs.
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The quick-stepped zhey are performed by men, while the more flowing zhem are women's dances. Zheys originate in the 17th century, and although there is considerable variety among contemporary zheys, most of them share common tunes and dance formats. Dancers originally performed barefoot and without any elaborate uniform, however the tradition of wearing long gowns, head gear and traditional boots was established in the 1970s. In honor of the 2011 royal wedding, Bhutanese dancers performed four major zheys (Goen Zhey of Gasa, Wang Zhey of Thimphu, Nub Zhey of Trongsa, Woochupai Zhey of Paro) and four minor zheys (Auley of Laya, Locho of Sha, Bonghur Zhey of Haa, and Miritsemoi Zhey of Chukha).
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His art style is largely influenced particularly from series Mobile Suit Gundam and Megazone 23, and fellow superiors in the industry, such as Tsukasa Dokite, Masamune Shirow, Masakazu Katsura, Kenichi Sonoda, and Masami Obari. Tsukasa's 1990s anime style works are defined as wild, making the use of vivid colors and soft but stark contrasting shades, and somewhat exaggerated features of human anatomy along with realistic features, including that of puffed up cheeks, which he helped launch into popularity as they were in style at the time for defining cute characters and aesthetics. Into the current day, his style is defined by more subdued but more flowing coloring and an emphasis on darker and thicker lining work.
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Confluence of the Bhagirathi and Alaknanda Rivers to produce the Ganges at Devprayag, India The same confluence viewed from upstream at a different time; note the swirl of sediment from the Alaknanda. In geography, a confluence (also: conflux) (and is pronounced kuhn-floo-ence) occurs where two or more flowing bodies of water join together to form a single channel. A confluence can occur in several configurations: at the point where a tributary joins a larger river (main stem); or where two streams meet to become the source of a river of a new name (such as the confluence of the Monongahela and Allegheny rivers at Pittsburgh, forming the Ohio); or where two separated channels of a river (forming a river island) rejoin at the downstream end.
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And like baseball, that shielding is higher in the areas where pucks are most likely to go into the stands: behind the goals. But unlike baseball, the gameplay is more flowing and continuous and requires fans to keep their eyes on a puck moving up and down the rink which may be difficult to see, much less anticipate.Price at 16 Hockey was first played in the United State in the 1890s; professional leagues had formed within two decades and the Boston Bruins, the first American team in the National Hockey League, began playing in 1924; on lower levels the sport was primarily played in Northeastern and Midwestern states with cold winters. Lawsuits over injuries from pucks leaving the rink were first reported in the mid-1930s.
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Throughout the century the Bible and the Psalter were in favor; and naturally the same subjects and the same scenes ran through the period and were repeated by artist after artist; and the very character of those sacred books would tend to restrain innovation. But towards the close of the period such secular works as the romances were growing in popularity, and afforded a wider field for the invention of the illustrating artist. Therefore, with the opening of the 14th century a palpable change of style supervenes. We pass to more flowing lines; not to the bold sweeping strokes and curves of the 12th century, but to a graceful, delicate, yielding style which produced the beautiful swaying figures of the period.
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Chateau de Chambord retrieved 19 April 2006 Blois had been the favourite residence of the French Kings throughout the renaissance. The Francis I wing, completed in 1524, of which the staircase is an integral part was one of the earliest examples of French Renaissance. French renaissance architecture was a combination of the earlier Gothic style coupled with a strong Italian influence represented by arches, arcades, balustrading and, in general, a more flowing line of design than had been apparent in the earlier Gothic. The Chateau de Blois's triumphal staircase was imitated almost from the moment of its completion, and was certainly the predecessor of the "double staircase" (sometimes attributed to Leonardo da Vinci) at the Château de Chambord just a few years later.
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Other schools opened out internal walls and added non-institutional furniture to create a more flowing and integrated environment. Owing to their cheap construction, and funding cuts that were made to education in the 1980s and 1990s, many LTC school buildings aged poorly, becoming shabby and run-down, becoming extremely expensive to maintain as they were not intended to last more than 20 years. In 2006 the Australian Education Union said that the cost simply replacing LTC schools is $1.9 billion, and would take 30 years at the then rates of Government spending. The State Government's Victorian Schools Plan released in 2006 committed to rebuild or renew all government schools by 2017, leading to many LTC school buildings being demolished or substantially renovated and modified.
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They therefore tried dressing philosophy in a more appealing garb than had their predecessors, whose translations and commentaries were in technical Latin and sometimes simply transliterated the Greek. In 1416–1417, Leonardo Bruni, the pre-eminent humanist of his time and chancellor of Florence, re- translated Aristotle's Ethics into a more flowing, idiomatic and classical Latin. He hoped to communicate the elegance of Aristotle's Greek while also making the text more accessible to those without a philosophical education. Others, including Nicolò Tignosi in Florence around 1460, and the Frenchman Jacques Lefèvre d'Étaples in Paris in the 1490s, tried to please the humanists either by including in their commentaries on Aristotle appealing historical examples or quotations from poetry, or by avoiding the standard scholastic format of questions, or both.
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Increased player numbers and increasing spectators in the Northern Hemisphere, along with a more flowing style of play adopted at club level, is held as evidence that the law changes are not required. There was a criticism that the changes would benefit teams with weaker scrums and ineffective set piece play, but this has been rebuffed somewhat with the application of the experimental laws by leagues in the Southern Hemisphere. It has been revealed that a strong scrum is still strong no matter whether it is set once or many times and can still be used as an attacking weapon. Bryan Habana was the first high-profile player to criticise the laws, stating that they were turning the game into rugby league by eliminating most of the breaks in play.
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The Orinoco, with its tributaries, constitutes an extensive hydrographic network with rivers very flowing and of considerable length. Of all its basin, the longest tributary is the Guaviare, longer (about 1550 km) than the Orinoco itself at the point of its confluence, while the largest is the Caroni. Many of its tributaries are navigable rivers, especially those on the left bank, which come from the Llanos, both Colombian and Venezuelan, while the Guayan rivers (tributaries on the right bank) are more flowing but with jumps and rains, which make them very useful in the production of hydro- electric energy, but without use as navigational routes, except for some very short stretches. There are numerous islands, both rocky (erosion reliefs) and sedimentary (sand and other sediments), as well as many pipes or arms, abandoned meanders and horseshoe lakes.
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