It's always been a little more ethereal and less structured.
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Filters from the VSCO app, she said, create a more ethereal look.
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This stunning headpiece and metallic gown, making her look more ethereal than ever. WHAT.
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Meanwhile, this so-called Pure ANC is a bit more ethereal of a feature.
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And yet, this crude Mecca is just the shell of a more ethereal dream.
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They also have elaborate hair pieces for the bride going for a more ethereal look.
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Here, I pair it with a lemon-imbued angel food cake, which is fluffier and more ethereal.
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"I feel interested in going lighter with color, more ethereal, playing up the water theme," she said.
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I Put a Spell on You Two magical collections connect the real world with more ethereal realms.
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He's fine, but he's very obviously a child actor, in a movie that requires something slightly more ethereal.
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A more ethereal experience can be arranged as well: You can choose to have your ashes shot into space.
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She then opted for a more ethereal look while attending the Alexandre Vauthier show during Haute Couture Paris Fashion Week.
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So we need white wines that have the heft to be satisfying in weather that could discourage more ethereal bottles.
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A rhythmic nasal hum develops momentum and eventually breaks into more ethereal climes, creating the sense that you have cleared the quotidian.
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There are certain elements that point to that destitution or that pain, and then other elements which are creating something more ethereal.
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Then she changed into a more ethereal style half-lavender, half-beige gown with a sash that combines the two to the Netflix/Weinstein Co. party.
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A more ethereal grouping — an assemblage of angels — hovers over the central figure as he writes in Martino Altomonte's "Vision of St. Thomas Aquinas," painted during the 1720s.
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The objects also tended to have a more ethereal quality to them, which does a lot to manage expectations: it's less weird to see something ghostly start to disappear.
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It's also worth considering the context in which these numbers are appearing, which is first driven by practical concerns and then by more ethereal, hard-to-pin-down ones.
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But it's both more ethereal and more powerful than that: a key component of a fighter's psyche that is almost as impossible to manufacture as it is to define.
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But the more ethereal concern here explains Netflix's need to boast about its massive viewership: It's trying to assure a skittish entertainment industry that it's the only game in town.
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The alert Josie G. Sadan, a kind of exalted figure, dances with a more ethereal remove, until an exacting solo in silence at the end, where she gathers energy like a brewing storm.
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An altogether more ethereal jewel, a pastel plique-à-jour Art Nouveau brooch once owned by the turn-of-the-21920th-century actress Ada Rehan, was sold in 230 to the Newark Museum of Art.
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The signature sound of the bedtime routine might be a selection from the Calm meditation app's "Sleep Stories," or the white noise of an air purifier, which Ms. Love has in her bedroom, or something more ethereal.
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"The Declaration of Musical Independence" has a more ethereal footprint, partly because of the instrumentation: Mr. Frisell is a guitarist who can evoke the flicker of sunlight and shadow, and Mr. Teitelbaum favors the abstraction of sculptural sound.
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Sometimes the electronic components are too exactly borrowed from EDM — whether it's the honking high-energy theatrics of dubstep or, as on this soundtrack to a comic book based on Greek mythology, the gushier, more ethereal (if canned) spirituality of electronic balladry.
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In the book, the struggle is much more ethereal — it's a quest to understand the un-understandable, to fight to hold onto one's self in the face of extreme uncertainty, a quest to live in a landscape that seems to be fighting back.
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FROM PEN: Why Nicole Kidman Loves Living in Nashville: 'I Was Meant to Go There' Next at London's Berkeley Square Gardens on Tuesday, Kidman channeled a more ethereal vibe in a long sleeve floral embroidered gown by Erdem and Berganza onyx-and-diamond drop earrings.
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Two years later, In Yer Face, from third album Ex:el, gave them their highest singles chart position, placing the emphasis on an industrial wall of sound aesthetic that wouldn't feel out of place amid the more ethereal moments of a Surgeon live set today.
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That's what Karen X Cheng did, but to make her short choreographed dance look even more ethereal, she filmed herself in front of a giant studio mirror so that her iPhone 7 appears to remain frozen in space while everything else moves around it.
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That's really the way I can put it, there's so much more emphasis on the downbeat in grime to me that I think acts as a momentum propellor and it allows me to be more ethereal in music, so it's really just a marriage.
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My sisters are way into horoscopes, so I thought that would be off-kilter and fun, which speaks to them being a little bit more ethereal about it, not really realizing that it's much more of a fundamentally wrong relationship rather than just that our horoscopes were incompatible.
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Jean-Marc Vallée, the series director, was influenced by Chet Faker's 2014 "Gold" video; the song, dreamy and soulful, was paired with even more ethereal imagery of three strong-bodied women decked out in tube socks and chunky gold hoop earrings, roller skating down a yellow strip in the middle of a dark highway.
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Whenever I asked Siri how exactly his technology would affect something like the emergence of Donald Trump in US politics or the authoritarianism of President Maduro in Venezuela or, in perhaps the most formidably dismaying scenario, the total power of the Chinese Communist Party, Siri would change the grounds of discussion away from the political exigencies of the moment and toward the contemplation of more ethereal, long-range goals.
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Inspired by everything from the paintings of Mondrian and American Pop Art, to the costume-drama operatics of the Venice Carnivale, ultra-modern architecture, elevated folklore, poetry, mythology and ages-old textile culture from Africa, Asia, and Latin America, YSL's drawings beg to be animated with vibrant color—something he did in spades and with an exacting detail that solidified his more ethereal dress-form sketches into usable plans for executing wearable sculpture.
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Second, there was a cultural shift that created more ethereal themes.
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Jónsi & Alex is an artistic collaboration between Jónsi and Alex Somers. They create ambient music as well as visual art. The music tends to be more ethereal and experimental than that of Sigur Rós, Jónsi's primary musical project.
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Faery Child at Gothtronic.com The Dreamside's next release, Nuda Veritas (1995), consisted of several dance/techno remixes of songs from their debut album.Dreamside at srgn.chat.ru In 1996 they released their second album, Apaika, a glossier, more ethereal album than the first.
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In particular, the direction sul tasto (Ital., also sulla tastiera, Fr. sur la touche, G. am Griffbrett) for bowed string instruments to play with the bow above the fingerboard. This reduces the prominence of upper harmonics, giving a more ethereal tone.
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That year, myriad goth groups emerged, including Flesh for Lulu, Play Dead, Rubella Ballet, Gene Loves Jezebel, Blood and Roses, and Ausgang. The 4AD label released music in a more ethereal style,Mercer, Mick. Music to die for. London: Cherry Red Books, 2009, , p.
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Dans ma main is the sophomore studio album from French-Canadian pianist and composer, Jean-Michel Blais, released on May 11, 2018 via Arts & Crafts. The album differs from the simple and down-to-earth production of his studio debut, Il, in that Blais explores more ethereal and electronic textures.
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Later in the band's short career, the trio would move into more ethereal trance productions. Emmanuel Top managed a record label called Attack Records from 1993 to 2003, and produced many dance hits. More recently, he managed a dance club in Belgium. Bruno Sanchioni co produced one of the first trance recordings, "the Age of Love".
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However, Wolfram insists on a more ethereal name, Rhys-Er or Lizel, in other translations. He first appears in Season 1, Episode 19, when he was still a hatchling dragon. He appears again in Season 2, Episode 43 when baby Ernst, with his amplified powers from Lady Annissinna's inventions, summons him. At first, Yuri and Wolfram do not recognize him.
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37) Boulez on Conducting. London, Faber. Macdonald highlights the passage towards the end of the scherzo where “The sounds become more ethereal and fairylike, low clarinet, high harps and the bell-like antique cymbals…The pace and fascination of the movement are irresistible; it is some of the most ethereally brilliant music ever penned.”Macdonald, H. (1969, p51) Berlioz orchestral Music.
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After the dissolution of Punchdrunk, Koester recorded three albums with producer/engineer/guitarist Alan Weatherhead (Sparklehorse, The Hotel Lights) and members of the rock band Maki. The songs were cooler and darker, the lyrics more prominent and the sound more ethereal and experimental. Koester was signed to David Lowery's Pitch-a-Tent Records and the introspective Oh! Turpentine was released in 2001, receiving some heavy college radio play and strong reviews.
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She described the sound as bigger and a more ethereal sound. She noted she has grown as a person and feels the album will have some sort of integrity. Prior to the album's release, Allen posted a number of demos on her Myspace page. The first two to appear were "I Could Say" and "I Don't Know" in April 2008, the latter of which was retitled and released as the album's lead single, "The Fear".
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While describing the album, Allen said that "we decided to try and make bigger sounding, more ethereal songs, real songs". She chose "22" as a single from the album, and later declared that, lyrically, the song describes a near thirty-year-old woman realizing she's at the end of her prime. The singer commented on the song's meaning: > It's more about girls that haven't figured out what they want to do with > themselves. Especially really pretty girls.
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Dan Oppenheimer in a June 1977 review for Rolling Stone felt the band had moved from their earlier music, losing a lot of the space, melodies and airy feel that marked them out from other jazz rock bands, but gaining a new bassist who "has been instrumental in developing their busier, talkative style", and that while their music previously "went up and up only; becoming more ethereal as it went; the new bottom makes all the difference in the world".
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With their 1999 release, "School Girl Distortional Addict", Number Girl moved towards a much heavier sound somewhat reminiscent of post-hardcore. Their 2000 album "Sappukei" built on its predecessor, but incorporated a more ethereal quality characteristic of producer Dave Fridmann. Traditional Japanese music influence was also found in songs such as "Urban Guitar Sayonara". Number Girl's final album, "Num- Heavymetallic" continued the fusion of post-hardcore and traditional Japanese music, showing Mukai's evolving musical sensibilities fully expressed in Zazen Boys.
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Between the formation and demise of the band, Delicate AWOL's sound underwent an extensive transformation. Originally favouring a harsh, guitar-orientated urban indie sound, the band passed through a more ethereal art rock mid-period and ultimately arrived at a more groove-orientated, jazz-influenced sound incorporating electronica, elements of Brazilian music and electric-period Miles Davis. At various times, the band cited influences including Mogwai, Cocteau Twins, Low, art rock from 1990s Chicago (such as Tortoise and The For Carnation) and Montreal (Godspeed You! Black Emperor) and 1970s Britain (King Crimson).
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In 2007, shortly before the release of Queenadreena's final album Djin, Garside released her first collaboration with guitarist Chris Whittingham, titled The Ventriloquist, under the band name Ruby Throat. Garside met Whittingham while he was busking at a train platform on London Underground, and asked him to collaborate. In contrast to Queenadreena's metal and noise rock style, Ruby Throat is a more ethereal, vocal based project primarily featuring acoustic guitar. The album was well-received, and critics drew comparisons to the work of PJ Harvey and Mazzy Star.
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These photographs present a more ethereal view of the world in transition, from 1990-2002. While most of these images were taken during his magazine assignments, they present a more lyrical, internal reaction to the events of the deaths of his parents, returning to live on the East coast, and the startling moment the Twin Towers burn behind a bronze statue depicting the horror of the Katyn Forest massacre. In 2013, the book "The Last Roll" is released by Daylight Books.Jeff Jacobson, "The Last Roll," Daylight Books, 2013.
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The songs include The Shirelles' "I Met Him on a Sunday", The Originals' "The Bells" (written by Marvin Gaye), Smokey Robinson & the Miracles' "You've Really Got a Hold on Me", Ben E. King's "Spanish Harlem", The Charts' "Deserie/Desiree", Major Lance's "The Monkey Time" (written by Curtis Mayfield)., and The Royalettes' "It's Gonna Take a Miracle". The album balances the grittier numbers with the more ethereal soul ballad, "The Wind" and the sultry love ballad, "Désiree". Nyro, Labelle and Gamble and Huff mixed genres including doo-wop, soul, R&B;, pop, Brill Building, and gospel.
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Lethian Dreams is a French doom metal band, founded in 2002 by Carline Van Roos and Matthieu Sachs, also known for their work in the bands Aythis and Remembrance. Starting as an atmospheric doom metal band, Lethian Dreams evolved later to a more ethereal sound, adding elements from different musical styles. This has made it difficult to put an accurate label over Lethian Dreams's music. The band self describes its music as "ethereal doom metal" but elements from black metal, shoegaze or post-metal can also be found in their music.
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To achieve the unique sound in the introduction, Tony Asher explains: "We were trying to do something that would sound sort of, I guess, like a harpsichord but a little more ethereal than that. I am plucking the strings by leaning inside the piano and Brian is holding down the notes on the keyboard so they will ring when I pluck them. I plucked the strings with paper clips, hairpins, bobby pins and several other things until Brian got the sound he wanted." Using United Western Recorders, the instrumental track was recorded on November 1, 1965 and January 24, 1966.
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While Pelican are an instrumental quartet inspired as much by Neurosis and Godflesh as by Mogwai, Jesu was formed by Justin Broadrick after the breakup of Godflesh to explore "ambient guitar compositions", embracing shoegazing and slowcore influences. As black metal "spread beyond Scandinavia to infect the global underground", it joined shoegazing as a major factor in the evolution of post-metal. Many bands employ the "speed and ferocity" of black metal in "contrast to slower, more ethereal compositions". This approach was pioneered by Agalloch, who formed in 1995 and also employed elements of doom metal, progressive rock, folk music, and post-hardcore.
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Afrirampo's music often features call and response vocals, catchy distorted pop melodies, looping fret noise, droning feedback, guttural barks and impromptu squealing. Their early albums featured a sound that could be described as noise-punk, albeit with surprisingly melodic vocal parts, along with some longer, less melodic improvised jam pieces. Their later albums, especially Suuto Breakor and We Are Uchu No Ko, featured a much more expansive sound, sometimes with very long songs and quieter, more ethereal passages. The band's later albums featured noticeable elements of African music, with a tribal percussive sound and call- and-response vocals.
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The Dweller is immortal, doesn't age and even the sorceress Zhered-Na, assisted by powerful beings like Agamotto and Valka, could only banish him, not destroy him. The "Way of the Shamblu", the Dweller's chosen path in life, involved a ritual where the Dweller removed his head from his own body. His body died, but his head lived on, now as a corporeal being, whereas the other inhabitants of Everinnye are more ethereal. The Dweller's head is attached to a robotic body, which possesses superhuman strength, but it can detach and move with the tentacles near its mouth in case of emergency.
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The album was recorded in Kent's countryside and it was produced by Ladytron and Barny Barnicott (Arctic Monkeys, Kasabian, Editors). Daniel Hunt said that "Gravity the Seducer is more of a jump than the last album was, more ethereal and melodic, a touch more abstract in places than we've gone before, baroque 'n' roll". "Ace of Hz", which appears on the album, was previously released as a single from the band's greatest hits compilation Best of 00–10. The first single from Gravity the Seducer, "White Elephant", was issued on 17 May 2011 and its accompanying video was posted on YouTube on 26 July 2011.
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The first volume of Cathedral Oceans was released at the same time as Foxx's comeback collaboration with Louis Gordon and the Shifting City album. In stark contrast to the latter, Cathedral Oceans is a more ethereal, ambient work combined with Foxx's own artwork of overgrown natural settings superimposed onto faces of statues. 2003 also saw the release of the second volume of Cathedral Oceans as well as another ambient record, the double CD Translucence and Drift Music with Harold Budd. In 2004, from September through October, a collection of Cathedral Oceans images was exhibited at BCB Art, Hudson, New York, and in the following year Cathedral Oceans III was released.
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As the title suggests, the album is heavy on drums (often run through various effects pedals), backed mostly by atmospheric guitar work. Andrew also relies more heavily on falsetto than in past work, which gives the album a more ethereal, less gritty sound than is often associated with Liars. Along with the music, Drum's Not Dead was released with a DVD that contains three full- length video companions to the album: Drum's Not Bread by Julian Gross, The Helix Aspersa by Angus Andrew, and By Your Side by filmmaker Markus Wambsganss. The rhythmic electroacoustic experimentalism was not only used in the studio set up, but continued in their live performances during the Drum's Not Dead tour.
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Since 2009, she has been part of the symphonic metal band Nota Profana, working alongside musicians from the Simon Bolivar Youth Orchestra, and now in a more prominent role as part of the beauty-and-the-beast-styled duet alongside male grunts/raw vocals. With them, she recorded the demo track for the song The Lake, which they presented as their 2009 demo after their first album Violent Whispers. In 2013, she recorded the new full-length production of the band, The Devil's Playground, in which she displayed a more ethereal style in the song The Grove. With Gaby being part of Nota Profana, the band has got much more attention and acceptance worldwide.
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"Songs for the Big Kablooey", released first as a five song EP, was named "best regional release of the year" by critics in publications like Greg Haymes at Nippertown.com ("After years of electro- symphonic ambient-oriented instrumental music, the Woodstock musical maverick headed back into David Bowie-meets-Pink Floyd glam-pop with glorious results"_and David Malachowski for the Daily Freeman ("Bartlett usually leans towards more ethereal work, here’s he’s put out a great pure rock album. That it’s not what he’s known for, makes it even better"). 2011 saw the release of the full length "Songs for the Big Kablooey", featuring a title track with vocals by Bartlett and Sting/Pink Floyd/Hiroshima veteran singer Machan Taylor.
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Having already achieved some moderate success with Mandylion and Nighttime Birds, the group felt trapped in an artistically controlled corner, which was very limited due to the high expectations from their fan base. Following the departure of guitarist Jelmer Wiersma, the remaining members of The Gathering decided they needed a change in musical direction. Having only one guitar player implied more space for different elements. Acknowledging the likes of Radiohead's OK Computer and Massive Attack's Mezzanine, and the growing influence of such shoegaze bands as Slowdive and the more ethereal sounds of 4AD bands such as Dead Can Dance, the group took the opportunity to experiment with their sound and reinvent themselves.
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The Joseph narrative seems to be an addition from a northern "E" narrative due to the more ethereal, pro-active, and prophetic nature of God compared to the reactive and anthropomorphic God of the J text. The latest additions of the P text frame the J narratives. P text "glue" can be perceived in Genesis 1 (framing the book), Genesis 5 recounts Genesis 1 and provides a characteristic priestly lineage detail for Adam and, amongst other locations, Genesis 35, bridging the J text patriarchal narratives to the "E" Joseph narrative with more lineage details assumed important to post-exilic authors for the purpose of rebuilding the nation in the second temple period.
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Selim Bulut of Dazed Digital described the track as "a more ethereal piece of electro-pop, driven by a thumping kickdrum and synth arp bassline". Jem Aswad at Variety spoke of the song as a "synth-driven, soft-focus collaboration with DJ i_o". Writing for Uproxx, Derrick Rossignol noted that "it's an engaging piece of atmospheric but dance-ready electronic pop" and compared it to some of her previous works. In his review of Grimes' album, Miss Anthropocene, Anna Richmond described "Violence" as a song about "an abusive relationship, [...] only understood as being sung by the actual Earth to the very crisis of climate change" and, sonically, "four-to-the-floor trance with a Madonna-esque vocal melody".
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James McMahon described the original score as "a more ethereal listen than the principal soundtrack", and Mike Katzif said that it "recalls the chiming ambient music of Brian Eno or the kinetic electro-rock of Daft Punk", as well as pulling tones from video games and using elements of chiptune music. Glen Chapman wrote of some of the score pieces that "there's a slow build with some beautiful tracks that sound like Sigur Rós' Untitled pieces and elements of Broken Social Scene's debut album, Feel Good Lost ". The musical cues of Beck-composed Sex Bob-Omb song "Threshold" also appear within parts of the score, which Chapman found to reflect the anthemic nature of the song for the band.
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The Lealfast are a race of beings who reside far to the north of Tencendor and Escator in the Frozen Wastes with their lord Lister; who is the human manifestation of Light. They closely resemble the Icarii save for a paler, more ethereal appearance and the suggestion of frost about their persons. It is theorised by both Axis and StarDrifter that the Lealfast are descendants of those Icarii who chose to flee from persecution by the Acharites in the fear that seclusion in their mountain cities would not be safe enough. They entered into the most northern parts of the Frozen Wastes and in order to continue as a people, Axis believes they were required to interbreed with the Skraelings.
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The paper negative process consists of using a negative printed on paper (either photographically or digitally) to create the final print of a photograph, as opposed to using a modern negative on a film base of cellulose acetate. The plastic acetate negative (which is what modern films produce) enables the printing of a very sharp image intended to be as close a representation of the actual subject as is possible. By using a negative based on paper instead, there is the possibility of creating a more ethereal image, simply by using a type of paper with a very visible grain, or by drawing on the paper or distressing it in some way. One of the original forms of photography was based on the paper negative process.
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42, 9 December 1995 Gerard Kenny released his version of "Take Back Your Heartache", a song that he co-wrote with de Paul on his 1995 album, An Evening with..., as well as his Old Friends album and that de Paul performed as "Take Back Your Heartaches" on TV in the UK. In 1996, her song "Martian Man" was featured on a CD single "The Milkman" by the Julianne Regan fronted group Mice. Regan is a long-time fan of de Paul and sought her approval to record the song, albeit in a very different style to the original more ethereal version. The single made it to the lower reaches of the UK Singles Chart. It was also a track on the album New & Improved by Mice.
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Those positing a Hebrew name have speculated "Pi- HaHiroth" might mean "mouth of the gorges", descriptive of its location as the end of a canal or river. In fact, part of the mystery may be resolved by understanding the initial syllable ′Pi,′ which corresponds to the Egyptian word Ipi or Ipu, as house of such as in ′Pithom′ or ′Pi-Ramesses′. The next literary fragment ′Ha′ would indicate the ′desert hills or mountains to the west′ normally associated with Libya, but a more ethereal rendering could possibly indicate the prominent mountainous range west of Nuweiba Beach on the West coast of the Gulf of Aqaba. The Revised Version of the Bible at the first use of the name Pi-HaHiroth has a link to a footnote that says "Or, where the desert tracks begin".
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Reviewing the album for JazzTimes in 1998, Bill Milkwowski said: > Listening to this 1971 release, one is struck by the grandiose reach of the > quintet that dared to call itself an orchestra. Pieces like "Meeting of the > Spirits" and the fragile, acoustic "A Lotus on Irish Streams" are like > classically-inspired suites in miniature. But it was numbers like "Noonward > Race", "Vital Transformation" and especially "Awakening", fueled by Cobham’s > smoldering intensity on the kit and McLaughlin’s raging, distortion-soaked > guitar lines, that really grabbed rock crowds. More ethereal pieces like > "The Dance of Maya", with its odd time signatures and arpeggios, and the > haunting "You Know, You Know", a drum feature for Cobham, helped to create a > kind of mystique about the Mahavishnu Orchestra that was wholly > unprecedented for its time.
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The Gathering is a Dutch rock band, founded in 1989 by brothers Hans and René Rutten and vocalist Bart Smits in Oss, North Brabant. The Gathering earliest releases were categorized as atmospheric doom metal with influences from death metal acts like Celtic Frost and Hellhammer. In 1998 with the release of their fifth studio album, How to Measure a Planet?, they had a major shift in musical style, with the group acknowledging the growing influence of shoegazing, post-rock, experimental rock and the more ethereal sounds of 4AD bands, such as Dead Can Dance, Cocteau Twins, as well as Pink Floyd, Radiohead and Massive Attack; they expanded their sound, which acquired characteristics of progressive, alternative rock, and trip hop and gained success and recognition beyond the European borders.
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Hutton in a 1974 publicity photo for The Gambler Hutton returned to New York in the mid 1960s, changed her name to "Lauren Hutton", and embarked on a career as a model. She was advised by agents to hide the gap in her teeth and tried using morticians' wax to cover the gap; she later used a cap to hide it, which she would often swallow, laugh out, or misplace. Hutton eventually retained this "imperfection" and the All Movie Guide stated that it "gave her on-camera persona a down-home sensibility that other, more ethereal models lacked." She continued to book modeling jobs, and appeared in a Chanel advertisement in 1968, photographed by Richard Avedon. In 1973, Hutton signed a contract with Revlon cosmetics, worth US$250,000 a year for 20 days' work (), a professional relationship that lasted for 10 years.
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86 The Village Voice called the sound "emo-core ... intercut with elegiac little pauses that align Blink 182 with a branch of punk rock you could trace back through The Replacements and Ramones Leave Home, to the more ethereal of early Who songs". Aaron Scott of Slant Magazine, however, found the sound to be recycled from the band's previous efforts, writing, "Blink shines when they deviate from their formula, but it is awfully rare ... The album seems to be more concerned with maintaining the band's large teenage fanbase than with expanding their overall audience." Entertainment Weekly felt similarly, with David Browne opining that "the album is angrier and more teeth gnashing than you'd expect. The band work so hard at it, and the music is such processed sounding mainstream rock played fast, that the album becomes a paradox: adolescent energy and rebellion made joyless".
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Any baptised person of any age or gender, who is willing to undertake the obligations stipulated by the order may be enrolled. These obligations are to wear the Black Scapular, to pray 15 minutes daily for the whole of the Servite order and the church (the Chaplet of Seven Sorrows is recommended) including at least one "Hail Mary", one "Hail Holy Queen", and if possible perform some work of mercy towards those suffering either bodily, spiritually, or mentally. The benefits of membership are in participation in the life of the Servite order as well as a share in all of their works and prayers and an opportunity to deepen one's understanding of the life of Christ and His mother."The Confraternity of Our Lady of Sorrows" published by the Order of Friar Servants of Mary in Chicago, IL There are other more, ethereal benefits, based on private revelations from various mystics.
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Athan Maroulis, who appeared on two songs on The Scavenger Bride album, as well as a cover of Dead Can Dance's "Fortune Presents Gifts Not According to the Book", took over as lead vocalist. On September 22, 2009, the band released their 10th album, 10 Neurotics, with the lineup of Rosenthal on acoustic guitar, programming and keyboards, Brian Viglione (The Dresden Dolls) on drums, percussion, bass and guitar, and vocalists Maroulis (Spahn Ranch), Laurie Reade (ex-Attrition) and Nicki Jaine on additional vocals. Sam explained that the risque nature of the Neurotics-material caused the previous band members to shy away from singing the songs, though Grant did appear on the song "You Strike Me Down", previously released in a longer and more ethereal form on Projekt200. In August 2009, the band was invited to play at a CD release party for Dreamchild's Sleeping Flowers Severed, Scream of Laughter.
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Pietro Orioli was born in Siena in Tuscany. The art of Siena has previously been celebrated primarily for its late medieval masters such as Duccio, Simone Martini, as well as Ambrogio and Pietro Lorenzetti; Orioli arose in the next century, and the art in Siena of this period has been generally overshadowed by the art of Florentine masters of the Quattrocento. In 1458 the Sienese cardinal Aeneas Sylvius Piccolomini was elected as Pope Pius II. The period between this date and the end of the Sienese republic in 1558 saw the development of a unique style of art from the city state, showing tendencies towards some of the more ethereal properties of the golden age of Sienese art rather than the studied realism and veneration of classical aesthetics and principles which drove many artists within the more celebrated centres of Florence, Rome and Venice. The artistic development along the line of more international Gothic styles would have meant that these more famous artistic schools would probably have considered contemporary Sienese art somewhat archaic and unfashionable.
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