As such, season three is much more episodic than either of the first two seasons.
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This is just the first of more episodic content the network hopes to bring to the social media.
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However, FICC revenues still remain well below 2010 and 2011, suggesting the improvement in FICC revenue may be more episodic.
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Roma is more episodic than driven by a propulsive narrative, which makes it a tough sell in the mainstream marketplace of movies.
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At elite colleges like Harvard, food insecurity — not knowing where your next meal is coming from — is more episodic, happening mostly around breaks.
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As great a composer as Lloyd Weber is, his compositions set to T.S. Eliot's poems, while lovely, are invariably more episodic than cohesive.
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And as the play's style becomes more episodic and telegraphic once the women hit the road, the thread of character reality sometimes gets dropped.
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That more episodic format serves Fear the Walking Dead well, and leaves it feeling like a short story anthology set amid the end of the world.
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The anthology format has long been making a comeback, with season-long stories like American Horror Story and more episodic offerings like Black Mirror becoming more common.
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It should be said that both The Expanse and The Magicians are more episodic than a lot of TV shows, especially those on HBO or streaming services.
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The company has been looking to build stickier sources of revenue to lessen a reliance on more episodic investment banking fees such as those from its underperforming trading arm.
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But if you feel like you've burned through the big, serialized cop shows and want something more episodic — but still smart and darker than a "Law & Order" — try this.
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It advanced its mythology intelligently, for the most part, and its 10-episode second season struck a very nice balance between its more episodic elements and its serialized story.
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Dealing out more episodic stories also allows the show to dig more deeply into the lives of some of the wrestlers who didn't get as much story time in season one.
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But what's here is much more episodic than dramatic, and the few moments of action, like Sancho's struggle to produce his deed of property in order to cast his vote, feel contrived.
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They're very used to doing things that are more episodic with themes, whether that's a cooking show or an illustration series, so I think that will probably be a lot of what they do.
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Thanks to its strong visual style, its appealing performances (from Shipka especially), and a fairly disciplined narrative approach that balances long serialized arcs with more episodic storytelling, Chilling Adventures of Sabrina overcomes some of the common flaws of modern TV dramas.
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Even the ones with consistent directors — Steven Spielberg on the Indiana Jones films, or Christopher Nolan on the Dark Knight trilogy — aren't really trying to tell big, sprawling stories but rather more episodic tales that appear to add up to a whole.
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Mr. Cohen just seems off his game in "Grimsby," and it may be that the movie's high concept proved too constricting for someone who has done some of his best work (as in the "Borat" film) with a looser, more episodic format.
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It is also organized around a single, unified plot, which distinguished it from Defoe's more episodic "Moll Flanders" (1722), a pseudo-memoir that recounts its protagonist's varied and largely illicit pursuits, from her inauspicious beginnings through her late years in the colonies.
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So far, Season 2 has drifted between a more episodic formula and the mystery of Spock, in what's likely a season-spanning story arc, though honestly we'll be happy with whatever happens as long as we don't ever have to hear about the mycelial network again… ever.
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Mr. Whitman's approach to the sprawling organ built from wood, copper pipes, plastic tubing, sandbags (among other objects) and a computer that coordinates the elements, was more episodic and noisy; Ms. Lavender's piece swelled into a warm, engulfing drone, in keeping with her sound-as-healing practice.
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Co-creators, writers, and directors Vivian Huang and Adina Luo originally wrote "Kids Table" as a feature but converted it into a web series because "the ensemble nature of the story lent itself well to something more episodic," Huang said in a Q&A after a Los Angeles screening.
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The character of Swamp Thing was introduced in a DC horror comic, House of Secrets, but once he landed in his own ongoing series, Wein and Wrightson retooled the basic concept of an avenging plant monster, fitting it into the more episodic, adventure-driven mode of 1970s comics.
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But in some ways, this only needs to work as a proof of concept, as a suggestion that a Netflix series can be just as satisfying with a more episodic structure as it can be with the season-long-story structure the streaming service has favored to this point.
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The settings for the series take place after BoBoiBoy TV series and BoBoiBoy: The Movie. It focuses more on an adventure-based storyline, is more episodic have a total of 24 episodes."Animonsta Signs With A Global Toy Company, TOMY " Animonsta Studios. 2 September 2014.
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Majo no Takkyūbin, the original children's book by Kadono that the movie was based on, is very different from Miyazaki's finished film. Kadono's novel is more episodic, consisting of small stories about various people and incidents Kiki encounters while making deliveries. Kiki overcomes many challenges in the novel based on "her good heart" and consequently expands her circle of friends. She faces no particular traumas or crises.
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The concept that semantic representations are grounded across modality-specific brain regions can be supported by the fact that episodic and semantic memory appear to function in different yet mutually dependent ways. The distinction between semantic and episodic memory has become a part of the broader scientific discourse. For example, it has been speculated that semantic memory captures the stable aspects of our personality while episodes of illness may have a more episodic nature.
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Over time, autobiographical memories may consist more of general information than specific details of a particular event or time. In one study where participants recalled events from five life periods, older adults concentrated more on semantic details which were not tied to a distinct temporal or spatial context. Younger participants reported more episodic details such as activities, locations, perceptions, and thoughts. Even when probed for contextual details, older adults still reported more semantic details compared with younger adults.
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Retrieved 10 March 2013. Matt Cantor of Philadelphia City Paper called the film "an eerie, haunting film that's part myth, part fairy tale, and part fable." He wrote that the plot was "more episodic" than a traditional Hollywood story arc and "at times difficult to follow", but called the Tim Burton-echoing animation ultra-smooth, gorgeous and original. He also commended Jason Salerno's performance as Romance "passionate and convincing" and Nathan Terry's original film score "sweet and atmospheric".
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Kennedy wrote and directed Wolf Lake (1980) with Rod Steiger and directed more episodic television: Seven Brides for Seven Brothers, Magnum, P.I., The Yellow Rose, Simon and Simon, Rowdies, and Snoops. He did a feature with Donald Sutherland, The Trouble with Spies (shot 1984 released 1987), the TV movies Louis L'Amour's Down the Long Hills, The Alamo: Thirteen Days to Glory (1987), Once Upon a Texas Train (1988), Where the Hell's That Gold? (1989), and Big Bad John (1990).
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Like the preceding novel Thank You, Jeeves, Right Ho, Jeeves uses Bertie's rebellion against Jeeves to create strong plot conflict that is sustained through most of the story. Writer Kristin Thompson refers to these two novels as Bertie's "rebellious period", which ends when Jeeves reasserts his authority at the end of Right Ho, Jeeves. This period serves as a transition between the sustained action of the short stories and the later Jeeves novels, which generally use a more episodic problem-solution structure.Thompson (1992), pp. 234–247.
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The book is in the form of a memoir of experiences living in shared accommodations, presumably from the point of view of John Birmingham. The film, on the other hand, tells a fictional story in episodic or anecdotal form. But the book is much more episodic, anecdotal, and fragmented than the story of the film, with frequent interpolations of anecdotes and commentary from the points of view of several other people. Birmingham implies in the text that these stories were contributed to him by others.
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Actual gunfights in the Old West were more episodic than being a common thing, but when gunfights did occur, the cause for each varied. June 7, 2012 Some were simply the result of the heat of the moment, while others were longstanding feuds, or between bandits and lawmen. Although mostly romanticized, there were instances of "quick draw" that did occur though rarely, such as Wild Bill Hickok – Davis Tutt shootout and Luke Short-Jim Courtright Duel. June 25, 2004 Fatal duels were fought to uphold personal honor in the West.
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The moralistic, Biblical subject matter was not an anomaly; such subjects were popular in the Parisian ballet scene in the late 1920s. As Prokofiev was composing The Prodigal Son in early 1929, he found that many of the themes he was creating would work better in a more developmental symphonic context, rather than the more episodic layout of a ballet. So, he began composing a new symphony, alongside the ballet. The two works share much of the same material, although one does not specifically borrow from the other: they were composed mostly concurrently.
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Matt Cherniss, executive vice president of programming at Fox says: "Sometimes early on, being a little more episodic allows more people into the room. And as the show goes on, by its nature, it might find itself becoming a little more serialized." Early in their runs, shows such as Lost, Buffy, Angel, Dollhouse and Torchwood put greater emphasis on the "story-of-the-week", but over time story arcs begin to dominate. In contrast, Alias became more focused on standalone stories in later seasons, because of pressures by network executives.
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The North American English localization was titled Case Closed due to legal issues with the title Detective Conan. The series focuses on the adventures of teenage detective Shinichi Kudo who was turned into a child by a poison called APTX 4869, but continues working as a detective under the alias Conan Edogawa. At the start of the season, he works with the Federal Bureau of Investigation as they confront a criminal syndicate called the Black Organization before the episodes return to a more episodic formula. The episodes use eight pieces of theme music: four opening themes and four ending themes.
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In contrast, Bordwell states that "the art cinema motivates its narrative by two principles: realism and authorial expressiveness". Art films deviate from the mainstream "classical" norms of film making in that they typically deal with more episodic narrative structures with a "loosening of the chain of cause and effect". Mainstream films also deal with moral dilemmas or identity crises, but these issues are usually resolved by the end of the film. In art films, the dilemmas are probed and investigated in a pensive fashion, but usually without a clear resolution at the end of the film.
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Layton's Mystery Journey was developed by Level-5 and directed by Akihiro Hino, with character designs by Takuzō Nagano and music by Tomohito Nishiura. The puzzles are designed by Kuniaki Iwanami, who replaced previous designer Akira Tago following his death in March 2016. The game's animated cutscenes were produced by A-1 Pictures. The game's more episodic and casual style came about due to the belief that the Layton series had strayed from its roots in recent entries, which featured "overblown" stories like saving the world, and the desire to bring the series back to its core principles.
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The 1960s and 1970s gave rise to two complex narrative formats which would come to dominate the American television landscape decades later. The primetime serial (radio and television) with Peyton Place based on the Grace Metalious novel and the successful movie of the same name starring Lana Turner. It was the first American television series to feature a frank discussion of sexuality in dramatic storylines. It was also the first primetime series to adopt the more serialized character-driven approach to storytelling more often seen on daytime soap operas as opposed to the typical primetime series of the era which had a more episodic plot-driven nature.
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When a second season of episodes was ordered for autumn 1982, NBC insisted the serial format be dropped and that the stories be more episodic. This resulted in the addition of the pet dragon Gremlin, an artist in mouth-blown smoke. The second season was not so well received (and was not seen in some areas, due to being scheduled at 12:30 pm Eastern/11:30 am Central and thus often competing with sports coverage) and the program was canceled shortly after its completion. The program was later shown in reruns on the Sci Fi Channel as part of Sci Fi Cartoon Quest.
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" After three years at WKRP, Daniel then directed more episodic television, including episodes of shows like Newhart and Magnum, P.I.. He directed several episodes of The Duck Factory, starring Jim Carrey, but the series was unsuccessful, and Daniel decided to switch to films. In a 1985 interview with The Tennessean, Daniel opined that "On television there is some really good writing, but not much. Television is just a machine, a sausage machine. If you really want to do some quality work, you just don't have time." He said to the Chicago Tribune in 2011 that he "could teach you to direct sitcoms in 30 minutes.
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Also figuring there is a description of the town of Lovelock Junction, where the family settles. They are originally from Devon and so distinct from the family of Jack Lovelock, the best known New Zealander bearing the name, whose father was himself a miner who immigrated from Gloucestershire to South Island at a later date.Lovelock family history site A steamer on the Mokau River, on which the Porangi River and its mines are based The novel is divided into four sections, the first three of which cover roughly the decades 1860-70 and the next two. The final section is more episodic, covering incidents that involve later family members during the 20th century.
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On August 29, the season one finale, "Young Blood, Old Souls" aired on the Disney Channel. In his review of the episode, Kevin Johnson of The A.V. Club said that the Luz/Amity relationship is "deeply important and meaningful to the progress of LGTBQ+ portrayals on television," especially for those who are young, even as he stated that he found the "narrative development" of this development to be "a bit hollow." Petrana Radulovic of Polygon contrasted Johnson's review with one that was more positive. She said that those who enjoy The Dragon Prince and She-Ra and the Princesses of Power would like The Owl House, saying it is a fun show that is more episodic, similar to Steven Universe and Gravity Falls.
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The sixth Bond novel, Dr. No began what the media historian James Chapman describes as the move of the Bond books to "fantastic and highly improbable plots"; Chapman considers that Goldfinger maintains that trend. He also finds it "the most implausible of Fleming's plots". Benson states that the plot is impractical and that "sometimes there's no logic in the sequence of events"; the author Kingsley Amis—who also later wrote a Bond novel—says that the novel was "more implausible than most". According to Panek there is an episodic approach in Fleming's works; in Goldfinger this manifests itself in the use of the card game—something also seen in Casino Royale and Moonraker; Benson considers the novel to be more episodic than Fleming's previous books.
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49 further episodes were commissioned for the show's second season in 1985, bringing the total up to the "magic number" of 65 required to move the series into weekday broadcast syndication. Compared to the first season, season two's stories are more episodic, with many of them able to air in whatever order networks chose. Episodes would often spotlight individual characters or groups of characters as a means of promoting their toys and later in the season, the lore of the series would be expanded on as the history of Cybertron and origin of Optimus Prime were discovered and significant cartoon-original characters like Alpha Trion and the first female Transformer characters were introduced. A new recurring human cast member was also added in the form of Spike's girlfriend Carly.
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Cohen's initial projects in the early music field were in the area of the French and English Renaissance. His enthusiasm for medieval and Renaissance music continues to be reflected in recent projects, including a series of commissioned programs (2001–2008) for the Gardner Museum, Boston, around Italian repertoires of the fifteenth and sixteenth centuries. His forays into baroque repertoire have been more episodic but have attracted widespread comment and attention: the first early-instruments recording of Purcell's "Dido and Aeneas"(Harmonia Mundi, 1980), and a well-received recording of Jean Gilles' "Requiem" (Erato, 1990), among others. From 1986 forward, many of his new Eurocentric projects dealt with music of the Middle Ages, including a medieval retelling of the "Tristan and Iseult" legend (Erato, Grand Prix du Disque, 1987).
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This Netflix Original series is a reboot of Lalaloopsy, a Nick Jr. series that first aired in 2013. While they both share the basic premise of rag dolls having adventures in Lalaloopsy Land, the exact details of each series are very different. 48 unique lalaloopsies appeared in the original series. In contrast, We’re Lalaloopsy only features 10 characters, a significant downgrade from 48. The Netflix series also offers a more continuity based structure as opposed to the previous series’s more episodic structure. We’re Lalaloopsy mainly focuses on Storm E. Sky (who previously appeared in Lalaloopsy Girls: Welcome to L.A.L.A Prep School) gradually becoming accepted in Lalaloopsy Land. Another difference from the original series is that We’re Lalaloopsy contains a slightly different art style that emphasizes the dolls’ mouths more. Unlike Lalaloopsy, the lalaloopsies are now voiced by adults.
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Over time, series co-creator Mike Judge took a reduced role in the production of episodes. Judge and Daniels' reduced involvement with the show resulted in the series' format turning more episodic and formulaic. Beginning in season seven, John Altschuler and Dave Krinsky, who had worked on the series since season two, took it over completely, tending to emphasize Judge's concept that the series was built around sociopolitical humor rather than character-driven humor. Although Fox insisted that the series lack character development or story arcs (a demand made of the network's other animated series, so that they can be shown out of order in syndication), Judge and Daniels had managed to develop minor arcs and story elements throughout the early years of the series, such as Luanne's becoming more independent and educated after Buckley's death, and the aging of characters being acknowledged (a rare narrative occurrence for an animated series).
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