The more compartments your friend had in his parka, the more envious you became.
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But we've never been more envious than we are after seeing her latest cuddle buddy.
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If you're already convulsing with jealousy over the fact that you're not there right now, get ready to feel even more envious.
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Even your frenemies and people who are jealous of you will chill out a bit—or they'll become even more envious, and you'll watch them implode.
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His Crazy Cart Landspeeder will never get off the ground (at least intentionally) but the fact that you actually get to pilot this craft around empty parking lots makes us all the more envious of Adam's latest creation.[YouTube]
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She begins to become more and more envious of Lee, especially of Lee's happy home and inner peace. One day, Deanna finds that Stacy fled the house, leaving April behind, and does not return. At the same time, she develops a friendship with her boss at Picasso's, Michael, while working alongside Tommy Webber. One evening, Michael gives Deanna a ride home from work and Deanna's father grows suspicious of Michael's motives.
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Lucinda and Lucifer became the first beings to experiment with affection beyond God. He grew more possessive, more envious of Lucinda's adoration of the Throne. The reason why Lucifer wants to wipe the slate clean is because he wants to reset the universe to have Lucinda back—to choose him instead of Daniel. Lucinda loved Daniel more than Lucifer because Daniel wants her for who she is and he would never eclipse her with his desires.
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Mark and Jack eventually become jealous of each other and try and outdo each other. Jack and Mark pretend to be in a gay relationship to avoid embarrassment when the trio attend prenatal classes, which irritates Mark. He becomes increasingly more envious of Bridget and Jack’s close relationship and is devastated when Jack lies and states he and Bridget had sex without condoms, making it more likely for Jack to be the father. Mark leaves and ignores Bridget's calls.
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Tim Dingman (Ben Stiller) and Nick Vanderpark (Jack Black) are best friends, neighbors and co-workers at 3M. Nick is constantly coming up with crazy ideas to get rich quick, and when he invents Vapoorize, a spray that instantly disintegrates dog feces, he actually succeeds. As Nick's wealth continues to grow, so does Tim's envy, as he had initially scoffed at the idea and squandered an opportunity to invest and become mega-rich himself. Nick is blissfully unaware of Tim's envy, and his generosity only serves to make Tim more envious of him.
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Unfortunately, this would all change when he skips out on a feast that she made for him in order to continue teaching Regina, making her more envious than ever. This prompts her enter to Regina's bedroom to kill her with a blade, only to find out that she was tricked by Rumplestiltskin (disguised as Regina). Zelena discovers that she had failed his test because the curse demands giving up the thing you love most, and that was her love for Rumplestiltskin, who then responds "It's OK. I have that effect on women." She also discovers that Rumplestiltskin has already trained Regina to become powerful, and Zelena's throat turns green.
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Yvonne and Mishna's father eventually get married and that's when Yvonne gets vicious with Mishna and treats her terribly until she will start supporting herself financially. Yvonne also accuses Mishna of being a racist and that really hits Mishna hard because she doesn't see herself as one but Yvonne's persistence begins to convince her of otherwise. As Mishna spends more and more time with her white friends, she becomes more and more envious of their home lives full of endless presents and infinite amounts of alone time with their many possessions. Mishna just can't seem to understand why they are so unhappy with their lives.
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Thomas enjoyed Brianne Davis's, the actress of Chelsea, performance so much that he called her and complimented her after filming ended, while Peter Roth expressed interest in giving her a job on another show. The episode was scored by Mark Lanegan, with whom Thomas had gone to elementary school. Thomas was favorable towards the scene in which Veronica and Logan discuss his past, stating that the scene could have dragged due to its length but that it did not. When scripting the scene, there was a discussion in the writers' room regarding what the extent of Veronica's jealousy could be, with Thomas and Ruggiero, who Thomas described as "naturally jealous people", winning out and making Veronica more envious rather than less.
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When Glinda suggests that they take Dorothy to meet the sisters, Zelena's jealousy starts to reemerge. It appears that Dorothy has won over the other witches, except for Zelena, who now has become more envious of this latest visitor to their world (as evidenced by her green skin returning), and as she watches from the well, Glinda comes over to talk to her. However, Zelena, having read the book of prophecies, believes that Dorothy will replace her, saying that she is the greatest evil and a threat to Oz. Later on, Zelena surprises Dorothy at the well, where Zelena's green skin returns, making her evil as ever and vows to threaten Dorothy by creating a fireball that she will aim at her. This prompts a confused Dorothy to take a bucket of water from the well and throw it at her, causing Zelena to melt.
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Interestingly, Beachy Head does not appear to be the only poem in which Smith features the character of the hermit; in her poem "Sonnet: On Being Cautioned Against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic" the character of the hermit is similarly used as a figure who has been totally isolated from the world around him, more envious of the world around him than afraid of it. Kari Lokke writes in “The Figure of the Hermit in Charlotte Smith’s Beachy Head”: > Twenty years before Beachy Head, we find in Mary Wollstonecraft's “Cave of > Fancy” a strange and suggestive precursor to Smith's hermit in the figure of > the seaside recluse Sagestus. In this gothic morality tale, a fragment begun > in 1787, published posthumously in 1798, Wollstonecraft, like Smith, sets > her hermit against a backdrop of disillusionment and mutability. Lokke continues: > Beachy Head moves spectacularly from a sweeping and panoramic cosmological, > geographical, and historical vision, to a regional portrait of the Sussex > Downs, to a series of village vignettes, before concluding with the single > and isolated figure of "the lone Hermit" in the final lines of the poem.
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