How to use more embryonic in a sentence? Find typical usage patterns (collocations)/phrases/context for "more embryonic" and check conjugation/comparative form for "more embryonic". Mastering all the usages of "more embryonic" from sentence examples published by news publications.
It was later revealed that he was referring to a much more embryonic proposal than he had implied.
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The earlier on you are in the game, the fewer things you've encountered, the more embryonic your own thoughts appear.
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It turned out that the plan to take the company private was in a much more embryonic state than his tweet indicated.
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The researchers, based in Oregon, corrected the genetic mutation in one cell and passed that correction to more embryonic cells, as they began to divide.
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The characters of Kath, Kim (created by Riley and Turner) and Sharon (created and played by Magda SzubanskiThe secret life of Sharon, The Age, 29 September 2004) first featured in their current forms during the mid 1990s as a weekly segment of the Australian comedy series Big Girl's Blouse (Seven, 1994–95), having appeared in a more embryonic incarnation earlier in the decade on the sketch comedy show Fast Forward (Seven, 1989–92). They also appeared in Something Stupid (Seven, 1998). The skits were developed by Riley and Turner into a full series. Big Girl's Blouse had been deemed a failure by the ABC who wanted to pull Kath and Kim.
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Lewis observed that the connective tissue fibrils resulted from the cytoplasmic transformations of the cells. In her studies of explanted tissue cultures, Lewis noted that the cells choose to migrate away from the tissue sample and divide as individual cells, resulting in loss of the tissue’s characteristic appearance. However, she also made the distinction that the cells do not become more embryonic like Champy and others claimed, but instead lose their differentiated appearance as a tissue. This spreading of the cells and lack of characteristic tissue form caused fibril development in many tissue cultures to be lacking; however, there were a few cultures where connective tissue fibers did develop, and their progression could be tracked.
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Perhaps more intriguing are the bands formed by Michael Lloyd and Shaun and Danny Harris—the young masterminds behind the group's enigmatic leader—whose recordings would sometimes manifest themselves on WCPAEB albums and later solo careers. The Laughing Wind, the folk rock predecessor "discovered" by Markley prior to the band's formation, reveals a more embryonic version of what the group would develop into. The tracks "Sassafras" and "I Won't Hurt You", both from the band's first album Volume One ("Sassafras" only appears as a bonus track on the 1997 reissue of the album), are credited to the WCPAEB. Companion unexpectedly concludes with the avant-garde electronic tune "Leiyla and the Poet" by experimental composer Halim El-Dabh.
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