How to use more declamatory in a sentence? Find typical usage patterns (collocations)/phrases/context for "more declamatory" and check conjugation/comparative form for "more declamatory". Mastering all the usages of "more declamatory" from sentence examples published by news publications.
In the January 9th recital, Haile seems to have introduced a new, more declamatory and more modern compositional style. A reviewer said, "The translation of the sentiment of the poems into tonal utterances is his aim ... To the lover of melody, these songs offer little"."Recital of Haile songs." The Musical Courier. 1/17/1912.
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She sings her own rage in music much more declamatory than lyrical, and the scene is suddenly and violently brought to an end. Scene 2: Fanny and Jean's house at Ville-d'Avray Jean has returned to their house and finds a box belonging to Fanny containing letters from her past lovers. Fanny has followed him. He forces her to burn the letters after reading them first, learning that she has an illegitimate child whose father is a convicted forger.
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Contrasting passages in monodies could be more melodic or more declamatory: these two styles of presentation eventually developed into the aria and the recitative, and the overall form merged with the cantata by about 1635. The parallel development of solo song with accompaniment in France was called the air de cour: the term monody is not normally applied to these more conservative songs, however, which retained many musical characteristics of the Renaissance chanson. An important early treatise on monody is contained in Giulio Caccini's song collection, Le nuove musiche (Florence, 1601).
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In addition to his copious output of madrigals and chansons, Arcadelt produced three masses, 24 motets, settings of the Magnificat, the Lamentations of Jeremiah, and some sacred chansons – the French equivalent of the madrigale spirituale. The masses are influenced by the previous generation of Franco-Flemish composers, particularly Jean Mouton and Josquin des Prez; the motets, avoiding the dense polyphony favored by the Netherlanders, are more declamatory and clear in texture, in a manner similar to his secular music. Much of his religious music, except for the sacred chansons, he probably wrote during his years in the papal chapel in Rome. Documents from the Sistine Chapel archives indicate that the choir sang his music during his residence there.
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The verismo opera style featured music that showed signs of more declamatory singing, in contrast to the traditional tenets of elegant, 19th century bel canto singing that had preceded the movement, which were purely based on markings in the written music of authors preceding this “era”. Opera singers adapted to the demands of the “new” style. The most extreme exponents of verismo vocalism sang habitually in a vociferous fashion, were focusing on the passionate aspect of music. They would 'beef up' the timbre of their voices, use greater amounts of vocal fold mass on their top notes, and often employ a conspicuous vibrato in order to accentuate the emotionalism of their ardent interpretations (this kind of proper “chiaroscuro” technique singing, which promised a great longevity of the voice, that a lot of preceding singers used up to this point in time).
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