Which is probably why Gray, whom Narula says is more "communistic" than himself, supports eliminating distinctions between full time employees and contractors, along the lines of California's recently passed "AB23" worker law, sparking potential for a progressive gig economy revolution.
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He overstayed his leave, lost his government post, and the decision to become a full-time actor was effectively made for him.[Adler 1999] pp.107, 111 Adler was unhappy that under Tulya Goldfaden there were "No more communistic shares, no more idealistic comradeship". Still, under this same Goldfaden regime he had his first taste of real stardom when people in Chişinău camped in the courtyards awaiting performances.
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Adler, 1999, 105-107 Returning to Odessa, they found Goldfaden "as difficult to approach as an emperor". [Adler, 1999, 114] When they finally managed to get an audience, Goldfaden agreed to allow Rosenberg's company to function as a provincial touring company, but with a different brother of Goldfaden's, Tulya, not merely on board but officially head of the troupe. Goldfaden also snagged Spivakovsky for his own Odessa company.Adler, 1999, 118 With Tulya in charge there were, as Adler wrote, "no more communistic shares, no more idealistic comradeship".
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Furthermore, proponents argue that Cuba has little to offer the United States economically. From the United States viewpoint, Cuba's one party semi-dictatorial form of government is especially undesirable due to characteristics such as its crackdowns on religious freedom, repression of the press, and repression of almost all criticism of the government. These policies are allegedly designed to ensure one party, dictatorial rule for as long as possible. Many in the United States profoundly disagree with Cuba's historical policies of severely limiting private property ownership and property rights in order to attain a more communistic society.
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This group served as a workshop and forum for creating new art forms merging Eastern and Western culture as well as the modern and traditional. The main focus of Yoshihara was gaining recognition in the art world through Japanese tradition and in 1952 Yoshihara participated for example to the Salon de Mai in Paris and again in 1958 after the visit of Georges Mathieu to Japan in 1957 and the discovery of the movement by the art critic Michel Tapié. With post-occupation Japan's emphasis on freedom, the United States' goal was as well to promote abstract art in order to promote democracy. Like the social reforms of the Allies occupation of Japan after the war, the United States wanted to steer Japan, and other axis nations, away from the more communistic art style of socialist realism.
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In 1958, the Communist Party of China sends Long Guozheng (Guo Zhenqing), a graduate of the Counter-Japanese Military and Political University, to head the newly established Jiangxi Communist Labour University (today's Jiangxi Agricultural University). The school's more capitalist elements, such as aiming for high bourgeois academic standards, and refusal to admit poorly-educated (according to bourgeois standards) peasants clash with Long's more communistic approach. He advocates only admitting students from the working class, and begins innovative changes—to the dismay of many other staff—such as putting more emphasis on hard labor than classroom learning, switching courses to accommodate experiential learning, removing impractical sections from the curriculum, holding lessons in the field, and excusing students who miss exams to work for the commune. Later, a student Li Jinfeng (Wang Suya), whom Long considers an exemplary follower of the "educational revolution", faces expulsion and is put on trial.
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