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33 Sentences With "more claustrophobic"

How to use more claustrophobic in a sentence? Find typical usage patterns (collocations)/phrases/context for "more claustrophobic" and check conjugation/comparative form for "more claustrophobic". Mastering all the usages of "more claustrophobic" from sentence examples published by news publications.

So the level of detail was much higher and the city was much more claustrophobic.
An overeager laugh track made scenes between C.K. and Adlon, as his wife Kim, all the more claustrophobic.
Letting woozy strains of piano house creep in, his selections got slowly more claustrophobic as the set went on.
It starts with Asylum, a far more claustrophobic and suffocating setting than its successors, but one that remains incredibly unique.
The in-cockpit view is much more claustrophobic, but it's also better for aiming, since you can see your targets up-close.
But those changes turn out to be just what Unity of Command 2 needed to bring this more claustrophobic setting to life.
Technology now increasingly defeats distance, but geography does not disappear: It merely becomes more claustrophobic on a crowded, contested and interactive earth.
I knew that if I discovered it was actually very close, I would feel decidedly more claustrophobic than I was already beginning to feel.
It is a comfort to know, as reality seems to grow more claustrophobic and inescapable, that she remains at her desk, busily subverting our world.
Season 2 is more claustrophobic, and, since we know Escobar was killed by the Colombian authorities in December 1993, has far less time to work with.
Over a prolonged sequence, the bars are slowly closing in, getting more and more claustrophobic, until they're stuck in 3.0:1 for the rest of the movie.
To signify dream sequences (well, nightmares), it cuts out to a wider perspective that makes you feel a bit more claustrophobic, since black bars suddenly border the screen.
Throughout the film's five-act structure (think Aaron Sorkin's Steve Jobs script, but even more claustrophobic), Becky's substance abuse and abrasive personality sabotage her attempt at a comeback.
As the action narrows to an underground cell and, later, a series of swinger-stuffed motel rooms, the atmosphere becomes more claustrophobic and the plot substantially more nutty.
I stood on the pavement looking up at the white supremacists as they crowded together on a small slope, and I could see their world getting crowded, more claustrophobic.
Harron often uses dissolves to further blur past and present; as things fall apart on the ranch and Charlie's eccentricities grow progressively more frenzied, the interiors grow dimmer and seemingly smaller, more claustrophobic.
Despite never abandoning its core piano, the song is constantly shifting, switching between programmed drums and live drums, moving into spaces that are alternately more spacious and more claustrophobic, adding fragments of tape hiss and high-pitched vocal samples.
The album feels a bit tighter and more claustrophobic but those weren't exactly elements missing in previous releases and I'm as susceptible to the writing in a press release as the next sucker...I started reading and watching movies like never before.
But season five, which debuts today on Netflix, is the series' most ambitious entry yet: The whole thing takes place during a prison riot over three days, making it even more claustrophobic than usual and allowing us to see what happens when the Litchfield women are in charge.
Cundey suggested that the sets should have ceilings and pipes seen on camera to make the spaces seem more claustrophobic.
Reviewing Here Comes the Indian for Stylus Magazine, Ed Howard afforded the album favorable comparisons to Boredoms' Super æ and Vision Creation Newsun. The Rolling Stone Album Guide described the album as more "claustrophobic" than earlier releases by Animal Collective. Uncuts reviewer compared the band to the Residents, "whose absurdist humour the AC also shares".
Lamantia's paintings from the later 1990s onward returned to the more claustrophobic compositions of earlier work, incorporating the linear freedom of his drawings, but in a "less manic and tortured" form that critics described as "an amiable kind of chaos."Miller, Chris. "Review: Subconscious Eye/Ukrainian Institute of Modern Art," New City, May 21, 2013. Retrieved October 30, 2018.
In June 2010, he gave the last of three programmes called Home Thoughts From Abroad, a 15-minute episode on Radio 4. He claimed that Britain is becoming a more claustrophobic authoritarian society, and that Germans were not as disciplinarian as is often extolled, and more libertarian than commonly expected with a more healthy relationship with the state. On 2 January 2009, he broadcast a 30-minute programme on Radio 4 called Anglomania.
Musically, it is darker than the band's debut album The Scream: it sounds more claustrophobic and more haunting. It was the last album with the band's first recorded line-up, as guitarist John McKay and drummer Kenny Morris quit the group after a disagreement at the beginning of the British Join Hands tour, on the day of the album's release. The record peaked at No. 13 on the UK Albums Chart. "Playground Twist" was the only single released from the album.
Shaurya, totally disconnected from the outside world, struggles to survive without food, water and electricity. As the days pass by, he becomes progressively more claustrophobic, and his attempts to escape become more desperate. At one point, he uses his own blood to trace the word "help" with details of his address on a cardboard paper, which falls on the terrace of a house nearby. The house's resident questions the clueless watchman about it, who claims that the building is empty.
The series was filmed on location in and around the small town of Northleach, Gloucestershire. Daisy Cooper said: "All the material is based around stuff that happens in Cirencester, but when we went to the channel they thought that Cirencester was a bit too big and Northleach is a smaller village, and sort of isolates the characters a bit more. Makes them more claustrophobic." The location used for exterior shots of Kerry's house is at 16 Fortey Road, Northleach. Filming for series 1 commenced in September 2016, and was completed within three weeks.
The Wire wrote that while Flying Lotus pursued similar ideas on his previous album Cosmogramma, Pattern+Grid World "seemed to favor consistent, looping palettes and original electronics over the latter's ad hoc sampling". PopMatters critic Dylan Nelson found it "tighter, more balanced, more claustrophobic and more melodic" than its predecessor, while Larry Fitzmaurice from Pitchfork Media said it sounded "fully formed and precisely assembled". Robert Christgau from MSN Music was somewhat less enthusiastic, citing "PieFace" and "Clay" as highlights while reducing his review of the EP to the description "notes for an aural jigsaw puzzle".
Phil's journeys outside of Punxsutawney were excised as Ramis did not want the audience becoming too focused on what the rules of the loop were, and felt that keeping the story within the town made it more claustrophobic. They also chose to remove expositional narration from Phil. Also excised were more scenes of Phil's later good deeds and the clever methods he used to prevent accidents while making the most efficient use of his time. For example, Phil puts a large rock in a road to prevent a truck delivering a fish that a restaurant patron would have later choked on.
A more claustrophobic narrative landscape than before; the plot consists of a shift between the past and the present-day account of the murder investigation, but the link twixt the alternating narratives is not revealed until the end.swedencrime.com []literature/65476 Child abuse in different forms and gradations is a central theme. The roots of the problem lie in an earlier generation and can be attributed, at least in part, to the upbringing of offspring. In the present, Erica and Patrik try to find a suitable parenting means; even the incompetent police chief becomes obliquely involved in raising an infant, albeit belatedly.
As his career progressed Spencer often produced landscapes for commercial necessity and the intensity of his early visionary years diminished somewhat while elements of eccentricity came more to the fore. Although his compositions became more claustrophobic and his use of colour less vivid he maintained an attention to detail in his paintings akin to that of the Pre- Raphaelites. Spencer's works often express his fervent if unconventional Christian faith. This is especially evident in the scenes that he based in Cookham which show the compassion that he felt for his fellow residents and also his romantic and sexual obsessions.
In February 1934 the Heereswaffenamt (Army Weapons Agency) ordered the adoption of a new military rifle. The Karabiner 98k was derived from earlier rifles, namely the Mauser Standardmodell of 1924 and the Karabiner 98b, which in turn had both been developed from the Gewehr 98. Since the Karabiner 98k rifle was shorter than the earlier Karabiner 98b (the 98b was a carbine in name only, it was a version of the Gewehr 98 long rifle designated a carbine to adhere to the Treaty of Versailles. The 98b was additionally fitted with a tangent rear sight rather than the more claustrophobic "Lange" ramp sight).
The concept of Pelagial is multi-dimensional. The first, most literal, level involves a journey from the surface to the lowest depth zone of the ocean, with the album's movements getting progressively darker and more claustrophobic to mimic the diminishing light and increasing atmospheric pressure. However, at a second, allegorical level, the ocean layers serve as an extended metaphor for a journey into the inner depths of the psyche. Guitarist and songwriter Robin Staps described this aspect of Pelagial as a movement "towards the essence and origins of our desires, wishes, dreams, and all the fucked up attributes inside of our own inner selves that generate and shape them" and said that there are "a lot of Freud-like references" in the lyrics and song titles.
" The A.V. Clubs Chris Martins viewed it as being "countless times more claustrophobic and creepy than Silent Shout" and stated that "[t]he vocal transformer is such a huge part of what Andersson does—androgynizing her words to accompany the cold music, mimicking the synth warbles and sustained tones that abound." The Independent critic Rupert Howe expressed, "Even beyond the gothic imagery and glacial electronics, this mesmeric solo project shares much with The Knife's last album Silent Shout", including "surreal lyrics" and "weird vocal treatments which pitch Andersson's voice down to a baleful masculine groan". Jonathan Keefe of Slant Magazine found that the album is "built upon contrasts. Most notably, Andersson's Fever Ray persona draws attention to her work as half of the Knife [...] Whereas the Knife is ostensibly a dance act, Fever Ray emphasizes tone over rhythm.

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