There's an austere clarity to the broth, which is at once more carnal and more delicate.
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Lemsalu, on the other hand, born in Tallinn in 1985, invites us to look inside a world more carnal and consumable.
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If you asked me to play a Catholic designer for a day, I think that more carnal and death-haunted aspect of Catholic aesthetics would be my focus.
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Dr Mark Eldridge, the Principal Research Scientist of Terrestrial Vertebrates at the Australian Museum Research Institute, says what people are seeing is not quite grief, it's much more carnal than that.
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Traveling the road was an envied, once-in-a-lifetime experience, and those who got the chance availed themselves of spectacular views, local culinary delicacies, hot spring baths and other more carnal pursuits along the way.
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Sharing a bill with her in Brooklyn is a decidedly more carnal performer: Miguel, who knocks himself out onstage like an old-school soul showman with a decidedly modern repertory, personalizing rock, R&B and hip-hop as he merges seduction with the pride of a cross-cultural outsider.
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She questions him about the deaths of local cats, including a friend named Pinkie Garcia. The Coyote assures her that his hungers for her are of a more carnal nature. They kiss just as Gabriela enters with a gun, having heard their voices. The Cat assures Gabriela that there is no one else with her.
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Logan brings his friend William to Westworld, and encourages him to take in the more carnal delights of the park. William remains reluctant given his recent engagement. The next morning, William helps return a dropped tin of food to Dolores and leaves with a tip of the hat. Dolores returns to her farm to dig up a hidden pistol.
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While they are at it, they make fart jokes and Jyoti remarks on Kerry's pan- stained teeth, "Itna masala kyun khaate ho?" before engaging in a long smooch.This scene from the film stands out as it bends the rules of the standard lovemaking scene in Hindi cinema. It is more carnal desire than genteel lovemaking. And the embracing of the inappropriateness, albeit done in a comical way, is a welcome change.
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The treatise describes how women and men become inclined to practice witchcraft. The text argues that women are more susceptible to demonic temptations through the manifold weaknesses of their gender. It was believed that they were weaker in faith and more carnal than men. Michael Bailey claims that most of the women accused as witches had strong personalities and were known to defy convention by overstepping the lines of proper female decorum.
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Promiscuities (1997) reports on and analyzes the shifting patterns of contemporary adolescent sexuality. Wolf argues that literature is rife with examples of male coming- of-age stories, covered autobiographically by D.H. Lawrence, Tobias Wolff, J.D. Salinger and Ernest Hemingway, and covered misogynistically by Henry Miller, Philip Roth and Norman Mailer. Wolf insists, however, that female accounts of adolescent sexuality have been systematically suppressed. She adduces cross-cultural material to demonstrate that women have, across history, been celebrated as more carnal than men.
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It is also hypothesized that with the depictions of citizens in different labors, Lorenzetti shows the allegorical manifestations of the children of the different planets. Upon closer analysis it is clear that Lorenzetti depicted the children that would help ensure peace, versus those that would be disruptive of it. This can be seen with the emphasis of mercantile activities which were believed to be Mercury's children. For the children of Venus, Lorenzetti chose to show a bride, weavers, and dancers, instead of depicting her more carnal children.
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108–111 Who Started Funk Music , Real Music Forum As late as the 1950s and early 1960s, when "funk" and "funky" were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer "was the first to use the word 'funky' to explain to other musicians that their music should be made more syncopated and danceable."Obituary, The Guardian The style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the music set the pattern for later musicians.
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Peter Brier asserts that "Fulton conveys much of the ecstasy that is associated with the strongest religious poets, poets such as Gerard Manley Hopkins" with similarities in phrasing, imagery, and sprung rhythm. Camille Paglia also finds "heavy sprung rhythms ... reminiscent of the poet-priest Gerard Manley Hopkins" and that Fulton's "ecstatic techniques" are deployed "for far earthier and more carnal purposes." "Like the Language poets, Fulton is interested in linguistic play and artifice, and also in critical theory and philosophy, although the theories most evident in her poetry and essays are those of science and mathematics." "From the first," Fulton "has been as theoretically astute as the Language poets" as well as being interested in a poetry that will "discomfit readers and unsettle their expectations, a poetry of inconvenient knowledge," a phrase originally used in Fulton's 1997 essay.
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