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38 Sentences With "more brooding"

How to use more brooding in a sentence? Find typical usage patterns (collocations)/phrases/context for "more brooding" and check conjugation/comparative form for "more brooding". Mastering all the usages of "more brooding" from sentence examples published by news publications.

It's easy to swap those martinis for darker, more brooding manhattans.
Chris looked like the life of the party while Liam seemed more brooding.
That's true in Annihilation as well, though there's less argument here and more brooding.
Saul Becker shows a deeper and more brooding sea in "Lacuna" (2015) at Zieher Smith & Horton.
As chief of staff — which happened in Season 6 — C. J. became darker and more brooding.
If the answers come with more brooding and strutting and clever turns of phrase, I'm so there.
Pattinson explained that he wanted to portray Edward Cullen as more brooding and stoic than happy-go-lucky.
His work engages the autobiographical, romantic, melancholic, and intimate—some songs are celebratory while others are more brooding.
The other thing about Faith that makes her different from some of the more brooding, cerebral superheroes on the market?
Places and buildings, I believe, get heavier and more brooding with the weight of memories, almost as if they retain memories of their own.
"Clarity," a deeper and more brooding take on Petras' trademark pop, was largely inspired by "feeling really hurt and small and powerless," she said.
Pattinson has never looked more brooding, and this is a guy who shot to fame playing a very angsty vampire in the Twilight franchise.
"Clarity," which was largely inspired by heartbreak, is a deeper and more brooding brand of pop — but still features dance-floor-ready hits and Petras' trademark confidence.
Châteauneuf's grenache, especially nowadays, tends to offer a lusher, more opulent and jammy strength, while the force of Bandol's mourvèdre tends to be more brooding and withholding.
Momoa's Aquaman — a grittier, more brooding version of the classically blonde-haired, blue-eyed hero — made his live-action theatrical debut in "Batman v Superman: Dawn of Justice" (2016).
In addition to the usual tight writerly discipline, Interstate Gospel abounds with guitar noise, stomping beats, longer and more brooding songs, combining the restraint of classic country with a pop schemer's voracity.
And Ulysses Kay's symphonic work "Markings" gleefully tears through a succession of textures, in its opening minutes: exploding with some percussive polyphony, before settling into some droning tones and more brooding themes.
Foo Fighters take a step back from the pacey classic rock that they've been trudging through recently with a more brooding new song, "Soldier," that could've been an outtake from The Color and the Shape.
And there's a ton of music listed on Good Knight Productions' website to enjoy, ranging everything from light fare like Final Fantasy, Kirby and Mario to more brooding soundtracks such as Resident Evil, Castlevania and Doom.
Mr. Frayn reconceived it as an elegant sex farce, under the title "Wild Honey" (seen briefly on Broadway in the mid-1980s), while Mr. Hare's adaptation hewed closer to the more brooding, tragicomic template usually associated with Chekhov.
Though Dylan, the granddaddy of 'em all, just lets his music do the talking as per usual, Young got in some aw-shucks zingers while Waters took a more brooding, contemptuous — and pointedly controversial — approach to his pet issues.
While he's previously spread his wings with side projects including the more brooding Horrible Crowes (with guitarist Ian Perkins) and the Americana outfit, Molly and the Zombies, Fallon initially felt a strong hesitation to embark on a solo endeavor.
This knottier take on the 1980s — one that includes Jackson, but also David Bowie, maybe a little Talking Heads, and the more brooding end of quiet-storm R&B — might not have been available to the Weeknd had he not gone for full pop immersion the last time around.
Despite the serene tone of the title and artwork, Harbor is more brooding and pessimistic than most of America's previous albums.
For example, in the Malagasy paradise flycatcher the female undertakes more brooding responsibilities whereas the male spends more time guarding the nest.
Classic Rock reviewer dismissed the album as "yet more brooding alt metal, ... a bit too ponderous at times" and "boasting the kind of lyrics that any troubled teen will identify with", when "a more pacey approach would have paid off big time".
An early review by Upsala Nya Tidning characterised The Girl in the Spider's Web as "standard crime", portraying more brooding, human versions of Blomkvist and Salander, while downplaying the earlier "exaggerated and cartoonish features of the series". The book topped the U.S. bestseller list in August 2015.
Skitliv (Norwegian and Swedish for "crap life") is a Norwegian black-/doom metal band founded in 2005 by former Mayhem vocalist Maniac and Shining vocalist Niklas Kvarforth. Maniac describes the project as "firmly rooted in black metal" but much darker and more brooding than anything he has done before.Archaic Magazine Maniac - "I am god in this band" ; Retrieved September 7, 2008.
The movement begins with a melancholy, and mysterious theme that wanders. The key is B major but the sense of tonality is weak due to Prokofiev's frequent modulations to remote keys. After the theme ends, a development, reminiscent of the first movement of the Piano Sonata No.7, follows. Next is a more brooding theme in G minor which goes through a series of modulations as the music prepares for the development section.
Aside from the animations targeted for kids, Mason Ewing Corporation produces TV series for teenagers. They also carry out messages like family, societal taboos and empowerment. And soon, Mickey Boom is a TV show produced by the subsidiary French, undertaking Eryna Bella produced in Los Angeles and Two Plus Three, both produced in the same country. The same message is conveyed for adults but with more brooding feelings like in the film.
In 2007 they released a new single, "Swallow the Dark". In April 2008, Balzac released their 8th full-length album entitled Hatred: Destruction = Construction. It marked a return to the heavier and darker side for the band, reminiscent of some of their earlier work which was more brooding and dark. It was released in a regular edition, as well as a 666mm special edition featuring artwork by comic book artist Liam Sharp.
These songs are softer, darker and more brooding with only clean singing, reminiscent of bands such as Katatonia and the later Opeth. Another song, "Reconstruction Time Again", was released as a Japanese edition bonus track. It is a nine-minute electro-industrial medley of the songs "State of Trust", "None Becoming", and "Uniformity" from the Construct album. Atoma is the last release to feature founding member Niklas Sundin, who would depart from the band in March 2020.
Darren Wall (Wallzo) and Owen Clarke designed the artwork after several graphical experiments. After the initial experimentation, Wall wanted to create a cover that was "more brooding and conservative" and formed a list of ideas that the band had responded positively to. The list included dual colour illustrations, circles, and verdigris—the green coating formed on copper during oxygenation. Wall amalgamated the ideas to create the image used on the album's cover, which was named "The Artifact".
The album features themes of praising Allah, hardships of being a Muslim, being steadfast in practicing Islam, fearing Allah, value of life, importance of prayer, about Prophet Muhammad, Dawah (calling others to Islam), Hajj (largest Islamic pilgrimage to Mecca), having trust in Allah and being proud of being a Muslim. The most notable change to their previous album is possibly the introduction of South African style singing, as well as more brooding examinations of the discrimination frequently faced by Muslims living in America.
Deborah Lou Turbeville (July 6, 1932 – October 24, 2013) was an American fashion photographer. Although she started out as a fashion editor at Harper's Bazaar, she became a photographer in the 1970s. She is widely credited with adding a darker, more brooding element to fashion photography, beginning in the early 1970s – she, Guy Bourdin and Helmut Newton changed it from traditional, well-lit images into something much more "edgy" looking. However, unlike the "urban erotic underworld" portrayed by her contemporaries, Turbeville's aesthetic tended towards "dreamy and mysterious," a delicate female gaze.
The climactic development section follows, finding space for a third theme, which eventually combines with the first two themes. After a grave climax with gigantic orchestral chords and a last "struggle" in marching rhythms, the ethereal recapitulation ensues, in which the first and second themes are integrated, although much reduced and played softer, as if only the shadow of what was before remains. The second movement, a meditative andante with a tripartite structure, displays Prokofiev's talent in creating fragile, gossamer textures. The central section is more brooding in nature, with the theme consisting of semitones.
After a trip to New York in the 1980s where he saw a large exhibition of Mark Rothko's work, Mason's color changed to become darker and more brooding for a short time. It was during this Squeeze Bottle period that Mason was commissioned by the State of Washington to paint two murals for the Senate Chambers in Olympia, Washington. See Controversy in Olympia over the Senate Chamber Mural Following the Squeeze Bottle series Mason again reinvented his technique. Big Heads of the late 1980s achieve the rhythm of his previous Squeeze Bottle paintings with the raw, cartoon style of his drawings.
Howard's Sin Paintings comprise seven monumental canvases, each painted in a range of intensely saturated reds, offset by the use of bright yellow and orange. The paintings were exhibited in a solo exhibition entitled Guilty, at the Bohen Foundation, New York in 2003.Glueck, Grace "Art in Review: Rachel Howard Guilty" 28 November 2003 The paintings have a glossy, mirror-shine surface, through which a simple cruciform shape emerges. They do differ from one another; Pride is an offering of brilliant red down-strokes, with a cross discernible in its centre; the reds of Envy are more individuated, with yellows breaking through here and there, and the cross far less readable; the hues of Anger are in a darker, more brooding range.

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