168 Sentences With "more avant garde" | Random Sentence Generator

The simplest explanation is that Cale's taste skewed more avant-garde.

His more avant-garde tastes felt at odds with fronting a popular reality TV show.

While Priyanka Chopra and Sophia Bush deconstructed the menswear trend for a more avant-garde vibe.

Others are more avant-garde and incorporate acrobatic moves, or an arrhythmic dance known as flossing.

It is hard to see this as Stalinism or even something more avant-garde, like Dadaism.

Along with their more avant-garde contemporaries Gorguts, Cryptopsy set the bar for extreme metal in Quebec.

Some crew members favored classic menu items, while others got more avant garde with signature-crafted selections.

Sometimes I feel that there's a nervousness about things on the more avant-garde end of the spectrum.

As such, he's crossed paths with many of them at various festivals and other more avant-garde functions.

To some degree, the more true to reality fiction is these days, the more avant-garde it will seem.

With 12 years of red-carpet duty under her belt, Wiig opted for something far more avant-garde on Sunday.

"It's a little more avant-garde than your traditional kind of Broadway show movement," Cook said of De Keersmaeker's choreography.

The other dress was even more avant-garde, and looked like van Herpen and Beesley's attempt to produce a wearable aura.

But he took a different, much flintier, more avant-garde path than Tropicalía's better-known songwriters, Caetano Veloso and Gilberto Gil.

Admittedly, we may have anticipated more avant-garde hairstyles at the Met Gala this year in homage to Rei Kawakubo's design legacy.

In response to the events of 1968, the festival started the Directors' Fortnight the next year to showcase more avant-garde works.

There are modern touches, of course, namely a more avant garde dream ballet and inclusive casting that reflects a more realistic diversity of bodies.

It is vaster and more avant-garde, and perhaps it will become less crowded in the passageways as tennis fans shuffle from match to match.

Click through to see all the forms of jacket-back art at this year's shows, ranging from jacket-text's punk roots to more avant-garde statements.

Mr. Lawrence wrote in an email that, aside from some gentle ribbing, relationships between nerds like him and the more avant-garde performers have been supportive.

I'd like to draw more avant-garde, conceptual, costume-y stuff, but of course that isn't going to work for most of the characters on the show.

It calls to mind the James Turrell–inspired colorscapes of Drake's "Hotline Bling," as well as the more avant-garde imagery of videos by Basement Jaxx and Battles.

Garner has the "High Waist Lounge Leggings" in three colors, while Hough likes the brand's more avant-garde styles, including the "High Line Lace Up Leggings" she's seen in here.

Overall, I would recommend a visit to the Iglounge for those in search of an outdoor dining experience that's a little more avant-garde than a traditional restaurant with a view.

From these Tetris-style pants to front-back pairs that Vetements pioneered, these jeans are a sleeker, more avant-garde upgrade to the boho '70s styles filling up the racks last year.

Not surprisingly, Mr. Birchard's kaleidoscopic vision has led him to collaborate with a diverse roster of musicians, from rap superstars like Kanye West and Drake to more avant-garde artists like Anohni.

For decades, science fiction appeared in magazines as short stories, but with the introduction of paperback novels, this tradition of bright covers continued, exploring "weirder and more avant-garde styles," according to Puschak.

The collection doesn't just boast classic shades of red and nude, but also features more avant-garde options fans might be too scared to try IRL — until SZA put one on, that is.

But on the side, Ms. Honda has veered into more avant-garde terrain, releasing solo albums on the respected experimental label Tzadik and collaborating with visionaries like Laurie Anderson, Yoko Ono and others.

It holds at its core the idea that using chemistry, food preparation can be controlled to a scientific level, allowing for more avant-garde ways of cooking and a different kind of eating experience.

Her interpretative presentation of analog telephone equipment, though more avant-garde than techno, straddled those two streams, jibing nicely with the vision behind ISSUE's 1926 theater, which is being renovated as a modern event space.

In many ways, it feels as though she's taken all the sounds that came before her, coated them in a thick layer of futuristic gloss, and twisted them into something slicker, more avant-garde, more Nao.

In 2005, the label was handed to the Italian designer Riccardo Tisci, who introduced an aggressive aesthetic of street wear printed with gaping sharks and raging Rottweiler graphics in addition to more avant-garde evening wear.

Meanwhile, Jaden – who is outspoken about fashion style – opted for a more avant garde ensemble, as he showed up in knee-length, striped trench coat over a paint-splatted blue top, black pants and patterned pink socks.

For a time they worked together on a Shakespeare festival, but after Felix's young daughter Miranda dies of meningitis, Felix's productions grow ever more avant-garde: Pericles with aliens, A Winter's Tale with vampires, and the like.

Would Cannes add a section for works that would go straight to streaming services, Mr. Cohen speculated, the way the 1968 social uprisings in France led it to create the Directors' Fortnight to showcase more avant-garde works?

Her personal style is edgier and more avant-garde than that of her immediate predecessor, Ms. Waight Keller; her connection to French youth culture is more akin to that of, say, Demna Gvasalia of Balenciaga and Vetements, or Hedi Slimane.

The so-called Spark then flows through a Circuit, forming three-dimensional, angular rings and ear hugs; there's an elongated Flash, resulting in more avant-garde cuffs and collars; and the titular Electric pieces range from understated to dramatic takes on light.

I've been lucky that I've worked with such a diverse number of designers who have different tastes, from very classic, like Ralph Lauren and Calvin Klein, to more avant-garde designers; I love that mix and the way it pushes my creativity.

The stage musical, directed by Mr. Mendes, opened in London in 2013 to mixed reviews; the American production will be directed by Jack O'Brien, who is promising changes, and it will feature a new and more avant-garde collaborator: the puppeteer Basil Twist.

We've been over this, many times, but if you watch baseball you know that baseball players are now being named in a more avant-garde way than at any time in history, and that naming technology is advancing at a remarkable rate.

When it comes to her hair, Woodley loves playing with her length — going from long and flowing to short and choppy — adding small color changes along the way and, as of late, shifting from her go-to braids to more avant-garde looks (slicked back, wet hair).

So it was something of a surprise on Saturday afternoon to see Lewis Hamilton, the clean-cut reigning Formula One world champion, speeding through the drag queens, goth rockers and the more avant garde of the fashion elite on his way to his spot on the front row.

There are events relating to protest music, but also performances of more avant-garde work like George Crumb's "Black Angels," a harrowing musical response to the Vietnam War (complete with whispers, shouting and extreme percussion), to be performed by the Friction Quartet at Zankel Hall on March 24.

On Ms. Murphy's last few albums, including the 2015 release "Hairless Toys," which was nominated for the prestigious Mercury Prize in Britain, she has explored more avant-garde terrain: a compelling mixture of electronic beats and disco grooves with ambient explorations, orchestral strings and the singer's gorgeous, fluttery contralto.

More avant-garde art installation than film (in fact, before premiering at the Sundance Film Festival in January, it was an art installation), Manifesto rewards the patient viewer with a mysterious, artful, often funny reflection on the swagger, idealism, and ironies that arise when artists talk about their own work.

Their obituaries tell us what we already know–that your feed could look a lot more interesting, more avant-garde, joyous, local, intimate, kinky, weird, and hilarious–and yes, scarier and even more hateful than it does now–thanks to varying degrees of censorship, cross-platform embeds, aesthetic customization, technopanic, and algorithm-free zones.

This singer-guitarist's most recent release with the Thurston Moore Group — a rotating backing band that includes My Bloody Valentine's Deb Googe, Sonic Youth's Steve Shelley and, most recently, the experimental musician Jon Leidecker — is "Spirit Counsel," a new addition to the more avant-garde catalog that has long coexisted with Moore's better-known work in rock.

"The art was like her fashion, daring and playful, and showed she was more avant-garde than other designers," said Delphine Bellini, deputy general manager of the revived Schiaparelli couture house, which introduces today's couture clients to the brand surrounded by works like Dali sketches and a huge Surrealist bird cage from Jean-Michel Frank, bought from Ms. Schiaparelli's personal collection.

To this day, it houses his liquor cabinet (still stocked as it was at the time of his death, including a half-drunk bottle of Jack Daniel's), his desk and typewriter, his record collection, which included works by more avant-garde jazz masters (Miles Davis, Thelonious Monk) and his reel-to-reel tape machine, a gadget by which he documented his remarkable talent for the spoken word.

The contrast between his approach and that of other, more avant-garde, Romanian Symbolists did not prevent Iacobescu's affiliation with the modernist circle at Ion Minulescu's Insula magazine.

Routledge Books, 2010. p. 75. while Stubbs said "this riff beast is a hybrid of funk and rock but is more atavistic, more avant garde than anything conventionally dreamt of by either genre".

Eventually, Josh discovers the secret relationship between Madeleine and Adrian, and the fact that Madeleine has been using Josh's paintings, which have commercial appeal, to keep the gallery running while it features more avant-garde work.

After a short stint in the UK, Wilson returned to Australia and reunited with Hannaford ca. 1970 in the even more avant garde Sons of the Vegetal Mother, which embodied Wilson's enthusiasm for the music of Frank Zappa.

In addition to purely political topics, the paper gave space to more avant-garde social ideas not generally part of the discourse of radical newspapers of the day, including coverage of feminist issues and the culture of nudism.

His first one-man show was in Bradford, and he had several exhibitions in London, as well as Glasgow and Leeds. He also gained a reputation as a portrait artist in addition to his more avant-garde work.

2 Part 2 in 1993. Vol.2 was the more avant-garde and experimental of the two albums but still found commercial success. The title song, "가려진 시간 사이로 (Between The Hidden Time / Between the Veiled Times)" was especially popular.

Richie Unterberger of Allmusic called the album "blues–rock gone slightly askew, with jagged, fractured rhythms, soulful, twisting vocals from Van Vliet, and more doo wop, soul, straight blues, and folk–rock influences than he would employ on his more avant garde outings".

In his 2007 film adaptation, director Peter Babakitis uses digital effects to exaggerate realist features during the battle scenes, producing a more avant-garde interpretation of the fighting at Agincourt. The battle also forms a central component of the 2019 Netflix film The King (2019).

Their exhibitions were organised around satyrical theatrical productions of Leopold Senghor and Aime Cesaire's works. The collective marked a move away from Negritude philosophy of Senghor and Cesaire and towards a more avant-garde critique of both modernism and traditional ideas while still drawing from both.

Spirit Sensitive is a hard-bop jazz album by Chico Freeman on India Navigation Records IN 1045.India Navigation LP, IN-1045 The LP, in contrast to many of his more avant-garde recordings of the same time frame, is a set that consists of jazz standards.

Again in 1994, Oliveira modified the film by adding a new, more avant-garde soundtrack by Luís de Freitas Branco.Johnson. p. 8. Oliveira was influenced by German filmmaker Walther Ruttmann's documentary Berlin: Symphony of a City, and Douro, Faina Fluvial was made in the same genre of city symphony films.Johnson. p. 6.

In 2007, 4th Wall rolled out its Off the Wall Series which is dedicated to taking 4th Wall's mission of producing lesser known works to a new level. Off the Wall showcases more avant-garde and lesser known musical works. In addition, the group has added plays to its schedule with this series.

Like many composers who rely on modality rather than tonality, Faith rarely uses key signatures. His harmonic idiom displays a changing palette of colors marked by simultaneous cross-relations, the Lydian sharped fourth, and combinations of this sharped fourth and Mixolydian flatted seventh. Faith has denied any desire to pursue more avant-garde idioms.Faith, Richard.

Bailly's most famous work is said to be her painting titled Self Portrait, painted in 1917. The painting represents a more avant-garde approach to self-portraits than was normally accepted at her time. The painting incorporates many styles. Her three-quarter-turned pose indicates a traditional self-portrait, while the red, orange and blue hues show Fauve influences.

Nashville, TN: Publishing House of M. E. Church, Vol. II: 309. Peck showed an obvious dislike of less traditional poetic forms and privately noted his dislike for more avant garde poets including Amy Lowell, Ezra Pound, Harriet Monroe, and fellow Alabama writer Clement Wood, whom he satirized in his poem "The Poet and the Pixie".Going, p.

Punk began as a reaction against the popular music of the period, especially disco and arena rock. American bands in the field included, most famously, The Ramones and Talking Heads, the latter playing a more avant-garde style that was closely associated with punk before evolving into mainstream new wave. Other major acts include Blondie, Patti Smith, and Television.

4 no. 1: 10. The Committee was prepared to remove their work from the Exhibit altogether when President Dwight Eisenhower intervened and allowed them to be displayed as originally planned. To appease the conservatives, however, he also added several paintings dating back to the eighteenth century, to further lessen the impact of the more avant-garde work.

It is one of the most important works by Vangelis as it demonstrated for the first time his combination of synthesizer, percussion and a chorus in a rich orchestral style of electronic music. It is one of many thematic albums by Vangelis, contrasting images of Heaven, expressed with a more tranquil sound, and Hell, which sounds more avant-garde.

After seven years as director of the Royal Ballet, MacMillan resigned in 1977, wishing to concentrate on choreography. He was succeeded as artistic director by Norman Morrice, whose background was the more avant garde Ballet Rambert.Meisner, Nadine. "Norman Morrice: Modernising director of Rambert and the Royal Ballet", The Independent, 16 January 2008 MacMillan took up the post of principal choreographer.

Williamson soon formed Robin Williamson and His Merry Band, which toured and released three albums of eclectic music with a Celtic emphasis. Within a few years, he went on to a solo career, moving between traditional Celtic styles and more avant-garde material. He also produced several recordings of humorous stories. In all, Williamson released over forty albums post-ISB.

Offene Türen (German for "Opening Doors") is the eighth solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. The music of Offene Türen is more avant-garde than other Roedelius solo albums of the 1970s and 1980s. It can best be compared to Cluster's Curiosum which was released by Sky Records the previous year.

The more avant-garde artists organized themselves into the Société des Artistes Indépendants. They held annual Salons that helped set the course of modern art. At the turn of the century, Paris attracted sculptors from around the world. Constantin Brâncuși (1876-1957) moved from Bucharest to Munich to Paris, where he was admitted, in 1905, to the École des Beaux-Arts.

That year Morricone also arranged Italian singer Edoardo Vianello's summer hit "Pinne, fucile, e occhiali", a cha-cha song, peppered with added water effects, unusual instrumental sounds and unexpected stops and starts. Morricone wrote works for the concert hall in a more avant-garde style. Some of these have been recorded, such as Ut, a trumpet concerto dedicated to Mauro Maur.

He was particularly impressed by Italy, and returned there frequently in later years.Rousseau and Protais 2013, p. 16 In 1891, he showed his canvases for the last time in the official Salon des Artistes, and for the first time participated in the more avant-garde Salon des Independants, displaying six paintings. He began to receive commissions from Swiss art patrons.

Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to go it alone, devoting himself to painting. The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner.

Echoes of elements of "The Theatre of the Absurd" can be seen in the work of many later playwrights, from more avant-garde or experimental playwrights like Suzan-Lori Parks—in The Death of the Last Black Man in the Whole Entire World and The America Play,Enoch Brater. "After the Absurd". Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn.

Between the influence of Laswell and Buckethead, Praxis' musical experimentation in both studio, street and live settings have combined elements of mid-1970s Funkadelic & Miles Davis, hip-hop's more avant-garde leanings, and Last Exit's ferocious yet organic jazz/metal aesthetic. Many of these experiments defined (and in some sense, invented) diverse, eclectic, and freeform genres including avant-garde, heavy metal, funk and jazz-fusion.

John F. Staub and Kenneth Franzheim, two architects, designed Lamar's original buildings with Louis A. Glover, Lamar Q. Cato, and Harry D. Payne. The design uses a "Z-plan" which has the auditorium and shop wings on opposite ends of the academic block. Jay C. Henry, the author of Architecture in Texas: 1895-1945, write that the construction had "a more avant-garde expression."Henry p. 215.

Claribel, by contrast, purchased much more avant-garde works. She purchased Matisse's Blue Nude (Souvenir de Biskra) (120,760 francs) and Paul Cézanne's Mont Sainte-Victoire Seen From the Bibemus Quarry (410,000 francs) for their collection. Etta was much more conservative and commonly spent an average of 10,000 francs for a painting or a group of drawings. The Cone sisters had a special interest in Matisse's Nice period.

Bailey later admitted Prehistoric Sounds was, "not one of my personal favourite records." Finally Hay, Kuepper and Ward left the group in early 1979. Kuepper returned to Australia and followed a more avant-garde direction with Laughing Clowns, which would frequently feature brass. Hay briefly returned to Australia to join Sydney-based The Hitmen and then rejoined Bailey in London for a later version of The Saints.

Op Zop Too Wah is the tenth solo album by Adrian Belew. Following the poor reception given to Belew's previous album (the instrumental guitar-synthesis experiment The Guitar As Orchestra), Op Zop Too Wah is a return to songwriting. The album's mood is reminiscent of the more avant-garde approach carried out by The Beatles in the late 1960s on albums such as Sgt. Pepper or The White Album.

666 International is the third full-length album by Norwegian black metal band Dødheimsgard. It was released on June 11, 1999, by Moonfog Productions. With 666 International, Dødheimsgard abandoned the black metal style of their previous two albums, further developing the style of their EP Satanic Art (1998). The album heads into a more avant-garde style that fuses black and industrial metal, with some electronic and keyboard interludes.

My Bloody Underground contains more experimental sounds than previous BJM albums, especially with a collaboration with Mark Gardener, formerly of Ride, who co-wrote the song 'Monkey Powder'. The album is a more avant-garde approach to producing and recording. The space rock/neo- psychedelia sound of the album can be attributed to Newcombe's large intake of psychedelic drugs and adopting a "no talking in the studio" policy while recording.

Leng Tch'e is the fourth release from John Zorn's band Naked City. It consists of a single track, running at just over half an hour. It was first released on the Japanese Toys Factory label in 1992. Unlike Naked City's previously material, which was known for its fast tempo and rapid transitions between a variety of heterogeneous styles, Leng Tch'e is a more avant-garde take on sludge metal.

Lennon did much of his songwriting in the attic, where he had several Studer tape recorders. Little was done with them until fellow Beatle Paul McCartney visited and helped re-install them in sequence, so overdubs could be made. Lennon could thus record his own doubletracked song demos. (These demos, and some other, more avant garde sound recordings also made in the attic, have appeared on various bootlegs).

Although initially described alongside Solti as the "new breed of virtuosi," not every review was positive: following his move to Taiwan, one Chicago critic described his performances as "dull readings." Mazer, however, would end up with no shortage of fans. In Chicago, however, he had seemed overshadowed by Solti, but was seen as dedicated and highly competent, taking on more avant-garde works neither Solti nor others would touch. Taiwan would be different.

Grove Music Online Bodley's early compositional style was initially influenced by Irish traditional music. In the 1960s, following several participations in the Darmstadt New Music Summer School, Bodley's music became more avant-garde. For the remainder of the decade, he was, according to the Grove Dictionary of Music and Musicians "the principal Irish exponent of post-serial compositional procedures". In more recent years, Bodley's compositions have reflected both Irish and European influences.

Salle Favart in Paris Bernier's major work is the Opéra- Comique theatre, the Salle Favart, which needed to be rebuilt following an 1887 fire. He obtained the commission by winning a competition judged by five winners of the Grand Prix de Rome (including Charles Garnier), which ensured the design would reflect academic and official tastes. Because of disputes within the profession, more avant-garde architects did not participate.Ayers 2004, pp. 60–61.

With 1998's Dead School Hamburg (a jab at the Hamburger Schule trend of music), the band further altered their style, pursuing a greater emphasis on electronic instrumentation. Their album Schafott zum Fahrstuhl, takes a more avant-garde direction. Of the founding members, only Schorsch Kamerun and Ted Gaier remain. The new members are Thomas Wenzel (Die Sterne) under the pseudonym Julius Block, keyboarder and drummer Mense Reents (Egoexpress, Stella), and Enno Paluca.

The album was a departure from PiL's 1978 debut First Issue, with the band moving into a more avant-garde sound characterised by John Lydon's cryptic lyrics, propulsive dub-inspired rhythms led by bassist Jah Wobble, and an abrasive, "metallic" guitar sound developed by guitarist Keith Levene. Metal Box is widely regarded as a landmark of post-punk. In 2012, the album was ranked number 461 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.

Søyr was initially inspired by folk music from Stor-Elvdal (among others Ole Mørk Sandvik) and released the album Søyr (1977) and Cierny Peter (1983), and performed at Kongsberg Jazzfestival 1977. The band is still active, and was involved on tour in South Africa in the summer of 2004. The Free State «Søyr» was established in Moldejazz 1997. The band moved (with leader Sollid) to Oslo and assumed a more avant-garde style with a big band flair.

Kuepper returned to Australia and followed a more avant-garde direction with Laughing Clowns, which would frequently feature brass, and later, the punkish the Aints. He is one of Australia's most influential and highly regarded musicians with over twenty solo albums to his credit. Hay briefly returned to Australia to join Sydney-based the Hitmen and then rejoined Bailey in London for a later version of the Saints. Ward became a member of English gothic punk band, the Damned.

Examples of his operas are Boulevard Solitude, The Bassarids (to a libretto by W. H. Auden) and Das verratene Meer. Karlheinz Stockhausen set off in an even more avant-garde direction with his enormous operatic cycle based on the seven days of the week, Licht (1977–2003). Giselher Klebe created an extensive body of work in the operatic genre based on literary works. Other leading composers still producing operas today include Wolfgang Rihm and Olga Neuwirth.

In 1897, the Nabis were not present at the well-known Salon des Independents, but instead held their own exposition at the Galerie Vollard, more avant-garde than the Salon. Their final exhibition as a group took place in 1900 at the Galerie Bernheim, with works of Bonnard, Denis, Ibels, Maillol, Roussel, Sérusier, Vallotton and Vuillard. After that show, each of the artists went his separate way. Looking back in 1909, Denis described the accomplishment of the Nabis.

Hopper recalled "I was into the more avant-garde sample side of things. "But, at the same time, people were starting to slot in great chunks of other people's records [into their music], looping them and all that, half my friends stopped playing guitars and started programming guitars and using Ataris, including myself. Eventually, I bought an Akai S900 sampler. It was an absolute murder to program and operate and had about one second of sampling time.

This is the discography of Hong Kong Cantopop singer Shirley Kwan, which includes releases in Hong Kong, Taiwan, China and Japan. It chronicles her transition from mainstream pop ballads in the late 1980s to more diversified musical styles in the 90s and beyond. By 1995, Kwan has established herself as one of the more avant-garde pop artists in Hong Kong. Many songs or albums do not have official English titles, and translations here may vary from those found in other sources.

In 1947 Vedova founded Fronte Nuovo delle Arti. In 1951, Vedova exhibited his first solo show in the United States at the Catherine Viviano Gallery located in New York. This show was where he began to attract big name collectors, such as Peggy Guggenheim. In 1952 he became a member of the influential and more avant garde Gruppo degli Otto (Afro, Birolli, Corpora, Santomaso, Morlotti, Vedova, Moreni and Turcato), organised by the critic Lionello Venturi, which exhibited at the Venice Biennial.

In the 1970s Tomasz's performances became more avant-garde and free. His bandmates at this time were Tomasz Stańko, Peter Warren and Edward Vesala but Tomasz performed also with Arild Andersen, Dave Holland, Palle Danielsson, Palle Mikkelborg, Terje Rypdal, Juhani Aaltonen and Antti Hytti. During this period Tomasz recorded, as sideman, for the prestigious jazz label ECM Records. Parallel to touring Scandinavia and West Europe with jazz musicians Tomasz performed in Polish People's Republic with the progressive Silesian rockband SBB.

Subterranean Records is an independent record label based in San Francisco, California. Founded by Steve Tupper and a then partner, Michael Fox in 1979, it focused on that city's underground punk and industrial music scene. Subterranean and fellow punk/alt/underground San Francisco label Alternative Tentacles both sprang forth from the DIY punk movement in 1979, and were quite successful on college and community radio stations in the US. These labels helped define the San Francisco punk movement. Subterranean was the more avant garde of the two.

The question of his Tibetan education, and involvement with the FPMT, was one of the issues surrounding his parents' divorce. At some point Hita gave up his monastic robes and distanced himself from the FPMT in favor of a more avant-garde lifestyle, for example performing at the 2007 Burning Man festival. He later attended St. Michaels University School, a private high school in Victoria, British Columbia. Once he passed his ASATs in Canada, he moved to Switzerland and studied western philosophy, human rights, French and art.

Early groups who exhibited progressive features are retroactively described as "proto-prog". The Canterbury scene, originating in the late 1960s, denotes a subset of prog bands who emphasised the use of wind instruments, complex chord changes and long improvisations. Rock in Opposition, from the late 1970s, was more avant- garde, and when combined with the Canterbury style, created avant-prog. In the 1980s, a new subgenre, neo-progressive rock, enjoyed some commercial success, although it was also accused of being derivative and lacking in innovation.

We're really looking forward to what they (the new songs) are going to sound like live. It'll be good to get back on the old live circuit again." They played several tracks from their upcoming album, at that point entitled It's What's Not There That Makes What's There What It Is. By May, it had been renamed to Paper Scissors Stone. Matthews was looking forward to the new releasing, explaining to NME that "I think it's stronger than the last album, a bit more avant garde!...

From the early 1960s to the early 1980s he composed around 80 choral pieces and cantatas in the style of Swiss composers such as Gustave Doret, Emile Jaques-Dalcroze, and . He later adopted a more avant-garde style which grew out of his friendship with Krzysztof Penderecki. Other influences on his later style, which had moved from tonality to polytonality, were Olivier Messiaen and Arthur Honegger. From the early 1980s his compositions were virtually all inspired by his Christian faith and a sense of mysticism.

Poul C. Christensen: Zahrtmann's Painting School, 1899 In 1884 a preparatory class was added. It was first led by Frans Schwartz but in 1885 Kristian Zahrtmann became the head and under him it developed into an independent department. While Tuxen og Krøyer's teachings were inspired by Léon Bonnat's school in Paris, where they had both been students, Zahrtmann encouraged his students to study classical art. In spite of this, Zahrtmann's school became even more avant garde and innovative, due to his calls for radical experiments and strong use of colours.

The two time periods in the film are filmed in different styles, even though they overlap at times. The 1920s scenes are slow, talky, with elements of the kabuki theatre. They are accompanied by dramatic orchestral music, while Yoshida utilizes the traditional Japanese interior architecture to portray alienation and distant relations between the characters by filming their faces and bodies separated by windows, doors, etc. On the other hand, the 1960s scenes are more avant- garde in terms of free-form visual approach and their psychedelic rock soundtrack.

By 1880, the Institute had become an influential and well-established venue on the British art exhibition circuit. It helped to inspire the group of painters known as the Glasgow boys who in turn helped steer the Institute towards more avant-garde painting. From this period up until the outbreak of World War I, in Britain the Institute was second only to the Royal Academy in the diversity of work on show. In 1896 it received a royal statute and could now call itself the Royal Glasgow Institute of the Fine Arts.

Quite different from anything that any of the members would become involved in later, the three albums ran the gamut from psychedelic infused grindcore on For The Security to discordant jazz-metal weirdness on Disharmonization to something apparently stranger and more avant- garde on Screaming Machines, and described as "the worst of Sonic Youth, Syd Barret era Pink Floyd, old Black Flag, and Voivod" by Christofer Johnsson. Both Rosenberg and Wawrzeniuk were featured on a few Therion albums through Christofer Johnsson, and they also paired up in the doom band Serpent.

In June 1903 the gallery showed watercolours by William Nicholson of the colleges of Oxford University. Twenty-four lithographs of these, with descriptive text by Arthur Waugh, were published by the gallery in two folios in 1905. Nicholson also provided the cover illustration for the catalogue an exhibition of old masters in 1910. In the second decade of the century, and thus shortly after Roger Fry's Manet and the Post-Impressionists at the Grafton Galleries in 1910–11, the Stafford Gallery began to show more avant-garde, particularly French, works.

Avatar has been described as a heavy metal band, and more specifically as melodic death metal and groove metal. The band has also been referred to as a "grease-painted Swedish death/industrial/progressive metal ensemble". Originally a pure melodic death metal band, Avatar later began to play a different style of music, moving to a more avant-garde metal style. Avatar's influences include In Flames, Dark Tranquility, The Haunted, Marilyn Manson, Ministry, Strapping Young Lad, Devin Townsend, ABBA, Iron Maiden, Thin Lizzy, Rammstein, Beethoven, Helloween, the Beatles, Ozzy Osbourne, Meshuggah, Gojira, and Cryptopsy.

The exhibition was a flop, especially because they were all unknown painters. The Burliuks and Larionov left for the aforementioned brothers' home in Chernianka, also known as Hylea; it was during this stay that their work became more Avant-Garde. That autumn, whilst visiting Ekster, they organized an exhibition which took place in the street; it was a success, and enough money was raised to go to Moscow. In 1909 Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks on the Crimean coast.

Southern California Institute of Architecture (SCI-Arc) is a private university focused on architecture and located in Los Angeles, California. Founded in 1972, SCI-Arc was initially regarded as—both institutionally and artistically—more avant-garde than traditional architecture schools based in the United States. It consists of approximately 500 students and 80 faculty members, some of whom are practicing architects. It is based in the quarter- mile long () former Santa Fe Freight Depot in the Arts District in downtown Los Angeles, and offers community events such as outreach programs, free exhibitions, and public lectures.

The album displayed a softer and more avant-garde approach for the band. By this time, tension arose between Arthur Lee and Bryan MacLean, who wanted more of his songs on the album. The band recorded the album in only 64 hours, though many professional session players were utilized, including some who replaced the actual band members in some songs. Writer Richard Meltzer, in his book The Aesthetics of Rock, commented on Love's "orchestral moves", "post-doper word contraction cuteness", and Lee's vocal style that serves as a "reaffirmation of Johnny Mathis".

After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Charles Garnier, the architect of the Opéra), which ensured the design would reflect academic and official tastes. Because of disputes within the profession, more avant-garde architects did not participate. The winner of the competition was Louis Bernier (a former student of Honoré Daumet at the École des Beaux-Arts), who had won the Prix de Rome in 1872.

He was born in Moncalieri, a town in the Province of Turin, northern Italy. His long and prestigious artistic career started at an early age when he became an assistant to at age ten. One year later, he was admitted to the Accademia Albertina di Belle Arti of Turin, where he was instructed by Enrico Gamba and Odoardo Tabacchi in making sculpture. He initially adhered to the traditions of Naturalism, with Romantic and Renaissance influences, turned but later to Realism, without making concessions to the more avant-garde artistic tendencies of the 20th century.

The Society of Six was a group of artists who painted outdoors, socialized, and exhibited together in and around Oakland, California in the 1910s and 1920s. They included Selden Connor Gile, August Gay, Maurice Logan, Louis Siegriest, Bernard von Eichman, and William H. Clapp. They were somewhat isolated from the artistic mainstream of the San Francisco Bay Area at the time, and painted in more avant-garde styles than most of their peers, especially after being inspired by modern trends represented in the Panama Pacific International Exposition of 1915.

OLD formed from the remains of Plotkin's previous band, the short-lived grindcore act "Regurgitation". OLD's first album, entitled "Old Lady Drivers", continued in the humorous, parodic style of grindcore which characterized Regurgitation's material. After releasing a split EP with Assück in 1990, Plotkin recruited former Nirvana guitarist Jason Everman for their second album, Lo Flux Tube (1991). This album featured more avant-garde and industrial metal influences in addition to their basic tongue-in-cheek grindcore, giving them a sound which was compared by some reviewers to a more uptempo Godflesh.

The thought-process of 25th Century Quaker was that it would be a "blues band" alias for the more avant-garde work of the Magic Band. Photographer Guy Webster actually photographed the band in Quaker-style outfits, and the picture appears in The Mirror Man Sessions CD insert. It would later transpire that much of this situation was transient and that Buddah's Bob Krasnow was to set up his own label. The label that was unsurprisingly named Blue Thumb launched with its first release Strictly Personal, a truncated version of the original Beefheart vision of a double album.

Lennon was inspired to write "Good Morning Good Morning" after watching a television commercial for Kellogg's Corn Flakes, the jingle from which he adapted for the song's refrain. The track uses the bluesy Mixolydian mode in A, which Everett credits with "perfectly express[ing] Lennon's grievance against complacency".: "grievance against complacency"; : the bluesy Mixolydian mode in A. According to Greene, the song contrasts sharply with "She's Leaving Home" by providing "the more 'avant-garde' subversive study of suburban life". The time signature varies across 5/4, 3/4 and 4/4, while the arrangement includes a horn section comprising members of Sounds Inc.

Tangerine Dream began as a surreal rock band, with each of the members contributing different musical influences and styles. Edgar Froese's guitar style was inspired by Jimi Hendrix, while Christopher Franke contributed the more avant garde elements of Karlheinz Stockhausen and Terry Riley. Yes-like progressive rock influence was brought in by Steve Jolliffe on Cyclone. The sample-based sound collages of Johannes Schmoelling drew their inspiration from a number of sources; one instance is Steve Reich's Music for 18 Musicians on parts of Logos Live, and the track "Love on a Real Train" from the Risky Business soundtrack.

Oliveira re-edited the film with a new soundtrack and re-released it in 1934. And again in 1994, Oliveira modified the film by adding a new, more avant-garde soundtrack by Freitas Branco.Johnson. p. 8. Over the next 10 years Oliveira struggled to make films, abandoning several ambitious projects and making a handful of short documentaries on subjects ranging from artistic portraits of coastal cities in Portugal to industrial films on the origins of Portugal's auto industry. One of these shorts was a documentary about the inauguration of the hydro-electrical plant that his father built, Hulha Branca.

Balada's works from the early 1960s display some of the characteristics of Neoclassicism, but he was ultimately dissatisfied with this technique, and in 1966 began to move towards a more avant-garde style, producing works such as Guernica. Balada felt a need for a change again in 1975, his work from then onward being characterized by the combination of folk dance rhythms with the avant-garde techniques of the previous period. Harmonically, Balada's mature period work displays a combination of the tonality of folk music with atonality. Compositions representative of this period include Homage to Sarasate and Homage to Casals.

Manimal is a French death metal band from Toulouse, comprising members of Psykup, Leiden and Sailenth. The band members define their music as a cross between Faith No More and Cannibal Corpse, and have subsequently called their musical style "Open Death", a more avant-garde and musically progressive subgenre when compared to the music of more classical Death metal acts. Some traits which set Manimal apart from other bands of the same genre are Julien's often piercing vocals, which use a mixture of screams, growls, shouts and clean singing, and the virtuosity displayed by David and Ludovic's guitar playing.

With a much better budget than other candidates, Gómez had to focus mainly on his campaign through social networks. Andres Velasco's campaign started by strengthening his participation in them after he had originally raised his participation only if Bachelet did not appear. To this end, Velasco used the first motto VOY, reinforcing its distancing from the former. Moving forward in the campaign, Velasco concentrated on posing as a renewal against the bad practices of the "old politics"; the campaign adopted a more inclusive speech, with the new motto Allá vamos, and also more avant-garde in line with the liberal positions of Velasco.

Grubbs' first band was a brief-lived punk/new wave group called The Happy Cadavers that released the four-song 7" record With Illustrations in 1982. Grubbs then formed a hardcore punk band called Squirrelbait Youth that later evolved into the influential Louisville, Kentucky group Squirrel Bait, releasing a 12" EP and an album on Homestead Records. Grubbs's next group was the post-punk power trio Bastro, which released an EP and two albums on Homestead.Strong, Martin C. (2003), The Great Indie Discography, Canongate, , p. 522–23. In 1991 Bastro morphed into the more avant-garde Gastr del Sol.

Since the discovery of Chiron (x22px) in the 1970s, some astrologers have been casting the new "planet", although astronomers consider it a centaur (a kind of intermediate object between comet and asteroid). In the 21st century, several new planet-sized bodies, including Sedna, Quaoar, Haumea, and Eris, have been discovered, but not yet incorporated into mainstream astrological predictions, although some more avant-garde groups have attempted to incorporate them.Richard Brown: New PlanetsAstroTransits.blogspot.com New dwarf planets in Astrology (Sedna, Eris, Haumea, Quaoar, Makemake, 2002 TC302, Orcus, and others Comets and novae have been observed and discussed for several thousand years.

According to Clyde Erwin Barretto of Prefix Mag, "Strawberry Bubblegum" takes its R&B; style in a more avant-garde direction, but its second half is more classic-sounding. Craig Manning of the Western Herald said that the first half of "Strawberry Bubblegum" draws from Frank Ocean's psychedelic style of R&B;, while the outro is more comparable to the music of 'NSYNC, Timberlake's former group. Jason Lipshutz called the outro "sashaying" and "pleasant". Timberlake sings about the girl's many characteristics and sensual qualities, and proclaims that he will love her until they "make it pop".

Clarke also came to admire the work of more avant- garde poets like Ezra Pound and Pablo Neruda, both of whom he wrote poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. Clarke set up the Bridge Press to publish his own work, which allowed him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems was published in 1974 and a Selected Poems in 1976.

Decomposer is the second studio album by American pop punk band The Matches. It was released by Epitaph Records on September 11, 2006 worldwide, on September 12, 2006 in the United States, and in 2016 on vinyl. Audio production was handled by Matt Rad, Mike Green, Ryan Divine & Johnny Genius, Miles Hurwitz, Blink-182's Mark Hoppus, Goldfinger's John Feldmann, Rancid's Tim Armstrong, 311's Nick Hexum, and Bad Religion's Brett Gurewitz. Decomposer also marks a vast departure from The Matches' previous strict alternative/punk sound and a growth into a more avant-garde and art rock sound.

The Polite Force is the second album by British band Egg, released in 1971. It is often regarded as the band’s best work and displays an advance in compositional maturity which moves away from the lingering psychedelic-pop sensibilities of their debut album toward a more avant-garde instrumental approach. The music is a fine example of early English progressive rock, bearing many similarities to Soft Machine. Although the music of Egg does have occasional singing, it is mostly instrumental and as such relies on tight ensemble playing and interesting thematic and melodic material with extended chordal harmonies and irregular time signatures.

Another group of writers—collectively said to constitute the Roots (尋根) movement—including Han Shaogong (韓少功), Mo Yan, Ah Cheng (阿城), and Jia Pingwa (賈平凹) sought to reconnect literature and culture to Chinese traditions, from which a century of modernization and cultural and political iconoclasm had severed them. Other writers (e.g., Yu Hua (余華), Ge Fei (格非), Su Tong (蘇童) experimented in a more avant-garde (先鋒) mode of writing that was daring in form and language and showed a complete loss of faith in ideals of any sort.

Shawn Jones formed The Lovely Sparrows in 2005. 2006's EP Pulling Up Floors... began the transition into more avant-garde finger picked folk music and "was a brutally wrought pop gem" and "retains the ironic slant of his songwriting while deftly layering dense orchestral arrangements..." 2008's full length Bury the Cynics continued to expand on these ideas and explored larger, more developed instrumental arrangements. He has been said to have a "gift for wordplay", with lyrics described as "brainy...startling imagery."Pitchforkmedia.com Jones has recorded, toured and played with several bands over the past ten years.

The albums Red by King Crimson and Spiderland by Slint are generally considered seminal influences on the development of math rock. The Canadian punk rock group Nomeansno (founded in 1979 and inactive as of 2016) have been cited by music critics as a "secret influence" on math rock, predating much of the genre's development by more than a decade. An even more avant-garde group of the same era, Massacre, featured the guitarist Fred Frith and the bassist Bill Laswell. With some influence from the rapid-fire energy of punk, Massacre's influential music used complex rhythmic characteristics.

Romantic Warrior is the sixth studio album by the American jazz fusion band Return to Forever, released in 1976 by Columbia Records. After releasing their previous album, No Mystery (1975), their fourth for Polydor Records, the group moved to Columbia and retreated to Caribou Ranch near Nederland, Colorado to record their next album. It was also their first to be credited solely to Return to Forever, removing the "featuring Chick Corea" moniker. The album is more avant-garde and less funky than No Mystery, and remains the band's highest selling album with over 500,000 copies sold in the US.

Four months later, Glynn featured her again on The Times fashion pages – noting that Bowler had begun small in the more avant- garde boutiques, but her designs were now widely available. By this stage, Bowler's shoes were also retailed in the US at Margaret Jerrold. For autumn 1968, Bowler was producing two-tone shoes, using material combinations such as snakeskin and suede, and had introduced what was described as a "medieval slipper" with ruching along the vamp. Her shoes were also being retailed in a new Sloane Street store called Sids – owned by an American called Lawrence Copley Thaw – alongside models by Ronald Paterson, Leslie Poole, Adele Davis and Simon Foster.

Their November 1968 album Wee Tam and the Big Huge, recorded before the US trip, was musically less experimental and lush than Hangman's but conceptually even more avant-garde, a full-on engagement with the themes of mythology, religion, awareness and identity. Williamson's otherworldly songs and vision dominate the album, though Heron's more grounded tracks are also among his very best, and the contrast between the two perspectives gives the record its uniquely dynamic interplay between a sensual experience of life and a quest for metaphysical meaning. The record was released as a double album and also simultaneously as two separate LPs, a strategy which lessened its impact on the charts.

The 1594 Fortune Teller aroused considerable interest among younger artists and the more avant garde collectors of Rome, but, according to Mancini, Caravaggio's poverty forced him to sell it for the low sum of eight scudi. It entered the collection of a wealthy banker and connoisseur, the Marchese Vincente Giustiniani, who became an important patron of the artist. Giustiniani's friend, Cardinal Francesco Maria Del Monte, purchased the companion piece, Cardsharps, in 1595, and at some point in that year Caravaggio entered the Cardinal's household. For Del Monte, Caravaggio painted a second version of The Fortune Teller, copied from the Giustiniani but with certain changes.

The second LP features Can's more avant-garde efforts, with Roni Sarig, author of The Secret History of Rock calling it "as close as it ever got to avant-garde noise music." Featuring Holger Czukay’s tape and radio experiments, the tracks "Aumgn" and "Peking O" have led music critics to write that Tago Mago is Can's "most extreme record in terms of sound and structure." "Peking O" made early use of a drum machine, an Ace Tone Rhythm Ace, combined with acoustic drumming.Rick Moody, On Celestial Music: And Other Adventures in Listening, page 202, Hachette "Aumgn" features keyboardist Irmin Schmidt chanting rather than Suzuki's vocals.

For example, Max Beckmann complained of "one brazen impudence after another" by the new breed of painters, and Liebermann obstructed a Secession exhibit featuring Henri Matisse. In 1910, a more avant- garde splinter group, the New Secession, led by Georg Tappert and Max Pechstein, staged an "exhibition of works rejected by the Berlin Secession."Anke Daemgen: Die Neue Secession in Berlin, in Ausst. Kat.: Liebermanns Gegner – Die Neue Secession in Berlin und der Expressionismus, Stiftung Brandenburger Tor, Max Liebermann Haus, Berlin 2011, S. 22 Internal controversy peaked in 1913, precipitating the resignation of 42 artists from the Secession, including the entire board of directors, among them Baluschek.

Make Happy was very well received by critics. Hugar of The A.V. Club gave the show an A– rating, calling it "one of the best stand up specials of the year". Hugar noted that the show "gets more avant-garde and considerably darker" than Burnham's previous material and summarised, "Burnham is a skilled comic and his combination of rapid-fire songwriting and meaty observations about modern life are captivating". Newman of Forbes gave Make Happy an overwhelmingly positive review, describing it as "easily the best comedy special [Netflix] has ever produced", praising Burnham's "whipsaw swaps between fun and thoughtfulness" and "honed and self-deprecating" stage presence.

Virginie was eventually replaced by Portuguese musician Pedro d'Orey (a.k.a. Pedro Parq), who was living in São Paulo at the time and was famous for being one of the founding members of the experimental rock group Mler Ife Dada. With D'Orey, the band shifted to a more avant-garde sonority heavily reminiscent of their A Gota Suspensa era; he originally wanted to change the band's name from Metrô to "Tristes Tigres" ("Sad Tigers") in order to reflect their shift in direction,Bizz magazine, "Tigres de Pele Trocada" – September 1986 issue but Epic did not allow it. And so, in 1987, the band's second album (and the only one with D'Orey on vocals), A Mão de Mao, came out.

From 1953 through 1962, Rogers recorded a series of albums for RCA Victor (later reissued on RCA's Bluebird label), as well as a series of albums for Atlantic Records with his own group, Shorty Rogers and His Giants, including Shorty Courts the Count (1954), The Swinging Mr. Rogers (1955), and Martians Come Back (1955), the album title alluding to the tune "Martians Go Home" which Rogers had composed and performed on The Swinging Mr. Rogers earlier the same year. These albums incorporated some of his more avant-garde music. To some extent they could be classified as "cool" jazz; but they also looked back to the "hot" style of Count Basie, whom Rogers always credited as a major inspiration.

Ben Shlomo first met Sun Ra by chance in Chicago as a teenager around 1960, becoming a Creative Tone Scientist with the Arkestra beginning in 1970. His most notable recordings with Sun Ra & the Arkestra include the more avant-garde “Black Myth/Out in Space” LP, and performances such as the Nuits de la Fondation Maeght shows from 1970 which were released in 1971 on the French avant-garde jazz label Shandar. In addition to saxophones, ben Shlomo plays clarinet, flute and percussion. Among countless luminaries of the jazz world, ben Shlomo has collaborated with free jazz giants Pharoah Sanders and Anthony Braxton, as well as Henry Threadgill, a longtime friend from the early days of the AACM.

Hall's musical approaches began to broaden in the early 1970s. He spent some time living with Romani musicians (studying with renowned flamenco guitarist Manitas de Plata) and subsequently became involved in more avant-garde work, writing, producing and performing regularly at the British East/West Centre in London. In 1972, Hall was commissioned by the South Hill Park Arts Centre in Bracknell to write The Estates - a "large and complex" musical piece intended to depict the breakdown of established communities to make way for the New Town of Bracknell. The piece was scored for a large ensemble centred on guitar, bass, clarinet, glockenspiel, hammer dulcimer, assorted percussions and two specially prepared piano frames.

In 1988 Yukhananov founded The Leningrad Free University with artist and philosopher Timur Novikov, avant-garde musician Sergey Kuryokhin, the Goroshevsky brothers, Olga Khrustalyovа and poet and novelist Dmitry Volchek. Within the Leningrad Free University, Yukhananov established his own Studio of Individual Directing (MIR), in which he offered aspiring young directors an alternative training to that which was offered by the state. It was a platform for future directors to test the boundaries that existed between film, video and theatre. Yukhananov was not opposed to the kind of teaching that took place in state-run film schools, but he believed that diversity and experimentation and he sought to merge traditional methods with a more avant-garde approach.

Pleiades' Dust was met with very positive reviews from music critics. At Metacritic (a review aggregator site which assigns a normalized rating out of 100 from music critics), based on 5 critics, the album has received a score of 80/100, which indicates "universal acclaim". Metalsucks declared the release a "total fucking masterpiece" and "an actually enjoyable, challenging piece of art", and rated the album with a perfect score of 5 out of 5. Exclaim! gave the EP a 9 out of 10 rating, calling it "a stunning release, a cohesive, exceptionally crafted piece that captures the heavy aggression and incredible musicianship of Gorguts while incorporating more avant-garde elements and a fascinating storyline to boot".

On a superficial level, it followed the melodic orchestral pop template used by singers such as Frank Sinatra, Andy Williams and Jack Jones – mainstream artists whose career path he was initially expected to follow. Crucial differences came via the more avant-garde orchestrations of his arrangers (primarily Angela Morley, Peter Knight and Reg Guest) and by Walker's own approach to lyrics, which involved a cinematic mise-en-scene approach once described as "unsettling short stories, all the more creepy for their delicate orchestral backdrop." As his solo career progressed, Walker began working political themes into his lyrics. Among the first of these was "The Old Man's Back Again (Dedicated to the Neo-Stalinist Regime)" (from Scott 4).

It was only in 1986 when the station went full-blown "new music" in format with the line-up of The Morning Man or Inggo & his Request Round-Up at sign-on; Cool Carla; Julius Caesar; George Frederick, who was also the Program Director; Fat Albert & his program Rock Wave; and The Ghost. Later, Allan K (not the well-known comedian and television host) joined the staff deejays after an on-air search. A pair of blocktime shows that caught the youth market by the neck back then were Radio Manila and Capital Radio, specializing in local underground punk scene and UK and U.S. imports that characterized a harsher or more avant-garde side to alternative music.

When the Rolling Stones, The Beatles, and Johnny Winter came upon the music scene, Dean’s attention quickly turned to Rock & Roll and became interested in guitars. He began playing electric guitarDean Zelinsky. Interview and learned what he liked and what he did not like. More importantly, while some would have paid anything to get their hands on a vintage Gibson Flying V, Dean not only had one in-hand, but he also sawed it in two, right down the middle to start measuring and setting his sights on making a better instrument. As bands became more avant-garde in the 1970s, it was Dean’s opinion that the design of the guitars they were playing was not keeping pace with the times.

The Boom's defining novel was Gabriel García Márquez's Cien años de soledad (1967), which led to the association of Latin American literature with magic realism, though other important writers of the period such as the Peruvian Mario Vargas Llosa and Carlos Fuentes do not fit so easily within this framework. Arguably, the Boom's culmination was Augusto Roa Bastos's monumental Yo, el supremo (1974). In the wake of the Boom, influential precursors such as Juan Rulfo, Alejo Carpentier, and above all Jorge Luis Borges were also rediscovered. Contemporary literature in the region is vibrant and varied, ranging from the best-selling Paulo Coelho and Isabel Allende to the more avant-garde and critically acclaimed work of writers such as Diamela Eltit, Giannina Braschi, Ricardo Piglia, or Roberto Bolaño.

Also contributing fiction was a youngster hailing from Philadelphia, who would later achieve wider fame as the owner of the entire Appeal operation, Emanuel Julius, who wrote pedestrian short stories in the O. Henry style for virtually every issue.Kreuter and Kreuter, An American Dissenter, pg. 127. Far more typical and worthy of the publication were muckraking pieces of non-fiction, such as exposés on coal mining and the faintly-disguised theft of public lands. As a radical literary and artistic magazine, none would confuse The Coming Nation with the more avant-garde publications which would follow with greater success, such as The Masses, The Liberator, and The New Masses, instead being more akin to the glossy weekend supplement of the New York Call.

They released their first albums Where the Ragged People Go and Sweet Shanghai Devil in 2001 and 2003 respectively. Their 2005 album In the Kingdom of Kitsch You Will Be a Monster led the band into a more avant-garde, electric, and rock-oriented sound, with Qvenild playing synthesizers and other electronic keyboards and Hartberg mostly using bass guitar instead of double bass. Qvenild and Hartberg both left the band before or following the release of the album, being replaced in 2005 by Andreas Hessen Schei and Morten Strøm respectively. Under this line-up, Shining released Grindstone in 2007, an album going into a heavier direction and distancing itself more from jazz, incorporating elements from progressive rock, pop, and 19th and 20th-century classical music.

He settled in the Montparnasse section of Paris and studied under Aristide Maillol and Emile-Antoine Bourdelle, but was forced to return home after the outbreak of World War I. In his native La Plata he opened an art gallery, the Salón de Otoño (Autumn Salon), in 1916. A brief return in 1917 to Paris, where Curatella worked under Maillol, Maurice Denis and Paul Sérusier, was eventually followed by a second scholarship, with which he settled in Paris in 1920. Studying under Henri Laurens, Juan Gris, Constantin Brâncuși and Le Corbusier, Curatella explored Cubism, and his sculptures became more avant-garde; he also established his first atelier, where he acquired the habit of creating and destroying sculptures in a single day.Answers.

Sun Blindness Music, the set's centerpiece, is a nearly three-quarters of an hour of a single chord, which shifts gradually between tones and timbres over the expansive time allotted to it. Cale produced the otherworldly sound with his Vox organ. Reviewer Thom Jurek notes that "Sun Blindness Music is easily the most demanding and perhaps most rewarding piece on the disc... There are times when the full-bodied chord is so complete and forceful in its presence it is nearly unbearable..." Summer Heat is an extended, distorted solo for electric guitar. It is perhaps the rawest track on the album, indicating where the more avant- garde elements of the Velvet Underground's future songs (especially on White Light/White Heat) may have originated.

Ayler's musical language focused on the possibilities of microtonal improvisation and extended saxophone technique, creating squawks and honks with his instrument to achieve multiphonic effects. Yet amidst Ayler's progressive techniques, he shows an attachment for simple, rounded melodies reminiscent of folk music, which he explores via his more avant-garde style. One of Ayler's key free jazz recordings is Spiritual Unity, including his often recorded and most famous composition, Ghosts, in which a simple spiritual-like melody is gradually shifted and distorted through Ayler's unique improvisatory interpretation. Ultimately, Ayler serves as an important example of many ways which free jazz could be interpreted, as he often strays into more tonal areas and melodies while exploring the timbral and textural possibilities within his melodies.

Contemporary literature in the region is vibrant and varied, ranging from the best-selling Paulo Coelho and Isabel Allende to the more avant-garde and critically acclaimed work of writers such as Diamela Eltit, Ricardo Piglia, or Roberto Bolaño. There has also been considerable attention paid to the genre of testimonio, texts produced in collaboration with subaltern subjects such as Rigoberta Menchú. Finally, a new breed of chroniclers is represented by the more journalistic Carlos Monsiváis and Pedro Lemebel. The region boasts five Nobel Prizewinners: in addition to the Colombian García Márquez (1982), also the Chilean poet Gabriela Mistral (1945), the Guatemalan novelist Miguel Ángel Asturias (1967), the Chilean poet Pablo Neruda (1971), and the Mexican poet and essayist Octavio Paz (1990).

The Vilna Troupe inspired the creation of more avant-garde and ambitious Yiddish theatrical companies, including the Warsaw Yiddish Art Theater, founded by Zygmunt Turkow and Ida Kaminska in 1924, the Warsaw New Yiddish Theater, founded by Jonas Turkow in 1929, and the Young Theater, founded by Michal Weichert in 1932. In addition to the serious artistic efforts of the art theaters, cabaret flourished in Poland during the interwar period, combining musical performances with standup comedy. The most celebrated practitioners of this kind of performance were Shimen Dzigan and Yisroel Shumacher, who began their lifelong Yiddish comedy career at the theater Ararat in Łódź in 1927. Puppet and marionette theater also attained great artistic significance, often staging satirical shows on contemporary social issues.

A large batch were built for BET on the new Leyland Atlantean, these were delivered in 1960 to Trent Motor Traction, Devon General and the Northern General Transport group. As well as looking ungainly these buses became notorious for their propensity to corrode. Roe also built both forward and rear entrance bodies using this structure on conventional chassis, Swindon Corporation taking Daimler CVG6 and both Yorkshire Traction and Stratford Blue Motors taking rebodied Leyland Tigers. Far less conventional was the Guy Wulfrunian which was even more avant-garde than the Atlantean, it was designed to the requirements of the independent West Riding company and featured a front engine on the front entrance platform, instead of a front radiator it had two Cave-Browne-Cave heat exchangers on the upper deck front face to provide passenger heating and ventilation as well as engine cooling.

He pursued instead his interest in design and the outdoors and upon graduation in 1936 enrolled in the program for "Landscape Design" in the College of Environmental Design at the University of California, Berkeley. Royston's mentor, H. Leland Vaughan, allowed him to experiment on his own with the new design perspectives emerging in the innovative work of Thomas Church and the more avant-garde explorations of Daniel Kiley, Garrett Eckbo, and James Rose. Royston's interest in painting, which he continued to pursue in order to explore aesthetic principles applicable to his design work, can be traced to the studio art classes that were a part of his early education. While working his way through college, Royston was employed part-time in the office of Thomas Church and upon graduation in 1940 became a full-time employee.

In his review of the album, Falling James of LA Weekly referred to Creager's "real-life horror of losing much of her life's work to a particularly invasive and controlling stalker" and said that "her new songs might be disguised with typically cryptic titles [...], but an unsettling sense of dread and mystery unfolds with every dark rustle of those feverishly restless cellos". Meanwhile, Geoffrey Plant of Weekly Alibi said that "while [it] doesn't rock as hard as some of the previous Rasputina releases, the durable and more avant-garde Unknown is of the highest cello- rock quality". While lauding the band's 2007 release Oh Perilous World as being their "most essential" album, a writer for New York Music Daily said of Unknown, "this is a masterpiece in its own right – and a strong contender for best release of 2015".

Hofmann was renowned not only as an artist but also as a teacher of art, both in his native Germany and later in the U.S. His value as a teacher lay in the consistency and uncompromising rigor of his artistic standards and his ability to teach the fundamental principles of postwar abstraction to a diverse body of students. He founded his first school, Schule für Bildende Kunst (School of Fine Art) in Munich in 1915, building on the ideas and work of Cézanne, the Cubists, and Kandinsky. His hands-on teaching methods included ongoing discussion of art theory, life drawing sessions, and regular critiques from Hofmann himself, a practice which was a rarity in the Academy. By the mid-1920s, he attained a reputation as a forward-thinking teacher and was attracting an international array of students seeking more avant-garde instruction, including Alf Bayrle, Alfred Jensen, Louise Nevelson, Wolfgang Paalen, Worth Ryder,Karl Kasten on Worth Ryder retrieved online October 27, 2008 and Bistra Vinarova.

Other writers, however, have traded on the Boom's success: see for instance Laura Esquivel's pastiche of magical realism in Como agua para chocolate. The Spanish language author who has had most impact in United States has been Roberto Bolaño.Roberto Bolaño: diez años sin el autor que conquistó a los jóvenes escritores Overall, contemporary literature in the region is vibrant and varied, ranging from the best-selling Paulo Coelho and Isabel Allende to the more avant-garde and critically acclaimed work of writers such as Diamela Eltit, Giannina Braschi, Luisa Valenzuela, Marcos Aguinis, Ricardo Piglia, Roberto Ampuero, Jorge Marchant Lazcano, Alicia Yánez, Jaime Bayly, Alonso Cueto, Edmundo Paz Soldán, Gioconda Belli, Jorge Franco, Daniel Alarcon, Víctor Montoya or Mario Mendoza Zambrano. Other important figures include the Argentine César Aira, the Peruvian-Mexican Mario Bellatin or the Colombian Fernando Vallejo, whose La virgen de los sicarios depicted the violence in Medellín under the influence of the drug trade.

Between 1905 and 1914 suffrage drama and theatre forums became increasingly utilised by the women's movement. Around this same time, however, the WSPU also became increasingly associated with militancy, moving from marches, demonstrations, and other public performances to more avant-garde and inflammatory “acts of violence.” The organisation began using these shock tactics to demonstrate the seriousness and urgency of the cause. Their demonstrations included “window smashing, museum-painting slashing, arson, fuse box bombing, and telegraph line cutting,”—suffrage playwrights, in turn, began using their work to combat the negative press around the movement and attempted to demonstrate in performance how these acts of violence only occur as a last resort. They attempted to transform the negative, yet popular perspective of these militant acts as being the actions of irrational, hysterical, ‘overly-emotional’ women and instead demonstrate how these protests were merely the only logical response to being denied a basic fundamental right.

Buttrick White & Burtis's work was eclectic. Writing in 1985 in New York Magazine, the architectural historian Carter Wiseman contrasted the firm's conservative renovation work at the traditional, oak-paneled Harvard Club of New York with their more avant-garde designs for the stores of the then-hip Tower Records chain, adding that the chain's downtown venue was "the most successful such enterprise in America."Carter Wiseman, "Light-Up Time," New York Magazine, February 25, 1985. BWB was also known for artful renovations and additions to architectural landmarks, such as the Grand Army Plaza, in Manhattan, restored in 1990; Casa Italiana, Columbia University, completed in 1996; and the Brooklyn College library, completed in 2002. The firm's largest project, a fifteen-story, postmodern building in Manhattan, built for the Saint Thomas Choir School, was completed in 1987,Joseph Giovannini, "Young Voices Soar at the New St. Thomas Choir School," The New York Times, September 17, 1987.

He introduced this technique for the first time with the Club Nouveau song "It's a Cold, Cold World", in May 1988. Another clear example of this approach is Roberta Flack's 1989 ballad "Uh-Uh Ooh-Ooh Look Out (Here It Comes)", which Chicago House great Steve "Silk" Hurley dramatically reworked into a boisterous floor-filler by stripping away all the instrumental tracks and substituting a minimalist, sequenced "track" to underpin her vocal delivery. The art of the remix gradually evolved, and soon more avant-garde artists such as Aphex Twin were creating more experimental remixes of songs (relying on the groundwork of Cabaret Voltaire and the others), which varied radically from their original sound and were not guided by pragmatic considerations such as sales or "danceability", but were created for "art's sake". In the 1990s, with the rise of powerful home computers with audio capabilities came the mash-up, an unsolicited, unofficial (and often legally dubious) remix created by "underground remixers" who edit two or more recordings (often of wildly different songs) together.

Constituted in 1949, its peak was in the 1960s, when its membership reached 200,000 and it thus sought to gain a profile independent of its parent organisation. The Federation's newsletters and publications thus assumed a more avant-garde role, most importantly "La città futura" (taking its name from a special issue published in February 1917 by the Federazione giovanile piemontese del Partito Socialista drawn up by Antonio Gramsci himself) and "Nuova generazione" (drawn up, not without some protests, in 1956). On 8 October 1990 the Fgci's secretary Gianni Cuperlo, proposed to Ariccia, following the line of Achille Occhetto, that the FGCI be dissolved in order to create the Sinistra Giovanile, a federal organisation with the aim of creating four associations in schools, in territories, in universities, in workplaces, all federated together. The proposal was passed, with 91 votes in favour, 10 abstentions and 13 against. On 19 December 1990, the 25th and last congress of the FGCI opened at Pesaro, and on 22 December the FGCI dissolved itself with 356 of the 491 votes (72.5%) being in favour, out of a membership of 55,000.

Blakey encouraged his band members, including Hicks, to compose for the band, although they also played compositions by previous members of the band. He stayed with Blakey for two years, during which time his playing was compared with that of McCoy Tyner, for the level of energy displayed and for some of the intervals that they used. Vocalist Betty Carter in 1979 In the period 1965 to 1967 Hicks worked on and off with vocalist Betty Carter; her liking for slow ballads helped him develop his sense of time. He then joined Woody Herman's big band, where he stayed until 1970, playing as well as writing arrangements for the band. Hicks "also recorded with Booker Ervin and Sonny Simmons (both 1966), Hank Mobley (1967), and Lee Morgan (1968)". From 1972 to 1973 Hicks taught jazz history and improvisation at Southern Illinois University.Feather, Leonard & Gitler, Ira (2007) The Biographical Encyclopedia of Jazz. p. 317. Oxford University Press. From the 1970s he also played in more avant garde bands.Corroto, Mark (April 26, 2007) "John Hicks/Buster Williams/Louis Hayes: On the Wings of an Eagle". AllAboutJazz.

They want clothes they can put on and forget about, but clothes that nevertheless look right and help them do the job. Such clothes must have ease of movement, easy-care properties, accent on design simplicity." In the Tom Gilbey First Couture Programme notes of May 1968, Gilbey expands on his philosophy in 'The Tom Gilbey Concept': ' One-case- manship is an instant guide to how we have to dress. Clothes must be light and interchangeable but correctly co-ordinated so that a man's basic clothes have a many purpose life; they must take him, often without the need to change, from hard work to hard play.’ Rave reviews followed Gilbey's first Mens Couture Collection, amongst them Christopher Ward in the Daily Mirror, heralded Gilbey as 'one of Britain's more avant garde designers',...'a pioneer of the polo-neck, the cat suit, and the zip-up jacket'Christopher Ward, Daily Mirror, 8 October 1968, page 8 A 1968 suit of his is in the collection of the Victoria & Albert Museum, which writes of it, "Worn with a silk rollneck shirt , this suit exemplifies the informal dress codes of the later 1960s.