The avatar with the blue mop of hair and matching beard?
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His rumpled brown mop of hair framed his watery green eyes and impish grin.
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I had a mop of hair that hadn't seen a drop of water in weeks.
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Barely have we clocked that wondrously unruly signature mop of hair before events rewind to Nutbush, Tenn.
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His name, be warned, is not entirely genuine, and the same goes for his messy mop of hair.
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Lily, a fuchsia Muppet with a mop of hair, debuted on "Sesame Street" seven years ago, writes Nikita Stewart.
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For any doubters it's Sia actually singing under that mop of hair ... a Rocky Mountain breeze has your back.
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Now 57, and perennially sporting a wild mop of hair suggestive of a surprised hedgehog, he has a Puckish air.
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A 6-year-old girl with a tangled mop of hair and shining dark eyes had a hole in her leg.
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Once you get past the tripping incidents, there is likely a productive player hiding under the sneers and mop of hair.
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Lily, a fuchsia Muppet with a mop of hair, green eyelids and a lavender nose, debuted on "Sesame Street" seven years ago.
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"Night of the Blond Knives," said The Sun, Britain's most-read newspaper, in reference to the colour of Johnson's dishevelled mop of hair.
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It's not like I suddenly feel free and accomplished every time I feel a mop of hair touch the back of my neck.
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BRNO, Czech Republic — The world's best climber is a wiry 27-year-old with a curly mop of hair and a noticeably long neck.
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He takes a pause only once, shaken by the sight of the mop of hair and black hoodie he wears in that "coming out" video.
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Allen is 53 now, with flecks of gray in his tousled mop of hair, but he spent the years 22 to 44 inside the Buddhafield.
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Like most fans, I first met the budding singer as a member of One Direction, and immediately recognized him by his curly mop of hair.
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With his uncombed mop of hair and sneering Queens accent, Breslin was like a character right out of his own work, and didn't mind telling you.
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One of the pair lurches under God's outstretched arm, showing only a head banked on one shoulder, his cheerless face darkened by a black mop of hair.
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With his shaggy mop of hair stuffed under a beanie, the 13-year-old walked with a half-swagger, half-shuffle toward a storefront covered up with newspapers.
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A somber-looking Shkreli, wearing a purple dress shirt and a shaggy mop of hair, was taken into custody by two deputy U.S. Marshals just after 6 p.m.
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In life he is as self-effacing as the humble Charlie Chan: quiet and soft-spoken, with a boyish grin, a mop of hair and a runner's physique.
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His budding kinship with Jessica becomes strained when Tyrone, heretofore a quiet fellow with a festive red mop of hair, begins spouting lewd insinuations about Jason's attraction to her.
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"It took them three days to find my boy," said Biniam's mother Kassanesh, gesturing to a framed photograph of a teenager with a toothy smile and curly mop of hair.
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He's portrayed by a rambunctious Sean Astin, whose mop of hair you just want to tussle, and he has one dream in life: to play football for the University of Notre Dame.
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It clung to him well before he arrived in London in 1968, with his dark mop of hair, mandarin jackets, Swinging Sixties ways and the air of a casual, if reserved, film star.
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The sculpture showed Trump, complete with his trademark mop of hair, holding his Democratic rival for the White House, Hilary Clinton, in a headlock, and sporting a pair of Mexico-themed boxer shorts.
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Johnson — known for his ambition, mop of hair, oratorical skills and spotty command of policy detail — takes office at one of the most tumultuous points in post-World War II British history (Reuters).
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At the Rondo restaurant, diners can sample a "Presidential Burger" — in which the bun is topped with a frizzy slice of fried cheese that looks convincingly similar to President Trump's mop of hair.
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The thriller tells the story of a quirky, harsh art critic (Gyllenhaal, accompanied by a distractingly-sad mop of hair) who comes across a set of beautiful paintings that captivate the contemporary art world.
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Lily, a fuchsia Muppet with a mop of hair, green eyelids and a lavender nose, debuted on "Sesame Street" seven years ago and described how her family did not have enough food to eat.
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With a dark green head of shimmering, ragged feathers, the male's profile reminded me of the artfully arranged mop of hair Robert Smith was popularizing a few years after I had become a duck enthusiast.
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He is best known for playing Q in the two latest Bond films: not the crusty old gadget-maker made famous by Desmond Llewelyn but a coy young tech geek with a windswept mop of hair.
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The photo of the powerful Howe poking the blade of his stick into the mop of hair and prominent ears of a young Wayne Gretzky is one of the great relics of their sport, of any sport.
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Mr. Watts, with his unruly mop of hair and pants often short enough to reveal socks, is best known as the bandleader on "The Late Late Show With James Corden," where audiences get snippets of his surreal sensibility.
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Instantly recognizable by his unruly mop of hair and snaggletoothed grin, Mr. Dodd came up through the ranks of Britain's variety circuit, where performers kept eager crowds entertained with songs, a bit of dance and a slew of jokes.
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The story also receives a boost of mischievous whimsy from the Hercules villain Hades, played with a starched mop of hair and punk-rock eyeliner by Cheyenne Jackson, rekindling some (but not enough) of the silliness Kristin Chenoweth brought to the first movie.
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People keep their distance from her, as if they know that touching her would feel rough and raw against their skin, and she wears an unruly mop of hair that makes her look a little like Christopher Lloyd in the Back to the Future movies.
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But nobody could deny the girl's talent from a young age, including her hardened and chain-smoking mother LaVona — who is played, transcendently, by Allison Janney in huge plastic glasses and a shapeless brown mop of hair, equal parts hilarious scenery-gnawing and horrifying cruelty.
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There's a family-affair feel to the whole exercise, with Franco as Wiseau -- adopting a peculiar accent and unkempt mop of hair -- and his brother, Dave Franco, playing Sestero, who is initially caught up in Wiseau's enthusiasm before beginning to grow weary of apologizing for his pal's strangeness.
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In 1940, Philadelphia artist Louis Hirshman did a caricature of Einstein using found objects, including a wild mop of hair, an abacus chest and shirt collar scribbled with the equation 2+2 = 2+2. In 1977, the piece was purchased by the Philadelphia Museum of Art.
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Hargrove started growing a beard when he began his run in Newfoundland because the kids at the Stollery suggested he should grow a beard like the Tom Hanks character, Forrest Gump. His full beard and overgrown mop of hair became an identifying characteristic. Some children donned a large fake beard for Curtis Hargrove costumes for Halloween. His enthusiasm for the beard was not shared by all of his followers, who often sent messages telling him to shave it.
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After Grace disappears, he vows to find her again. When the wolves are under threat, he is injected so that he can turn into a wolf again to help move them into a safer location. He often puts his feelings into lyrics, becoming human again at the end of Forever. He has a dark mop of hair and yellow eyes; Cole describes him as being a yellow-eyed John Lennon and Grace thinks he looks everything but nothing like his wolf form at the same time.
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Finally, Ralph is sitting in his cave, depressed, and notices the rain outside, when an idea strikes him. He sneaks up behind Sam with a bottle of "Acme Patented Hair Grower (guaranteed)" and splashes some on Sam's head, who does not notice because of the rain. When the rain clears up, Sam has even more hair in front of his eyes than usual (he has this for the rest of the cartoon). Ralph tests to make sure that Sam cannot see him through the unruly mop of hair on his head and then heads down to grab a sheep.
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Hirshman's most famous artwork was arguably his 1940 representation of Albert Einstein, with the genius mathematician sporting a wild mop of hair, an abacus chest and shirt collar scribbled with the equation 2+2 = 2+2. In 1977, the piece was purchased by the Philadelphia Museum of Art. Although his pieces often engendered laughter as viewers recognized the parts of familiar items that informed the subject as a whole, Hirshman – as well as colleagues—considered these representations serious works of art. In his last period, he shifted into caricaturizing scenes of everyday life and archetypes, all with his clever mix of found objects.
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Truscott was subsequently Mentioned in Dispatches for his distinguished service in the battle. An official report notes that Truscott was "literally adored by the Pilots and Ground Crew. His devil-may-care swagger, fiery red mop of hair on which a Melbourne Cricket Club cap was usually perched, and infectious smile just couldn't fail to inspire confidence in others." No. 76 Squadron was later transferred to Darwin, Northern Territory, and the RAAF journal Wings stated that when out-climbed by Japanese Zeros in early night dog-fights, Truscott would turn on the navigation lights of his Kittyhawk to attract Japanese fire, giving him a chance to shoot back.
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He was described by film writers Sol Chaneles and Albert Wolsky as "an audience favourite as an all-American boy [with a] space between his teeth, freckles and a tousled mop of hair - a marked contrast to the pretty children who usually appeared on screen." Pauline Kael wrote approvingly of his effectiveness as a performer, saying that his appearance as a five-year-old who enjoys waving at trains in The Human Comedy helped elevate the film, while his performance in National Velvet made him "the little brother of everyone's dreams". In 1946 exhibitors (movie theater owners) voted him the second-most promising "star of tomorrow".
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In 1924 Coghlan was again cast opposite Jack Dempsey in Winning His Way. One newspaper story described Coghlan's rise to fame this way: "When the boy was seven years old, his great mop of hair, freckled face, genial grin, and likable personality attracted the attention of several directors who urged his parents to permit him to engage in screen work. Mrs. Coghlan finally consented and one day he was cast for a 'bit' role in Goldwyn's Poverty of Riches, in which he played the son of Leatrice Joy." By the mid 1920s, Coghlan had caught the eye of one of Hollywood's leading directors, Cecil B. DeMille.
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The root tzitz (צִיץ) means “to blossom” or “a flower” and as such is employed by the picturesque metaphors in Isaiah 27:6, 28:1, 40:7-8, floral descriptions of Solomon’s temple (1 Kings 6:18-35) and the blooming of Aaron’s rod (Num. 17:23).Francis Brown, Samuel Rolles Driver and Charles A. Briggs C.A., A Hebrew and English Lexicon of the Old Testament (Oxford, 1907/2013) [BDB], (CD-ROM), 8082. This latter instance is particularly interesting, because just as a tzitz appeared on the Aaron’s rod so is the Aaronide high-priest supposed to wear a tzitz on his forehead. In addition to this, once in the Hebrew Bible, in Ezekiel 8:3, the word appears in the construction tzitzit rosh meaning “a mop of hair” and probably deriving from the metaphor of hair as the plants grown from skin.
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Richard Mark Ellison (born 21 September 1959) is an English former cricketer who played in 11 Tests and 14 One Day Internationals (ODIs) from 1984 to 1986, playing a key role in the 1985 Ashes series. He was born in Willesborough in Kent. A burly, curly haired, right arm medium fast swing bowler, he made his debut for Kent in 1981 and took five wickets against the powerful 1984 West Indian side on his Test debut. As well "his distinctive mop of hair", Ellison "is best remembered for ... the fifth Test against Australia in 1985," when, recalled to the national side, he took four wickets for one run in the Australian second innings, thereby completing ten wickets for the match. He took seven more wickets as England wrapped up the series in the sixth Test and was named as one of the Wisden Cricketers of the Year in 1986.
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Burns notes that Morris was "relatively short, a little rotund, and affectionately called 'Topsy', for his curly mop of hair", all somewhat hobbit-like characteristics. Further, she writes, "Morris in Iceland often chooses to place himself in a comic light and to exaggerate his own ineptitude", just as Morris's companion, the painter Edward Burne-Jones, gently teased his friend by depicting him as very fat in his Iceland cartoons. Burns suggests that these images "make excellent models" for the Bilbo who runs puffing to the Green Dragon inn or "jogs along behind Gandalf and the dwarves" on his quest. Another definite resemblance is the emphasis on home comforts: Morris enjoyed a pipe, a bath, and "regular, well- cooked meals"; Morris looked as out of place in Iceland as Bilbo did "over the Edge of the Wild"; both are afraid of dark caves; and both grow through their adventures.
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