Despite the show's monumentalizing size, it's a human-scale Warhol we see.
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"What made him remarkable was he was monumentalizing a forgotten people," Fuentes says.
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Even former presidents far better at simulating modesty have been unable to resist monumentalizing themselves for posterity.
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Their corsets were visible under sheer scrims of chiffon set into flannel jackets, marbelized sequins monumentalizing flesh.
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Despite the show's monumentalizing size, supplemented by an off-site display of the enormous multipanel painting called "Shadows," it's a human-scale Warhol we see.
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The work performs a similar transformation upon the hidden and marginalized history of each chosen location along the 229-mile route, monumentalizing its symbolic import in a tribute to community resilience.
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I spoke with the artist at KADIST, where he talked about memory being mediated, how the past is becoming present, and the idea of "monumentalizing" at a time when things are in flux.
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Despite the show's monumentalizing size — some 350 works spread throughout the museum and an off-site display by Dia of the enormous multi-panel painting called "Shadows" — it's a human-scale Warhol we see.
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As a matter of fact, the monumentalizing of the bride and groom union following the entrance anthem of Ahesta Boro (آهسته برو) in weddings with the hit song of the Gohar Album is now a strong tradition of Afghan weddings. His performances hereon became regular, and he often teamed with other singers to perform in various cities outside of Germany.
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In English literature, an elegy is a poem of serious reflection, usually a lament for the dead. However, "for all of its pervasiveness ... the ‘elegy’ remains remarkably ill-defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead".
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Grave-Circle-A-Mycenae There have been many discoveries of gold grave goods at Grave Circles A and B in the Bronze Age city of Mycenae. Gold has always been used to show status amongst the deceased when used in grave goods. While there's evidence that the practice of grave goods and monumentalizing graves to show status was used throughout Ancient Greece from the Bronze Age and passed through the Classical Period, the goods themselves changed over time. However, using gold as a material was a constant status marker.
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The earliest basilicas (large, aisled halls) were introduced to the Forum in 184 BC by Marcus Porcius Cato, which began the process of "monumentalizing" the site. The Basilica Fulvia was dedicated on the north side of the Forum square in 179 BC. (It was rebuilt and renamed several times, as Basilica Fulvia et Aemilia, Basilica Paulli, Basilica Aemilia). Nine years later, the Basilica Sempronia was dedicated on the south side. Many of the traditions from the Comitium, such as the popular assemblies, funerals nobles and games, were transferred to the Forum as it developed.
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1.2 Epithalamion in Stellam et Violentillam ("Wedding Song for Stella and Violentilla") One of the longer Silvae The poem begins with a monumentalizing of the day and describes a conversation between Venus and Cupid, in which the gods praise Stella and Violentilla and describe their love for each other. Venus travels to Rome and admires Domitian's palace before giving advice to Roman maidens and Violentilla to seek marriage. The poet describes the wedding at which gods and humans mix and finishes by encouraging the poet to sing elegy. 1.3 Villa Tiburtina Manili Vopisci ("The Tiburtine Villa of Manilius Vopiscus") A description of the villa, praise of the landscape at Tivoli, description of Vopiscus' art collection, and praise of otium.
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