"The influence of jazz on the solo trumpet compositions of Eugene Bozza", DMA Dissertation. University of North Texas, Diss. p. 20. Uvular fluttertonguingPost, Nora. "Monophonic sound resources for the oboe: Part I - Timbre".
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The Gregorian chant was known for its very monophonic sound. Believing that complexity had a tendency to create cacophony, which ruined the music, Gregory I kept things very simple with the chant.Kamien, Roger. Music: An Appreciation.
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Descriptions of stereophonic sound tend to stress the ability to localize the position of each instrument in space, but this would only be true in a carefully engineered and installed system, where speaker placement and room acoustics are taken into account. In reality, many playback systems, such as all-in-one boombox units and the like, are incapable of recreating a realistic stereo image. Originally, in the late 1950s and 1960s, stereophonic sound was marketed as seeming "richer" or "fuller-sounding" than monophonic sound, but these sorts of claims were and are highly subjective, and again, dependent on the equipment used to reproduce the sound. In fact, poorly recorded or reproduced stereophonic sound can sound far worse than well done monophonic sound.
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Mono is the eighth studio album by American country music band The Mavericks. It was released on February 17, 2015 via Valory Music Group. The album sold 8,000 copies in its first week of release, debuting at number 5 on the Billboard Top Country Albums chart. The album was recorded and mixed in monophonic sound.
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However, the location of the original multi-track tapes is unknown. As a result, with only the full-track quarter-inch 15 IPS monophonic composite master being available from which Capitol mastered their records in 1962, no stereophonic version of the song is currently possible and it remains in monophonic sound on the CD re-issue.
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By 1968, the practice of releasing LPs in monophonic sound was being discontinued. As a result, RCA Victor issued very few mono copies of Elvis' Gold Records Vol. 4 and they are considered valuable collector's items.Jerry Osborne's Presleyana: The Elvis Presley Record, CD, and Memorabilia Price Guide Original recordings were produced by Steve Sholes, Joseph Lilley, Chet Atkins, Urban Thielmann, George Stoll, and Felton Jarvis.
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A typical example is the price list of the Sonotape/Westminster reels: $6.95, $11.95 and $17.95 for the 7000, 9000 and 8000 series respectively. Some HMV tapes released in the USA also cost up to $15. Record companies mixed most popular music singles into monophonic sound until the mid-1960s—then commonly released major recordings in both mono and stereo until the early 1970s.
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Having been a record collector since the 1920s, Nunn began to make records to improve their audio quality. He was a recording engineer who believed monophonic sound (mono) was better than stereophonic sound (stereo). His records impressed High Fidelity magazine and G. A. Briggs, the designer of Wharfedale speakers. In 1947, he started Audiophile Records in Saukville, Wisconsin before moving it to Mequon, Wisconsin in 1965.
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While most keyboard amplifiers produce monophonic sound, a small number of higher-priced, higher wattage keyboard combo amps have two speakers and two horns and can produce stereophonic sound. When a stereo keyboard amp is used with a stereo chorus effect or Leslie speaker simulator pedal, this can produce a spacious, full sound. Some keyboard amp combos have a stereo link output, which can be connected to a second keyboard amp combo to provide stereo sound onstage.
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RCA Victor issued two different recordings with Lanza of the songs from the film. The first, in 1954, was a genuine film soundtrack recording in monophonic sound. Rather than reissuing the original soundtrack in stereophonic sound (which would have been possible since the movie was filmed using 4-track stereo, and stereo records were released starting in 1958), RCA Victor recorded and released an all-new album in 1959. The original Dorothy Donnelly lyrics were restored to this album.
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1971's Nicholas and Alexandra, another roadshow release, was also shown in 70mm 6-track only in Europe, while its U.S. release was in regular Panavision with monophonic sound. In addition to the above, The Diary of Anne Frank (1959), Judgment at Nuremberg (1961) and The Longest Day (1962) were three epics that were shown in black and white instead of Technicolor. Before then, roadshow epics alternated between getting released in black and white or color.
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Pure Gold is a 1975 compilation album of 10 studio recordings by Glenn Miller and his Orchestra recorded between 1939 and 1942 by RCA Victor.Album artist 469 – Glenn Miller. The recordings were all originally issued as 78 RPM records on the RCA Bluebird and Victor labels and was certified Gold by the RIAA. The album was originally issued in reprocessed (fake) stereo sound; in 1988, RCA remastered the album for reissue on compact disc in original monophonic sound.
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This one is of the January 27, 1951 concert devoted to the Verdi Requiem, previously recorded and released in high-fidelity monophonic sound by RCA Victor. Recently a separate NBC tape of the same performance, using a different microphone in a different location, was acquired by Pristine Audio. Using modern digital technology the company constructed a stereophonic version of the performance from the two recordings which it made available in 2009. The company calls this an example of "accidental stereo".
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Since CEDs were a disc-based system, they did not require rewinding. Early discs were available only in monophonic sound, but many later discs were issued in stereo sound. (Mono CED discs were packaged in white protective caddies, while the caddies for stereo discs were blue.) Other discs could be switched between two separate mono audio tracks, providing features such as bilingual audio capability. Like the LaserDisc and DVD, some CEDs feature random access, allowing users to quickly move to certain parts of the movie.
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The Experience's performance at the Coliseum was not professionally recorded, however, a monophonic sound recording was made by fan Ken Koga. The set list for the concert was one typical of the 1969 tour, featuring staples "Fire", "Purple Haze" and "Spanish Castle Magic". Other songs include the improvised "Hey Joe", blues numbers "Red House" and "Hear My Train A Comin'", the extended "Foxey Lady" and the finale of the night, an eighteen-minute jam on "Voodoo Child (Slight Return)", with Jefferson Airplane's Jack Casady on bass.
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"I Love You Love Me Love" is a song by English glam rock singer Gary Glitter. Written by Glitter with Mike Leander and produced by Mike Leander (unusually in monophonic sound), "I Love You Love Me Love" was Glitter's second number- one single on the UK Singles Chart, spending four weeks at the top of the chart in November 1973, and establishing itself as one of the top 10 best- selling singles of 1973 in the UK. It reached No. 2 in both Ireland and Australia.
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Both outputs produce monophonic sound; a headphone jack on the front of the console produces stereo sound. On the model 2, the DIN port, radio frequency output port, and headphone jack are replaced by a 9-pin mini-DIN port on the back for composite video, RGB and stereo sound, and the standard RF switch. Earlier model 1 consoles have a 9-pin extension port, although this was removed in later production runs. An edge connector on the bottom right of the console can be connected to a peripheral.
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IBM Advanced BASIC (BASICA.COM) was also included in the original IBM PC DOS, and required the ROM-resident code of Cassette BASIC. It adds functions such as diskette file access, storing programs on disk, monophonic sound using the PC's built-in speaker, graphics functions to set and clear pixels, draw lines and circles, and set colors, and event handling for communications and joystick presses. BASICA will not run on non-IBM computers (even so-called "100% compatible" machines) or later IBM models, since those lack the needed ROM BASIC.
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The Mother-32 is an analog semi-modular desktop synthesizer released by Moog Music Inc. in 2015. The Mother-32 features an analog monophonic sound engine, a 13 note keypad, a step sequencer storing up to 64 sequences of up to 32 steps each, one voltage controlled oscillator with pulse and saw waveforms ranging from 8Hz to 8KHz (16KHz max with LFO/CV), one state-variable (low- and high-pass) voltage controlled filter, and a white noise generator. There are 32 individual 3.5 mm phone jack patch points for sound programming.
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Though the JX-8P is relatively complex, it may appear otherwise for its lack of traditional synthesizer controls. It features two DCOs per voice, two software-generated (and relatively soft) ADSR envelopes, high- and low-pass filters, two types of (fixed-rate) chorus effect, three different sync modes, etc. Additionally, it offers two "polyphonic" play modes, two "unison", and two "solo" modes, one of which stacks all its oscillators into a single monophonic sound. Further, the synth's MIDI specification is surprisingly polished for an instrument of this vintage (unlike most earlier Roland synths, and even its direct successor, JX-10).
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At the premiere of Pierre Schaeffer's Symphonie pour un homme seul in 1951, a system that was designed for the spatial control of sound was tested. It was called a "relief desk" (pupitre de relief, but also referred to as pupitre d'espace or potentiomètre d'espace) and was intended to control the dynamic level of music played from several shellac players. This created a stereophonic effect by controlling the positioning of a monophonic sound source . One of five tracks, provided by a purpose-built tape machine, was controlled by the performer and the other four tracks each supplied a single loudspeaker.
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As a composer, Barraud wrote opera music, ballet music, orchestral music, chamber music, choral music and other vocal music. Paul Paray and the Detroit Symphony Orchestra recorded Barraud's orchestral work Offrande à une ombre in 1957 for Mercury Records. This wartime memorial, commemorating the death during combat of Maurice Jaubert at the age of 40, was initially released on LP in monophonic sound; the stereophonic version was issued on CD by Philips Records. A work listed as Symphony #1 for full orchestra (not just strings) was recorded on French Columbia FCX 597 (LP) performed by Georges Tzipine leading the ORTF.
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This is similar to other Microsoft BASICs of the time and includes good support for the hardware features of the machine: pixel addressing of the display, support for the internal modem and serial port, monophonic sound, access to tape and RAM files, support for the real-time clock and the bar code reader, and I/O redirection between the machine's various logical devices. Like previous Microsoft BASIC interpreters, variable names were restricted to two characters and all program lines and subroutines were numbered and not named. However, the default for floating point numbers is double-precision. This was reportedly the last application software with code written by Bill Gates.
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Schaeffer presenting The Acousmonium. In 1966 composer and technician François Bayle was placed in charge of the Groupe de Recherches Musicales and in 1975, GRM was integrated with the new Institut national de l'audiovisuel (INA – Audiovisual National Institute) with Bayle as its head. In taking the lead on work that began in the early 1950s, with Jacques Poullin's potentiomètre d'espace, a system designed to move monophonic sound sources across four speakers, Bayle and the engineer Jean-Claude Lallemand created an orchestra of loudspeakers (un orchestre de haut-parleurs) known as the Acousmonium in 1974 . An inaugural concert took place on 14 February 1974 at the Espace Pierre Cardin in Paris with a presentation of Bayle's Expérience acoustique .
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Decca Records in England came out with FFRR (Full Frequency Range Recording) in the 1940s, which became internationally accepted as a worldwide standard for higher quality recording on vinyl records. The Ernest Ansermet recording of Igor Stravinsky's Petrushka was key in the development of full frequency range records and alerting the listening public to high fidelity in 1946. Record companies mixed most popular music singles into monophonic sound until the mid-1960s—then commonly released major recordings in both mono and stereo until the early 1970s. Many 1960s pop albums available only in stereo in the 2000s were originally released only in mono, and record companies produced the "stereo" versions of these albums by simply separating the two tracks of the master tape, creating "pseudo stereo".
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A sequel called Cavern, whose title is often mistakenly considered as referring to the Liverpool club made famous in the 1960s by The Beatles and other Merseyside performers but is actually a reference to the title track, was released in 2005. In 2006 he released Merseybeat Mono, which contained all the songs from his first two albums in monophonic sound, as well as Concerto for Violin with Orchestra, the acoustic Fulton Avenue, and the single "She's Good". Sprague's later releases included Merry Merseybeat Christmas (December 2006) and Merry Christmas, Traditional Carols arranged as Traditional Rock Songs (November 2007), "Fulton Chateau" (November 2008), and "String Quartets No. 1 & 2" (July 2009) on Wichita Falls Records. He was also the leader of the Sprague Brothers who released several albums on Hightone Records, El Toro, Wichita Falls Records, and other labels.
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NuBus cards are not supported. Standard equipment on the 6300/160 and 6360 include a 1.2 GB IDE hard drive, an 8X CD- ROM, full stereo input (unlike the 6200/6300 series, which combined stereo input into monophonic sound), one internal speaker (compared to two on the 6200/6300 series), and support for increased display resolutions with higher bit depth, notably 800x600 16-bit color at 60 Hz and 1024x768 8-bit color at 60 or 70 Hz. The 6360's power supply unit is increased to 150 watts. While the 6360 was designed from the start to support JEDEC-standard 5-volt, 64-bit, 168-pin, EDO 70ns DIMMs with a 2k refresh rate, the logic board did not initially support EDO RAM. A user servicing the machine would need to examine the serial numbers on the on-board RAM to see whether EDO is supported.
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Walt Disney Records, the flagship record label of the group, was founded in 1956 as Disneyland Records, so that Disney would not have to release through third-party labels not associated with the studio, such as RCA Victor or Capitol Records, which had issued Disney albums in the past. Under the Disneyland label, among its other recordings, the studio also released new soundtrack LP's of some of the animated Disney films, including, a 3-LP album set in monophonic sound of all of the classical music heard in Fantasia, perhaps the first soundtrack album containing virtually all the music from a feature-length film. (The "Meet the Soundtrack" intermission segment and the jam session were not included, and Deems Taylor's commentary was also omitted.) Disneyland Records released cover versions (rather than soundtracks) of the songs from some of the other animated films, such as Lady and the Tramp. In 1989, the label was renamed to its current branding and now releases a broad range of Disney-branded music, such as soundtracks to Walt Disney Pictures' films, original studio albums from Disney Channel artists, compilations albums by Radio Disney, and soundtracks to the Star Wars films.
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