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13 Sentences With "modishly"

How to use modishly in a sentence? Find typical usage patterns (collocations)/phrases/context for "modishly" and check conjugation/comparative form for "modishly". Mastering all the usages of "modishly" from sentence examples published by news publications.

She was always modishly dressed, with an arm around a smiling customer, often someone famous .
Its staff, known modishly as "Zomans", update this information by visiting each joint at least every three months.
Even white tights, once the preserve of unlucky bridesmaids and sexy nurse costumes, suddenly look modishly cool again.
The show's chess sets were constructed for the sake of looking modishly futuristic, with little logic behind the ornate setup.
Are we not, in fact, being tediously and modishly moralistic, and in fact doing precisely what we might have condemned 19th-century critics for doing?
Mr. Chow and Mr. Osborne, who were appointed to DKNY in April 2015, took a modishly dystopian view, one that seemed to be the theme of the night.
Photographed with a hip thrust forward to show off her Margiela apron dress and modishly frayed jeans, Lyn Slater projects a kind of swagger pretty rare among her peers.
Wednesday also included the first performance of Larry Keigwin's "Rush Hour," a study of modern urban life that was as slick, bland and unimportant as anything else by this choreographer, though on a big scale and modishly dark in tone.
John Simon wrote 'Brewster McCloud is a pretentious, disorganized, modishly iconoclastic movie which, in the manner of its Icarus-like hero, aspires to fly high and merely drops dead'. The film presently has a score of 86% on Rotten Tomatoes based on 21 reviews, with an average grade of 7.33 out of 10.
The caged room where Number Two died is brought to the chamber with his body still in it; medical personnel recover the body, resuscitate him, and give Two a make-over. Number Two along with Number Forty- eight — a young modishly-dressed man — are presented as two different examples of "revolt" to the assembly. Number Forty-eight refuses to cooperate and drives the assembly to sing a rendition of "Dem Bones" before he is restrained. Number Two reveals he too was abducted to the Village and spits at the mechanical eye in defiance.
The British historian Paul Johnson, commenting on Jewish contributions to European culture at the Fin de siècle, writes that > The area where Jewish influence was strongest was the theatre, especially in > Berlin. Playwrights like Carl Sternheim, Arthur Schnitzler, Ernst Toller, > Erwin Piscator, Walter Hasenclever, Ferenc Molnár and Carl Zuckmayer, and > influential producers like Max Reinhardt, appeared at times to dominate the > stage, which tended to be modishly left-wing, pro-republican, experimental > and sexually daring. But it was certainly not revolutionary, and it was > cosmopolitan rather than Jewish.Johnson, Paul (1987).
All that remains in the area of the halt are the stone foundations of the bridge that once carried the line over Church Road, and the railway embankment which can be followed as far as the end of Ide Lane, where the remains of the over bridge can still be seen. The line was destroyed beyond this by the building of the A30 dual carriageway. The trackbed re-emerges west of the site of Ide station a little further down the line. The site has been developed as residential property, modishly called "the halt at alphington".
Fashion photography began with engravings reproduced from photographs of modishly-dressed actresses by Leopold-Emile Reutlinger, Nadar and others in the 1890s. After high-quality half-tone reproduction of photographs became possible, most credit as pioneers of the genre goes to the French Baron Adolph de Meyer and to Steichen who, borrowing his friend's hand-camera in 1907, candidly photographed dazzlingly-dressed ladies at the Longchamp Racecourse Fashion then was being photographed for newspaper supplements and fashion magazines, particularly by the Frères Séeberger, as it was worn at Paris horse-race meetings by aristocracy and hired models. In 1911, Lucien Vogel, the publisher of Jardin des Modes and La Gazette du Bon Ton, challenged Steichen to promote fashion as a fine art through photography.Niven (1997), p.

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