For these people, facial hair is a mode of expression.
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Music has long been a favorite mode of expression for Brown.
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That you're bringing this mode of expression to the arena of protest movements?
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It seems like music is a really natural mode of expression for you.
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To my generation, tattoos aren't a mode of rebellion—they're a mode of expression.
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Do all mediums feel like a similar mode of expression, or not at all?
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Renee Gladman investigates the moments when writing crosses over into another mode of expression.
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It will be interesting to hear him channel a more flexible, lyrical mode of expression.
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Music is an entirely different mode of expression that uses tools that are unavailable to the writer.
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But it is vitally important to evaluate the policy on its merits more than its mode of expression.
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Fans surged in, filling the chat window with emotes—small, emoji-like images that are Twitch's preferred mode of expression.
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This is how a polymathic artist is born: When one mode of expression proves itself insufficient, she looks to others.
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By the time he made the work in 2006, it was already obsolete, but it remained his preferred mode of expression.
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When paper became her major mode of expression, "I wanted an evolution, to design on the paper in volumes," she explained.
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She first found her artistic voice and mode of expression while shooting and documenting life with small, compact street photography cameras.
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Choose a mode of expression that's comfortable: "Someone who is a dancer may need to dance about the trauma," said Dr. Ursano.
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Sharing on social media can be an important mode of expression, but it needs to be done thoughtfully and with some self-control.
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Natalia Goncharova, Sonia Delaunay, Georgia O'Keeffe, Sophie Taeuber-Arp, starting from the early 2783th century when abstraction became a possible mode of expression.
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In college, she tells us, she discovered a deeper tap tradition, an African-American mode of expression and communication dating back to slavery and laws banning drums.
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It's such an astonishing thing that Philip did, which was to take very, very simple materials and a simple mode of expression, and create something that was original.
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It is an age in which the language of resistance has been set and accepted, in which the mode of expression and resistance has been demonstrated and proved effective.
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Still, they're visually striking and subtly haunting, and they mark Shaw's embrace of a mode of expression driven less by individual memory than by an ideology of the oppressed.
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With each advance, their breathing grows more audible, sharp inhales and exhales matching the bladelike swipes of their arms: breath as a mode of expression and a means of keeping time.
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Some may question the venerable institution's choice to welcome a mode of expression most used by teenagers over text, but humans have been trying to capture the multitudes emojis contain for centuries.
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In fashion, where hysteria is the dominant mode of expression and praise is often ladled out in heaps rather than spoonfuls, coronations can be instantaneous, new gods and icons minted every season.
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Since the surprising and shocking Trump election, have you re-thought your chapter on art and politics, with its emphasis on iconic abstract specificity as a liberating mode of expression of primal instincts?
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LONDON (Reuters) - From Old Masters' self-portraits to contemporary selfies taken on phones, a London exhibition explores the creative potential of a mode of expression whose modern form is often derided as inane.
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During the years of his apprenticeship as an artist, DeCarava's practice underwent a great transformation: the photographs he had begun taking as the foundation for his prints became his dominant mode of expression.
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Antonio Banderas, who has already blessed us with appearances in Interview with the Vampire, The Mask of Zorro, and, most importantly, Spy Kids, is now channeling his talents into a different mode of expression: design.
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"I do not see how a member of the gentler sex, even a German or a French lady, could have fastened on such an unpleasant mode of expression," she said and cut at her meat.
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The text chronicles the Iranian history of solo improvised dance — a once popular mode of expression that has been banned in public in Iran since the 1979 Iranian Revolution — and acts as the inspiration for Nejatpour's performance.
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The brokenness of the self, as presented by Shalmiyev, is so thorough that fragmentation seems the only viable mode of expression: for the narrator, the intensity and pain of memories past manifest as short bursts of thought rather than coherent narratives.
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I have wondered if the seed of Prose Architectures lies in what Gladman refers to throughout Calamities as "thresholds": the moment when something (or someone) becomes something else, however intangibly or invisibly; the moment when writing crosses over into another mode of expression.
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My point is that maybe it's not the "I" that's the problem; maybe the "I", as a mode of expression, in image or writing, or music, for that matter, can be humble or tyrannical, generous or attention-seeking, conservative or revolutionary, and so on.
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" Ms. Messina added, "She was also working in nonrepresentational, hard-edge abstraction, a genre dominated by (and still shrouded in) mythic white masculinity, when figurative and narrative-based work was (and in many ways still is) the prevailing mode of expression for black artists.
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THE WORK A lot of people have emotional strugs with creativity because connecting a vision, an idea, an impression, and a style with a specific mode of expression and then also with labour, iteration and completion is about the most challenging, painful self-stuff that is available.
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As soon as we get to know one character and time period, we are whisked off to another person, decade and mode of expression, often for relatively inconsequential purposes, like a tangent devoted first to the Elfscape addict (through a very "Infinite Jest"-sounding 11-page chapter basically composed of a single sentence) and then the plagiarist, minor players in an already overstuffed ensemble.
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In their commercials, Google, Amazon, and Apple's marketers have chosen to sell the public on the usefulness of voice assistants not by enacting the verbal exchanges that we might have with our devices, but by drawing our attention either to the absence of them — what life is like without the Google Assistant or the "real" Alexa — or to the ecliptic power of another mode of expression — music, as curated by Siri.
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Little things! – but little things that come > repeatedly into conversation. A taut mode of expression, as against one that > is lax, makes for finish in speech; in the same manner, a lax mode of > expression as against the taut, makes for speech that is deficient. Besides, > the taut speech possesses a force and a vigour that cannot be contained in > speech that is falling apart...The loose mode of expression is prominent in > Gaelic today and English is nothing else.
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They transformed an original work into a new mode of expression, but unlike a work of fair use expression, a derivative work's purpose was not transformed. In addition, when a derivative work transformed an original work into a new mode of expression such that little similarity remained, it would not infringe the copyright of the original work.
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31 and Macdonald calls the "serenely contemplative" end of the work "the nearest Berlioz ever came to a devoutly Christian mode of expression".
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This diverseness must be respected by every person's style and mode of expression being taken seriously, by their contrariness being respected and their otherness being accepted.
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He contributed to the development of Polish opera, introducing new musical devices and achieving a novel mode of expression. He died on September 18, 1857, in Warsaw, aged 72.
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However, China has not had one solitary mode of expression through its history of philosophy. There has been a range in the subjects discussed and the means of discussion.
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The understanding of display rules is a complex, multifaceted task. Display rules are understood differentially depending upon their mode of expression (verbal/facial) and the motivation for their use (prosocial/self-protective).
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In the same scene Ms Rowley enquired after the health of "Prime Minister Eden", an improbable mode of expression in Britain. In the Netflix drama series, The Crown, she was portrayed by Anna Madeley.
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The protein encoded by REEP2 belongs to a family of proteins with receptor enhancing expression capabilities, including possible enhancement of G protein-coupled receptors. The REEP2 protein shows a restricted mode of expression in human tissues.
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In 1996, Klamen began to exhibit salon-style, multi-canvas installations of two-dozen or more eclectic paintings that explored taxonomy as a method, while providing a new mode of expression through the intertextuality of the canvasses.Klamen, David. "Multi-canvas Installations". Retrieved August 31, 2018.
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Nicolas Oreste Flagello (March 15, 1928 – March 16, 1994), was an American composer and conductor of classical music. He was one of the last American composers to develop a distinctive mode of expression based wholly on the principles and techniques of European late romanticism.
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2002. Finnish Dance in Focus.Jyrkkä, Hannele (ed.) "Tero Saarinen − Paljaan tilan etsijä", Tanssintekijät − 35 näkökulmaa koreografin työhön, p. 183. Jyväskylä: Like Publishing Ltd, 2005. . One prominent feature of his mode of expression is the use of the eyes and hands, which are important in Asian dance traditions.
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Alpaerts left behind an extensive body of work. He first composed in an impressionist style, later expressionist, and finally neo-classical. He drew his inspiration from Flemish life. Peter Benoit was his great model, but he adapted Benoit's principles and gave Flemish music a modern mode of expression and a contemporary face.
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Many trucks and buses are highly customized and decorated by their owners. External truck decoration can cost thousands of dollars. The decoration often contains elements that remind the truck drivers of home, since they may be away from home for months at a time. The art is a mode of expression for the truck drivers.
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His brother is the Obi of Idumoje Ugboko. In addition to his > architecture Nwoko has many other accomplishments in the arts. He co- > published New Culture, a leading arts magazine, pointing the way toward new > movements in African art. He led the way toward a modern mode of expression > in African art, theatre, painting, and architecture.
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Cubilin (CUBN) acts as a receptor for intrinsic factor-vitamin B12 complexes. The role of receptor is supported by the presence of 27 CUB domains. Cubilin shows a restricted mode of expression according to protein profiling and transcriptomics analyses, and is essentially only present in the kidneys and small intestine. Mutations in CUBN may play a role in autosomal recessive megaloblastic anemia.
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Tesla described it as having "a borrowed mind", and envisioned a fleet of fifty or a hundred submarines, or any other kind of vehicle, under the command of one or several operators."Tesla – Life and Legacy: Race of Robots". PBS. Robotics have now become a mode of expression for artists confronting fundamental issues and contradictions in our advanced industrial culture.
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The main characters form a contrasting double act, Stepan is the cultivated intellectual, while Khryun is a lower-class or rustic type with an aphoristic mode of expression (his catchphrase expressing approval, "Мощно задвинул! Внушаить", became widely popular). Initially, the program was broadcast on NTV, and hosted by Leo Novozhenov. It later switched to TNT, TV-6 and TVS, with various hosts.
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He tended to do this better in short form than long. Hagalín also did well as a narrator able to capture the living speech and characteristic mode of expression of his characters. Strandbúar is one of his collections of short stories. He also had success in recording and editing biographies of very diverse people, based on first-hand accounts of their own lives.
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"Jeanne Silverthorne," The New York Times, May 12, 2000, p. E36. Retrieved June 16, 2020. She treats the studio as a physical and conceptual site to be excavated, documented and inventoried, examining in the words of Sculpture's Jan Riley "the end of studio arts … and the impossibility of this mode of expression regaining its former creative validity and vitality in today’s world."Riley, Jan.
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This ideology stressed the role of the Nile River and the Mediterranean Sea. It became the dominant mode of expression of Egyptian anti-colonial activists of the pre- and inter-war periods. There was no place for an Arab component in the Egyptian personality at that time, and Egyptians had no Arab orientation as they saw themselves as Egyptians first and foremost, regardless of religion.Jankowski, James.
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The way of thinking of the ordinary peasants is presented in partly dialect dialogues and in their simple and friendly mode of expression. The landscape is atmospherically described and most parts of the stories are humorous; there are sometimes also tragic features. The characters, plot and description of the landscape always form an integrated whole. Often children are the protagonists of Aanrud's stories, which therefore became popular children’s books.
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The Satires are a vital source for the study of ancient Rome from a number of perspectives, although their comic mode of expression makes it problematic to accept the content as strictly factual. At first glance the Satires could be read as a critique of pagan Rome. That critique may have ensured their survival in the Christian monastic scriptoria although the majority of ancient texts did not survive.
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In 2013, Freedom House rated political rights in Egypt at 5 (with 1 representing the most free and 7 the least), and civil liberties at 5, which gave it the freedom rating of "Partly Free". Egyptian nationalism predates its Arab counterpart by many decades, having roots in the 19th century and becoming the dominant mode of expression of Egyptian anti- colonial activists and intellectuals until the early 20th century.Jankowski, James.
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Thanks to my deep hope for a happy tomorrow, I strive to better my quality, and the better becomes the wonderful. I exhibit a mode of expression which fits me like a glove, and I point out that I am another artist.” Kingelez created more than 300 models, starting with individual architectural structures. In 1992 he began to assemble entire cities with numerous buildings, avenues, parks, stadiums and monuments.
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Liszt's interest in unusual scales and modes increased greatly in his last years. This may have been a side benefit of his growing involvement in the political and musical destiny of Hungary as well as in nationalist music in general. He was led to explore or investigate in greater detail the scales of Hungarian and east European music. This exploration of a specifically Hungarian mode of expression would profoundly influence Bartók.
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Wyeth's sensitive nature lies beneath "her feisty, no-nonsense demeanor" attributes which are reflected in the direct yet perceptive depiction of her subjects. By her early 20s, Carolyn Wyeth found her own mode of expression and won exhibition awards and accolades. She lived in her parents Chadds Ford home her entire life and married fellow artist Franceso Joseph Delle Donne (1919–2007) in 1941. They divorced in 1952.
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The academic classical style no longer satisfied him. In addition to influences by Italian academic painting and Spanish painting, Tochilkin's paintings started to include expressive elements such as bold brush strokes and big patched of color. Surrounded by the stylistic variety of contemporary art, Tochilkin adopted a unique mode of expression which plurastically combines several styles. He insists, however, in his paintings on complete harmony and well- balanced composition.
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Rhetoric was not so much a body of knowledge (though it required a command of references to the literary canonPeachin, pp. 104–105.) as it was a mode of expression and decorum that distinguished those who held social power.Peachin, pp. 103, 106. The ancient model of rhetorical training—"restraint, coolness under pressure, modesty, and good humour"Peachin, p. 110.—endured into the 18th century as a Western educational ideal.Peachin, p. 107.
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New York won the game", whereby the speaker is actually referring to the New York Yankees baseball team, is an example of a synecdoche. A synecdoche ( , from Greek )from the verb ἐκδέχομαι "to take or receive from another" (simplex δέχομαι "to receive"). "συνεκ-δοχή, ἡ, A. understanding one thing with another: hence in Rhet., synecdoche, an indirect mode of expression, when the whole is put for a partQuint.Inst. 8.6.
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This mechanism, according to Gleizes, is the foundation for artistic expression. It is therefore both a philosophical and scientific synthesis. Cubism was a means to arrive not only at a new mode of expression but above all a new way of thinking. This was, according to art historian , the foundation of both a new species of painting and an alternative relationship with the world; hence another principle of civilization.
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Section of a mural of tong lau on Graham Street by Alex Croft In Hong Kong there are a few types of graffiti that are utilized for different reasons. The face of artist Ai WeiWei is one of the more well-known caricatures in the region. Journalist and commentators have considered the graffiti as "street- art", "creative" and the "voice of the young". Graffiti is often a mode of expression much like other artistic outlets.
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One critic states, "Remedios seems to never limit herself to one mode of expression. For her tools of the painter and the writer are unified in breaking down our visual and intellectual customs". Even so, most classify her as a surrealist artist in that her work displays many trappings of the surrealist practice. Her work displays a liberating self- image and evoke a sense of otherworldliness which is so classic of the surrealist movement.
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Elaine Anthony (1943-1996) was an American mixed media painter. She was best known for her Black Mesa Series inspired by a spiritual journey of healing undertaken after being diagnosed with breast cancer in 1987. Her work became a mode of expression and empowerment, combined with lifestyle changes, that led her on a redemptive journey toward wellness. Subsequent popular bodies of work created by Anthony include Warrior Marriage Feast Series, Warrior Icon and Spirit Icon.
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A Crown Prosecution Service (CPS) spokesman said: "In consultation with the City of London Police, we were asked whether the sign was abusive or insulting. Our advice is that it is not abusive or insulting and there is no offensiveness (as opposed to criticism), neither in the idea expressed nor in the mode of expression." Anonymous also held a protest in Budapest, Hungary, in the same time and location as a program of the local Scientology church.
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In 2001 she was elected to the Society of Swedish Composers. Between 2011-2014 she was in the board of directors of the Association of Swedish Women Composers (KVAST) and during 2014 she was elected Chairman. Since 2010 she is in the board of directors of the International Society for Contemporary Music (ISCM). Her music has been described as firmly rooted in the modernist tradition with a profoundly concentrated mode of expression, sometimes harsh and passionately intense.
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But it was the withdrawal from conceptual to figurative art that defined the change in painting. Due in large measure to the interest of tourists, art took on higher visibility, as well as returning to a more figurative mode of expression. Art also worked as a space where Cubans debated some of the social problems magnified by the "Special Period", as illustrated by the Queloides art project, which deals with issues of race and discrimination.de la Fuente, Alejandro.
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Of course this tendency to copy his predecessors led Claudianus to acquire an entirely artificial mode of expression which Sidonius, in wishing to compliment him, called a modern antique (Epist., IV, iii, 3). Besides the treatise and the letter from Claudianus to Sidonius Apollinaris, found among the letters of the latter (IV, ii), some poetry has also been ascribed to him, although erroneously. For instance, he has been credited with the "Pange, lingua", which is by Venantius Fortunatus (Carm.
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There are themes from Finnish folk music in the work's early chords. Composed just after his move to Ainola, it contrasts sharply with the first two symphonies, with its clear mode of expression developing into the marching tones of the finale. His Fourth Symphony was premiered in Helsinki on 3 April 1911 by the Philharmonia Society, with Sibelius conducting. It was written while Sibelius was undergoing a series of operations to remove a tumour from his throat.
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Normally a sedentary artist, de Vallombreuse decided to become a nomadic witness, and photography became his mode of expression. While still a student at the Arts Décoratifs in Paris, he took multiple trips to the Philippine jungle to stay with the Palawan people. In total, he lived with them for over two years. The first part of his work on this tribe was presented at the photographic festival Les Rencontres internationales de la photographie in Arles.
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The Ādāb is cast in the parallelistic mode of expression born of the early Khotba and expanded and elaborated in Omayyad hortatory compositions, unembroidered with contrived rhyming of the sort found in later Abbasid prose literature. To point contrasts and enforce parallels, full use is made of devices well known to the ancient schools of rhetoric. The Risala fi-l-Sahaba is a short but remarkably percipient administrative text. In less than 5,000 words, he discusses specific problems facing the new Abbasid regime.
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It operates as a registered not-for-profit arts organization under a volunteer board of governors. Manitoba's Cercle Molière is the oldest permanent theatre company with uninterrupted programming in Canada. Le Cercle Molière owes its longevity to the continuous involvement of several generations of a minority language community that values theatre in French as a mode of expression. The earliest recorded "dramatic and literary evening" in Manitoba took place in 1866, and some twenty groups formed and dissolved Saint-Pierre, Annette.
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According to Lynsey Hanley from newspaper The Daily Telegraph, Bunton's new musical direction was "a brave move, given that high-sheen, saucy R&B; is currently the main mode of expression for female pop performers, but Emma's lilting vocals and only faintly suggestive image suit this album's less aggressive style". "The album's got charm, grace and it's fun", said Q magazine. Marie Claire magazine said it "mixes up bossa nova with James Bond soundtrack" and that "Emma resembles a seductive Brigitte Bardot".
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His contribution skilfully stands as a mature reflection of the social and cultural revival of his time. Caxaro's cultural preparation and his humanistic character, together with his philosophy, entirely reflect the peculiar force, functions and needs of a Mediterranean people whose golden age had still to come, but whose mental constitution and mode of expression were readily set. The discovery of the man and his philosophy is immeasurably relevant to further recognition of the wise tenure of an ancient civilization. No portrait of Caxaro has been found.
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Many of the > "new" pictures are self-explanatory, and require no explanation. They often > represent fashionable or well-known figures. However, the photographs used > for the paintings are "transformed" during the work process; following this, > they are given titles, and the frozen images that originate from the > restructured painted compositions become "living icons". This does not > happen due to the mere omission of particular details or the alteration of > the original picture, but due to Zuzu's characteristic way of seeing, and > his unique mode of expression.
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Pieter Swillens wrote in 1950 that--if the work was by Vermeer at all--it showed the artist "seeking and groping" to find a suitable mode of expression. Eduard Trautscholdt wrote 10 years before that "The temperament of the 24-year-old Vermeer fully emerges for the first time". The three-dimensional jug on the oriental rug is a piece of Westerwald Pottery. The kelim thrown over a bannister, probably produced in Uşak, covers a third of the painting and shows medaillons and leaves.
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The layout of that building has been retained in the present Bourse de commerce. Le Camus developed a theory of architecture in which the character of a building should express its destination or the social status of its client. Unlike previous character theories in architecture, Le Camus's theory was based on an explicit analogy between architecture and theatre. His architectural mode of expression followed a temporal progression similar to the dramatic unfolding of a play, and gradations in ornamentation throughout the interior of a building resembled a succession of stage sets in a theatrical performance.
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The author's mode of expression shows a not always pleasing verbosity. Soon after the death of Sanchez a second work appeared. Opus morale in præcepta Decalogi; the first folio volume was prepared by the author himself, but the second volume, as well as the whole of his third work, Consilia moralia, had to be compiled from manuscript notes. These works also went through a series of different editions, and likewise drew upon themselves the accusation of laxity, especially with reference to the question of what is called "mental reservation" (restrictio mentalis).
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It is therefore both a philosophical and scientific synthesis. For Gleizes, Cubism was a means to arrive not only at a new mode of expression but above all a new way of thinking. This was, according to art historian , the foundation of both a new species of painting and an alternative relationship with the world; hence another principle of civilization. The problem set out by Gleizes was to replace anecdote as a starting point for the work of art, by the sole means of using the elements of the painting itself: line, form and color.
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In 1933 he fled Germany and arrived with his wife Helma in Paris. Although they arrived as refugees the next period in the artist's life was marked by great personal and artistic growth. Here he discovered the painting techniques of French Impressionism and Expressionism as espoused by many local Jewish artists in the so-called "School of Paris." Although influenced heavily by this exposure Kirszenbaum developed his own very personal mode of expression, instilling something of the mysticism and loss that marked his personal journey as he fled Nazi Germany.
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Heckert's first exhibition was in 1982 in Cologne, in the Heinz Holtmann Gallery, and was considered successful. His longing for illimitability in expression led 1984 to a change of style in his paintings: he turned away from the half figurative paintings and sought to materialise his mode of expression in abstract painting. Despite the strong influence of de Kooning, he developed his own form for his artistic contents: The female. At the beginning of 2007 Heckert moved to Port-au-Prince, where he encountered new impressions and challenges.
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But like Acharya, Nagesh did not extensively use dance forms as a mode of expression in his stage narratives; although he tried his hand in directing some musical plays of K Shivarama Karanth in an early stage of his life. Nagesh often thought out-of-the-box. In the production of 'Vibrame' (Delusion), a translation of a Badal Sarkar play, he is said to have tried to stimulate the smell of the dead body by burning some raw vegetables. Subtle humor to comment on a situation was his forte.
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Rather self-directed actions are a likely mode of expression for individuals who want to manifest their low self-esteem and self-efficacy. Early work on impression formation used action sentences like, "The kind man praises communists," and "Bill helped the corrupt senator," assuming that modifier-noun combinations amalgamate into a functional unit. A later study found that a modifier-noun combination does form an overall impression that works in action descriptions like a noun alone. The action sentences in that study combined identities with status characteristics, traits, moods, and emotions.
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By embracing hip-hop culture, Turkish youth reclaim a sense of pride, assert their space in the public sphere, and reaffirm their Turkish heritage. As they rework hip hop to act as a mode of expression for a range of local issues—a common theme in global hip hop—Turkish youth also create a diasporic community. It is only through the creation of this diasporic community that Oriental hip hop moves beyond simple appropriation of African-American and German tradition while performing cultural works at a grassroots level Mentesh, Aylin.
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Personal archives of artist. Instead of using subject matter drawn from the gritty urban world like many of his contemporaries, he searched for subject matter that inspired spiritual feelings and turned to an Eastern mode of expression full of bhava or mood. "I was focusing purely on color and form without distraction from figure," he said. Qadri developed a methodology of painting during this period that he would use for the rest of his life, dividing pure colors into three categories or parts: dark, warm or cool, and light.
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She turned to filmmaking because she wanted to find a new mode of expression for her thoughts that went beyond words on the page. In 1962 she made her first film and soon became active in the New York underground film movement, associating with filmmakers such as Stan Brakhage, Jonas Mekas, Shirley Clarke and others. In an interview with Jonas Mekas she mentioned Jack Smith, Ingmar Bergman, Gregory Markopoulos, Michelangelo Antonioni, Vittorio De Seta, Ken Jacobs, Federico Fellini and Jonas and Adolphus Mekas as her favorite filmmakers.Mekas, Jonas.
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Born in a family of lawyers, his elder sister Jeanne would be an artist and André Dauchez showed early predispositions for graphic arts. His early influence was the works of Gustave Doré. While pursuing his studies, he was encouraged in the way of art by his mother, who found Gaston Rodriguez, an artist-engraver who from 1885 to 1887 taught and educated the young man's ability to see and transcribe only the essential. André Dauchez never abandoned this mode of expression, handling with dexterity the technique of etching.
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The aftermath of World War II brought major destruction especially in the capital city of Manila and a time of rebuilding ensued. The modern era dawned on Philippine architecture using the simple straight lines of the International Modern Style as a chief mode of expression. By the 1970s, a new form of Philippine architecture emerged with the filipinization of architecture. The Filipino style found its way in the re-emergence of traditional motifs, the Bahay Kubo and the Bahay na bato became popular forms to be copied and modernized such as the Batasang Pambansa and the National Theater.
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Tate, p. 153. At first, Angelou intended to return to poetry and play-writing after completing Caged Bird and write no more autobiographies, but she chose the genre as her primary mode of expression because of its challenge and so that she could "change it, to make it bigger, richer, finer, and more inclusive in the twentieth century". In a 1989 interview, she stated, "I think I am the only serious writer who has chosen the autobiographical form to carry my work, my expression". As she told journalist George Plimpton during a 1990 interview, "Autobiography is awfully seductive; it’s wonderful".
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The separation of elementary metaphors and other figurative mechanisms, i.e. deconstruction, has become an effective tool for understanding and interpreting recent visual art. This is especially true where the artist has moved from a more "classical" form of expression, arising from an academic training, to a practice involving a visualized language and semantic composition mode of expression, of which Slobodanka Stupar is an example. This transition was all the more likely in her case given the freedom which she already had in using the graphic art medium, closer to experimentation than the reproduction of any standard approach.
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The revolution had not influenced the work of Martínez until 1962 when the blockade between the United States and Cuba occurred. Even then, the influence of the revolution did not, yet, have a substantial effect on the body of work. Martínez simply began incorporating topical titles into his work (which becomes evident in his exhibition Expressionismo Abstracto in 1963). Abstraction soon became the mode of expression of the Cuban artist, shifting from billboard advertisements to abstract paintings by 1964, when Rauschenberg-like symbols began to appear in the artist's paintings (first with the number 26 as a graphic symbol in 26 de julio).
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Fine's early compositional style was highly dissonant and contrapuntal. In 1934 she began a nine-year course of composition studies with Roger Sessions, and her work became for a time more tonal, as exemplified by Suite in E Flat (1940) and Concertante for Piano and Orchestra (1944). In 1946, with Capriccio for Oboe and String Trio and The Great Wall of China, she returned to a freer mode of expression, to which she adhered for the remainder of her career, steadily expanding her expressive and generic range. She employed diverse techniques corresponding to a wide range of musical subjects.
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But KBS Media and Jupiter Film could not agree on terms and negotiations fell through. Jupiter Film alleged that after KBS Media backed out of the deal, the latter took the idea and made their own version, including hiring the screenwriter they'd suggested. KBS in turn issued the following statement: "The King's Face is a totally different drama in people, era, and setting, with different plot and conflict structure, and mode of expression from The Face Reader." While waiting for the court's final decision, KBS decided to go ahead with the production and made casting announcements.
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People who work with men like Pete Drake and Charlie McCoy don't go wrong." Available at Rock's Backpages (subscription required). Writing in Saturday Review magazine, Ellen Sander described the LP as "so protective and perfect a presentation of a vastly underestimated singing talent" and paired it with Harrison's All Things Must Pass as solo albums that "delight in their individuality while recognizing, but not relying on, a former mode of expression". Village Voice critic Robert Christgau believed Starr was trying to impersonate Buck Owens while singing flat, if not entirely faint, but concluded that "both the songs and Pete Drake's production bespeak a high-quality obsession — the music sticks.
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Abedi has researched poetry in praise of Muhammad and Ahl al-Bayt by various Hindu poets, and compiled some booklets containing Naats, Marsias, Soaz and Salam, like Gopi Nath Aman, Kalidas Gupta Raza and Dalloo Ram Kausari. He especially selected the female Hindu poet "Roop Kunwar Kumari" and highlighted her devotion for Muhammad; his book on her, "Roop Kunwar Kumari," was published in Multan, Pakistan. It provides a detailed anthology of this female Urdu poet and her undiscovered poetic devotion to Ahl al-Bayt. Abedi also discusses her mode of expression with Hindised Bhakti terminology in a Persianised style for her poetry in Soaz, Salam and Marsia.
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During the Victorian era Gilbert and Sullivan mentioned him in act 2 of The Mikado in a song by the title character. Spohr, with his eighteen violin concertos, won a conspicuous place in the musical literature of the nineteenth century. He endeavored (without any good result) to make the concerto a substantial and superior composition free from the artificial bravura of the time. He achieved a new romantic mode of expression. The weaker sides of Spohr’s violin compositions are observed in his somewhat monotonous rhythmic structures; in his rejection of certain piquant bowing styles, and artificial harmonics; and in the deficiency of contrapuntal textures.
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Buddhadeb started his career as a lecturer of Economics, at the Shyamsundar College of the University of Burdwan followed by City College, Calcutta. In 1976, when disenchanted by the gap he perceived between the economic theory he taught and the socio-political reality, he took to film making. Meanwhile, his membership with the Calcutta Film Society, where he first started going in his senior high school along with his uncle, exposed him to the works of directors like Charlie Chaplin, Ingmar Bergman, Akira Kurosawa, Vittorio De Sica, Roberto Rossellini and Michelangelo Antonioni. This, in turn, inspired him take film making as a mode of expression.
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"Here, as in the oeuvre as a whole, what strikes one first is the variety. Here, too, we see Gide's curiosity, his youthfulness, at work: a refusal to mine only one seam, to repeat successful formulas...The fiction spans the early years of Symbolism, to the "comic, more inventive, even fantastic" pieces, to the later "serious, heavily autobiographical, first-person narratives"...In France Gide was considered a great stylist in the classical sense, "with his clear, succinct, spare, deliberately, subtly phrased sentences." Gide's surviving letters run into the thousands. But it is the Journal that Sheridan calls "the pre-eminently Gidean mode of expression.
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Biographer Derek Watson says that compared to the Overture in G minor, the F minor Symphony "is certainly thematically uninspired and less characterful," but that it does have "some moments of warm melodiousness and consistently fine if unoriginal scoring."Watson (1977 or 1996) Also, the score is quite lacking in dynamics and phrasing marks compared to Bruckner's later works.Nowak As Nowak also writes: > Much about the work betrays the style of the times, but Bruckner’s own mode > of expression can already be recognized in a number of other traits. The > composer's teacher Otto Kitzler wrote the work off as "not particularly > inspired", which was why Bruckner laid it aside.
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362 In his writings, he advocates for political, social, and religious reform characteristic of his generation of intellectuals whose reformist ideas and engagement with sociopolitical themes set the stage for the Constitutional Revolution of 1906, and the political and literary changes that were to follow. Kermani was also a literary critic and like many of his contemporaries an advocate of simpler, more accessible prose. He believed that meaning as opposed to the mode of expression exerts real influence on the reader. He thus discouraged the destruction of the natural clarity of language by means of complicated metaphors, difficult words, long sentences, and complex expressions.
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Since Kleist introduced the term in 1916, paragrammatism has denoted a disordered mode of expression that is characterized by confused and erroneous word order, syntactic structure or grammatical morphology (Schlenck 1991:199f) Most researchers suppose that the faulty syntactic structure (sentence blends, contaminations, break-offs) results from a disturbance of the syntactic plan of the utterance (de Bleser/Bayer 1993:160f) In non-fluent aphasia, oral expression is often agrammatic, i.e. grammatically incomplete or incorrect. By contrast, expression in fluent aphasia usually appears grammatical, albeit with disruptions in content. Despite this persistent impression, errors of sentence structure and morphology do occur in fluent aphasia, although they take the form of substitutions rather than omissions.
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By the early 1970s, Górecki had begun to move away from his earlier radical modernism, and was working towards a more traditional mode of expression that was dominated by the human voice. His change of style affronted the avant- garde establishment, and although various Polish agencies continued to commission works from him, Górecki ceased to be viewed as an important composer. One critic later wrote that "Górecki's new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". Górecki progressively rejected the dissonance, serialism and sonorism that had brought him early recognition, and pared and simplified his work.
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Questions of identity came to the fore in the 20th century as Egyptians sought to free themselves from British occupation, leading to the rise of ethno-territorial secular Egyptian nationalism (also known as "Pharaonism"). Pharaonism became the dominant mode of expression of Egyptian anti-colonial activists of the pre- and inter-war periods: Pharaonism celebrated Egypt as a distinct geographic and political unit whose origins went back to the unification of Upper and Lower Egypt in about 3100 BC, and which presented Egypt as more closely linked to Europe rather than to the Middle East.Wood, Michael "The Use of the Pharaonic Past in Modern Egyptian Nationalism", The Journal of the American Research Center in Egypt, vol. 35, 1998 p.
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The 'Man About Town' column in the Evening Mail believed that the whole composition was "bewildering and repulsive" (the length of the woman's neck seemed to be especially abhorrent!). A rhetorical question implying a negative reply was posed, "What is the aesthetic value of these distortions"? An editorial in the same newspaper broadened the enquiry to a consideration of the genuine value of modern art in general. John Ryan, however, wrote in the Dublin Evening Mail: 'Louis le Brocquy discovered his peculiarly individual mode of expression early in his career and courageously employed it even when doing so meant that he had to discard a style which promised a fashionable and lucrative future as a portrait painter in the traditional manner.
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Being unsatisfied by the limited mode of expression of the steel-string guitar and influenced by the Spanish flamenco-guitarist Paco de Lucia and the Brazilian musician Egberto Gismonti, he changed to nylon-string guitars and became absorbed in the realm of Classic- and Flamenco-guitars and moved to Spain, to live for years as Flamenco guitarist in Andalusia. In 1995, after a brain operation, the result of a genetically caused brain-bleeding, he ended up sitting in a wheelchair with hemiplegia. He was told, that the control of the right half of his body was probably for ever lost. During the following years he started singing, worked mainly as interpreter of Spanish and Brazilian music and the Bossa Nova.
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Latin cursive on terra sigillata from La Graufesenque in Roman Gaul Latin was the language of the Romans from the earliest known period. Writing under the first Roman emperor Augustus, Virgil emphasizes that Latin was a source of Roman unity and tradition. In Virgil's epic Aeneid about the founding of Rome, the supreme deity Jupiter dictates that the refugee Trojans who have come to settle in Italy will use the language of the native Latini as a means of unification: "they will keep the speech (sermo) and mores of their fathers ... and I will make them all Latins with one mode of expression" (uno ore, literally "with one mouth").Virgil, Aeneid 12.834 and 837; Rochette, "Language Policies in the Roman Republic and Empire," pp.
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In the field of Hebrew poetry the importance of R. Tam is not slight. He was influenced by the poetry of the Spaniards, and is the chief representative of the transition period, in Christian lands, from the old "payyeṭanic" mode of expression to the more graceful forms of the Spanish school. According to Zunz,Zunz, Literaturgesch. pp. 265 et seq. he composed the following pieces for the synagogue: (1) several poems for the evening prayer of Sukkot and of Shemini Atzeret; (2) a hymn for the close of Sabbath on which a wedding is celebrated; (3) a hymn for the replacing of the Torah rolls in the Ark on Simchat Torah; (4) an "ofan" in four metric strophes;see Luzzatto in Kerem Ḥemed, vii.
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Often living in dilapidated neighborhoods and marked as outsiders by their "eastern" traditions and poor command of the German language, Turkish urban youth gravitate towards hip hop as means of expressive identity construction. From the first rap vinyl recorded in the Turkish language—‘Bir Yabancının Hayatı’ (The Life of a Foreigner) by King Size Terror—to the creation of an entire subgenre—Oriental hip hop—Turkish youth in Germany have embraced and moved beyond pure imitation of African American hip-hop culture. Localizing hip hop, Turks in Germany have reworked it to “act as a mode of expression for a range of local issues” particularly those related racism and the problem of national identity experienced by younger members of ethnic minority groups.Bennet, Andy.
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The Court clarified the following important aspects in this casePara 52 of the judgement \- #There can be no copyright in an idea, subject-matter, themes, plots or historical or legendary facts and violation of the copyright in such cases is confined to the form, manner and arrangement and expression of the idea by the author of the copyrighted work. #It has to be seen whether similarities are fundamental or substantial aspects of the mode of expression adopted in the copyrighted work. Copying should be substantial or material one. #Test: Whether the viewer after having read or seen both the works is clearly of the opinion and gets an unmistakable impression that the subsequent work appears to be a copy of the original.
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He became exposed to photography as an art form and the idea of composition quickly captured his attention. Growing up near the ocean and participating in water sports such as body surfing, bodyboarding, and surfing, Burkard sought to use photography as a mode of expression in order to highlight the movement of water and document his friends. Burkard purchased his first camera from a Goodwill auction for $65, and after shooting and developing an entire roll of slide film he realized the camera didn’t work. He then borrowed a camera from his girlfriend’s mom, and began shooting regularly, experimenting with different lighting and contexts. Raised on the cusp of photography’s mainstream transformation from film to digital in the mid-2000s, Burkard is self-taught in both.
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The song does finally cadence in Bb Major, with the voice ending on F, the fifth. So, whereas the last song’s accompaniment illustrated specific images, this accompaniment paints more of an impression, representing Szymanowski’s progression from the German romantic style to the French impressionistic style. The fourth piece in the cycle, Tanz (Dance), is the most ‘prophetic’ of Szymanowski’s new style. ‘It is perhaps in this one song that it is possible to see the bridge between Szymanowski’s “Germanic” mode of expression and the later, middle-period style.’Wightman, 101. Though ‘dance was a recurring feature of Szymanowski’s music,’ this one differs ‘from the earlier, rather heavier examples,’ exhibiting ‘more refined, rocking rhythms’ found in some of his middle-period pieces, such as Metopes, op.
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Building on Krzysztof Droba's classifications, she further divides this period into two phases: (1962–63) "the phase of sonoristic means"; and (1964–70) "the phase of reductive constructicism" (Mirka 2004, p. 329). During the middle 1960s and early 1970s, Górecki progressively moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to receive commissions from various Polish agencies, by the mid-1970s Górecki was no longer regarded as a composer that mattered. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues".
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" "Fabricating an unwieldy process" In its final reply brief on February 28, YTL argues, "Defendants claim without proof that there is something peculiarly poisonous about nonresidents. Defendants also claim that Oklahoma has absolute dominion over petition circulation because each Oklahoma petition circulator has somehow been commandeered as an agent of the state, holding official appointments for which Defendants now have a new name: 'verifiers.' But by fabricating an unwieldy process to challenge signatures, Oklahoma cannot dislodge petition circulation from the zenith of First Amendment protection, a status this mode of expression enjoys under Meyer, Buckley, and their progeny." The final brief contests the assertion by Edmondson that the challenged residency requirement is narrowly tailored, claiming instead, "...a blanket ban on circulation is not the narrow tailoring required by the First Amendment.
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Beumers likens one of the scenes to the three frames of the statue of the lion in Sergei Eisenstein's Battleship Potemkin. Beumers also notes Mikhalkov's effective use of black and white inserts, including the silent film footage itself, and Viktor's documentary footage, which she believes represent history, contrasting it with the present in colour. Nancy Condee notes, that by combining revolutionary message with melodramatic mode of expression, Mikhalkov is able to "gesture at a space beyond Marxism-Leninism while at the same time in no sense opposing or negating it". Writing about A Slave of Love, Condee re-purposes Christine Gledhill's characterization of melodrama, "if realism's relentless search for renewed truth and authentication pushes it towards the future, melodrama's search for something lost, inadmissible, repressed, ties it to an atavistic past".
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The story chronicles the relationship between the narrator, who is a single mother and pragmatic middle-aged professor of physics, and her moody adolescent daughter. The plot of the film draws loosely from the original text, which Pérez appears to have used as a point of departure and a rough character sketch as he worked closely with cinematographer Raúl Pérez Ureta and screenwriter Manuel Antonio Rodríguez during the developmental stages of the project. Laura (played by Zaida Castellanos) and Laurita (played by Laura de la Uz) are the central characters of the film and bear an obvious resemblance to the unnamed narrator of the short story and her daughter, Pilar. However, the film's mode of expression as well as its plot both diverge greatly from that of the story.
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Saarinen is known as a poetic interpreter of reality. As a choreographer he has been able to renew the movement language of dance and create a unique vocabulary and style of his own, shifting between beauty and the grotesque. His movement language is based on a movement technique that he developed himself, drawing influences from Butoh, ballet, Western modern dance, as well as martial arts. The use of the eyes and hands, which are important in Asian dance tradition, is a prominent feature of his mode of expression. The teaching of the technique for Saarinen’s movement language concentrates on awakening the senses in the feet, general alertness and focusing, as well as activating the nerve endings, and acknowledging and using the weight of the body. The aim is to maximize the dancers’ capacity to use balance and off balance.
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Anarcho-primitivists state that symbolic culture filters our entire perception through formal and informal symbols and separates us from direct and unmediated contact with reality. It goes beyond just giving things names, and extends to having an indirect relationship with a distorted image of the world that has passed through the lens of representation. It is debatable whether humans are "hard-wired" for symbolic thought, or if it developed as a cultural change or adaptation, but, according to anarcho-primitivists, the symbolic mode of expression and understanding is limited and deceptive, and over-dependence upon it leads to objectification, alienation, and perceptual tunnel vision. Many anarcho-primitivists promote and practice getting back in touch with and rekindling dormant and/or underutilized methods of interaction and cognition, such as touch and smell, as well as experimenting with and developing unique and personal modes of comprehension and expression.
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Her work prior to leaving Uruguay was largely political and produced in collaboration with the Escuela Taller de Artes Plásticas; this mode of expression was continued in her earliest works after emigrating from her homeland. Her series, Portraits (sometimes referred to as Thirteen Portraits or Trece Retratos) from 1996, consisting of thirteen anonymous photo portraits printed to be near- transparent, has been read as focusing on the forced emigration of political refugees, including the artist's own self-imposed exile. Another examining of the series looks at it in the context of los desaparecidos (the disappeared) from the military dictatorship era and has been featured in a number of expositions dealing with this theme. Tiscornia returned to this theme with a second series in 2000 titled Portraits II/ Retratos II that features another series of thirteen photos, this time of the reverse side of antique photo- frames.
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The long interval between Wilkinson's student novel and his second venture in the genre led some reviewers to treat the series of novels he published between 1916 and 1919 as the works of a young newcomer of promise, rather than of a mature writer. Thus, while prophesying "a notable future" for the writer, Punchs reviewer wrote of A Chaste Man, the third novel: "Mr Wilkinson has committed the fault common to clever young novelists of putting into what looks like a first novel all sorts of things that happen to be in his imagination or experience, without any particular regard for their pertinence to his theme". During his writing career Wilkinson received mostly favourable critical comments – words such as "clever", "skilful" and "witty" appear regularly in reviews. He was sometimes chided for the apparent dullness of his themes, and on one occasion for his "galvanic mode of expression", but was generally respected in the literary world, and was elected a Fellow of the Royal Society of Literature.
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It is true that the specialty press was also rather thin on content and sometimes uninspired. In 1928 Tudor Vianu wrote in the article "The Movie Theatre and the Radio Broadcaster in the Politics of Culture": "The cinematic press [was] created first of all in order to sustain the interests of cinematographic capitalism...There is no actor, no matter how mediocre, not to have been proclaimed a first-rate star by the cinematic press and there is no film, no matter how boring or mundane, not to have been declared an incomparable achievement". At the end of the 1920s and beginning of the 1930s, cinema entered the consciousness of certain Romanian writers and cultural figures, such as Tudor Vianu, Liviu Rebreanu, Victor Eftimiu, Camil Petrescu and Dimitrie Gusti, who all became aware of this new mode of expression and culture. As Rebreanu observed in 1930, In this period the film critic D. I. Suchianu made his debut, first in newspapers, then in 1929 in radio.
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For the now legal Rinse FM, their website not only streamed shows live but it would also provide them a platform to develop their identity and to promote their events whilst still unlicensed. By the 2010s, this landscape was changing with increasing use of social media and music streaming services, with research by RAJAR reporting that: "Although 90% of people still listen to the radio each week, the proportion listening to FM and AM stations has fallen from 68% in 2010 to 58% in March." For some, the Internet still does not replace the need for pirate radio: "Pirate will never stop; it’s cyclical. If you push people hard enough, they’ll find a mode of expression. The internet has been pretty cool for that, but it’s not the be-all-and-end-all", whilst others argue that for music like grime, pirate radio continues to be "such an essential platform for emerging voices".
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While some argue that the use of the traditional epic phrases appears to be not, as with Cynewulf or the author of Andreas, a mere following of accepted models but rather the spontaneous mode of expression of one accustomed to sing of heroic themes, others argue that the Heliand was intentionally and methodically composed after careful study of the formula of other German poems. The Genesis fragments have less of the heroic tone, except in the splendid passage describing the rebellion of Satan and his host. It is noteworthy that the poet, like John Milton, sees in Satan no mere personification of evil, but the fallen archangel, whose awful guilt could not obliterate all traces of his native majesty. Somewhat curiously, but very naturally, Enoch the son of Cain is confused with the Enoch who was translated to heaven – an error which the author of the Old English Genesis avoids, though (according to the existing text) he confounds the names of Enoch and Enos.
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264 The nearest potential images included one claimed to be by noted Revolutionary War era engraver Pierre Eugene du Simitiere that turned out to be a forgery, and a reference to a portrait possibly by Ralph Earl that has not been found (as of Stewart Holbrook's writing in 1940).Holbrook, pp. 262–263 Alexander Graydon, with whom Allen was paroled during his captivity in New York, described him like this: > His figure was that of a robust, large-framed man, worn down by confinement > and hard fare; but he was now recovering his flesh and spirits; and a suit > of blue clothes, with a gold laced hat that had been presented to him by the > gentlement of Cork, enabled him to make a very passable appearance for a > rebel colonel ... I have seldom met with a man, possessing, in my opinion, a > stronger mind, or whose mode of expression was more vehement and oratorical. > Notwithstanding that Allen might have had something of the insubordinate, > lawless frontier spirit in his composition ... he appeared to me to be a man > of generosity and honor.
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43, No. 1 (February 2013), pp. 41-104, University of California Press This paradoxical aspect of Ives's work was described by his friend, the noted physicist H. P. Robertson, who contributed the following summary of Ives's attitude toward special relativity in a biography of Ives: > Ives' work in the basic optical field presents a rather curious anomaly, for > although he considered that it disproved the special theory of relativity, > the fact is that his experimental work offers one of the most valuable > supports for this theory, and his numerous theoretical investigations are > quite consistent with it ... his deductions were in fact valid, but his > conclusions were only superficially in contradiction with the relativity > theory—their intricacy and formidable appearance were due entirely to Ives' > insistence on maintaining an aether framework and mode of expression. I ... > was never able to convince him that since what he had was in fact > indistinguishable in its predictions from the relativity theory within the > domain of physics, it was in fact the same theory ... He was an avid coin collector and served as president of the American Numismatic Society from 1942 to 1946. Ives died on November 13, 1953 in Upper Montclair, New Jersey.
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