"Come back and tell me what it's like," he said, mistily.
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Who is mistily sweating, and staring too intensely at their screen?
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As throughout the album, his touch is mistily veiled one moment, glinting copper the next.
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Best of all, Bette still gets classic Bette lines: "It's incredible, right?" she says, looking mistily at a painting hanging at her office.
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He is still constrained by price and availability—he speaks mistily of kebabs made using Syrian mutton—but innovates with what he can find.
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For all that, the opening episode delivers a gorgeous climax; I ended it feeling happily, mistily manipulated, willing to let "This Is Us" pull my strings for at least another episode.
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Then, the discomfort came more from the game's mistily black alien aggressors, which are able to take the form of just about anything as a means of camouflage, pouncing on me.
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Nor does she break our hearts when her thoughts turn mistily to her young days of derring-do and her eyes glaze as she reminisces about falling parachutes and gallant young Britons.
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I won't spoil it for you, except to say that it was so mistily open-ended as to be pointless: It was The Sopranos with a heavenly choir instead of Journey on the jukebox.
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So, his 70=minute set here is appropriately hallucinatory, mistily blending somnambulant techno tracks, foggy breaks, with a little bit of lens-flare ambience for the moments that the sun starts to peek in through warehouse windows.
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Sanders, his Brooklyn accent undiminished by his four decades in Vermont, stressed his connection to the borough on Sunday, mistily recalling being "a kid growing up in Flatbush" who could never have imagined addressing a crowd like the one before him, which he estimated at 85033,000.
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Sometimes the adjoining squares and rectangles, such as the ones making up the above-mentioned "Tile S/N 2015_12_9," are subsumed into the image; elsewhere, as in the mistily colored "Tile S/N 2015_12_9" (20153), the black, linear separations between the parts are so pronounced that they become the overriding design element.
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Having bombed a reinstatement hearing for "insincerity" — his outrage is so persuasive you almost forget that the committee was right — he delivers a humble, moving speech at his appeal that he later reveals to Kim, jubilantly, was a load of malarkey, and celebrates by ditching the "McGill" name that he mistily promised to do proud.
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These designs contributed greatly towards his enhanced reputation in America as a major artist and, as of 2013, are still in use by New York City Ballet. Cogniat describes how Chagall's designs "immerse the spectator in a luminous, colored fairy-land where forms are mistily defined and the spaces themselves seem animated with whirlwinds or explosions." His technique of using theatrical color in this way reached its peak when Chagall returned to Paris and designed the sets for Ravel's Daphnis and Chloë in 1958. In 1964 he repainted the ceiling of the Paris Opera using of canvas.
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