The walk in the Gardens, includes beautiful landscapes and rest areas supported by public spaces such as squares, small squares, miradors, gazebos, bleachers, jetties, pergolas. These spaces are supplemented with streams, lagoon, island, fountains, bridges, ramps and paths where activities related to the park such as scheduled exhibitions and sales of plants and souvenirs from The Malecón Gardens are developed.
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These balconies (or miradors) adapt the European architecture to vernacular Peruvian tradition. The interiors feature Sevillian azulejos, plasterwork, wooden columns, lobed Mudéjar arches and soaring coffered ceilings. It is considered to have a true "Limeño" architectural originality, harmoniously combining Andalusian, Mudéjar and Criollo features. The public cannot easily visit the inside, but some visits can be made by appointment only at the office of 'Imagen Institucional del organismo público'.
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Sueca () is a city in eastern Spain in the Valencian Community. It is situated on the left bank of the river Xúquer. The town of Sueca is separated from the Mediterranean Sea to the east by the Serra de Cullera, though the municipality possesses of Mediterranean coastline. Some of the architecture shows Moorish roots—the flat roofs, view-turrets (miradors), and horseshoe arches—and the area has an irrigation system dating from Moorish times.
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The scene evolved from various Palm Desert bands' (especially Yawning Man's) marijuana-driven instrumental jam sessions in the desert. It is largely known for its heavy, grinding riffs and association with the use of illicit substances, particularly marijuana, peyote, LSD, and magic mushrooms. These jam sessions inevitably contained some psychedelic rock influences. Possibly because of the scene's proximity to Mexico and Spanish speaking communities, there is a significant influence of Latin music on Palm Desert rock which is very evident with the El Miradors.
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The west of the municipality is largely mountainous, with much of the western coastline rising steeply a little way inland. Numerous miradors (viewpoints) on this high ground offer views of the island, with the most well known being the Mirador del Río which is a popular tourist attraction. To the southeast the land is low-lying and largely used for agriculture, with many small beach resorts along the coast. The northeast of the municipality is largely uninhabited, having been buried approximately 3000 years ago by the eruption of the Montaña Corona which formed the inhospitable Malpais de la Corona.
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The barrel vault is made from tufa stone, and is held up by six transverso arches resting on consoles. Santa Maria del Naranco represented a step forward from a decorative point of view by enriching the habitual standards and models with elements from painting, gold work and the textile arts. The rich decoration is concentrated in the hall and miradors of the upper floor, where it is especially worth noting the cubic-prismatic capitals (of Byzantine influence), decorated with reliefs framed by cord decoration (from local tradition) in trapezoid and triangular shapes, inside which there are sculpted forms of animals and humans. This kind of motif is repeated on the disks with central medallions located above the blind arches' intersections.
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Santa María del Naranco represented a step forward from a decorative point of view by enriching the habitual standards and models with elements from painting, gold work and the textile arts. The rich decoration is concentrated in the hall and miradors of the upper floor, where it is especially worth noting the cubic-prismatic capitals (of Byzantine influence), decorated with reliefs framed by cord decoration (from local tradition) in trapezoid and triangular shapes, inside which there are sculpted forms of animals and humans. This kind of motif is repeated on the disks with central medallions located above the blind arches' intersections. The 32 medallions distributed around the building are similar in size and shape, varying the decorative designs and the interior figures (quadrupeds, birds, bunches of grapes, fantastic animals), a style inherited from the Visigoth period, in turn descended from Byzantine tradition.
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Other sculptural elements, such as the capitals of Corinthian inspiration on the miradors' triple-arched Windows or the altar stone in the eastern mirador (originally from the neighbouring Church of San Miguel de Liño/Lillo), make this palace the most distinctive building in Pre-Romanesque, a singularity highlighted by being the only palace complex that has lasted until the present day with both Visigothic and Carolingian court structures. San Miguel de Lillo The church of San Miguel de Lillo was consecrated by Ramiro I and his wife Paterna in the year 848. It was originally dedicated to St. Mary until, as mentioned above (and shown by the altar located in the eastern mirador of santa María del Naranco), this worship passed to the nearby palace in the 12th century, leaving this church dedicated to St. Michael. Ground plan It originally had a basilica ground plan, three aisles with a barrel vault, although part of the original structure has disappeared as the building fell into decay during the 12th or 13th century.
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The medallions have decorative bands above them, again framed by rope moulding, inside which four figures are sculpted and arranged symmetrically; the upper two carrying loads on their heads and the lower two representing soldiers on horseback carrying swords. These figures seem to have some kind of symbolic social meaning; the warriors who defend and support the men of prayer, or alternatively, the royal and ecclesiastic orders complementing each other. Santa María del Naranco shows other, equally beautiful and important sculptural elements; for the first time, a Greek cross appears sculpted as emblem of the Asturian monarchy, at the same time protecting the building from all evil, something which was to become habitual in the popular architecture of towns and villages. Other sculptural elements, such as the capitals of Corinthian inspiration on the miradors' triple-arched Windows or the altar stone in the eastern mirador (originally from the neighbouring Church of San Miguel de Lillo), make this palace the most distinctive building in Pre-Romanesque, a singularity highlighted by being the only palace complex that has lasted until the present day with both Visigothic and Carolingian court structures.
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