157 Sentences With "milliners" | Random Sentence Generator

Here's what I found out: The denim for this collection comes from Artistic Milliners (Pvt) Ltd.

In these final paintings of the exhibit, we see most clearly Degas's empathy and regard for the milliners.

Her hats have adorned the covers of Vogue, and she is president of the Milliners Guild in New York.

It was while interning with iconic milliners Philip Treacy and Stephen Jones that she realized her passion for hat-making.

While both hats were designed by Philip Treacy, one of Kate Middleton's go-to milliners, there are some subtle differences.

Young milliners, when breaking into the trade, speak about how hard it is to dream up something that he hasn't already created.

" Written for interior decorators and florists, dressmakers and milliners, "Color Problems" was subtitled "A Practical Manual for the Lay Student of Color.

Doctors first identified mad hatter disease among 19th-century milliners, or hatmakers, when many of them began to display bizarre symptoms after years in the business.

America has Von Dutch trucker hats, backwards baseball caps, and the dreaded fedora; Brits have bespoke fascinators designed by accomplished young milliners in the heart of London.

Back in the 1920s, there were milliners on nearly every street corner in Paris, and no self-respecting man or woman left the house without a hat.

Wearing one of her favorite milliners for the annual event at London's Westminster Abbey, Meghan, who wore head-to-toe navy, chose a bespoke design by Philip Treacy.

The milliners were the elite workers in the garment industry, and their jobs ranged from running errands to forming the hats to covering them with material to adding trimmings.

At their best, milliners evoke a realm of fantasy; the prevailing mood of conservatism in fashion and retail left him making bland headgear for society weddings to support his atelier.

Hunched over 143-year-old sewing machines in a workshop in central Paris, milliners diligently stitch together straps of straw that grow into a spiral that grows into a hat.

To make top hats and other hats from animal skins they transformed into felt, milliners had to separate the animal skin from its fur and then mat the fur together.

She feels connected to the milliners who came before her, working on the same exact wooden blocks she now uses—Pfanenstiel says she feels their "energy" coming through the forms.

Chanel, which has been buying up specialists such as feather providers, milliners and boot-makers for more than a decade, has made significant investments in cashmere production and leather goods manufacturing.

The Manhattan based milliner ran a multi-story hat shop and workspace on Park Avenue and was one of the most prominent milliners of her time, working with Audrey Hepburn and Marlene Dietrich.

She writes that understanding the intricacies of color theory can be of value to milliners and dressmakers — occupations often held by women during the Victorian era — along with housewives who dabbled in home decor.

A select few British milliners, who work closely alongside her chosen couturier (quite often her in-house dresser Angela Kelly makes both her outfit and her hat), make sure the colors match just right.

That's the thesis of the show, Laura Camerlengo, a curator of costume and textile arts at the museum, told Hyperallergic: that milliners were artists working with straw, wool, feathers, and silk rather than paint.

Milliners used fur and silk in top hats and straw for boaters, like one in a painting by Berthe Morisot of her husband (and Manet's brother), "Eugène Manet on the Isle of Wight" (1875).

The annual Métiers d'Art collections (Wednesday's event was Chanel's 16th consecutive year showing them) honors the fine craftsmanship that artisans like embroiderers, knitters, milliners, button specialists, jewelers, and shoemakers bring to the French fashion house.

In the exhibit's final section, the focus is on hats from the early 20th century (which were getting bigger and bigger) and Degas's late millinery works, including two paintings titled "The Milliners" (1882–1904 and 1898).

Set in a converted stable block beside a canal in East London, Sarabande Studios opened its doors to residents this time last year: budding fashion designers, artists, jewelers and milliners, most of them recently graduated from U.K. art schools.

So I created my own fashion brand, Rocco Rosso, and I designed the monogram, and I silkscreened reams of fabric; I got costume-makers to actually make the costumes, and I used fan-makers, and milliners, and I made props.

Wearing a grey and black zig-zag patterned coat from Missoni over a black dress and wearing a new pillbox hat by one of her favorite London milliners, Lock & Co, Kate evoked comparisons to another fashion icon – Jacqueline Kennedy Onassis.

Mr. Gaultier created the hundreds of outfits for "The One" over a 10-month period together with the Friedrichstadt-Palast costume department, which employs about 55 tailors, shoemakers, milliners, makeup artists and assistants, as well as about 20 external ateliers.

Schmalberg, a fourth-generation family business founded in 1916, makes artificial flowers from silk and other fabrics for clients including milliners, theatrical costume designers, fashion stylists, bridal houses and designer labels like Oscar de la Renta, Ralph Lauren and Marc Jacobs.

Hats were not only status symbols, but a gateway to the fashion world: Famous milliners who turned into full-blown fashion designers include Gabrielle Chanel (better known as Coco), Jeanne Lanvin and (two centuries earlier) Rose Bertin, Queen Marie-Antoinette's seamstress.

Ever since her coronation in 1953, she's had a select few British milliners, who work closely alongside her chosen couturier (quite often her in-house dresser Angela Kelly makes both her outfit and her hat), make sure the colors match just right.

The heavy metal comes in several different forms, and exposure at high levels to any of these can lead to various degrees of poisoning: Inhaling elemental mercury, as the milliners did, causes the body to respond in "myriad different ways," according to Kosnett.

Now in its 18th year, the Métiers d'Art is an annual presentation by Chanel of the intricate craftsmanship of the specialist ateliers the company has bought over the years to preserve and nurture for their know-how; from embroiderers and feather makers to pleaters and milliners.

Looking at the hats in this exhibit, with their style, elegance, form, and attention to detail — such as a red and black bonnet with tiny berries or a pink and brown wool hat with velvet and ribbons — it's easy to see why Degas considered milliners his fellow artists.

All that's missing is Jackie's go-to hat, which Kate perfected in July when she memorably channeled the fashion icon in a grey and black zig-zag patterned coat and a pillbox hat by one of her favorite London milliners, Lock & Co. The pillbox style hat gained popularity in the 1960s after the former first lady chose to wear one to her husband's presidential inauguration in 1961.

Princess Kate is a pro when it comes to dressing for special occasions, so for Monday s Commonwealth Day service at Westminster Abbey, the stylish mom chose not only a Commonwealth-born designer in Erdem for her grey coat dress, but she also chose a hat with a nod to the past – it was designed by 90-year-old John Boyd, one of the late Princess Diana's go-to milliners in the 1980s.

Highly paid occupations included forewomen in various industries, cigar-makers, machine operators and milliners.

Simone Mirman, who later found fame as one of London's foremost milliners in the 1940s-1960s, served her apprenticeship with Valois.

Gladys, born in 1894, became a businesswoman owning two milliners shops in central Wales.Private Richardson Archives, viewed 2013. Richardson's wife Mary died in childbirth in 1894.Article, The death of Mrs.

Where a packet contains a needle count followed by two size numbers such as "20 Sharps 5/10" the second set of numbers correspond to the range of sizes of needle within the packet, in this case typically ten sharps needles of size 5 and ten of size 10 (for a total of 20 needles). As another example, a packet labeled "16 Milliners 3/9" would contain 16 milliners needles ranging in sizes from 3 to 9.

Along with Lilly Daché and Mr. John, she is seen as one of the most prominent milliners of the period. She died at Doctors Hospital in New York on May 14, 1977.

Some unexplained deaths occurred. The first couple to accept the job were the Milliners. The most durable keepers, Louis and Marie-Jacquette Quéméré, followed them with their three children and a cow and remained five years. In 1907 a new couple replaced them, Msr.

Kay Laurell in an unusual high-crowned and fabric draped variation on the peach basket, c. 1910 Although the peach basket was launched as one of the 1908 season's new looks, it was not greeted with universal acclaim. The Los Angeles Herald, reported in 1909 that the US National Association of Retail Milliners had: "launched the aeroplane as the new style of headgear, put a ban on the peach basket hat and decreed the three-cornered hat of the Louis XVI period as the stunning bonnet for the coming winter months". The milliners, who declared the peach basket (or fruit basket) dead, had suffered a poor season of sales.

Couture houses like Lanvin and Molyneux opened ateliers to join milliners in manufacturing hats that precisely matched their clothing designs. The hats even shaped hairstyles: the Eton crop - the short, slicked-down cut worn by Josephine Baker - became popular because it was ideal to showcase the hats' shape.

As the parade and the holiday together became more important, dry goods merchants and milliners publicized them in the promotion of their wares. Advertisements of the day linked an endless array of merchandise to Easter and the Easter parade. In 1875, Easter had been invisible on the commercial scene.

The manifesto grounds that the collections are not built only on optical or recent political and milliners , but also seek to balance the traditional and the modern in order to include all age groups of the population involved . And there is adapted to the different needs of communities in rural and urban areas.

Millinery is sold to women, men and children, though some definitions limit the term to women's hats. Webster's New World Dictionary, 4th ed. (1999), also limits millinery to women's hats. Historically, milliners, typically women shopkeepers, produced or imported an inventory of garments for men, women, and children and sold these garments in their millinery shop.

Milliners of Bhaktapur, once almost put out of business by the advent of Dhaka topi, were making as many as 600 kalo topis a week by 2015. Besides Dhaka and kalo topis there are a number of other topis made and worn in Nepal including chuclie topi, birke topi, karchupe topi and cap topi.

Piguet was born in Yverdon-les-Bains in Switzerland, in 1898, according to the Swiss Fashion Museum, the Musée suisse de la Mode, which holds his archives, although many other sources give an alternative birth year of 1901. In Paris Couturiers and Milliners, published in 1949, Piguet is said to have been 17 in 1918.

He apprenticed to his mother, Madame Laurel, as a dressmaker, before forming a partnership with Frederick Hirst, as milliners known as John- Frederics, in 1929. He started his own millinery company, Mr. John, Inc., in New York in 1948. Mr. John's most famous work was his millinery for Vivien Leigh in Gone With The Wind.Answers.

Empress Eugenie Reboux, the "Queen of the Milliners."Shaw, Item notes: v.18 1898 Jul-Dec made a name for herself in millinery in the later part of the 19th century and the early part of the 20th century in Europe and the United States. She employed as many as 150 workwomen at any one time.

Graham Smith was among the designers featured in a 2009 Victoria and Albert Museum millinery exhibition Hats: An Anthology, curated by Stephen Jones. The hat chosen for the exhibition originally appeared in the 1986 Pirelli Calendar and was donated by Wenda Parkinson. Smith has helped to train other leading milliners, notably hatmaker to the Queen Rachel Trevor-Morgan.

It had three drawing rooms, four bedrooms and a library. Meals were supplied to members and their guests. Lectures, debates and discussion were held on Thursday evenings on social political and literary themes.Mark Clement, ‘Massingberd, Emily Caroline Langton (1847–1897)’, Oxford Dictionary of National Biography , Oxford University Press, 2004 Professional and other working women, typists, dressmakers and milliners joined.

Rose Valois was the name of a millinery establishment in Paris founded in 1927 by Madame Fernand Cleuet, Vera Leigh, and one other. It closed in 1970. During its time, it was considered one of the leading milliners of the 1930s, 40s and 50s. The founders of Rose Valois had all worked with Caroline Reboux, leaving in 1927 to found their own salon.

Gordon and Forge 1988, pp. 120–126, 137 L'Absinthe, 1876, oil on canvas, by Edgar Degas By the late 1860s Degas had shifted from his initial forays into history painting to an original observation of contemporary life. Racecourse scenes provided an opportunity to depict horses and their riders in a modern context. He began to paint women at work, milliners and laundresses. Mlle.

The broad-brimmed, whitewashed straw hat bears 14 prominent, woollen, pompoms arranged in the shape of a cross. Only eleven pompoms are visible, however, because three are covered by those on top. Unmarried women wear red pompoms, married women wear black, old women and widows wear only the mob cap. The Bollenhut can weigh up to two kilogrammes and is manufactured by female milliners.

Until a baptistry inside the building had been provided, baptisms were often carried out in "the cut" - a branch of a local canal. Samuel Hallam, with his wife Ann, were not local to Cradley Heath. They were milliners, and had shops in Stourbridge, then Dudley, and finally in Birmingham before emigrating to Canada. Samuel came from Cromford, Ann from Sheffield, and they married in Tamworth.

123Steele (2005), p. 412 Elsa Triolet was also a regular store customer on Avenue Matignon, sometimes accompanied by Louis Aragon. The famous American milliner Lilly Daché trained under Reboux for five years,Litoff, p. 69 and Rose Valois, an equally successful milliners' in its own right, was set up in 1927 by Reboux's former employee, Madame Fernand Cleuet, along with Vera Leigh, and a third employee.

She also hired young women to work as army hat milliners at her factory. The start of the American Civil War, six year later, and the state of feeling in a southern town toward suspected abolitionists were described in Beaumont's Twelve Years of My Life (T. B. Peterson and Brothers. Philadelphia, 1887), a two volume autobiography of her life covering the period of 1854 through 1866.

In October 1807, 25 years after settling in Suffield, Swan and his family moved back to the town of his childhood. The reason for the move is not known; however, the decision may have been prompted by his mother's failing health. She died six years later in 1813. Upon returning to Northfield, Swan went into business with his nephew Josiah Dwight Lyman as milliners.

No objections were raised about him being a director on the board of rival companies. Today this would probably be considered a conflict of interests. He was chairman of the departmental store Crisp & Co. Ltd., in Seven Sisters and the milliners, Louise & Co. His two sons-in-law, American, Leopold D Ginsburg and milliner Frank Reginald Brighten, were involved in the development of this company.

The Butler Exchange was a center of custom retail activity at the time for upper-class women, who also patronized the milliners and shoemakers. They also studied with or brought their children to numerous music teachers who worked in the building. Despite competition, the quality of the Tirocchi sisters’ work swiftly attracted clients and recognition. Anna Tirocchi (seated, in dark clothing) and her employees at the Butler Exchange shop, ca. 1912.

Kate is blamed for the insult, and as a result, Kate is ostracised by the other milliners and left friendless. Nicholas seeks out the aid of Newman Noggs, who shows him a letter that Fanny Squeers has written to Ralph. It viciously exaggerates the events of the beating and slanders Nicholas. They suspect Ralph secretly knows the truth, but is latching onto Fanny's account to further persecute Nicholas.

For the AEB, she conducted a study on the irregular working conditions of milliners and makers of artificial flowers, both major sources of employment for women at the time. Van Kleeck also undertook graduate work in social economy at Columbia University during this time. She studied under the experienced labor economist Henry Rogers Seager as well as Franklin Giddings and Samuel McCune Lindsay, but never completed a doctoral degree.

Around the same time, the nearby Burleigh Street and Exeter Street were laid out. The Exeter Exchange originally housed small shops (milliners, drapers, hosiers) on the ground floor, and rooms above which were let to the Land Bank. Over time, the traders on the ground floor were replaced by offices, and the upper rooms were used for storage. Edward Cross, 1838 The management began to re-purpose to upper rooms.

According to early resident Ada Hall, W.H. Miller settled this property in 1874 and built the first house there. Soon Avon had a shingle mill, a post office, a boat builder, several stores, an implement company, a newspaper (The Avon Record), a restaurant, a hotel, a barber shop, stage line and two milliners. Methodists organized a church in 1884, and built the present building dates to 1887 with Rev.

276–67 During the 1884 campaign, they were often portrayed as "fence-sitters", with part of their body on the side of the Democrats and the other on the side of the Republicans. Their "mug" on one side of the fence, and their "wump" [comic mispronunciation of "rump"] on the other. Angry Republicans like Roscoe Conkling sometimes hinted they were homosexual, calling them "man milliners".Allan Nevins, Grover Cleveland p.

It features brick pilasters that extend to the sixth floor, where they are capped by ornamental brick brackets and dentil molding below the roofline. It was built for Sinclair, Rooney, & Co., wholesale milliners, and later occupied by Remington Rand Corporation and its successor Sperry-Rand. The building housed offices and light manufacturing activities. Note: This includes and Accompanying photographs It was listed on the National Register of Historic Places in 2016.

This combination of style and mental illness earned him his nickname: "The Van Gogh of Livorno" (later, "Italy"). Financially unsuccessful and impoverished, he worked as a waiter, created designs for embroiderers and milliners, made signs and sold the occasional painting. In 1911, he went to France for a year, living near his brother in Digne-les-Bains. While there, he painted maritime subjects and undertook to study the works of Paul Cézanne.

There were also a number of illegal grog shops and several brothels. There were bakeries, a brewery and a soft drinks factory, dressmakers and milliners, a brickworks, a cabinetmaker, and two newspapers. The port of Cooktown served the nearby goldfields and, during the goldrush of the 1870s, a Chinese community many thousands strong grew up in the goldfields and in the town itself. The Chinese played an important role in the early days of Cooktown.

In its heyday West Lima had 700 residents, a teachers' hotel, a brick schoolhouse built in 1920,Richland County People and Places. Richland Center, Wisconsin: Shopping News, 1999 a post office, a cheese factory, blacksmiths, two milliners, a flour mill, a furniture store, and a hardware store. By the early 1990s its buildings were abandoned and fallen into disrepair. In 1991 several buildings in West Lima were acquired by Xexoxial Endarchy, Ltd.

This will was contested by two of her step-sisters, Ann and Jean. They were also milliners. The dispute went to court and Ma(r)y McCrabie, another milliner, who had known Learmonth since 1745 said that she had been told by Learmonth that she intended that all of her possessions would go to Gordon after her debts were paid after her death. The value of her will was £5472 12 shillings and five pence.

Adolfo Sardiña (born 15 February 1933), professionally known as Adolfo, is a Cuban-born American fashion designer who started out as a milliner in the 1950s. While chief designer for the wholesale milliners Emme, he won the Coty Award and the Neiman Marcus Fashion Award. In 1963 he set up his own salon in New York, firstly as a milliner, and then focusing on clothing. He retired from fashion design in 1993.

Davies went into the textile business. By the end of the First World War he was described as a successful Manchester merchant.The Times House of Commons 1919; Politico’s Publishing, 2004 p67 He became Governing Director of Pugh, Davies & Co. Ltd, Manchester Who was Who, OUP 2007 wholesale milliners, warehousemen The Times, 2 March 1935 p22 and textile merchants.The Times, 14 May 1959 p18 Davies clearly acquired great wealth through his business interests.

The Millinery Shop (1879/86) is a painting by French artist Edgar Degas. It depicts a woman sitting at a display table in a millinery shop, appearing to closely examine or work on a lady's hat, which she holds in her hands. The view of the scene is at an angle from above. Although Degas created several paintings concerning milliners, this painting is his "largest and only 'museum scale work' on this subject".

Deerstalkers may be made of solid-coloured material, but they are most often found with houndstooth check, herringbone, or plaid patterns in the twill of a fabric which serves as camouflage. Modern hunting clothes, including deerstalkers, are often made with either a red-and-black or an orange-and-black check pattern or tweed for both this purpose and hunter safety, not least in actual deer stalking, for which purpose milliners originally constructed this type of cap.

The mannequins were tall, fabricated of wire. Some 60 Paris couturiers amongst them Nina Ricci, Balenciaga, Germaine Lecomte, Mad Carpentier, Martial & Armand, Hermès, Philippe & Gaston, Madeleine Vramant, Jeanne Lanvin, Marie-Louise Bruyère, Pierre Balmain. joined and volunteered their scrap materials and labour to create miniature clothes in new styles for the exhibit. Milliners created miniature hats, hairstylists gave the mannequins individual coiffures, and jewellers such as Van Cleef and Arpels and Cartier contributed small necklaces and accessories.

This led to Mann becoming, briefly, one of the most desirable milliners in London at that time. In 1967, one of Mann's hats was chosen by Felicity Green of The Daily Mirror as part of her Dress of the Year selection for the Fashion Museum, Bath. The hat was made to match an orange and pink striped trouser suit by David Bond for Slimma. In the mid-1970s Edward Mann owned a clothing brand called Buckle Under.

There also are the offices of the various public agencies that serve the municipality. As of 2012, the working age population represented about 70% of the population. Thirty eight percent of the working age population is gainfully employed, 85 percent including the gainfully employed are occupied, although many of those either part-time or underemployed. The predominant professions are homemaker, farmer, labourers, retailers, maids, construction workers, primary school teachers, carpenters, surveyors, cigar makers, mechanics, milliners and laundresses.

From the period we can obtain information via the Municipal Rate records. Crown survey of allotments took place in 1861-62. From these sources a view of the number and type of business ventures can be ascertained. For example, the Crescent could boast 23 restaurants, a variety of hotels and ale stores, tobacconists, 4 butchers, 5 boot shops or boot makers, 3 tent shops, 6 drapers, a number of druggists or chemist shops, milliners, saddlers, confectioners and billiard saloons.

La Marchande de modes, gravure de Robert Bénard, 1769. Marchande de modes was a French Guild organisation for women fashion merchants or milliners, normally meaning ornaments for headdresses, hats and dresses, within the city of Paris, active from August 1776 until 1791. It played a dominating role within the commercial life and fashion industry of France during the last decades prior to the French Revolution. Amongst its members where Rose Bertin, Mademoiselle Alexandre and Madame Eloffe.

Aspen had been the first city west of the Divide to be wired for electricity, and the theater's chandelier took advantage of that with 36 separate lights. The anticipation of its opening was such that local milliners ran advertisements in Aspen's newspapers telling customers they were too overwhelmed to take new orders. Satin programs had been scented with rose water several days. The opening night production was The King's Fool, presented by the Conried Opera Company.

The team, Mandy Murphy and Gareth Blaha, the head of the ABC's Costume Department, along with two milliners, made some of the hats. Boyce and her team created around 120 costumes for the series, including sleepwear, daywear, nightwear and special-occasion outfits. Boyce explained that while vintage pieces were incorporated into the series, the department designed the majority of costumes. Cox told Alexandra Spring from Vogue Australia that some of the costumes were sourced from eBay and vintage shops.

Milliners needles, which have a straight shaft and an eye area no wider than the shaft, are usually used for the wrapped stitches that are frequently used in Brazilian embroidery. Although many of these stitches are used in other forms of embroidery, the technique used to create them is slightly different. The difference is caused by the method used to manufacture the rayon thread. For example, cotton thread uses an S twist when the fiber plies are combined into a strand.

While active in those causes, she met other women involved in socialist and feminist movements. The journalist, Anna Maria Mozzoni invited Genoni to participate in the Socialist-Labourist International Congress in Zurich. Genoni was also active with other women at the early days of the Lega femminile, which grouped seamstresses and milliners. This organization was an important advocate linking women's work in the clothing industry and production, to the wider context of the women's movement towards emancipation, the right to education, and equality.

The property remained in trust, passing in turn to other descendants until 1971 when Wyman's Pty Ltd became the owners. At the time of George Wyman's death his son Charles took over running the business. Wyman's Store had traditionally sold groceries, hardware, ironmongery, clothing and dressmaking and hat-making services and at this time it opened a petrol depot with the rise the motor cars. During the beginning of the 20th century Wyman's employed 22 shop staff including trained drapers and milliners.

In the spectrum of hostility that it aroused, ritualism also provoked in some of its opponents a reaction that saw its theatricality and its aestheticism as symptoms of "effeminacy".David Hilliard: "UnEnglish and Unmanly: Anglo-Catholicism and Homosexuality": Victorian Studies: (Winter 1982): 181–210. A typical charge was that ritualistic clergy were "man milliners", more concerned with lace and brocade than doctrine. Adverse reaction to this played a significant role in the evolution of the Broad and Low Church enthusiasm for "muscular Christianity".

He constructed a number of factory and mill buildings now located in the northern part of the district, and his companies flourished into the 1950s. As the mills expanded, so did the commercial ventures in Eaton Rapids. By the early 1860s, there were multiple grocers, shoe stores, hardware stores, and dry goods stores, as well as liveries, milliners, and other establishments. A fire in 1864 destroyed half of the buildings downtown, and major fires in 1874 and 1877 destroyed much of the rest.

In an opulent room, a crowd of people are playing at a gambling table. Suddenly a servant rushes in to warn them that the police are about to raid their gambling den. In a few moments, in a flurry of moving panels, the gamblers disguise the whole room as a millinery, with the women posing as hat makers and the men hiding just outside. The raiding police come in, are astonished to find no gambling den, and apologize profusely for disturbing the "milliners".

This building was built after the first major fire to effect the town in 1886. The store front on the east side of the building housed a bank into the early 1900s and then the local post office was located here until 1967. The western half of the building has housed a variety of businesses over the years, including: clothing stores, two different milliners, a restaurant, and a pool hall. The second floor housed a variety of offices, including a dentist.

Some airlines began to commission designs from high-end department stores and still others called in noted designers or even milliners to create distinctive and attractive apparel. During the 1960s, Pacific Southwest Airlines (PSA) was known for brightly colored female flight attendant uniforms that included short miniskirts. In the early 1970s, the uniform changed to hotpants. Since the 1980s to present, Asian airlines, especially national flag carrier ones, usually feature the traditional dress and fabrics of their respective country in their female flight attendants' uniform.

The daughter of Danish immigrants, Esther Eggertsen grew up in a Mormon family in Provo, Utah. She graduated from Brigham Young University in 1927 with a degree in physical education, and a master's from Teachers College, Columbia University, in 1930. She held several teaching positions in the 1930s, including one at the innovative Bryn Mawr Summer School for Women Workers in Industry, which brought milliners, telephone operators and garment workers onto the campus. She moved to New York City where she married Oliver Peterson.

Like a majority of Livery Companies, the Feltmakers' Company is now primarily a charitable institution, but has a number of milliners amongst its members. The Feltmakers' Company ranks sixty-third in the order of precedence for Livery Companies. Its motto is Decus Et Tutamen, a Latin phrase taken from Virgil meaning An Ornament and a Safeguard. (The phrase also appears around the milled edge of certain pound coins.) The Company's Master is Lady Gilly Yarrow, who was installed as Master on 4 October 2019.

Milliners feared the demand for their products would plummet without the feathers. Pearson, a great orator, convinced an audience of fashionably attired women by educating them about the plumes featured in their hats. He detailed for them how each species of bird represented had been slaughtered on its breeding grounds. Upon returning from a trip to Mexico in 1911, Pearson was greeted with claims that the Audubon Society was making money off license fees and fines and that the Society was spending taxpayer's money on wildlife protection.

Lesser, or newer, couturiers hired casuals by the hour and often dressed them in their most eccentric costumes to attract attention, while some wore the insignia of the designers on their backs like sandwich-board bearers while they circulated alone. Milliners did not shy from wearing their own creations. The ‘fashionables’ were another class of model; well-known personalities known as ‘amphibians’, ‘jockeys’ or ‘society consultants’ who, while their celebrity lasted, wore the great designers latest creations sold to them at huge discounts or loaned free.

In this period, hats were often made of scraps of material that would otherwise have been thrown away, including bits of paper and wood shavings. Among the most innovative milliners of the time were Pauline Adam, Simone Naudet, Rose Valois, and Le Monnier. Paris's isolated situation in the 1940s enabled Americans to fully utilize the ingenuity and creativity of their own designers. During the Second World War, Vera Maxwell presented outfits constituted of plain, simply cut co-ordinates, and introduced innovations to men's work clothes.

In the 1960s, the bucket hat was adapted as a ladies' fashion item, in common with the pillbox, bakerboy, and cloche styles, suiting the fashion for more bouffant hair. Milliners such as Lilly Daché created designs in felt or other stiffer fabrics to capture the "mod" look. The older tweed Irish walking hat remained popular among professional men until the 1970s, and was notably worn by Sean Connery's character in Indiana Jones and the Last Crusade. The hat became popular with rappers in the 1980s and remained part of street fashion into the 1990s.

A report by the NYFMRS in the 1830s found that servants, chambermaids, and milliners were the most common occupations linked with prostitution.Timothy J. Gilfoyle, City of Eros: New York City, Prostitution, and the Commercialization of Sex, 1790-1920, (New York: W.W. Norton and Company, 1992), 60. With estimates of more than ten thousand prostitutes in the city it can be understood that some women simply turned to prostitution out of necessity from the strains of their economic and environmental situations.Ronald G. Walters, American Reformers 1815-1860 , (HarperCollins, 1997), 179-180.

A number of retailers carry or have carried Yestadt's designs, including Intermix, Anthropologie, Henri Bendel, Barney's CO-OP, and The Hat Store. While a number of high fashion figures started out as milliners, such as Halston and Coco Chanel, the art of hatmaking has had a comparatively lower profile in the latter half of the 20th century and beginning of the 21st, possibly as a result of the woman's wardrobe becoming more casual and informal. Yestadt is one of a small but growing number of designers championing millinery as an art.

Born at Malmesbury, Wiltshire, she was the eldest daughter of Henry Chandler, a dissenting minister, later at Bath, Somerset. Her mother was a Miss Bridgman of Marlborough, and Samuel Chandler was one of her brothers. In her youth her spine became crooked, and her health suffered, but she set up a milliners shop in Bath about 1705, when not yet out of her teens, and wrote rhyming riddles and poems to friends. Despite her deformity and class station, she was on familiar terms with a variety of Bath society, among them Mrs.

Neither Matthew nor any of his successors resided at Durham House, and it became dilapidated as a result. The stables were demolished for construction of the New Exchange, a market which was occupied by milliners and seamstresses in shops along upper and lower tiers on each side of a central alley. In the 1630s it was the setting for the Durham House Group, including Richard Neile, William Laud and other high church Anglicans. The best portion of the house was tenanted by Thomas Coventry, 1st Baron Coventry "Lord Keeper Coventry", who died there in 1640.

The tradition of wearing hats to horse racing events began at the Royal Ascot in Britain, which maintains a strict dress code. All guests in the Royal Enclosure must wear hats. This tradition was adopted at other horse racing events, such as the Kentucky Derby in the United States. Extravagant hats were popular in the 1980s, and in the early 21st century, flamboyant hats made a comeback, with a new wave of competitive young milliners designing creations that include turban caps, trompe-l'oeil-effect felt hats and tall headpieces made of human hair.

A selection of hat blocks A hat block, also known as a hat form or bashing block, is a wooden block carved into the shape of a hat by a craftsman known as a block shaper. It is used by hat makers or milliners as well as costume makers or hobbyists to produce a hat. Today there is only a handful of block shapers left. Recent years have seen a resurgence of hat wearing, and with it a corresponding need for new hatblocks as students of millinery hone their skills.

Saint Isaac's Cathedral, in Saint Petersburg, Russia. The gold-mercury amalgam used to gild its dome caused numerous casualties among the workers involved. The first emperor of unified China, Qin Shi Huang, it is reported, died of ingesting mercury pills that were intended to give him eternal life.Zhao, Zhu & Sui 2006 The phrase "mad as a hatter" is likely a reference to mercury poisoning among milliners (so-called "mad hatter disease"), as mercury-based compounds were once used in the manufacture of felt hats in the 18th and 19th century.

Hillside Road, looking east from Forbury Corner In its early years, Caversham was heavily industrialised, but also contained a large number of residential properties. The population included a large number of skilled tradespeople and craftspeople, and both large and small industries abounded. Local industries at the beginning of the twentieth century included a brickworks, a gasworks, breweries, a smithy, milliners, several bakeries, a tannery, a bootmakers, and Rutherford's Wax Vesta match factory at Forbury Corner. In 1900, the South Road-David Street-Forbury Corner area was home to over 50 businesses.

He interviewed Trevor- Morgan and offered her an apprenticeship. She learned the trade for three years, as one of a workroom of 14 women in his studio near Oxford Street, then working for another royal hat designer Philip Somerville between 1988–90. Trevor-Morgan has said of her training with two of London's most celebrated milliners that Graham Smith taught her how to get the hat right and Philip Somerville taught her about "people relations". She has also described Smith as remaining her "mentor" when she needs advice.

Trevor- Morgan set up in business in 1990, initially selling her designs in the market at St Martin-in-the-Fields Church. Soon she was supplying Fortnum & Mason; Harrods and Selfridges followed and, in 1992, her business moved to a 17th- century studio in the prestige location of St James's. By 1998, her reputation had grown to the extent that a feature in The Times included her in a list of go-to milliners in London, alongside much more established names such as Frederick Fox and Stephen Jones.

Saint-Cyr established her own millinery salon in 1937 in Rue du Faubourg Saint-Honoré, Paris, and this was joined by a shop in London in 1950. During the 1950s, she gained a reputation as one of the leading milliners of London and Paris. By 1957, her client list comprised many members of the British royal family, notably the Queen, Queen Mother, Princess Margaret and the Duchess of Windsor. Other clients included Queen Soroya of Iran, Begum Om Habibeh Aga Khan, actresses Martine Carol and Eleanor Parker, and many American tourists.

Accessed 1 April 2009 In the Toronto Star, the exhibition and book were described as a celebration and a delight.Livingstone, David; "A tip of the hat to its fabled past" for The Toronto Star, 12 March 2009. Accessed 1 April 2009 The exhibition subsequently moved to New York City to be shown at the Bard Graduate Center of Decorative Arts, Design History and Material Culture, Bard College, until Spring 2012. For this exhibition, work by New York-based milliners such as Rod Keenan, Jennifer Ouellette, and Eugenia Kim, was incorporated into the show.

Hats began the Victorian era as simple bonnets. By the 1880s, milliners were tested by the competition among women to top their outfits with the most creative (and extravagant) hats, designed with expensive materials such as silk flowers and exotic plumes such as ostrich and peacock. As the Victorian era drew to a close, however, fashions were showing indications of a popular backlash against excessive styles. Model, actress and socialite Lillie Langtry took London by storm in the 1870s, attracting notice for wearing simple black dresses to social events.

Sir Crawford McCullagh, as Lord Mayor The Rt Hon. Sir Crawford McCullagh, 1st Baronet (1868 (Aghalee, Co. Antrim) – 13 April 1948), was a Unionist politician in Northern Ireland. McCullagh started his career as an apprentice at the age of 14 in the drapery trade. He then became the director of several businesses in Belfast, including Maguire and Patterson, a dry goods firm (Vespa matches), and the Classic Cinema at Castle Place, as well as owning McCullagh and Co., a silk mercers, milliners and fancy drapery store taken over by Styles and Mantles in 1927.

The home's first annual report was issued in February 1914. It noted that the average price paid for board was $5.05 a week, which included a room, two meals a day (three on Sundays and holidays), and free use of laundry and sewing machines. The home at that time offered a literary club, Bible study, a library, dancing, tennis courts, bowling lanes, and a gymnasium. The boarders at the time included 66 stenographers, 28 "instructors," 27 "office helpers," 20 saleswomen, 16 bookkeepers, 10 dressmakers, 6 nurses, 5 artists, 5 manicurists, 4 milliners, 4 secretaries and 2 librarians.

The store was founded by Snowden Schofield on Saturday 4 May 1901 in a single unit as a "fancy drapers and milliners" with a staff of two then expanded in the following years into other units. The premises were originally a mixture of Victorian era buildings which included a shopping arcade, called the Victoria Arcade, running through the store. The Leeds store was rebuilt in 1962 in a modernist style typical of the era. In September 1984 the business was sold to Clayform Properties Ltd who had intended to redevelop the site but planning permission was not granted.

Her brand has also collaborated with several other designers including Christie Brown, Tiffany Amber, Nineteen 57 By KOD and Abrantie the Gentleman. During the visit of Charles, Prince of Wales and the Duchess of Cornwall to Ghana, Owusu-Bempah was made the official accessory designer for the fashion show and banquet held in their honor. In 2018, she launched her fashion academy, Velma's Millinery Academy to train young and upcoming milliners in Ghana. Owusu-Bempah was among the creatives who collaborated on the "Remember Me" project by Ghanaian photographer, Francis Kokoroko, Rania Odaymat, and The Fair Justice Initiative.

Genteel British women were scarce; in 1785 surgeon John Stewart wrote to his brother from Cawnpore: "Many of the women here are mere adventuresses from Milliners shops on Ludgate Hill and some even from Covent Garden and Old Drury [well known areas of prostitution in late 18th century London]. They possess neither sentiment nor education, and are so intoxicated by their sudden elevation, that a sensible man can only regard them with indignation and outrage." The reforming zeal of Governor-General Lord Cornwallis had ensured that by the 1780s, the opportunities for Company servants to make a fortune through trade had gone forever.

Chronology of Zaida Ben-Yusuf, 1901-1906 on the Smithsonian National Portrait Gallery website, accessed 30 March 2009Chronology of Zaida Ben-Yusuf, 1907-1933 on the Smithsonian National Portrait Gallery website, accessed 30 March 2009 She resigned in 1907 to set up a school of her own on West 23rd Street. Her book, The Art of Millinery: Practical Lessons for the Artiste and the Amateur was published in 1909. It was one of the first reference books for teaching the art of hat-making in all its aspects, and remains a useful resource for leading contemporary milliners such as Stephen Jones.

By the late 19th century, plume hunters had nearly wiped out the snowy egret population of the United States in pursuit of the bird's delicate feathers, which were commonly used by milliners for the adornment of ladies' hats. Alarmed by this trend, McIlhenny searched the Gulf Coast and located several surviving egrets, which he took back to his estate on Avery Island. There he turned the birds loose in a type of aviary he called a "flying cage," where the birds soon adapted to their new surroundings. In the fall McIlhenny set the birds loose to migrate south for the winter.

Lucas was responsible for training many future milliners – notably leading hatmakers to the Queen, Frederick Fox and Philip Somerville, both of whom completed apprenticeships at his studio. His hats can be found in, among others, the archives of the Victoria and Albert Museum, London, and the Powerhouse Museum, Sydney. One of his hats – a scarlet toque – is immortalised in the Norman Parkinson fashion portrait After Van Dongen, which originally appeared in Vogue in 1959. A different frame from this shoot was then chosen by Parkinson for the cover of the publication accompanying his 1981 solo portrait exhibition at the National Portrait Gallery.

Stephen Jones OBE (born 1957) is a leading British milliner based in London, who is considered one of the world's most radical and important milliners of the late 20th and early 21st centuries. He is also one of the most prolific, having created hats for the catwalk shows of many leading couturiers and fashion designers, such as John Galliano at Dior and Vivienne Westwood.Hats: An Anthology microsite on the V&A; Museum website, accessed 1 April 2009 His work is known for its inventiveness and high level of technical expertise.Stephen Jones spiral hat in the V&A; collections online database.

Hill, American missionaries who had established a school and found the project developing on their hands, sought the assistance of Baldwin, who took charge of the sewing department. She soon was appreciated by the girls and the esteem of the parents, who valued the art which enabled their girls to maintain themselves. After the acknowledgment of Greek independence, the court was removed to Athens. Milliners and dressmakers followed in the train, and wanted girls who could use their needles; and the only ones who knew anything of the art of sewing were found to be those whom Baldwin had taught.

During the "Years of Fashion" (from 1936 to 1950), thanks to his daring and his talent, he was hired by Mr. Chatard, a great dressmaker for men and women, within the store "Fashionable" based at the 16th of the Boulevard Montmartre. Brenot then created a line of men's suits. Moving forward, he made many fashion drawings for other great designers and milliners (Christian Dior, Jacques Fath, Cristóbal Balenciaga, Nina Ricci, Jeanne Lafaurie, Charles Montaigne ...) as well as for Lanvin and Rochas brands. He soon began to draw portraits, including those of Arletty, Francoise Fabian, Boris Vian and Jean-Claude Brialy.

9/11 Tribute Cityscape. Exhibited in Hats: An Anthology, 2012Ouellette's work was featured in the Victoria and Albert Museum exhibition Hats: an Anthology, curated by Stephen Jones. When the exhibit traveled to the Bard Graduate Center in New York, Ouellette was one of several local milliners (including Rod Keenan and Eugenia Kim) to have millinery designs included in the exhibition. One of her designs in the exhibition featured a straw cityscape applied to a straw pagoda shape on a headband, which Ouellette said was in tribute to New York's resilience following the events of 9/11.

Her mother was a business woman and she herself saved her money until she could afford to become an apprentice to the top hat maker in Stockholm, a French woman. Lindström had her own shop at Västerlånggatan 40 in 1842. She had a large web of contacts; at the death of the king in 1844, she was alerted by the footmen at the royal palace so that she was able to acquire all the black mourning ribbons from the other milliners in the capital before the death had been publicly known. She was very successful and opened a second shop at Hornsgatan.

Simone Parmentier was born in Paris on 18 May 1912 to middle-class Catholic parents. Simone had an apprenticeship with Rose Valois, one of the leading Parisian milliners of the 1920s and 1930s, where she developed her talent for designing hats to suit the trickiest faces, considering her first success to be a design which worked for her mother's features. In her early 20s Simone met a Jewish medical student, Serge Mirman, whose communist beliefs made him undesirable to her parents. Despite neither speaking English, the couple eloped to London in 1937, but only married in 1939.

The modern woman's pillbox hat was invented by milliners in the 1930s, and gained popularity due to its elegant simplicity. Pillbox hats were made out of wool, velvet, organdy, mink, lynx or fox fur, and leopard skin, among many other materials. They were generally designed in solid colors and were unaccessorized, but could include a veil. Jacqueline Kennedy, First Lady of the United States from 1961 to 1963, was well known for her "signature pillbox hats", designed for her by Halston, and was wearing a pink one to match her outfit on the day of her husband United States President John F. Kennedy's assassination in Dallas, Texas.

The paper added that when a black doll hat was chosen, it should have a contrasting veil in a bright shade such as blue or pink matched with the same hue in gloves or buttonhole. The popularity of miniature hat continued into World War II. In the United States, the absence of imports from French milliners inspired American designers to innovate. Variations on the beret, bowler and boater were introduced – along with forward tilted miniature hats. Although American Vogue magazine warned its readers in 1941 that doll hat designs were: "definitely not for the unselfconfident", the design became very popular during the war years.

In the 18th century the economy diversified as the town grew. Small-scale foundries were established, especially in the North Laine area; coal importers such as the Brighthelmston Coal Company set up business to receive fuel sent from Newcastle; and the rise of tourism and fashionable society was reflected in the proliferation of lodging house keepers, day and boarding school proprietors, dressmakers, milliners and jewellers. Many women worked: more than half of working women in Brighton in the late 18th century were in charge of lodging houses, and domestic service and large-scale laundries were other major employers. Brewing was another of Brighton's early specialisms.

Catherine Lusurier, The Painter Germain-Jean Drouais at the Age of Fifteen, oil on canvas, c. 1778 Catherine Lusurier (1752–1781) was a French painter. Lusurier was a native of Paris; her mother, Jeanne Callot, was a dressmaker, while her father Pierre was a member of a family of milliners. She was the niece of Hubert Drouais, to whom she was apprenticed until his death, whereupon she continued to live with his widow, Marie–Marguerite Lusurier, on the rue des Orties in the parish of Saint-Roch; today the street no longer exists, having been torn up to make way for the avenue de l'Opéra during the Second Empire.

Hat boxes may be made of a variety of materials, including metal The hat box became a popular item in the 19th century – matching the popularity of hats for both day and evening wear – and accessories were produced to assist with both storage and cleaning. While milliners often packaged designs they sold in cardboard hat boxes, more robust designs were produced for travelling. Some designs were made to store more than one hat – including designs that could store both a daytime top hat and a collapsible version for evenings, known as a gibus. They might also include storage space for items such as a hat brush.

In 1897 Reginald Tyrrell and William Green joined forces and opened a shop which was described as a drapers, milliners, ladies and children's outfitters. The store was successful and a year later they moved to Above Bar street to a site occupying four houses. Reginald Tyrrell had already been involved with a business opposite the new store, Plummer, Roddis and Tyrrell, a partnership he created with the merger of his Bournemouth business with the Southampton and Hastings business of Messrs Plummer & Roddis, which he left in 1898. In 1920 Reginald Tyrrell left the company, leaving it in the hands of William Green and his wife.

Starting in the late 1870s, this block of Collins Street was home to the city's most fashionable stores, such as milliners, glove-importers, portrait painters, photographers and hairdressers. Businesses such as George's Emporium, Allan's and Glen's music and Mullens' Bookshop and Lending Library drew the cream of Melbourne society. The act of promenading here became a social pastime, known as ‘doing the block’, and the street became known simply as "The Block", a title taken up by the Block Arcade, built 1890-93. Gunstler's Cafe (at about 280 Collins Street) was established in 1879 and was amongst the most fashionable restaurants in the city.

In October 1901, the firm of McDonnell & East Ltd was established and, with the financial backing of businessman and publican Peter Murphy, owner of the Transcontinental Hotel, the firm purchased John Reid's drapery business, and the lease of the premises, at 402-408 George Street. Within six years McDonnell & East Ltd was well established as a firm of importers, cash drapers, tailors, outfitters, dressmakers and milliners. About 1908, Jack McDonnell and Fraser and Harry East, sons of the founders, entered the firm. In 1911, McDonnell & East Ltd acquired the adjoining George Street allotments to the corner of Tank Street, and in October 1911 Brisbane architect Thomas Ramsay Hall called tenders for a new brick building.

Edith Thompson was born Edith Jessie Graydon on 25 December 1893, at 97 Norfolk Road in Dalston, London, the first of the five children of William Eustace Graydon (1867–1941), a clerk with the Imperial Tobacco Company, and his wife Ethel Jessie Liles (1872–1938), the daughter of a police constable. During her childhood Edith was a happy, talented girl who excelled at dancing and acting, and was academically bright, with natural ability in arithmetic. After leaving school in 1909 she joined a firm of clothing manufacturers, Louis London, near Aldgate station in London. Then, in 1911, she was employed at Carlton & Prior, wholesale milliners, in the Barbican and later in Aldersgate.

Arnold & Constable Co. was able to rent out the building floor-by-floor despite not having a main tenant. One of the building's original tenants was the Century Company, which published the popular The Century Magazine for adults and St. Nicholas Magazine for children. They started renting fifth-floor space for their headquarters in September 1881, having been drawn by the proximity to a park, as well as the building's location within what was then Manhattan's commercial center. Arnold & Constable also rented space to several long-term tenants, including upholsterers Johnson & Faulkner and architect George B. Post, as well as milliners Worthington & Smith and clothing manufacturers Earl & Wilson.Miller, Tom (August 25, 2011).

Trevor-Morgan began making hats for the Queen in 2006 – initially she was invited to create six sketches for review and then some designs were made. The first of her models was worn by the Queen at her 80th birthday church service at St Paul's Cathedral. The Queen then chose another of the designer's hats – a beige shot silk model – for her birthday lunch at the Mansion House – inspiring a Times journalist to note that Trevor-Morgan had now become: "a new recruit to a tight little band of royal headwear designers". Since 2006, she has been one of the Queen's preferred milliners, creating some 60 hats (averaging ten a year) up to 2012.

He also designed factory caps and many models for high-street stores. These included ranges for Finningans in Bond Street and Marshall & Snelgrove Thaarup was also highly active in promoting his name throughout his career – not only appearing in numerous British Pathé films, but also visiting high-street stores that stocked his non-bespoke hats twice a year to personally sell to the public both his own designs and those of his competitor milliners. He became known for inspired marketing gimmicks, such as the doll-sized hats created as gift tokens in 1956 – these could be exchanged for a full-sized model from his store. The following year the hat gift tokens were placed inside Easter eggs.

French fashion was also not only important economically, it was a vital part of France's national cultural identity. French designers resisted the Nazi regime's plans; Lucien Lelong, president of the Chambre Syndicale de la Couture Parisienne, proclaimed, 'It is in Paris or it is nowhere'. A worker from Reboux, one of Paris's largest milliners, later said of the attitude of the fashion industry during the German occupation: After Paris was liberated, the idea for a miniature theatre of fashion came from Robert Ricci, son of couturier Nina Ricci. All materials were in short supply at the end of World War II, and Ricci proposed using miniature mannequins, or fashion dolls, to address the need to conserve textiles, leather, fur, and so on.

The building is located on Chepstow's medieval market square, later reduced in size by infill development and named Beaufort Square around 1850, after the landowners, the Dukes of Beaufort. The large ground floor room has a vaulted stone ceiling with carved bosses of floral decorations and of heads, one wearing a Monmouth cap. The room was probably the moot hall, or Booth Hall, recorded as existing in the town in the 14th and 15th centuries. It may be the building referred to in 1674 as an "old chapel". It was later referred to as the Crypt Room, and in the 18th and 19th centuries was variously used as a wine store, a coach house, an armoury, and a milliners' shop.

Plummer Roddis started out as separate companies in the 19th Century. William Plummer started out as a draper in Hastings and in 1871 had a store at 3 Robertson Street, before opening another store in Southampton on the corner of Above Bar and Commercial Street. George Roddis in 1870 was listed as a draper in Market Harborough, but by 1881 was a partner in a drapers & milliners called Roddis & Goldsmith at 1-2 Robertson Street, Hastings. In the late 19th Century William Plummer, George Roddis and Reginald Tyrrell, a Bournemouth draper, joined forces to create Plummer, Roddis and Tyrrell but in 1898 Reginald Tyrrell relinquished his partnership to concentrate on his other business Tyrrell & Green and the business became Plummer Roddis.

Charles Danby as Roberts, the Sheriff's Officer, posing as an American millionaire Robert Pateman as Major O'Neill meets his Creditors Theatrical poster for The Lady Slavey (1894) Based on the story of Cinderella, Irishman Major O'Neill (Robert Pateman) is faced with bankruptcy and financial ruin after running up large milliners bills for his daughters Maud (Adelaide Astor) and Beatrice (Blanche Barnett). In an attempt to stave off this disaster, with the assistance of Flo Honeydew (Jenny McNulty) he attempts to marry off his youngest daughter Phyllis (May Yohé) - the slavey of the title - to a rich man she doesn't love. Phyllis loves Vincent A. Evelyn (Henry Beaumont). She, assisted by Roberts, a Sheriff's Officer (Charles Danby) is determined to avoid this fate.

John Richardson Boyd MBE (5 April 1925 – 20 February 2018) was a Scottish milliner based in London. Designing hats for over seventy-five years, Boyd was one of London's most respected milliners and is known for his creations for Diana, Princess of Wales and Anne, Princess Royal. Boyd was a milliner to three generations of Diana's family – Diana, her mother Frances Shand Kydd and grandmother Ruth Roche, Baroness Fermoy – and had remained at the centre of his craft adding another generation of royals with Catherine, Duchess of Cambridge. Turning 92 in April 2017, Boyd had one of the longest millinery careers in the world whilst continuing to practise his art before his death in 2018. Boyd’s label continues with his protégé and senior milliner Sarah Marshall.

In 1933, The Times reported that milliners were drawing on both the 18th century and the Second French Empire for inspiration, singling out Suzanne Talbot as showing styles similar to Empress Eugénie's riding hats and designs with trims turned up sharply on one side. A wide variety of materials were being used, including taffetas, straw and grosgrain. A year later, the Eugénie hat was still being adapted as part of new season's millinery designs, but now showing more of women's hairstyles: "Hats are halo- like or sailor-like, but with considerable flatness. The idea is now to show the hair and the Eugenie hats, which are tipped forward over the nose, indicate that more and more hair is expected at the back of the head".

On her August 1902 crossing, a group of about 30 first-cabin passengers formed a vegetarian society, which they called "La Société des Legumineux", that gave the steward fits because they ignored the chef's signature meat dishes of roast beef and Philadelphia chicken. The same voyage carried eight Franciscan nuns—reportedly the last of the expelled order to leave France—on their way to Canada. In September 1905, The New York Times heralded the arrival on La Bretagne of 30 dressmakers and milliners with the latest fall fashions from Paris. Over 200 trunks of women's clothing arrived on the liner, and were inspected by married customs inspectors because, according to the head of the inspectors, "a married man is the only person in the world would know what all that stuff was".

In 1900 the business was incorporated as a private limited company, and was listed as a wholesale and retail drapers, silk mercers, haberdashers, milliners, dressmakers, tailors, hatters, furriers, lacemen, clothiers, hosiers, glovers and general outfitters, carpet warehousemen, upholsterers and house furnishers and decorators. By the 1930s the business had grown by purchasing neighbouring stores and now formed an island surrounded by St Peter's Passage (north), High St (east), Mint St (south) and Mint Lane (west), with the store being updated in 1960/61, 1970 and again in 1973. The updates included restaurant, car parking, offices and new departments selling electrical goods. Also in the 1930s the business acquired a drapers called Berrills, based in Spalding, which they run under the Berrills name until they closed the business in 1971.

Dressed in the latest fashions from Paul Poiret or Jeanne Paquin, these élégantes are caught in what are more like the rehearsed poses of professional models than those of casual tourists. Lapeyre met his models in the studios of the milliners for whom he designed posters and signs in a simplified graphic style typical of French illustration at the time (although also recalling the bold forms of the Beggarstaff Brothers in England). With their lustrous finishes, his portraits of models irresistibly bring to mind the elegant women of the American John Singer Sargent and the Spaniard Joaquín Sorolla. Their portraits of women, perceived as icons of European fashion, also illustrate the development of a society of leisure, for which the beaches of France and Spain provided a fitting playground, but one where elegance was still de rigueur.

The use of the term "fascinator" to describe a particular form of late 20th- and early 21st-century millinery emerged towards the end of the late 20th century, possibly as a term for 1990s designs inspired by the small 1960s cocktail hats, which were designed to perch upon the highly coiffed hairstyles of the period. The Oxford English Dictionary cites a use of the word (in quotation marks) from the Australian Women's Weekly of January 1979, but here it appears to have been used in a slightly variant sense, to describe a woman's hat incorporating a small veil (in other words, a cocktail hat). However, the term was certainly in use in its modern sense by 1999. Although they did not give the style its name, the milliners Stephen Jones and Philip Treacy are credited with having popularised and established fascinators.

The Queensland school closed in 1968. At the turn of the century Mungindi had its own newspaper, a hospital, a doctor, a solicitor, two schools, two post offices, a brewery, at least four hotels, two police stations (one in each state), with three men stationed at each, two race clubs, a P.& A. Society, two butchers, two hairdressers, two dressmakers and milliners, a shoemaker, a saddler, a baker, a tailor, a saw mill, a pawnbroker, a teacher of pianoforte, violin and oil painting, about four contract carpenters, a housepainter and decorator, a bricklayer and a tinsmith. Its approximately 250 residents enjoyed many shared entertainments. Balls and dances, fairs and shows, concerts and travelling tent shows, and fortnightly meetings of the Literary and Debating Society. In the 'Sportsman’s Paradise',fishing, bicycling, horse racing, cricket, billiards and tennis were keenly pursued.

Chicago Tribune declared that many Paris dressmakers were considering a fashion revolution to bring dress into line with the new period-piece hats; it was being whispered, said the paper's Paris correspondent Bettina Bedwell, that bustles and crinolines might be revived. By August of that year, it was reported that a new era of prosperity might be at hand for the garment industry. "Hat and women's wear manufacturers predicted today it would alleviate for a time at least, economic depression in their industries". It was suggested that, for the first time in history, fashion designers were following the lead of milliners who had: "made women wear the hats in defiance of the styles in frocks, with the result that the couturiers have had to fall quickly in line and rush through styles to go with the hats".

One of the leading milliners of New York, Daché had realised that hats were going out of fashion, and had added an extravagant pink-and-white salon to her building in order to attract a different type of customer. Kenneth was employed to head up the salon, which became the most important hairdressing venue in New York. Among the clients who came to Lilly Daché for hairdos were Lucille Ball, who called Kenneth "God", and the actress Kay Kendall, who in 1957, was steered towards Kenneth by Lilly Daché's house model, Gillis McGil. Kenneth rescued her overdyed red hair, which Kendall said made her "look like Danny Kaye in drag", cutting it short and tinting it back to the original color, creating a coiffure that became an international sensation, with many women queueing outside the salon to have their hair done the same way.

The couple set up home at Royal Row Lambeth. He established his own architectural practice in 1777 as well as being in partnership with a timber merchant, Richard Heaviside.Major & Murden. A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs The couple had two children, both were baptised at St Mary-at-Lambeth, John on 9 June 1776 and Hugh on 28 April 1778. In June 1778 "By the ill conduct of his wife found it necessary to send her into Wales in order to work a reformation on her",Suggett 1995, p. 11 the cause of this appears to have been the claim that Jane Nash "Had imposed two spurious children on him as his and her own, notwithstanding she had then never had any child" and she had contracted several debts unknown to her husband, including one for milliners' bills of £300.

In 1961 John Cavanagh was chosen to design the dress for the wedding of Katharine Worsley to Prince Edward, Duke of Kent and, along with fellow Incorporated Society of London Fashion Designers members Angele Delanghe and Hardy Amies, Cavanagh provided a preview in The Times of three designs to be worn by guests at the wedding. Cavanagh's outfit, a suit with pleated skirt and long jacket, was accessorised with a small white petal hat created by Reed Crawford. In 1961 Reed Crawford was elected as an associate member of the Incorporated Society of London Fashion Designers (IncSoc) – a category reserved for accessories designers – one of only four milliners within IncSoc at this point. In 1962, Reed Crawford, still working with Cavanagh, was designing models to add length to the fashion silhouette; these included chefs' caps, turbans and trilbies; materials used for his designs included velvet, felt and velour.

It had a thriving shipbuilding industry, with over 200 vessels being built both in Cardigan and downstream in the village of Llandudoch (St Dogmaels). By mid-century, it was connected with the Welsh rail network but its harbour was obstructed by a sand bar that made it dangerous for vessels over 300 tons burden except during the high spring tides. Rural industries and craftsmen were an important part of life in a country town. Information recorded in Trade Directories show that in 1830 there were Thirteen boot makers, three bakers, one miller, four blacksmiths, seven carpenters, two coopers, six tailors, five dressmakers and milliners, two straw hat makers, two weavers, three curriers, three saddlers, two whitesmiths, four glaziers, five maltsters, two printers, two tanners and one stonemason. The houses were mostly of slate and the streets narrow, steep, and irregular, with a grammar school erected in 1804 and a national school in 1848.

Since 2007 J Smith Esquire has been shown at London, Paris and Milan fashion weeks, alongside new and emerging fashion events such as Rome Couture and Jakarta Fashion Week. He continues to collaborate with highly regarded international designers such as Stella McCartney, Moschino, Manish Arora, Oscar Lawalata, Aganovich, Emilio de la Morena and Aveda. J Smith Esquire has featured in numerous shows and exhibitions such as Hats: An Anthology curated by Stephen Jones for the Victoria and Albert Museum of London, 2009 to 2012, Hedonism at London Fashion Week by the British Fashion Council, three seasons of Alta Roma Limited / Unlimited supported by Sylvia Fendi, the 2010 Vogue Young Talents exhibition in Milan, and the 2009 Fashion in Motion exhibition of selected milliners at the Victoria and Albert museum in London. In 2011 a retrospective exhibition, installation and book launch took place at the Royal Horseguards Hotel, London, supporting the introduction of the Guoman Group bespoke doorman hats made by J Smith Esquire.

Returning to America, Perutz worked for a variety of corporatee.g. Squibb Pharmaceutical, see Wirz, Adolf 'art directors club of new york: 43rd Annual Exhibition of Advertising and Editorial Art 1964', in Graphis, Nov 1, 1964; 452 and magazine clients. John G. Morris describes how he selected Perutz for stories on film and theatre because "he had been virtually born in the theatre". While his famous subjects included Helen Keller, Duke Ellington, Jimmy Durante, Roland Petit and other celebrities, it is for his photographs of Marilyn Monroe that Perutz is becoming best remembered. On June 16, 1958, shortly before the movie star flew out to Hollywood to film Some Like It Hot, Perutz was contracted by the Hearst Corporation to conduct a photo-shoot with Monroe for their 1958 cover-story, “Milady’s Easter Bonnet” in The American Weekly Sunday supplement, for which six leading milliners to provided a hat for six well-known women; Monroe along with Kathy Grant Crosby, Lucille Ball, Elsa Maxwell, Eleanor Roosevelt and Mamie Eisenhower, wife of the President.

The 2009 exhibition, Hats: An Anthology, held at the V&A; from 24 February 2009, was inspired by Cecil Beaton's landmark exhibition, Fashion: An Anthology, held at the V&A; in 1971. Beaton's exhibition showcased 1900-1971 garments donated by leading fashion designers of the 20th century and their clients, many of which entered the Museum collection afterwards, and firmly placed fashion within the Museum's remit. Along with Oriole Cullen, V&A; Curator of Modern Fashion and Textiles, Jones explored the collections of the V&A; and other international collections such as those at the Fashion Museum, Bath and the Hollywood archives of Warner Bros.. The exhibition was based predominantly upon hats from the V&A;'s collections and Stephen Jones's own archive, but also included loans from museums and collections around the world. The work of up-and-coming milliners such as Noel Stewart and Nasir Mazhar was featured alongside hats by Philip Treacy, Mitza Bricard for Dior, Claude Saint-Cyr for Norman Hartnell and Vladzio d'Attainville for Cristóbal Balenciaga.

His mind seems at the boiling-over point always and froths out at every pore of his face and tongue. Introduced a dozen people to me as one would mow grass.” Neal's law apprentice in 1833 described, > He was in a strange-shaped jacket, with a vest of his own form and fashion, > for he has all things made according to his notions, dictating to tailors, > furniture-makers, house-builders, book-binders, cooks and milliners also… He > was over careful and very neat in his person, but not a fop or a dandy, for > they follow fashions, and he sets all at defiance. Neal was then alternately > talking with a lot of men who were boxing and fencing, for he was a boxing- > master, and fencing-master too, and as a printer’s devil came in, crying > “copy, more copy,” he would race with a huge swan’s quill, full gallop, over > sheets of paper as with a steam-pen, and off went one page, and off went > another, and then a lesson in boxing, the thump of glove to glove, then the > mask, and the stamp of the sandal, and the ringing of the foils.

In August 1673, she was one of the four members of the Hat maker's Guild elected as spokesperson when the National Board of Trade summoned representatives of the two guilds of hatmaker's (hatmakare) and milliners (hattstofferare), which had long been involved in a conflict as their trades was similar: the hatmakare made the hats themselves, but the hattstofferare provided the materials, manufactured the ornaments of the hats, and had the privilege of selling parts of hats. Margareta Dockvil played a big role in this conflict, when she complained to the National Board of Trade that the hattstofferare had impended her business by refusing to provide her with materials; she was granted dispensation to have her own workshop established to manufacture and apply ornaments to her hats and sell them, which was until then the privilege of the guild of the hattstofferare. This was a caused for conflict which led the National Board of Trade to summon the two guilds in August of that year. The conflict ended with a reform that allowed the hat makers to manufacture ornaments of hats for their own hats and to sell parts of hats, with reference to the Precedent of Dockvil.