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35 Sentences With "metallic thread"

How to use metallic thread in a sentence? Find typical usage patterns (collocations)/phrases/context for "metallic thread" and check conjugation/comparative form for "metallic thread". Mastering all the usages of "metallic thread" from sentence examples published by news publications.

Overlaying and obscuring these images are sheaths of translucent white fabric, shot through with metallic thread.
The phrases of the prelude at first seemed daringly separate and wispy, bits of metallic thread, before they began to weave together and almost physically coalesce.
Wearing a purple metallic-thread gown by Philosophy di Lorenzo Serafini, she was joined by cast members including Niecy Nash, John Leguizamo, Blair Underwood, Storm Reid, Joshua Jackson, Vera Farmiga and Famke Janssen.
In wall hangings like "Haiku" (2212), a chunky thread of black wool gambols down an earth-toned weaving of cotton, hemp, and glinting metallic thread — descending like a fabric line on a tipsy promenade.
When we noticed stars like Condola Rashad and Jourdan Dunn wearing braids and ponytails wrapped in metallic thread and wire, we were sure that the look must be achieved with some kind of luxe, available-to-stylists-only type of gear.
Set to The Commodores' 1977 hit "Brick House," the video not only showed her baby bump but also the intricate metallic thread embroidery and floral garland appliqués of her $5,450 Marseille wool mohair evening jacket from the Italian brand's Spring/Summer '17 menswear collection.
In "Gold Fragment: BgDmBrdge" (2008-09), the artist starts with a Wendy's chicken sandwich wrapper and, after backing it with fabric and applying gold leaf, metallic thread, and oil paint, arrives at an unidentifiable something that feels Byzantine, that has survived through centuries of conflict and upheaval.
The main differences are on the 2004 redesign are the randomly colored fibers distributed through the note. It was also added a see-through metallic thread on the back.
The coat was lined with fur. Underneath the coat, a shirt-like undergarment with long, wide sleeves was commonly worn. Silk and metallic thread were increasingly used. The Mongols wore protective heavy silk undershirts.
The dickey is usually decorated with reindeer skin around the edges and metallic thread and glass beads in the center. The purpose is for the dickey to be the focal point of the outfit.
Close Shot of the Zardozi (Zardouzi) Embroidery Cushion Covers Sari from India (probably Benares), late 19th or early 20th century, silk with metallic thread (Zari) The most opulent form of Indian embroidery is the Zari and the Zardozi or Zardosi, known since the late 16th century, brought in India by the Moghuls. The word Zardozi comes from the two Persian words Zar & gold and Dozi & embroidery. This form uses metallic thread. Once real gold and silver thread was used, on silk, brocade and velvet fabric.
In 1940, during the Second World War, ten-shilling notes were issued in a new mauve and grey colour scheme in order to deter counterfeiters, although the design remained the same. At the same time, a metallic thread running through the paper was introduced as a security feature. After the war ten-shilling notes were issued in their original red colour. The earliest post-World War II notes did not have the metallic thread security feature, but those issued from October 1948 onward did.
Some of the security feature are there is a metallic thread on the back. There are two watermarks: on the left is a church steeple, on the right is the denomination "10". A black strip runs through the note, when looking at it from the back, the metallic thread should line up perfectly with the black strip when held up to the light. Next to the church on the bill is a banner when held up to the light it should match up perfectly to the other side, which has the same design.
Stomacher, France, 1700–1750. Silk satin with metallic-thread lace, appliqués, passementerie and tassels. Los Angeles County Museum of Art M.67.8.99 Open gown over stomacher, 1753 Queen Mary wearing a diamond stomacher during a state visit to Belgium.
Line officers wear an inverted gold star above their rank stripes on their dress blue uniforms and, in the case of Captains (US pay grade O-6/NATO OF-5) and below, on their shoulder boards in whites. Line officer flag officers (admirals O-7 to O-10/NATO OF-6 to OF-9) will wear solid gold shoulder boards with a silver metallic thread anchor and one, two, three, or four silver metallic thread stars below the anchor. When wearing khakis or utility/working uniforms, they wear their rank insignia on both collar points. The Navy refers to non-line officers as Staff Corps officers.
It is a raised zari metallic thread embroidery created by sewing flat stitches on cotton padding.Knopf, 1996 Rajasthan This technique is commonly used for bridal and formal costumes as well as for velvet coverings, tent hangings, curtains and the coverings of animal carts and temple chariots.
This large, mid-19th century Moroccan wall hanging, or haiti, is a highlight of the textile collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Made in the cultural center of Fez, it is crafted of the finest materials: silk velvet embroidered with gold metallic thread.
Embroidery often depicts plant life, Aztec motifs or other themes. Traditionally, the embroidery was made of metallic thread or of pitea fiber. Charro outfits also consist of a wide-brimmed hat (sombrero) and silk tie. The charra outfit for women is similar, with women wearing a long, embroidered skirt, reaching the ankles, instead of the pants.
Scottish and Northern Irish banks followed, with only the Royal Bank of Scotland continuing to issue this denomination. UK notes include raised print (e.g. on the words "Bank of England"); watermarks; embedded metallic thread; holograms; and fluorescent ink visible only under UV lamps. Three printing techniques are involved: offset litho, intaglio and letterpress; and the notes incorporate a total of 85 specialized inks.
An example of the remarkable work of the Brussels looms, the tapestries' mixture of silk and metallic thread with wool gave them a fine quality and brilliant color. The wool was widely produced in the rural areas around Brussels, and a common primary material in tapestry weaving. The silk, however, was costly and hard to obtain, indicating the wealth and social status of the tapestry owner.
Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals. In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing.
Caroline T. Cobb, William Halsey: Abstract Expressionist in the South , accessed March 19, 2010. Gottlieb's wife supervised the sewing of the curtain, which was made of velvet in two-tiers, with appliqués and metallic thread embroidery. By 1987, the curtain required extensive (and expensive) restoration, and the congregation decided to donate it to the Jewish Museum, which carried out the restoration and displays the curtain in special exhibitions.Michelle Falkenstein, "Jersey Footlights", The New York Times, July 18, 2004.
After the war one pound notes were issued in their original green colour. The earliest post- World War II notes did not have the metallic thread security feature, but those issued from September 1948 onward did. A new design for one pound notes was introduced in 1960, with the old notes ceasing to be legal tender in 1962. These new series C notes were slightly narrower, and were the first one-pound notes to feature a portrait of Queen Elizabeth II on the front.
A customized show car was displayed along production models during the 1966 automobile show circuit, the snow- and ski-themed Rambler St. Moritz station wagon. The wagon with three rows of seats featured tinted rear side "observation" windows that curved up and over into the roof. The remaining roof over the cargo area was finished with polished stainless steel and equipped with a special ski rack. The exterior was a light ice-blue pearlescent paint, while the car's dark blue interior featured Corfam upholstery with a metallic thread embroidered snowflake in each seat back.
Peter Dundas of Roberto Cavalli produced an all over black crystal embroidered bodysuit for the tour, which also included gold metallic thread and accompanying knee high tiger print boots in a military style. Alessandro Michele working for Gucci designed a sequinned bodysuit for Beyoncé, incorporating a geometric print and a red mink fur coat. London based designer Atsuko Kudo designed and produced a more simple bodysuit for the tour, creating an all red latex outfit with shoulder pads and a ruffled neckline. Kudo also stated that in order to make the outfit, a life sized cast of Beyoncé was used in order to fit the latex accurately to her body.
The Staffordshire Millennium Embroideries are a unique representation of a thousand years of Staffordshire's history, embroidered in silk, wool, cotton, metallic thread and leather, one panel for each century of the Millennium. This inspired work was created solely by Mrs Sylvia Everitt of Rawnsley, near Cannock, who made these embroideries over five years of dedicated work as her gift to the people of Staffordshire in commemoration of the Millennium. She toured the county for several years giving lectures about her embroideries before donating them to the Lichfield Museum where they are now permanently displayed in a specially designed Gallery. For her work Sylvia was awarded the MBE in 2002.
By the late 16th and early 17th centuries, decorative patterns on the fabrics had become smaller and brighter. By the second half of the 17th century, the most precious kaftans were those with 'yollu': vertical stripes with varying embroidery and small patterns – the so-called "Selimiye" fabrics. Most fabrics manufactured in Turkey were made in Istanbul and Bursa, but some textiles came from as far away as Venice, Genoa, Persia (Iran), India, and even China. Kaftans were made from velvet, aba, bürümcük (a type of crepe with a silk warp and cotton weft), canfes, çatma (a heavy silk brocade), gezi, diba (), hatayi, kutnu, kemha, seraser (Persian ) (brocade fabric with silk warp and gold or silver metallic thread weft), serenk, zerbaft (Persian ), and tafta (Persian ).
Made in 1994 of cotton, silk, and metallic thread, Virgen De los Caminos (Virgin of the Roads) is now hung at the Smithsonian American Art Museum. This piece is a children's quilt with embroidered flowers, barbed wire, la Virgen De Guadalupe (a religious Mexican symbol), and almost invisible appearances of the word "Caution" accompanied by the silhouettes by John Hood that are also seen in C. Jane Run. Authors Jonathan Yorba and Cristina Serna suggest that the Virgin of Guadalupe is a guardian saint for the immigrants crossing into the United States from Mexico, with the images from Hood's road signs being embroidered in white onto the light colored fabric to express that immigrant families are ghosts, nearly invisible and somehow unnoticed by others.
She also became a private client for quite a few of them, most notably Ralph Rucci, and the show, according to FIT Museum director Valerie Steele, included "lots of beautiful Ralph Rucci". Many of the haute couture gowns on display boasted luxurious sequin and metallic thread embroideries, and hand-burnt ostrich feathers, while others, according to the Financial Times, were "covered with pearls," or elaborately embroidered with beads by artisans of the French house of Lesage. The exhibition featured her collection of rare Hermès bags in exotic skins, as well as unique pieces of jewelry by the illustrious Venetian jewellery house, Codognato. The show opened to the public on 16 September 2010 and was on display through 2 January 2011.
In December 1999, the manufacturer withdrew its offer to supply the substrate because of technical production issues and its market viability. The Bank of Canada found a cotton fibre substrate with "characteristics similar to those of Luminus" on which to print the $10 banknote it would issue in January 2001 and later for the $5 banknote issued in March 2002. The similarity of the substrate to Luminus would enable a transition to it once production issues were resolved, as the Bank of Canada had acquired Canada-wide rights to the substrate and continued to develop it, but the project was ultimately discontinued in 2002. As a result, the Bank of Canada chose to use the standard watermarked paper, but required suppliers to include a "windowed metallic thread" in the substrate.
This can be of any colour and made of wood, bamboo or plastic with a maximum diameter of 1 cm (2/5") at its widest, a cylindrical or conical shape slip tape or may have a rubber handle for a maximum length of 10 cm (4") at the level of the grip. The top of #a supple strap (of string or nylon) held in place by a nylon thread wound round the stick for a #a metal ring fixed directly onto the stick. #a metal ring (vertical, horizontal or oblique) fixed to the stick by two metal pins held in place by nylon or metallic thread round wound around the stick for the maximum 5 cm (2"). #a metal ring (fixed, mobile or pivoting) or a supple strap, fixed to a metal tip of no more than 3 cm (1.2").
The typical female, or ', costume consists of a ' (or '), a type of woven fabric with two contrasting silk threads along with a metallic thread (gold or silver in color). The ' is wrapped around the lower body in a sarong-like fashion, then pleated into a band in the front and secured with a gold or brass belt. In the current style, part of the pleated brocade band hangs over the belt on the left side of the belt buckle, which is a clear distinction from Thai classical dance costumes where this pleated band is tucked into the belt to the right of the belt buckle. Worn over the left shoulder is a shawl-like garment called a ' (also known as the ', literally "back cover"); it is the most decorative part of the female costume, embroidered extensively with tiny beads and sequins.
Army Wound Chevron A Wound Chevron was a badge of the United States Army, United States Navy and United States Marine Corps which was authorized for wear on uniforms between the years of 1918 and 1932. The Wound Chevron was a gold metallic-thread chevron on an Olive Drab backing displayed on the lower right cuff of a US military uniform. It denoted wounds which were received in combat against an enemy force or hospitalization following a gassing. The original Army Wound Ribbon was which was created on September 6, 1917, to recognize those soldiers who had received combat wounds during World War I. The Wound Ribbon was established by Secretary of War Newton D. Baker on September 6, 1917, and implemented by Paragraph XI-1 of War Department General Orders Number 134 of October 12, 1917.
U.S. Air Force Academy cadets wearing parade dress uniforms Prospective commissioned officers in a pre-commissioning status, for example, U.S. Air Force Academy cadets wear slide-on cadet or officer trainee "soft rank" insignia on their shirts and hard "shoulder boards" (similar to commissioned officer mess dress shoulder epaulette insignia) on their service dress coats, again with cadet or officer trainee rank insignia. College and university AFROTC cadets and OTS officer trainees will also wear the soft ranks on their shirts, but will also wear on the service coat. The hard ranks are only worn on the Mess Dress uniform for ROTC or OTS cadets. The typical headgear for all is a flight cap with medium density silver metallic thread piping and the prop & wings insignia for cadets who successfully complete recognition (USAFA), Field Training (ROTC), or the first half of OTS in place of the traditional officer insignia.
These feature a Saint George red cross on white ground on the hoist, nearest the flagpole, and a very long tail striped in green and white. They all feature gold paint on the red and green, and silver paint (now oxidized to black) on the white. This artistic device was used either to simulate the fluttering of the flags or to actually display the metallic thread and paint that was sometimes used to decorate them. Along the railing of all ships, most prominently on the large carracks and the Galley Subtle, there are rows of banners displaying various heraldic designs, including the English royal arms, one or three fleur-de-lis of the French arms, Saint George's crosses and Henry VIII's monogram ("HR") in gold on blue, what appears to be the Tudor rose, and the green and white of the House of Tudor.

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