76 Sentences With "memorialising" | Random Sentence Generator

Not long afterwards Tulsa became the "oil capital of the world", memorialising its glory in skyscrapers.

So this book serves as a dual celebration, memorialising his sprawling life and his many accomplishments.

Had Crazy Frog left it that, had he accepted that fame is fleeting and prone to fizzling out, he'd have been nothing more than another cultural figure turned to dust, a museum piece for an age that doesn't deserve memorialising.

The sculpture challenges the "Made in China" mantra, memorialising labour-intensive traditional methods of craft objects."About Ai Weiwei's Sunflower Seeds." Ai Weiwei. Faurschou Foundation, n.d. Web.

The sculpture challenges the "Made in China" mantra, memorialising labour- intensive traditional methods of craft objects."About Ai Weiwei's Sunflower Seeds." Ai Weiwei. Faurschou Foundation, n.d. Web.

A Six has stopped in front of the Wall, staring at the photos, and Roslin realises that the Cylons have begun memorialising their dead there in the same way as the humans.

Its lyrics was penned by Goo to thank her supporters, and the video featured her against the nighttime cityscape of Tokyo, which she had loved. As a follow up to the music video, a photobook, memorialising Goo with photos taken just before her death, was released posthumously on April 6, 2020.

In 1925 she created a 'Viking Warrior' for Walter Runciman. Wrightston's memorial of Admiral Earl Jellicoe stands in St Paul's Cathedral, London. Other public works include the figure of Saint George on the Cramlington war memorial in Northumberland, created in 1922, and a figure memorialising Charles Lamb, situated in the Inner Temple gardens, London.

Reeve was found to have been rightly convicted of arson. However the judge also rejected any suggestion that the men had been framed. Ten of the men were released in August 1920, and King and Reeve slightly later. The folksinger Andy Irvine composed a song memorialising the Sydney Twelve, called "Gladiators", released on a record in March 2001.

The furnishings were later augmented by the Marchioness of Dufferin and Ava. People who have preached or performed at St. Bartholomew's include Charles Kingsley on Easter Day, 1874, and Dame Nellie Melba in December 1915. Four years later, Prince Edward, Prince of Wales (later King Edward VIII), dedicated the Connaught Window, memorialising his great-uncle, Prince Arthur, Duke of Connaught and Strathearn.

Constructed of white limestone, it has two rows of three-mullioned Romanesque windows and a polygonal cupola. Beside the church stands a column erected in 1845 memorialising the celebrations for the third centenary of the opening of the Council of Trent. The interior of the church consists of a single nave. Along the sides are a series of chapels with marble altars in the baroque style.

In October 1920, Knowles was made an Officer of the Order of the British Empire. He was promoted to Commander of the Order in June 1928, whilst a draftsman in the Attorney-General's Department. In January 1939, whilst serving as Solicitor-General, Knowles was knighted. In 1950, Lady Knowles donated money to the Council of the Canberra University College to provide an academic prize memorialising her late husband.

Skoindustrimuseet i Kumla, the Shoe Industry Museum in Kumla, Sweden is a museum memorialising the surrounding region’s history of shoe manufacturing. The museum houses exhibitions of the development of Sweden’s shoe industry and the country’s shoe fashion between 1890 and 1980. Its collections include several hundred shoes, tools and equipment for shoemaking. In addition, the museum has an active shoemaking establishment, and shoes produced on the premises are available for sale.

New 2010, p. 13. Certain medieval seals were more complex still, involving two levels of impression on each side of the wax which would be used to create a scene of three-dimensional depth.John Cherry, "Medieval and post-medieval seals", in Collon 1997, pp. 130–131.Markus Späth, "Memorialising the glorious past: thirteenth-century seals from English cathedral priories and their artistic contexts", in Schofield 2015, p. 166.

Infobase Publishing Over the centuries, a tradition has grown up of interring or memorialising people there in recognition of their contribution to British culture. In the overwhelming majority of cases, the honour is awarded to writers. In 2009, the founders of the Royal Ballet were commemorated in a memorial floor stone and on 25 September 2010, the writer Elizabeth Gaskell was celebrated with the dedication of a panel in the memorial window."Elizabeth Gaskell".

In the aftermath of the First World War and its unprecedented casualties, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was the architect Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation". Lutyens established his reputation designing country houses for wealthy clients. After the war, which had a profound effect on him, he devoted much of his time to memorialising its casualties.

The public meeting in February 1919 agreed to appoint Sir Edwin Lutyens as architect for the project. He was one of the most prominent designers of war memorials in Britain, described by Historic England as "the leading English architect of his generation". Before the war, Lutyens established a reputation designing country houses for wealthy patrons, but the war had a profound effect on him. From 1917 onwards, he dedicated much of his time to memorialising the casualties.

The event also had the secondary purpose of memorialising workers killed as a result of the Haymarket affair. Although it had initially been conceived as a once-off event, by the following year the celebration of International Workers' Day on May Day had become firmly established as an international worker's holiday. Albert Parsons is best remembered as one of four Chicago radical leaders convicted of conspiracy and hanged following a bomb attack on police remembered as the Haymarket affair.

During the aftermath of the First World War, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was the architect Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation". Prior to the First World War, Lutyens established his reputation designing country houses for wealthy patrons, including Castle Drogo to the west of Exeter. Following the war he devoted much of his time to memorialising the casualties.

Around 860, Ermentarius of Noirmoutier and the Annals of St-Bertin provide contemporary evidence for Vikings based in Frankia proceeding to Iberia and thence to Italy.Ann Christys, Vikings in the South (London: Bloomsbury, 2015), pp. 59–60. Three or four eleventh-century Swedish Runestones mention Italy, memorialising warriors who died in 'Langbarðaland', the Old Norse name for southern Italy (Longobardia). It seems clear that rather than being Normans, these men were Varangian mercenaries fighting for Byzantium.

This view was partly rooted in the association of these memorials with those commemorating the British South Africa Company's dead of the Matabele Wars, as well as those memorialising Rhodesian servicemen killed during the Bush War. Many Zimbabweans see their nation's involvement in the World Wars as a consequence of colonial rule that had more to do with the white community than the black majority. Southern Rhodesia's dead of the two World Wars today have no official commemoration, either in Zimbabwe or overseas.

It commemorates the quarantining of the ship Constitution and its passengers and crew in 1855 and the reunion of surviving passengers and crew at the Quarantine Station 50 years later. It is in fair condition and requires some stonework and plaque repairs. It is symbolic of the events associated with, and the esprit de corps of, one ship's passengers and crew. Like the inscriptions in the Wharf precinct, it is one of the more obvious memorialising features in the Station landscape.

Morris, p. 93 The power vacuum the Vietnamese communists left in their wake in Cambodia was soon filled by the return of a young group of Cambodian communist revolutionaries, many of whom received their education in France.Jackson, p. 246 In 1960, the KPRP changed its name to the Kampuchean Communist Party (KCP), and the name was later adopted by the majority coalition that formed around Saloth Sar (Pol Pot), Ieng Sary, and Khieu Samphan as the true political institution memorialising the KCP .

After the end of the war, Avidzba returned to Sukhumi, where she was active in the community, particularly in memorialising the Second World War, as well as being a governor of the school. She was also elected a deputy of the Supreme Soviet of Abkhazia. During her lifetime she was awarded the Orders of the Patriotic War (First and Second Degrees), the "For Defence of the Caucasus" Medal and the "For Victory over Germany" Medal. Avidzba died on 12 April 1986 in Sukhumi.

Photo memorialising the establishment of the Provisional Government of the Republic of Korea, 1919 Upon Emperor Gojong's death, anti-Japanese rallies took place nationwide, most notably the March 1st Movement of 1919. A declaration of independence was read in Seoul. It is estimated that 2 million people took part in these rallies. The Japanese violently suppressed the protests: According to Korean records, 46,948 were arrested, 7,509 killed and 15,961 wounded; according to Japanese figures, 8,437 were arrested, 553 killed and 1,409 wounded.

To commemorate the lives lost in the 1954 disaster the Collinsville and Scottville communities hold a memorial service each year on 13 October. In 2004 the 50th anniversary commemorations were held in Collinsville with the families and friends of all seven miners killed in attendance. The commemorations were held at the Collinsville Coal Face Experience in the United Mineworkers' Club. The Coal Face Experience pays tribute to all who worked in the mines "in particular memorialising the seven who died" in 1954.

Alf Lüdtke Alf Lüdtke (18 October 1943, Dresden – 29 January 2019) (also Alf Luedtke) was a historian and a leading German representative of the history of everyday life (Alltagsgeschichte in German). He said his main fields of interest and research include work as a social practice, the connection of production and destruction through "work", forms of taking part and acquiescing in European dictatorships in the 20th century, and remembering and memorialising forms of dealing with war and genocide in the modern era.

Lutyens acted as an unpaid advisor to the IWGC during the war, in which capacity he made several visits to France to make initial plans for organised cemeteries. The war had a profound effect on Lutyens; following it, he devoted much of his time to memorialising its casualties. He designed The Cenotaph on Whitehall in central London (which became Britain's national memorial to the two world wars) and many other cemeteries and memorials for the IWGC, including the Thiepval Memorial (completed 1932).Lutyens, p. 153.

A postcard dispenser machine was installed on the bridge as part of the installation which printed the number of seconds to the millennium on a postcard at a cost of 20p. It sold between 600-700 postcards per day in the five months of operation generating £17,000. The removal of the clock left a space in the bridge parapet where its control box had been. In 2004, pranksters took advantage of the space by installing a commemorative plaque memorialising the totally fictitious "Father Pat Noise".

Roubiliac by Joseph Wilton, 1761, National Portrait Gallery, London Unknown man (thought to be Dr Edward Archer), 1781, Victoria and Albert Museum Oliver Cromwell by Joseph Wilton, 1762, Victoria and Albert Museum Portrait bust of Dr Antonio Cocchi, 1755, Joseph Wilton V&A; Museum no. A.9–1966 Joseph Wilton (16 July 1722 – 25 November 1803) was an English sculptor. He was one of the founding members of the Royal Academy in 1768, and the academy's third keeper. His works are particularly numerous memorialising the famous Britons in Westminster Abbey.

Accessed 24 September 2015. Church on Greenmarket Square in Cape Town, South Africa with a banner memorialising the Marikana massacre Migrant labour remained a fundamental aspect of the South African mining industry, which employed half a million mostly black miners. Labour unrest in the industry resulted in a massacre in mid-August 2012, when anti- riot police shot dead 34 striking miners and wounded many more in what is known as the Marikana massacre. The incident was widely criticised by the public, civil society organisations and religious leaders.

The London Film Museum hosted an exhibition called Charlie Chaplin – The Great Londoner, from 2010 until 2013. In London, a statue of Chaplin as the Tramp, sculpted by John Doubleday and unveiled in 1981, is located in Leicester Square. The city also includes a road named after him in central London, "Charlie Chaplin Walk", which is the location of the BFI IMAX. There are nine blue plaques memorialising Chaplin in London, Hampshire, and Yorkshire. The Swiss town of Vevey named a park in his honour in 1980 and erected a statue there in 1982.

In the aftermath of the First World War and its unprecedented casualties, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation". Lutyens established his reputation designing country houses for wealthy clients, but the war had a profound effect on him; following it, he devoted much of his time to memorialising its casualties. He became renowned for his commemorative works through his design for The Cenotaph on Whitehall, which became Britain's national war memorial.

In 1890 a second attempt, this time international in scope, to organise for the eight-hour day was made. It had the secondary purpose of memorialising those workers killed as a result of the Haymarket affair. Although it had initially been conceived as a one-off event, by the following year the commemoration of International Workers' Day on May Day had become firmly established as an international workers' holiday. Syndicalism saw its heights from 1894 to 1914, with roots reaching back to 19th century labour movements and the trade unionists of the First International.

In the aftermath of the First World War and its unprecedented casualties, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation". Lutyens established his reputation designing country houses for wealthy clients, but the war had a profound effect on him, and following it he devoted much of his time to memorialising its casualties. He became a public figure through his design for The Cenotaph on Whitehall, which became Britain's national war memorial.

It had a large number of windows in the gable end walls with sill heights approximately from floor level. It incorporated a hinged board, ceiling vent, and large roof fleche for ventilation. The roof fleche was removed at some time prior to 2006. This building survives and in 2012 is named Block C. Bowen Boys State School Honour Roll In 1919 an Honour Board memorialising 70 past students who served in World War I was installed in the Big Room and unveiled by the mayor in the presence of a crowded audience.

The Coal Face Experience pays tribute to all who worked in the mines "in particular memorialising the seven who died" in 1954. The victims of the Collinsville tragedy continue to be remembered by the state's coal miners together with those of the Mount Mulligan disaster, the Box Flat explosion (1972) and the three major accidents at Moura (1975, 1986 and 1994). The Collinsville accident is often referred to at memorial events held by the industry including the inaugural Miners Memorial Day held in Brisbane on 19 September 2008.

It was an ecclesiastical parish of the hundred of Salford, ruled by aristocratic families. The Church of St Leonard is a Grade I listed building. The Flodden Window in the church's sanctuary is thought to be the oldest war memorial in the United Kingdom, memorialising the archers of Middleton who fought at the Battle of Flodden in 1513. In 1770, Middleton was a village of twenty houses, but in the 18th and 19th centuries it grew into a thriving and populous seat of textile manufacture and it was granted borough status in 1886.

Pilot Officer Geoffrey Lloyd Wells Memorial Seat was listed on the Queensland Heritage Register on 21 October 1992 having satisfied the following criteria. The place is important in demonstrating the evolution or pattern of Queensland's history. It is illustrative of the sustained tradition of memorialising the war dead, which had been established in Queensland at the turn of the 20th century with the South African War of 1899–1902, and popularised during and immediately following the First World War (1914–1918). The place demonstrates rare, uncommon or endangered aspects of Queensland's cultural heritage.

The Pilot Officer Geoffrey Lloyd Wells Memorial Seat at Taringa is a rare private memorial erected for public benefit. The place is important in demonstrating the principal characteristics of a particular class of cultural places. It is illustrative of the sustained tradition of memorialising the war dead, which had been established in Queensland at the turn of the 20th century with the South African War of 1899–1902, and popularised during and immediately following the First World War (1914–1918). The place is important because of its aesthetic significance.

David Murray, 6th Viscount of Stormont (c.1690-23 July 1748) was a Scottish peer, succeeding to the Viscountcy of Stormont on his father David's death in 1731 and holding it until his own death. His mother was Marjory Scott, and among his brothers were the Earl of Mansfield and the Jacobite James Murray. The 6th Viscount was also tended towards Jacobitism, writing the unpublished poem An Elegy sacred to the Memory of John, Earl of Strathmore, who was killed in 1715, memorialising this Jacobite's death at the Battle of Sheriffmuir.

To add to the uncertainty, the stele memorialising Randaccio's death has been moved. It was originally placed on the west bank of the Timavo, near a footbridge, in 1919. However it now lies at San Giovanni di Duino alongside the SS14 road, under the monument to the Wolves of Tuscany, where it was moved following the industrialization of the Lisert district. At least one authority suggests that the move dates to 1932; however the 1949 Duino sheet of the Military Geographic Institute shows the "Cippo Randaccio" still in its original position, on the west bank.

The Leela Attitude statue, 15.875 m high and at the centre of the park, was given the name Phra Si Sakkaya Thotsaphonlayan Prathan Phutthamonthon Suthat (, literally 'the Graceful Statue of the Shakyamuni who was of the Tenfold Power, the Presiding Buddha of the Beautiful Phutthamonthon') by King Bhumibol Adulyadej. Around the statue are sites memorialising the four main stations in the life of Buddha: his birth symbolized by seven lotus flowers, his enlightenment under the Bodhi tree, his first sermon, and his death. Another important building is the marble viharn, which contains the entire Buddhist canon engraved in 1418 marble stelas.

It is orientated east-west, with the apex inclined to the east. Two marble tablets are embedded in the eastern face. The tablet memorialising Edmund Banfield is rectangular in shape with a convex upper edge and is inscribed with his name, birthplace and date, death place and date, and a quote from Henry David Thoreau, as follows: > Edmund James Banfield The Beachcomber Born Liverpool, England, 4th September > 1852 Died Dunk Island, 2nd June 1923 If a man does not keep pace with his > companions perhaps it is because he hears a different drummer. Let him step > to the music which he hears.

The deaths of the European settlers killed in the lead- up to the clash have been memorialised to some extent; in 2017 the Elliston District Council erected a memorial to acknowledge what occurred. In recent years authors have concluded that, whether or not a massacre occurred on the large scale suggested by some accounts, the clash has become something of a "narrative battleground" between the documented and imagined history of European settlement and the Aboriginal oral history of the frontier. In May 2018, the Elliston District Council received a national award for their work in memorialising the massacre.

Oxford was soon released, and in December 1581 Anne began a correspondence with him; and by January 1582, he was reconciled with her, acknowledging the paternity of her daughter Elizabeth. In his Pandora (1584), a work dedicated to her husband, the harpist and poetaster John Southern credited Anne with writing six elegiac poems memorialising her infant son, Lord Bulbecke, after his premature death as an infant in May 1583. However, this has been contested by Stephen May as the poems are written in Southern's style and draw heavily on his favourite poet, Philippe Desportes. However, Louise Schleiner supports Anne's authorship.

Tati's second film, Les Vacances de Monsieur Hulot (Monsieur Hulot's Holiday), was released in 1953. Les Vacances introduced the character of Mr. Hulot and follows his adventures in France during the mandatory August vacation at a beach resort, lampooning several hidebound elements of French political and social classes. It was shot almost entirely in the tiny west-coast seaside village of Saint-Marc-sur-Mer in the Loire Atlantique region. The hotel in which Mr. Hulot stays (l'Hôtel de la Plage) is still there,"l'Hotel de la Plage" and a statue memorialising the director has been erected on the beach.

Ostalgie is expressed in present day Germany through commodities and products reminiscent of the East-German era.Anonymous, More than "Ostalgie"-East German-era Goods Also a Hit in the West, German Business Review, Transatlantic Euro-American Multimedia LLC, Aug 2007, Portsmouth Many businesses in Germany cater to those who feel Ostalgie and have begun providing them with artifacts that remind them of life under the GDR; artifacts that imitate the old ones. Available again are brands of East German food, old state television programmes on video tape and DVD, and the once widespread Wartburg and Trabant cars. Another example of commercially memorialising East Germany would be the musealization of Halle-Neustadt.

As the party lost power, subsequent governments attempted to downplay their significance and erase their legacy. Part of this was accomplished through the removal of architecture associated with the party, most significantly beginning with the demolition of Sala Chaloem Thai in 1989. This movement intensified in the 2010s; the Supreme Court building controversially demolished in 2013, and following the 2014 coup, multiple landmarks became quietly removed without explanation. On the 88th anniversary of the revolution in 2020, the Reuters news service identified six historical markers memorialising the People's Party and the events of 1932 which have been removed or renamed over the previous year.

La Chronique de Jersey, 29 September 1852 The accompanying ceremony featured a military parade, and the Lieutenant-Governor and the States of Jersey again assembled in the Temple and processed to the Great Hall where the Bailiff addressed the audience. He recalled the royal visit of 1846 and stated that the intention of memorialising that visit had inspired the construction of a college for the instruction of youth and of promenades for the recreation of the public. He stated that the interest shown by the Queen and the Prince in the college had led them to present two portraits. The Lieutenant-Governor then formally presented the portraits of the royal couple.

The local newspaper, covering the town and the borough, is the Ilford Recorder. The poets Kathleen Raine (1908–2003) and Denise Levertov (1923–1997) were both born and spent their early years in Ilford.Fulton, D, 'Heaven or Hell: Representations of Ilford in the Writings of Denise Levertov and Kathleen Raine', 2010, Brunel University Research Paper. Levertov's Russian father, born a Hassidic Jew but converted to Christianity as a student, settled in Ilford as an Anglican minister.Ann-Marie Abbasah (2016) 'Blue plaque campaign set to honour Ilford’s most famous poet', Ilford Recorder, 30 April There is a tablet memorialising Levertov's father in Ilford's Hospital Chapel.Ursulines.co.

During that time, she attempted escape twice. Hans Kieffer, the former head of the SD in Paris, testified after the war that she did not give the Gestapo a single piece of information, but lied consistently. However, other sources indicate that Noor chatted amiably with an out-of-uniform Alsatian interrogator, and provided personal details that enabled the SD to answer random checks in the form of questions about her childhood and family. Inayat Khan's inscription at the Air Forces Memorial at Runnymede, England memorialising those without a known grave Noor did not talk about her activities under interrogation but the SD found her notebooks.

Jochen Gerz became known to audiences beyond the art world by way of his public pieces, created with the help of participants and, indeed, made possible by their contribution. Since 1986 he has realised numerous public authorship pieces, including several unusual (disappearing and invisible) memorials in urban contexts, also referred to as “counter-monuments” or anti- monuments.James E. Young, The Texture of Memory, Yale University Press, New Haven and London 1993, pp. 23–46. These memorial works reject their surrogate function. They hand the duty of memorialising back to the public, consuming themselves through their own temporality and then disappearing, only to reappear within the apparent paradox of an “invisible monument”.

Fragments of domestic pottery from the site with similar decoration to the Lydenburg heads The current speculation surrounding the Lydenburg Heads is that they may have been created to serve ritualistic and or ceremonial purposes including initiation rights. The two larger specimens could have been worn by a small individual such as young man. If so, these heads may represent a significant point in a boy's life such as becoming a man, or ceremonial purposes like memorialising an ancestor. The five smaller heads have holes in their sides which some archaeologists suggest may have been used to connected them to something at the time of their use.

In a 2014 poll in the local newspaper, the Bristol Post, 56% of the 1,100 respondents said it should stay while 44% wanted it to go. Others called for a memorial plaque honouring the victims of slavery to be fitted to his statue. Bristol's first elected mayor, George Ferguson, stated on Twitter in 2013 that "Celebrations for Colston are perverse, not something I shall be taking part in!" In August 2017 an unauthorized commemorative plaque by sculptor Will Coles was affixed to the statue's plinth, which declared that Bristol was the "Capital of the Atlantic Slave Trade 1730–1745" and memorialising "the 12,000,000 enslaved of whom 6,000,000 died as captives".

Organisers said that more than 70,000 attended the vigil in Victoria Park, although the police declined to give an official attendance figure. The vigil recalled the history of the events in both Beijing and Hong Kong on a fateful night with songs and other performances, followed by a screened episodes of the student demonstration in Tiananmen Square, and the crackdown. The alliance core members also sent wreaths to a statue memorialising the martyrs and pledged to fight for a democratic China. After a one-minute silence to mourn the dead, Wang Dan addressed the crowd from Boston, and his mother Wang Lingyun from Beijing.

Led by community leaders such as Isaac Fonseca and Carlton de Castro, a throng of over 1,500 British Virgin Islanders marched on the Administrator's office on 24 November 1949 and presented their grievances. This led directly to the enacting of a new constitution for the Territory under which the first general election was held in 1950. Four candidates were elected on a Territory wide basis to serve on the new Legislative Council alongside two appointed members, two ex officio members, and the Administrator of the British Virgin Islands. Isaac Fonseca was amongst the four candidates elected, and a bust memorialising him and the other inaugural legislators stands outside of the House of Assembly.

"Jacobites" by John Pettie: romantic view of Jacobitism As the political danger represented by Jacobitism receded, a nostalgic and sentimental view of the movement appeared, particularly with respect to the final 1745 rebellion. Relics and mementoes of 1745 were preserved and Charles himself became celebrated in "increasingly emotional and sentimental language". The publication in the 1830s of parts of The Lyon in Mourning by Episcopalian bishop Robert Forbes (1708–1775), a collection of source material and interviews with Jacobite participants in the 1745 rising, reinforced this memorialising tendency. 19th century historiography often presented the Scots Jacobites as driven by a romantic attachment to the House of Stuart, rather than as having a wide range of individual motivations.

Lutyens, described by Historic England as "the leading English architect of his generation", was amongst the most prominent designers of war memorials in Britain. Before the war, he had established his reputation designing country houses for wealthy patrons but the war had a profound effect on him and from 1917 onwards he dedicated much of his time to memorialising the casualties. The Stone of Remembrance that he designed in 1917 appears in all large Imperial War Graves Commission (IWGC) cemeteries and in several of his civic memorials, including Manchester's. His Cenotaph on Whitehall in London became the focus for national Remembrance Sunday commemorations and one of the most influential designs for war memorials in Britain.

These tactics have continued into more recent times; in August 2017, around thirty NF supporters marched in Grantham, Lincolnshire, where they clashed with members of the Midland Anti-Fascist Network. In some instances, local authorities banned its marches; in 2012, Aberdeen City Council rejected the NF's request to hold a procession down Aberdeen's Union Street on Hitler's birthday. Plaque memorialising the "Battle of Lewisham" in which anti-fascist protesters combatted a National Front march in 1977 The Front claimed that its members only resorted to violence in self- defence. On observing the group during the 1970s however, Fielding noted that "the NF uses force aggressively", and was "not above exacting revenge" on its critics.

The Emden Gun also has state significance as a symbol of the birth of the Royal Australian Navy and what was perceived as the rewards of self- government (being victory and power). The Emden Gun also has state significance as an early example of the use of trophy guns as memorials within the wider development of a national tradition of memorialising significant war time events and commemorating those people who have fought (and died for their country). Such monuments themselves then form important sites for participation by the wider community in commemorative events and ceremonies. The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales.

The film adopts extensive imagery from the 1605 Gunpowder Plot, in which a group of Catholic conspirators plotted to destroy the then Houses of Parliament in order to spark a revolution in England. The film was originally scheduled for release on the weekend of 5 November 2005, the Plot's 400th anniversary, with the tag line "Remember, remember the 5th of November", taken from a traditional British rhyme memorialising the event. However, the marketing angle lost much of its value when the release date was pushed back to 17 March 2006. Many have speculated that the delay was caused by the London tube bombing on the 7 July and the failed 21 July bombing.

Steel is used to link to the steel and glass features of the museum architecture, extending the building and reflecting upon the industrial developments since the colonial period. Organic materials such as human hair, shell, bone, feathers, ash and honey, are embedded in windows within the wood pillars, symbolising and memorialising the lives that lived around the site. Natural and cultural histories are evoked by the names of botanical species carved or burnt into wooden columns in both Latin and Aboriginal languages, along with the signatures of First Fleeters. Words are engraved onto the pillars such as the species from pollen readings of the Governor's garden and the names of the first fleeters who arrived in Sydney in 1788.

Townsend's surviving writings are pamphlets or broadsides, often styled as testimonies memorialising the deeds of Quaker contemporaries including her 'dear friend' Joan Vokins, Jane Whitehead, and her neighbour Amariah Drewet. Includes an extended quotation of Townsend's testimony. In A Testimony Concerning the Life and Death of Jane Whitehead (1676), she uses prophetic language—which would likely have been subject to censorship under a system implemented within the Quaker movement, starting in the early 1670s. A 1717 chronicle by Willem Sewel recounts another episode of prophecy, in which 'by order of the justices Thomas Cutler and James George, she being seized in the street, said to the latter, "that the Lord would plead her cause, and that what measure he meted, should be measured to him again"'.

Plaque memorialising the "Battle of Lewisham" in which anti-fascist protesters combatted a National Front march in 1977 The Front was preoccupied with security. During the 1970s, it created a card-index and photo file of its opponents' names and addresses. To guard its marches from anti-fascists, it formed "defence groups" largely made up of young men—by 1974 called the "Honour Guard"—whose members often carried makeshift weapons like iron bars and bicycle chains. These marches often took place in areas that had experienced high levels of immigration; in doing so the NF sought to instil fear in immigrant communities, whip up racial tensions, and generate publicity by clashing with counter-protesters, all of which it could exploit politically.

His best works, wrote a historian of the school, "drew their inspiration from the nature of the material and his deep understanding of its technical limits". They also tended to be in metal. Items like Bryony, a tray centre showing tangled growth concealed within a geometric framework, continued the school's tradition of repoussé work of naturalistic interpretations of flowers, while evoking the vine-like wallpapers of William Morris. These themes were particularly expressed in a 1901 plaque memorialising Bernard Gilpin, unveiled in St Cuthbert's Church, Kentmere; described by the art historian Sir Nikolaus Pevsner as "Arts and Crafts, almost Art Nouveau", the bronze tablet on oak is framed by trees with entwined roots and influenced by a Norse and Celtic aesthetic.

With the premature death in 1881 of Maria Jackson's eldest daughter Adeline at 44, followed by that of her husband in 1887, she became increasingly hypochondriacal and an increasing demand on Julia's resources and necessitated her making frequent visits to Sussex as well as caring for her mother in her Hyde Park Gate Home, where she died on 2 April 1892. By contrast, Leslie Stephen observed that her father was an unobtrusive presence and "somehow he did not seem to count". Leslie Stephen writes about Julia "the noblest woman present" in tones of reverence in his Mausoleum Book, written for the children after her death. In that he was reminded of what was written about the Carlyles, and like Thomas Carlyle embarked on memorialising his wife.

Mark Mahemoff mainly writes free verse, but also experiments with formal constraints such as englyn, pantoum, sestina, haiku, and found poetry, as well as developing his own new forms. Influenced by the OULIPO movement’s strategies and Georges Perec, he created sestoum, a form incorporating techniques used in the pantoum and sestina. An example is his poem 'Vowel Sounds', in which he avoided using a particular-but-different vowel in each stanza. Mahemoff’s poetry is chiefly concerned with framing, reimagining and memorialising commonplace moments, primarily in an urban setting. Describing the poems in the second collection (Near-Life Experience), in the Australian Book Review, Oliver Dennis states, "Constructed, in a majority of cases, from the ‘salvaged details’ of life, they operate as personal histories, recording everyday experience and observation in the face of death".

Wallpaper showing characters from Pirates and other Savoy operas Other notable instances of references to Pirates include a New York Times article on 29 February 1940, memorialising that Frederic was finally out of his indentures."Frederic Goes Free", The New York Times, 29 February 1940, p. 18 Six years previously, the arms granted to the municipal borough of Penzance in 1934 contain a pirate dressed in Gilbert's original costuming, and Penzance had a rugby team called the Penzance Pirates, which is now called the Cornish Pirates. In 1980, Isaac Asimov wrote a short story called "The Year of the Action", concerning whether the action of Pirates took place on 1 March 1873, or 1 March 1877 (depending on whether Gilbert took into account the fact that 1900 was not a leap year).

Its collection of stained glass is considered outstanding in both state and nation for its size and quality. Technically, the German-developed Cintec system of strengthening masonry by insertion of a combination of an anchor of stainless steel rods and controlled grouting was pioneered in Australia in repairs to the cathedral after the 1989 earthquake. The cathedral's moveable collection contains many unique or rare items memorialising those who served in war, especially World War I. It includes fittings and ecclesiastical items of exceptional quality as well as the state's only Victoria Cross not in private ownership and the nation's only surviving Union Jack flown by Australian soldiers throughout the Gallipoli campaign. The Cathedral is a place of pilgrimage for veterans, their families, friends and descendants, from all around Australia.

These included at least two plaques, memorialising George Stephenson in 1929, and Sir Charles Parsons in 1932, as well as the Statue of Industry for the 1929 North East Coast Exhibition, a world's fair held at Newcastle upon Tyne. Depicting a woman with cherubs at her feet, the statue was described by Maryon as "represent[ing] industry as we know it in the North-east—one who has passed through hard times and is now ready to face the future, strong and undismayed". The statue was the subject of "adverse criticism", reported The Manchester Guardian; on the night of 25 October "several hundred students of Armstrong College" tarred and feathered the statue, and were dispersed only with the arrival of eighty police officers. One of two gold ornaments from the Kirkhaugh cairns, matching the one excavated by Maryon in 1935 Maryon expressed an interest in archaeology while at Armstrong.

The proclamation was signed at 11:00 local time, during the customary two-minute silence to remember the fallen.; After the country's reconstitution and recognised independence as Zimbabwe in 1980, Robert Mugabe's administration pulled down many monuments and plaques making reference to the fallen of the First and Second World Wars, perceiving them as reminders of white minority rule and colonialism that went against what the modern state stood for. This view was partly rooted in the association of these memorials with those commemorating the British South Africa Company's dead of the Matabele Wars, as well as those memorialising members of the Rhodesian Security Forces killed during the Bush War of the 1970s. Many Zimbabweans today see their nation's involvement in the World Wars as a consequence of colonial rule that had more to do with the white community than the indigenous black majority, and most have little interest in its contributions to those conflicts.

Shakespeare died on 23 April 1616 in Stratford, leaving a signed will to direct the disposal of his large estate. The language of the will is mundane and unpoetic and makes no mention of personal papers, books, poems, or the 18 plays that remained unpublished at the time of his death. Its only theatrical reference—monetary gifts to fellow actors to buy mourning rings—was interlined after the will had been written, allowing suspicion to be cast on the authenticity of the bequests.. The effigy of Shakespeare's Stratford monument as it was portrayed in 1656, as it appears today, and as it was portrayed in 1748 before the restoration Any public mourning of Shakespeare's death went unrecorded, and no eulogies or poems memorialising his death were published until seven years later as part of the front matter in the First Folio of his plays., cites James Lardner, "Onward and Upward with the Arts: the Authorship Question", The New Yorker, 11 April 1988, p.

Sited in Old Man's Valley, which was first agricultural land then a bluestone quarry (recently decommissioned), the cemetery is associated with the economic development of the locality and also has high local historical significance for its graves memorialising the descendants of Hornsby's earliest European settler family, Thomas Edward Higgins, son of Thomas Higgins and his wife Eleanor McDonald. Containing twenty-three known burials with interments dating from 1879 to 1931, its dates are unusually late for a private cemetery. Its establishment and use appears to have been a direct response to the isolation of Old Man's Valley and the difficulties of transporting the dead to established communal burial grounds. It is also of high local significance for its representative examples of late nineteenth and early twentieth century monumental masonry, providing a good record of the designs, inscriptions, motifs indicative of funerary symbolism and practices used in a modest family cemetery in NSW at that time.

Among the most prominent designers of war memorials was architect Sir Edwin Lutyens, who was described by Historic England as "the leading English architect of his generation". Prior to the First World War, Lutyens established his reputation designing country houses for wealthy patrons; in the war's aftermath, he devoted much of his time to memorialising the casualties. He served as one of the three principal architects to the Imperial War Graves Commission (IWGC; later the Commonwealth War Graves Commission, CWGC) and designed numerous war memorials for towns and villages across Britain, as well as several elsewhere in the Commonwealth. He was responsible for The Cenotaph on Whitehall in London, which became the focal point of the national Remembrance Sunday commemorations; the Thiepval Memorial to the Missing, the largest British war memorial anywhere in the world; and the Stone of Remembrance (also known as the Great War Stone), which appears in all large Commonwealth War Graves Commission cemeteries and forms part of several of his civic memorials, including Northampton's.

It has been, and continues to be, a focus for the lives of Anglicans in Newcastle and the surrounding area as well as for other residents. It is the place to which people have come on important occasions such as the Queen Elizabeth II Coronation Service and the Earthquake Memorial Service, the latter attended by national and state dignitaries including the Governor General, the Prime Minister of Australia, the state governor and the state premier. The Cathedral also meets this criterion of State significance because it is a place of pilgrimage for war veterans, their families and descendants, who visit the Cathedral from many places in Australia to see items of great historic and aesthetic value memorialising those who died in twentieth century conflicts, especially World Wars I and II, and those who supported them. Among the organisations which have actively supported and promoted the acquisition and conservation of war memorials in the Cathedral are the Returned and Services League of Australia, the Vietnam Veterans' Association, the Combined Ex-Service Groups of the Australian Army, Navy and Air Force and the War Widows' Guild.