All the songs have an uptempo, electropop feel, suggesting a punk energy and a melancholically hopeful sense of drama.
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Tracks like "Spotted Gold," off her debut album, Messes (out 1/27) are punchy and colorful, while others like "You" are melancholically twangy.
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Bonnie isn't yet ready to process what she did, and keeps getting drawn back to the beach to stare melancholically at the waves.
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The Senator moved the switch to the seventh position, as a kind of triumphant salute, and melancholically left the stage to a standing ovation. ♦
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He draws upon myth and classical topoi and religion—Albania was the first country to legally secularize, in 1912—while focusing lovingly, melancholically, on the human experience of totalitarianism.
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The two stayed in touch and eventually collaborated on a number of projects, most notably a series of three films — La Salamandre (1971), Middle of the World (1974), and Jonah Who Will Be 25 in the Year 2000 (123) — that melancholically reflect on the perceived failures of radical struggle, and the glimmer of hope in the distance of the future.
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Iglesia y carlismo, Madrid, 2009, , esp. chapter "Contra el imperio de los personalismos": criticas carlistas contra Tedeschini, Herrera Oria and Vidal, pp. 165-176 El Siglo Futuro had no regrets about Primo's fall, concluding melancholically that the dictator did not live up to the vote of confidence he had received from the nation.
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Fjørtoft's next stop came in Germany with Eintracht Frankfurt, where he spent three years (25 November 1998 – 31 May 2001). He became a cult hero for the club, scoring a decisive 89th-minute goal in the final game of the 1998–99 season, saying to himself melancholically: "probably the best goal this season", keeping Eintracht up. He returned home to Norway with Stabæk, and finished his career with Lillestrøm in 2002, retiring at the age of 35.
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She understands – for instance at the start of the Mephisto Waltz – how to provoke an acrid atmosphere in marked contrast to the melancholically sentimental variations of the middle section.” Wolfsburger Nachrichten, 2008: “Pulsating bass figures, striking chords, trills and runs. There are no technical problems for this pianist, so much is clear from the solo passages which she imbues with detailed phrasing, and the cadenzas which she masters with virtuoso brilliance. [...] like a nightingale, the pianist improvises her solo, singing out softly and brightly.
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The film shows the social difficulties of a romance born on a cold night in Macau, when a seductive playboy is in love with a young woman who washes his toes. The story serves to make a portrait of the Portuguese colonialist society of Macau. In the end of the 19th century, the Portuguese Christian society melancholically looks towards Europe and proudly turns its back on China. In this context the love between Francisco and Victorina reflects all the contradictions of the social nucleus to which they belong.
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Her stage name briefly changed to MILA. Critics called the EP "melancholically dark and edgy" and a "Summer's love jam" for the fans. On June 10, she reverted her stage name back to Mila J and premiered a new single, "FreakNic", off her upcoming untitled debut full-length LP. She released her second mixtape, The Waiting Game, on November 12, 2015. In 2016, Mila was featured on the songs "Don't Get No Betta" with Timbaland, "Me and You", "TBH", "Bad Girls Club" with Honey Cocaine and Dawn Richard, and a cover of Prince's "Erotic City".
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The summer album, "Melancholisch schön" ("Melancholically Beautiful"), followed in 2005 and featured twelve of the band's most well-known songs, which were re- recorded and remixed in Bossa Nova style. The album included "Sexy Girl", a single that had been previously released on "Kommt zusammen", where it had become somewhat popular nationwide. In 2005, 2raumwohnung also received the Goldene Stimmgabel for "Best Duo". In February 2007, following after a short break, 2raumwohnung composed two singles with Peter Plate from Rosenstolz and producer Ulf Leo Sommer for the album "36 Grad".
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It was characterized by a multitude of extraordinary depictions of private and public spaces, still-lifes and landscapes with brilliant drawings possessing elements of an intimist, melancholically Proustian sensitivity and with a splendidly shaded and refined use of colour. His Belgrade period (1938–1977) encompassed several experimental-creative phases. The first one (1938–1955) continued an already established melancholic-poetic procedure often permeated by elements of grotesque, irony and sarcasm. After the foundation of Socialist Federal Republic of Yugoslavia's Academy of Applied Arts (in 1948), he continued his work at the Ceramics Department. This resulted with politically motivated passionate criticism of his art after World War II. A true turning point in Tabaković’s opus came with the entities of “The origin and forms of visual expression” and “Sources of visual research – Analysis and photographic records,” with theses that had the character of manifestos (1955).
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