Carriers suffer the most from this medievally inefficient state of affairs.
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It was much esteemed in the medieval era for dyeing silk and wool, particularly scarlet cloth. Post-medievally it was replaced by other red dyes, starting with cochineal.
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The septet designate their music "Dark Romantic Celtic Rock". Lyriel's repertoire ranges from medievally inspired ballads to hard rock pieces with elements of classical and folk music. Interview. Early recordings were frequently compared to Blackmore's Night, but the band has evolved towards symphonic metal with gothic influences.
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These may be jugglers, poets, beggars, instrumentalists, comedians, or singers. At some shows, the singers will break into small groups and entertain among the audience - a practice known as wenching. The songs performed here are usually modern medievally- styled tunes, Christmas carols and other traditional tunes. Most wenching songs are upbeat and quick and many are bawdy.
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On the exterior, the principal tower on the south side is high and square. On the north side there are two towers, the taller on tall. A campanile at the northeast corner is square and tall. The plan allowed for expansion at either end, a major reason for the informal medievally-inspired design, which would not suffer if asymmetrically developed.
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In Rokiškis, northern Lithuania, the family also built neogothic church of St. Matthias and a palace, which houses Rokiškis Regional Museum. This family is but a branch of the medievally-originated Baltic German house of Tiesenhausen, which already in late medieval epoch, held fiefs in Livonia and Estonia. Other branches of that family came to some prominence in Finland, in Sweden and in Russia.
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The German edition of Metal Hammer awarded 5 out of 7 points but noted that singer Sabine Edelsbacher could not convey as much pathos as Amy Lee, Sharon den Adel or Tarja Turunen. She was instead found reminiscent of Candice Night when singing slower, medievally inspired tracks. The reviewer for Rock Hard wrote that Edenbridge had found a balance between romanticism and kitsch, but requested more uptempo tracks.
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Tunes of War is the seventh studio album by German metal band Grave Digger. It is a concept about the Scottish struggles for independence from England, from the medieval conflicts between its clans in the 11th century through to the Jacobite rebellion of the 18th. It is the first album in Grave Digger's trilogy of medievally inspired concept albums which was continued by Knights of the Cross (1998) and concluding with Excalibur (1999).
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The Kurki or Kurck family, also known as the family of Laukko, is a medievally-originated Finnish noble family that produced several historically prominent persons. It is documented in the late 14th century. The family is usually divided in several lineages as it continued through female succession. Please observe that no one surnamed Kurki who lived in Finland after the 17th century is descended from this family through documentarily proven agnatic lineage.
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The advowson (right to appoint the priest) was medievally for over a century held by two religious orders, the Knights Templars and the Hospitallers The tower and the nave survived a fire in 1710, and the repairs were paid for by Elizabeth, Dowager Countess of Berkeley in 1716. Notable monuments in the church include a large wall monument to Sir Roger Aston (d. 1612) and his wife Mary (d. 1606), sculpted by William Cure I; another to Elizabeth, Lady Berkeley (d.
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Utz, Richard Medievalism: A Manifesto (Bradford, UK; Kalamazoo, MI: ARC Humanities Press, 2017. The society maintains a peer-reviewed journal, Studies in Medievalism, an online journal for shorter articles (The Year's Work in Medievalism), and a review journal, Medievally Speaking edited by Richard Utz. They also organize annual conference sessions at the International Congress on Medieval Studies at Western Michigan University and the International Medieval Congress at the University of Leeds, and hold their own Annual International Conferences on Medievalism at institutions of higher education worldwide.
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Additionally, Krege's version features a number of modern words like "Hurricane" which can easily be seen atypical for the medievally and European inspired Middle-earth (although Tolkien's original as well does contain words like "football" or "express train"). Krege's translation of place names though is closer to the original script. Where "Rivendell" remained untranslated by Scherf, Krege used Bruchtal and standardised the place names according to the German translation of The Lord of the Rings by Margaret Carroux and E.-M. von Freymann (Klett-Cotta 1969/1970).
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The documentary has been welcomed by Heidi Schlumpf from the National Catholic Reporter, as "brilliant" and "inspirational."Heidi Schlumpf, "Documentary on U.S. nuns chronicles transformation into world citizens," National Catholic Reporter (12 October 2012). Other voices have lamented the absence of a number of the more controversial topics discussed by U.S. women religious, for example their more accepting views on homosexuality, same sex marriage, abortion, artificial insemination, in vitro fertilization, divorce, and birth control.Richard Utz, in a review of Band of Sisters for the journal Medievally Speaking (15 December 2012).
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Medievally from the 12th century onward (if not earlier), the Western European term bezant also meant the gold dinar coins minted by Islamic governments. The Islamic coins were originally modelled on the Byzantine solidus during the early years after the onset of Islam. The term bezant was used in the late medieval Republic of Venice to refer to the Egyptian gold dinar. Marco Polo used the term bezant in the account of his travels to East Asia when describing the currencies of the Yuan Empire around the year 1300.
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The Latin translation circulated in the 14th and 15th centuries under the title Liber Serapionis Aggregatus in Medicinis Simplicibus, and Serapionis Aggregatoris de Simplicibus Comentarii, and Liber de Simplicibus Medicamentis, and Liber de Simplici Medicina. There is also a manuscript of it in a Latin-to-Italian translation dated 1390-1404 which contains many colour illustrations of plants, and which historians have named the "Carrara Herbal". Medievally the work was sometimes coupled with the works of the elder Serapion, as they were often supposed to have been the same person. After the invention of the printing press, editions were printed in Latin in 1473 (Milan), 1479 (Venice), 1525 (Lyon) and 1531 (Strasburg).
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Pinkham's enormous output represents a broad cross- section of 20th-century musical trends. He produced work in virtually every genre, from symphonies to art songs, though the preponderance of his music is religious in nature, frequently choral and/or involving organ. Much of his music was written for use in church services or other ceremonial occasions, and reflected his longstanding relationship with King’s Chapel. At various points in his career, he embraced plainchant, medievally-influenced modal writing, and 17th-century forms (in the 1930s and 40s, under the influence of Stravinsky and Hindemith and reflecting his commitment to the early music revival), dodecaphony and serialism (in the 1950s and 60s), electronic music (beginning in 1970),Sabine Feisst, "Pinkham, Daniel (Rogers)", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publisher, 2001).
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Page from the 1896 Kelmscott Press edition of the 13th century Laudes Beatae Mariae Virginis, with numbers and first lines of the Psalms rubricated in between prayers in black. With the arrival of printing, other typographic effects such as italic type, bolded type, or different sizes of type, were used to emphasize a section of text, and as printing in two colours is more expensive and time consuming, rubrication has tended to be reserved for sacred and liturgical books or luxury editions of other works. William Morris's medievally inspired typography for the Kelmscott Press at the end of the 19th century included chapter titles and other accents in red, or rarely blue, ink, and was influential on small press art typography associated with the Arts and Crafts movement in both England and the United States, particularly the work of the Ashendene, Doves, and Roycroft Presses.Parry, Linda: William Morris, New York: Harry Abrams, 1996, Naylor, Gillian: "The Things That Might Be: British Design after Morris".
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Calin was educated at Yale College (A.B. 1957) and received his Ph.D. from Yale University in 1960. He was an instructor (1960–1962) and an Assistant Professor (1962–1963) at Dartmouth College; Assistant Professor (1969-1965), Associate Professor (1965–1970), and Professor (1970–1973) at Stanford University; Head of the Department of Romance Languages at the University of Oregon (1973–1988), Visiting Professor (1982) and Exchange Professor (1984) at the Université de Poitiers, and Edward Arnold Visiting Professor (1987) at Whitman College. Since 1988, he has served as Graduate Research Professor (from 1998-2001 as Florida Foundation Research Professor) at the University of Florida. Calin has served on the editorial advisory boards of the journals Olifant, Tenso, Studies in Medievalism, Escrituras, and Medievally Speaking, and was Guest Editor for a special issue of L’Ésprit Créateur on “The Future of Old French Studies.” His grants and honors include a Guggenheim Foundation Fellowship (1963–64) as well as grants from the American Council of Learned Societies (1963–1964; 1968; 1996–1997), the American Philosophical Society (1970), the Canadian Federation for the Humanities and Social Sciences (1981), the Fulbright Commission (1982), and the National Endowment for the Humanities (1984–1985, 1987–1988).
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