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33 Sentences With "marks off"

How to use marks off in a sentence? Find typical usage patterns (collocations)/phrases/context for "marks off" and check conjugation/comparative form for "marks off". Mastering all the usages of "marks off" from sentence examples published by news publications.

It marks off the dimensions of a plot of ground.
Tape marks off where each makeshift hospital "room" will be in the wide open areas.
He scrubs surfaces, scavenges for batteries, and carefully marks off each house on a map after he goes through it.
But his candidacy — especially in the muted response at times to its historical nature — marks off just how much has changed in the United States.
Within that kineticism, though, lies a thick, dark line that marks off a small half-moon with shades of green and yellow at the top.
And for some bonus wellness points, add in a smart water bottle that either marks off hydration time OR gives you a glowing reminder to keep sipping.
We all know how annoying it is to get lipstick marks off our coffee mugs and to leave behind the shadow of a kiss on our S.O.'s cheek.
Kicker Sebastian Janikowski, who seemingly set as many marks off the field as he did on it in a career that spanned nearly two decades, is retiring, ESPN reported Sunday.
Certainly the calendar marks off the day as something special, and there is also a general sense of the turning season: the long winter has ended and summer itself winks in the margins of daily life.
In the NBA and FIBA, the shot clock marks off the 8-second count.
In mathematics, the sieve of Atkin is a modern algorithm for finding all prime numbers up to a specified integer. Compared with the ancient sieve of Eratosthenes, which marks off multiples of primes, the sieve of Atkin does some preliminary work and then marks off multiples of squares of primes, thus achieving a better theoretical asymptotic complexity. It was created in 2003 by A. O. L. Atkin and Daniel J. Bernstein.A.O.L. Atkin, D.J. Bernstein, Prime sieves using binary quadratic forms, Math. Comp.
Damage ranges from one to seven points depending on the card played. Basic Attacks can be countered by Block or Dodge. If not countered, the targeted player marks off the appropriate number of points, and the turn ends. Special Attacks usually do damage, but have other effects as well.
On October 10, 1952, Congress authorized designating Ft. St. Mark's as a National Historic SitePublic Law 87-789 upon donation of the site to the National Park Service. That donation apparently never happened, however, and the site remains a Florida State Park and a National Historic Landmark. The historic park is located in the vicinity of St. Marks, off S.R. 363, at 148 Old Fort Road.
A similar red stringcourse above the windows separates the stone facing from smooth light tan stucco. It in turn is separated by another red stringcourse from a section with light brown panels and the same window treatments as the first storey. The course doubles as the sill line for the windows; another one serves as their lintels and marks off a division the same as the one below. The third storey has the same treatment.
Behind the controversial façade lie many galleries with clean white walls and pine floors with granite stripping set into the floor. This granite marks off twenty-foot by twenty-foot spaces, thought by Cobb to be the smallest desirable gallery space. Around these square spaces, granite strips also delineate rectangular circulation spaces around each square. Over certain granite strips, Cobb placed walls with wide cutout doors to shape various sized gallery spaces.
Serge and Marc agree to attempt to rebuild their friendship, and they begin by washing the pen marks off the painting. Marc asks Serge whether he had known that the ink was washable; Serge replies that he had not. But he had indeed known that, and feels troubled about his lie. Marc concludes by describing his own interpretation of the painting: it is of a man who moves across the canvas and disappears.
Playing bingo online, players can make use of optional features which make playing the game easier, such as auto-daub. Auto- daub automatically marks off the numbers on cards as they are called, so players don't have to. Most software providers support other gaming features as "Best Card Sorting" and "Best Card Highlighting" where players cards are sorted and highlighted by closest to bingo. There is variety among the different kinds of bingo games that can be played.
Marks feel vaguely dissatisfied, but have goods in their possession, and the uplifting feeling of having demonstrated their own happiness several times. The marks do not realize that the total value of goods received is significantly less than the price paid in the final round. Auction/refund rounds may be interspersed with sales rounds that are not refunded, keeping marks off-balance and hopeful that the next round will refund. The Jam Auction has its roots in carny culture.
The civil parish is bisected by numerous footpaths and roads, including a part of the Greensand Way and the A28 road connecting the parish with junction 9 of the M20 motorway in Ashford. A straight railway line - a part of South Eastern Main Line between Pluckley and Ashford - marks off the north quarter of the parish. Two bus routes (A and 2) operated by Stagecoach in East Kent connect the parish with Ashford town centre and Ashford International railway station.
The southward view Gay Street is a short, angled street that marks off one block of Greenwich Village in the New York City borough of Manhattan. The street's name does not refer to the LGBT character of Greenwich Village, or to any other LGBT issues. Rather, the name may come from a family named Gay who owned land or lived there in colonial times: a newspaper of May 11, 1775 contains a classified ad where an "R. Gay", living in the Bowery, offers a gelding for sale.
From the ages of 6 to 12 months, the child typically sees a "sociable playmate" in the mirror's reflection. Self-admiring and embarrassment usually begin at 12 months, and at 14 to 20 months, most children demonstrate avoidance behaviors. Finally, at 18 months, half of children recognize the reflection in the mirror as their own and by 20 to 24 months, self-recognition climbs to 65%. Children do so by evincing mark- directed behavior; they touch their own noses or try to wipe the marks off.
It marks off this section as distinct from the preceding part of his instruction to the disciples. After drawing the attention of the disciples with 'behold', Jesus says, literally, 'I, even I, send you...'.Robert E. Morosco. '"Matthew’s Formation of a Commissioning Type-Scene out of the Story of Jesus' Commissioning of the Twelve" in Journal of Biblical Literature 103:4 (December 1984): 539-556, 550. Though in a different tense, this is a quotation of the Septuagint reading of Exodus 3:12, where God commissioned Moses to bring the Israelites out of Egypt.
Ash agrees to this, but the deaf trainer sends out Jigglypuff, who instantly starts singing and puts everyone but its trainer to sleep. In spite of this, the deaf trainer leaves his map with the heroes as Jigglypuff draws on their faces. Afterwards, Misty wakes up and starts wiping Jigglypuff's marks off of Ash's face while singing about her secret feelings for him and her fear of rejection ("Misty's Song"). Ash and Brock soon wake up as well, with the former wondering aloud who was singing just now.
Sussex began their run-chase well; Barclay and Gehan Mendis scored 93 runs together, surviving a spell of attacking fast bowling from Garner and Dredge early on. Mendis had broken his thumb shortly before the final, and in the third over, it was fractured again, but he continued to bat. When Somerset did make a breakthrough, after 24 overs, they collected four wickets for the addition of seventeen runs. Mendis was the first man out, caught by Marks off the bowling of Graham Burgess, followed by Barclay who was caught hooking a delivery from Botham.
Area 88 is usually placed during the late 1970s, or early 1980s, although evidence points towards the latter in the OVA's case. First, during Act 1 of the OVA when the calendar in Shin's room is first seen, Shin marks off the date Wednesday, April 11. Then, during the flashback where Shin unknowingly signs the contract from Kanzaki, the date on the contract reads 'le 29 avril 1979' or April 29, 1979. Based on the calendar marking, it is some point past 1979, and the nearest year where April 11 falls on a Wednesday is 1984.
Taxi-driver Morris Morrissey (Bobby Ball) is the manager of Georgie Godwin (Timothy Spall), the self-styled 'Fattest Man In Britain'. Morrissey feeds Georgie who hasn't left his house and stays in watching Jeremy Kyle shows and programmes about distant places in the world, which he marks off on a globe. He relies on Morrissey and Janice (Frances Barber) to provide him with everything he needs to live. Georgie's garden is overgrown after 23 years of neglect, and Social Services send a community service worker to clean the garden, which Georgie is not too sure about.
Without taking note of the number of points made, the geomancer provides the seemingly random mechanism needed for most forms of divination. Once the lines are produced, the geomancer marks off the points two by two until either one or two points remain in the line; mathematically, this is the same as producing two dots if the number is even or one dot if the number is odd. Taking these leftover points in groups of four, they form the first four geomantic figures, and form the basis for the generation of the remaining figures. Once this is done, the "inspired"Josten, C.H. (1964).
Thus there are always four marks on the slate at this stage (if the first round ended as normal with four marks). Once only two players remain, marks are erased by the winner of a deal, but no marks are added by the loser. As players clear all their marks off, they drop out until there is one player left who is the loser of the game and is penalised with a single chalk mark on the frame of the slate, regardless of how many Striche he still has in his corner of the slate. The marks on the frame are not wiped off during the course of a rubber.
Parks and recreational areas adjacent to the trail include the Munson Hills Off-Road Bicycle Trail system, which is accessible from the Tallahassee-St. Marks Historic Railroad State Trail parking area via the Paper Cup Trail spur, as well as from the Trail Access spur south of the main trail head off SR 363. J. Lewis Hall Park in Woodville, accessible south of the main trail head off SR 363; the Wakulla Station Trailhead, accessible south of the main trail head (and north of St. Marks) off SR 363; and the San Marcos de Apalache Historic State Park, located at the end of the trail in St. Marks. The Munson Hills Trails are popular with off-road bicyclists and have recently been expanded to in length between two main (Munson Hills and Twilight) trails.
This line passes through A and B, so A and B are simultaneous from the reference frame of the observer with black axes. However, the clock that is moving relative to the black observer marks off time along the blue time axis. This is represented by the distance from O to B. Therefore, the observer at A with the black axes notices their clock as reading the distance from O to A while they observe the clock moving relative him or her to read the distance from O to B. Due to the distance from O to B being smaller than the distance from O to A, they conclude that the time passed on the clock moving relative to them is smaller than that passed on their own clock. A second observer, having moved together with the clock from O to B, will argue that the other clock has reached only C until this moment and therefore this clock runs slower.
One review states, "This story is interesting, as proving that neither Polish conspiracies nor Neapolitan courtships can fill the dreary void left in a novel by the absence of men and women... [the characters] are distinguished from each other only by some external badge, such as yellow hair or a hot temper, and by the single hard black line that marks off the good characters from the bad." Clerke's interest in astronomy and in the Solar System led to the publishing of two booklets on the planets Jupiter and Venus, which added greatly to studies at the time. This is a list of Ellen Mary Clerke's various different works; The Flying Dutchman and Other Poems (London: Satchell & Co. 1881), another ed. (1882); Jupiter and His System (London: Edward Stanford 1892); translations of poetry in R. Garnett, History of Italian Literature (London: Hutchinson 1902); Fable and Song in Italy (London: Grant Richards 1899); Flowers of Fire (London: Hutchinson 1902).
Caelus substituted for Uranus in Latin versions of the myth of Saturn (Cronus) castrating his heavenly father, from whose severed genitals, cast upon the sea, the goddess Venus (Aphrodite) was born.Cicero, De nature Deorum; Arnobius, Adversus Nationes 4.24. In his work On the Nature of the Gods, Cicero presents a Stoic allegory of the myth in which the castration signifies "that the highest heavenly aether, that seed-fire which generates all things, did not require the equivalent of human genitals to proceed in its generative work."Cicero, De natura Deorum 2.64. Isidore of Seville says similarly that Saturn "cut off the genitalia of his father Caelus, because nothing is born in the heavens from seeds" (Etymologies 9.11.32). Jane Chance, Medieval Mythography: From Roman North Africa to the School of Chartres, A.D. 433–1177 (University Press of Florida, 1994), pp. 27 and 142. For Macrobius, the severing marks off Chaos from fixed and measured Time (Saturn) as determined by the revolving Heavens (Caelum).
This psalm is classified as a 'communal lament', and having northern Israel as its main concern, so it may come from the period towards the end of the northern kingdom. Some links have been traced to Isaiah, with a 'similar image of a vineyard whose wall God breaks down' (Isaiah 5:1–7), also to Jeremiah and Ezekiel, who both refer to YHWH as shepherd, although the exact phrase 'Shepherd of Israel' is unique in this psalm. The existence of refrain (verses 3, 7, 19) is unusual, and the first two marks off the first two parts of the psalm, with the rest of the psalm forming a final section. The division is as follows: # Verses 1–2: a call to God for help (refrain in verse 3) # Verses 4–6: an urgent plea and complaint at God's treatment of his people (refrain in verse 7) # Verses 8–13: a description of God's past care of Israel (with the figure of the vine alluding to the Exodus and conquest, and the present distress) # Verses 14–17: a renewal of petition with a vow to return to God in verse 18, and a repetition of the refrain in verse 19.

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