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17 Sentences With "marchionesses"

How to use marchionesses in a sentence? Find typical usage patterns (collocations)/phrases/context for "marchionesses" and check conjugation/comparative form for "marchionesses". Mastering all the usages of "marchionesses" from sentence examples published by news publications.

Marquesses and marchionesses have occasionally appeared in works of fiction. For examples of fictional marquesses and marchionesses, see List of fictional nobility#Marquesses and marchionesses.
Marquesses, earls, viscounts and barons are all addressed as 'Lord X', where 'X' represents either their territory or surname pertaining to their title. Marchionesses, countesses, viscountesses and baronesses are all addressed as 'Lady X'. Dukes and duchesses are addressed just as 'Duke' or 'Duchess' or, in a non-social context, 'Your Grace'.
Marquesses, earls, viscounts and barons are all addressed as 'Lord X', where 'X' represents either their territory or surname pertaining to their title. Marchionesses, countesses, viscountesses and baronesses are all addressed as 'Lady X'. Dukes and duchesses are addressed just as 'Duke' or 'Duchess' or, in a non-social context, 'Your Grace'.
George, 2nd Earl Harcourt by Sir Joshua Reynolds. A peeress's coronation robe is described as a long (trained) crimson velvet mantle, edged all round with miniver pure and having a cape of miniver pure (with rows of ermine indicating the rank of the wearer, as for peers). Furthermore, the length of the train (and the width of the miniver edging) varies with the rank of the wearer: for duchesses, the trains are 1.8 m (2 yds) long, for marchionesses one and three-quarters yards, for countesses one and a half yards, for viscountesses one and a quarter yards, and for baronesses and ladies 90 cm (1 yd). The edgings are 13 cm (5 in) in width for duchesses, 10 cm (4 in) for marchionesses, 7.5 cm (3 in) for countesses and 5 cm (2 in) for viscountesses, baronesses and ladies.
In 1943, he joined the publishing house Editorial Valenciana collaborating on magazines such as Jaimito, S.O.S., Mariló and Pumby. Later he worked regularly in the weekly magazine La Codorniz where he created about 1958 his popular marchionesses, depicted as voluptuous wine drinkers. Serafín signed his work as el marqués de Serafín. After the disappearance of La Codorniz in 1978, Serafín spent his time oil and watercolor painting.
Certain materials such as cloth of gold could only be worn by the Queen, her mother, children, aunts, sisters, along with Duchesses, Marchionesses, and Countesses. Whereas, Viscountesses, or Baronesses, for instance, were not allowed to use this material. Not only fabrics were restricted on the Elizabethan era, but also colours, depending on social status. Purple was only allowed to be worn by the queen and her direct family members.
In Italy, six hundred and forty; In Germany, two hundred and thirty-one; A hundred in France; in Turkey, ninety-one; But in Spain already one thousand and three. Among these are peasant girls, Maidservants, city girls, Countesses, baronesses, Marchionesses, princesses, Women of every rank, Every shape, every age. With blondes it is his habit To praise their kindness; In brunettes, their faithfulness; In the white-haired, their sweetness. In winter he likes fat ones.
Immediately after being formed the Association invited Lady Knightley to become the first President. Lady Selborne took over as President in 1910, and continued as such until 1913, when she was succeeded by the Countess of Fingall.Gordon (2005) p.48 The Presidents were assisted by "an impressive array of eminently titled vice-presidents"; in 1913 there were three Duchesses, three Marchionesses, four Earls and many other members of the nobility working for the Association.
Lempicka's designs are also influenced by "the thirties and forties and their lace and silk negligee dresses, XVIIIth century Baroque and its dainty marchionesses". Her signature ivy leaf symbol is drawn from her interest in fairytales and nature. Lolita began her career as an independent designer. In 1983, at 29, she presented her first collection with the help of her husband. In 1984, she opened the first Lolita Lempicka shop in the Marais district in Paris.
Zucco was born in Manchester, Lancashire, on 11 January 1886. His mother Marian (née Rintoul) ran a dressmaking business; it is claimed she was a former lady-in-waiting to Queen Victoria – but this is untrue as the honour was only accessible to titled ladies of high rank (duchesses, marchionesses, countesses, viscountesses, and baronesses). His father, George De Sylla Zucco, was a Greek merchant. Zucco debuted on the Canadian stage in 1908 in a stock theater company.
In the Glyndyfrdwy mines at Moel Fferna each bargain worked a horizontal stretch of 10 by 15 yards. Duchesses, Marchionesses, Countesses, Viscountesses, Ladies, Small Ladies, Doubles and Randoms were all sizes of slates produced. Rubblers helped to keep the chambers free from waste: one ton of saleable slate could produce up to 30 tons of waste. It is the mountainous heaps of this very same waste that is perhaps the first thing to strike someone visiting the old regions nowadays.
On 27 February 1919, the then-Captain Ramsay married Princess Patricia of Connaught at Westminster Abbey, in the presence of the entire British Royal Family. He had proposed to her while staying with J. K. L. Ross at his fishing lodge on the bay of St. Anns, Nova Scotia. On the day of the wedding, Princess Patricia voluntarily relinquished the title of "Princess of Great Britain and Ireland" and the style "Royal Highness", and assumed by Royal Warrant the style "Lady Patricia Ramsay" with precedence before the Marchionesses of England. Despite his wife's relinquishment of her royal title, the couple remained members of the British Royal Family.
The 3rd Marquess left no legitimate children, so the title passed on his death to his brother, Don Pedro Cortés, 4th Marquess of the Valley of Oaxaca. This Marquess was allowed to settle in Mexico, where he personally took up the running of the Estate, which had been controlled by administrators since 1567. The 4th Marquess also died without surviving descendants, so the Marquessate was inherited by his niece, Doña Estafanía Carrillo de Mendoza y Cortés, married to the Sicilian Duke of Terranova. Doña Estefanía was the eldest daughter of Doña Juana Cortés, sister of the 3rd and the 4th Marchionesses, and her husband Don Count of Priego.
Emperor Faustin I of Haiti, from The Illustrated London News, 16 February 1856 Soulouque attempted to create a strong centralized government, which while retaining a profoundly Haitian character, borrowed heavily from European traditions, especially those of the First French Empire. One of his first acts after being declared emperor was to establish a Haitian nobility. The Constitution of 20 September 1849 granted the Emperor the right to create hereditary titles and confer other honours on his subjects. Volumes 5 and 6 of John Saunders and Westland Marston’s The National magazine (published in 1859) stated the empire consisted of 4 princes, 59 dukes, 90 earls, 30 lady knights (but no male knights), 250 barons, and 2 marchionesses.
Main seat of government of the Marquessate of the Valley of Oaxaca, and residence of the 1st, 2nd and 4th Marchionesses. This last Corregimiento included until 1560 the port of Tehuantepec, when King Philip II issued a Royal Cédula, dated 16 December, which removed Tehuantepec from the marquessal estate, but specified that the Marquess should receive in exchange the equivalence of the tributes in gold that the town produced for the Royal Treasury. The Royal Audience of Mexico, on 23 November 1563, fixed a perpetual annual reward of 1,527 pesos of gold and 3,442 fanegas of maize paid by the villages of Tenango del Valle and Chimalhuacán. The Alcaldía Mayor of the four towns of the Marquessate (Santa María de Oaxaca, Cuilapan, Etla and Santa Ana Tlapacoyan), of 1,500 km2, included 34 villages, 2 haciendas and a sugar ingenio.
Although the sequestration was lifted in 1593, the Marchionesses lost direct control of the administration of the Estate, as they had to retain the structure through which the Crown had worked, which relinquished the governing autonomy they used to exercise. From then, the Marquessate had a fixed bureaucracy: The Governor and Privative Judge of the Estate (Gobernador y Juez Privativo), the Estate Controller (Contador), the Estate Lawyer (Abogado de Cámara), the Estate Solicitor (Procurador), the Estate Bailiff (Agente solicitador), the Estate Executioner (Ministro ejecutor), the Administrator of houses and ground rents and the Interpreter of the Náhuatl. These major officials met together as a group, called the Junta, to discuss Estate affairs. Also, there was an office in Madrid, the General Direction, so that the decisions could be taken jointly with the agents of the Marquess.
Peeresses (both female peers and the wives of male peers) also wear a crimson robe at coronations, but it is of a different design: a crimson velvet kirtle, edged in miniver, is worn closely over a full evening dress; the robe itself is attached at the shoulder, and takes the form of a long train of matching crimson velvet, edged with miniver. At the top of the train is a miniver cape (the same width as the train) which has rows of ermine indicating rank, as for their male counterparts. The length of the train also denotes the rank of the wearer: duchesses have two-yard trains, marchionesses one and three quarters, countesses one and a half, viscountesses one and a quarter, and baronesses (and female holders of lordships of Parliament) one. In the nineteenth and twentieth centuries, very precise details about the design of peers' and peeresses' robes (and what is to be worn underneath them) were published by the Earl Marshal in advance of each coronation.

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