This is a many-faceted problem that we should be thinking about now.
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Those are the allegations, but as we both know, sexual behavior is a many-faceted business.
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There are a lot of big, big issues we are dealing with that are many-faceted.
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" In a telegram, the Russian culture minister, Vladimir Medinsky, hailed Mr. Burdonsky as a "many-faceted talent.
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Inclusivity is a many-faceted gem; indeed, it has as many facets as you are willing to cut.
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Warsaw, like many places in Eastern Europe, has a painful and many-faceted relationship with history and neighboring powers.
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The many-faceted horror of Donald Trump seems to have stirred progressives to life and opened up novel political possibilities.
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The quest to lure the World's 50 Best is only one prong of a many-faceted strategy by Tourism Australia.
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The pilot gives some insight into Amazon's many-faceted strategy as it attempts to tackle various problems in the lucrative health-care industry.
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Only not just any nowhere, but a sliver of a many-faceted nowhere that, when lifted in a certain light, became a somewhere.
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Its cause is many-faceted, including globalization, the decline of labor unions, changes in political alignments and advancing information technology that is replacing jobs.
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Next, Matsuyama placed a many-faceted object in suspension over a small artificial pond, and then a towering dazzle sphere over MIT in Boston.
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We cooked, poured drinks and finally ate the hudutu, a many-faceted thing of deeply seared snapper, just-cooked shrimp, tender conch and a broth of coconut milk infused with their flavors.
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First, we decided to make our Coming Out Day celebration bigger and better: We dressed in rainbow colors, passed out ribbons, displayed videos, and gave away books addressing the many-faceted lives of LGBTQ students.
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It is made of many small brass crosses which catch the light symbolising the description of the Dean as a many faceted man. Selwyn was very keen to become a bishop.
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Nationally the governments around the globe form their own programme which is in every country a little bit different. For this reason the influence and possibilities of the youth delegates are many-faceted.
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Between 1992 and 2003 she served on the board of the Leipzig-based Ephraim Carlebach Foundation of which she had been a co-founder. The foundation, named after the German rabbi Ephraim Carlebach, is dedicated to researching the many faceted contribution of the Jewish community as an integrated element in the city's history.
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The invention of the electric knife is usually attributed to Jerome L. Murray,Agis Salpukas, "Jerome Murray, 85, a Many-Faceted Inventor", obituary, New York Times, 11 February 1998.Carl W. Hall, A Biographical Dictionary, p.158, Purdue University Press, 2007 . but there are other claimants, such as Clem E. Kosterman, who filed a patent in 1939.
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The fast Fourier transform algorithm computes the frequency content of a signal, and is useful in processing musical excerpts. 2\. A beat and tempo need to be detected (Beat detection)- this is a difficult, many-faceted problem. The method proposed in Costantini et al. 2009 focuses on note events and their main characteristics: the attack instant, the pitch and the final instant.
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The significance of these quarries comes from the large rock inscription of Ramesses III and surface pottery. A rock inscription of Ramesses III, who was the second pharaoh during the twentieth dynasty, implies that quarrying was carried out under his rule in this particular site. The shapes of these quarries were irregularly fan shaped, including many faceted niches. The Ptolemaic Quarries are located at the top of Abu El Nasr.
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His son was drafted in 1943. In 1945, Steinbeck's novel Cannery Row was published. Ricketts, the model for "Doc," became a celebrity, and tourists and journalists began seeking him out. Steinbeck portrayed "Doc" (and thus, Ricketts) as a many-faceted intellectual who was somewhat outcast from intellectual circles, a party-loving drinking man, in close touch with the working class and with the prostitutes and bums of Monterey's Cannery Row.
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Dealing with far-reaching questions of history and modernity, language and selfhood, and power and ethics, Latin American literature sheds light on the many-faceted nature of Latin American life, as well as on the human condition as a whole. This series of books provides a forum for some of the best criticism on Latin American literature in a wide range of critical approaches, with an emphasis on works that productively combine scholarship with theory.
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From December 1965 to January 1966, Coontz received a Helicopter Landing and Handling Capability in San Diego. This conversion included relocation of deck vents, clearing all fantail obstructions, installation of a JP-5 fuel handling and purification system, and the introduction of equipment to provide Helicopter Starting and Service power. Coontz was the first of her class to receive the conversion and proudly boasted the addition of a helicopter to her many-faceted capabilities.
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The painting toured Australia in the Blake Prize for Religious Art exhibition in 1988, where it was ridiculed,Allen, Christopher. 'Ludicrous Leonardo', The Sydney Morning Herald, 23 December 1988, p.10. before being exhibited in the artist's solo exhibition in Amsterdam, where it featured in the Dutch art journal Kunstbeeld: "The work shows clearly Susan White's thinking about human rights. It should be mentioned here that she sometimes places her many faceted talent at the service of the struggle for human rights".
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Periodic occurrences were tied to events in the mythic past; the succession of each new pharaoh, for instance, reenacted Horus's accession to the throne of his father Osiris. Myths are metaphors for the gods' actions, which humans cannot fully understand. They contain seemingly contradictory ideas, each expressing a particular perspective on divine events. The contradictions in myth are part of the Egyptians' many-faceted approach to religious belief—what Henri Frankfort called a "multiplicity of approaches" to understanding the gods.
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Ričardas Kabelis' music is in constant demand at various contemporary music events in Lithuania and abroad. The striking austerity, characteristic of the major part of his compositions, seem to flow from the underlying formal procedures he employs such as meticulous reduction of musical material or exposition of certain single attribute chosen beforehand from that material (e.g. rhythm, timbre, pitch, harmony, etc.). Linear progress through time here gives way to varying degrees of intensity of acoustic presence, to the many-faceted exploration of sound's microdimensional depths.
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Sir Mortimer Wheeler was especially fascinated with this artifact, which he believed to be at least 4,500 years old. The necklace has an S-shaped clasp with seven strands, each over 4 ft long, of bronze-metal bead-like nuggets which connect each arm of the "S" in filigree. Each strand has between 220 and 230 of the many-faceted nuggets, and there are about 1,600 nuggets in total. The necklace weighs about 250 grams in total, and is presently held in a private collection in India.
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Many drifting mines revealed themselves with the wash of dawn--but no suiciders. Wickes destroyed one mine with gunfire and was about to destroy others when minesweepers arrived on the scene and relieved the destroyer of that duty. Wickes then proceeded to conduct another shore bombardment mission--this time against the beaches on Corregidor over which the assault was to pass. Paratroops drifted down and landed on the top of the island as part of the many-faceted attack designed to destroy the enemy units heavily entrenched there.
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Notations I–IV (1980) are the first four transformations of piano miniatures from 1945 into pieces for very large orchestra. In his review of the New York premiere, Andrew Porter wrote that the single idea of each original piece "has, as it were, been passed through a many-faceted bright prism and broken into a thousand linked, lapped, sparkling fragments", the finale "a terse modern Rite ... which sets the pulses racing".Porter, 88. Dérive 1 (1984), dedicated to William Glock on his retirement from the Bath Festival, is a short quintet in which the piano takes the lead.
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If it owes a good deal to Joyce and Proust, then Broch has transformed their interior techniques and many-faceted sensibilities into something as harshly German as the painting of Bosch. For him art is not an end, it is an instrument of language which transforms the crudest, ugliest reality of actuality into another reality of religious vision." Louis Kronenberger said of the novel, "Without much doubt here is one of the few first-rate novels of our generation." In the New York Times Book Review, J.P. Bauke wrote, "The moral impulse behind The Sleepwalkers does not detract from the book's esthetic appeal.
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This album is generally considered to be the finest Kåre And The Cavemen release. It owes much of its artistic success to Per Øydir's contributions, although Schreiner remains the main composer and producer. A musically matured and more focused effort than Jet Age, Long Day's Flight... offers a many-faceted yet distinctive blend of a wide range of musical influences, ranging from easy listening through psychedelia to progressive rock. The album debuted at number three on the Norwegian album charts, and the group once again toured Scandinavia and the continent following releases in various countries (US release on Man's Ruin Records).
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Due to his many-faceted political influence, Schimmelmann came into close contact with the mentally-ill King Christian VII, with whom he also travelled abroad in 1768. His influence on the King was mostly due to the King's respect for von Schimmelmann's knowledge of trade and finance, and the King consulted with Schimmelmann on many occasions, e.g. regarding how much the country could spend on the army. Schimmelmann gained greater influence than Bernstorff ever could, and so it was von Schimmelmann, that convinced the King to banish the notorious prostitute Støvlet-Cathrine from Copenhagen in 1768.
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His intellectual and creative needs were satisfied both through his many-faceted work and through the society of a group of local Greeks who met on the premises of the sponge vendor and well known socialist Sakellaris Yiannikakis. Besides Yiannakakis himself and the lawyer Yiannis Lachovaris, the company consisted of young graduates of Cairo's Ambetions College with a strong artistic bent and interested in the pursuit of social justice and direct political action. These included Stratis Tsirkas, Theodosis Pierides, George Philippou Pierides, George Demos, Lambis Rappas, Stavros Karakasis and others. Some of these were to go on to achieve a pan-Hellenic reputation.
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Tudorbethan represents a subset of Tudor Revival architecture; the word is modelled on John Betjeman's 1933 coinage of the "Jacobethan" style, which he used to describe the grand mixed revival style of circa 1835–1885 that had been called things like "Free English Renaissance". This was generally modelled on the grand prodigy houses built by the courtiers of Elizabeth I and James VI. "Tudorbethan" took it a step further, eliminated the hexagonal or many-faceted towers and mock battlements of Jacobethan, and applied the more domestic styles of "Merrie England", which were cosier and quaint. It was associated with the Arts and Crafts movement. Outside North America, Tudorbethan is also used synonymously with Tudor Revival and mock Tudor.
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" When asked about the music video's concept would redefine the word "freak", commenting:Usher in front of a backdrop with Minaj and dancing and being flaunted by dancers. > "My general idea was to take the word and show its many faceted sides, > twisting and turning it to where there’s really no distinguishing between > one freak and another. Usher went there. When you’re engaging in sexual > activity, there are many transitions and this is not about what they look > like literally, but what they look like metaphorically. It’s about luring > people into a situation. Because you have your thoughts on a ménage à trois, > but then we’re doing it in a non-obvious way.
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Evenings with the Orchestra is more overtly fictional than his other two major books, but its basis in reality is its strength, making the stories it recounts all the funnier due to the ring of truth. W. H. Auden praises it, saying "To succeed in [writing these tales], as Berlioz most brilliantly does, requires a combination of qualities which is very rare, the many-faceted curiosity of the dramatist with the aggressively personal vision of the lyric poet." The work was closely studied by Gustav Mahler and Richard Strauss and served as the foundation for a subsequent textbook by Nikolai Rimsky-Korsakov, who, as a music student, attended the concerts Berlioz conducted in Moscow and Saint Petersburg.
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Baba Yaga may help or hinder those that encounter or seek her out and may play a maternal role and has associations with forest wildlife. According to Vladimir Propp's folktale morphology, Baba Yaga commonly appears as either a donor, villain, or may be altogether ambiguous. Andrea Johns identifies Baba Yaga as "one of the most memorable and distinctive figures in eastern European folklore," and observes that she is "enigmatic" and often exhibits "striking ambiguity."[1] Johns summarizes Baba Yaga as "a many- faceted figure, capable of inspiring researchers to see her as a Cloud, Moon, Death, Winter, Snake, Bird, Pelican or Earth Goddess, totemic matriarchal ancestress, female initiator, phallic mother, or archetypal image".
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This may be extremely difficult to accomplish, and even if accomplished the real difficulty is maintaining control of this "turned asset". Controlling an enemy agent who has been turned is a many-faceted and complex exercise that essentially boils down to making certain that the agent's new-found loyalty remains consistent, which means determining whether the "doubled" agent's turning is genuine or false. However, this process can be quite convoluted and fraught with uncertainty and suspicion. Where it concerns terrorist groups, a terrorist who betrays his organization can be thought of and run as a double-agent against the terrorist's "parent" organization in much the same fashion as an intelligence officer from a foreign intelligence service.
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He made a career as a prolific broadcaster on radio and later television, and together with his old schoolfriend, the composer Donald Swann, he wrote successful songs in the late 1940s and early and mid-1950s for revues in the West End of London. In 1956 they themselves performed some of these songs, along with new songs, in a two-man revue, At the Drop of a Hat. This show, and its successor, At the Drop of Another Hat, ran with occasional short breaks from 1956 to 1967 and played in theatres throughout the British Isles, the US, Australia and elsewhere. During and after the stage partnership with Swann, Flanders pursued a many-faceted career, performing on stage, screen, radio, concert platforms and recordings.
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John Money, a pediatric clinical psychologist in the new "Psychohormonal Research Unit" at Hopkins and his partners, John and Joan Hampson, analyzed these assignments and reassignments in an attempt to learn the timing and sources of gender identity. In most of these patients, gender identity seemed to follow the sex of assignment and sex of rearing more closely than it did genes or hormones. This apparent primacy of social learning over biology became part of the intellectual underpinning of the feminist movement of the 1960s. In its application to children with intersex conditions, this thesis that sex was a many-faceted social construction changed the management of ambiguous genitalia from determination of the baby's real sex (by checking gonads or chromosomes) to determination of what sex should be assigned.
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" John Pym of The Monthly Film Bulletin wrote that "by the end of this extravagant film, we have a fair idea of the who-did-what logistics of a costly military operation. The root problem with A Bridge Too Far, however, is that the top-heavy complement of stars never allows for any focus of attention." Charles Champlin of the Los Angeles Times wrote, > "In strictly cinematic terms, the appeal of A Bridge Too Far is easy to > state: it is spectacular in the size and range of its effects, earnestly > well-acted by a starry and able cast, well-paced and swift despite its > length, and marked by an evident attempt to give the balanced truth of a > tragic episode from history." Gary Arnold of The Washington Post called it "an unusually conscientious and impressive war epic" that justified its high budget > "in terms of careful period recreation, visual spectacle (the sequences > depicting paratroop landings are particularly awesome), the mixture of > exciting combat episodes with vivid human interest vignettes, an effort to > establish a coherent, many-faceted view of a complicated and ill-fated > military adventure, and a generally superior level of filmmaking > intelligence and craftsmanship.
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The author of The Lord of the Rings, J. R. R. Tolkien, was a devout Roman Catholic, and as such intensely interested in expressing themes such as moral choice and the nature of evil in the world through his fantasy writing in the realm of Middle-earth. The medievalist Marjorie Burns analyses in detail Tolkien's use of pairing to build a sense of the depth and complexity of his major characters. She grants that Tolkien did like to have separate good and bad characters suitable for a fantasy, but as a serious author interested in moral choice, he wanted at the same time to make his characters realistically complex and many-faceted. She states that this problem is not easy to resolve, but that Tolkien makes use of multiple methods; far from being unambiguously good or evil, his good characters have moments of "doubt, temptation, or irritability", while his bad, or in Catholic terms "fallen" characters have equivalent moments of uncertainty, "reconsider[ing] the choices they have made", as when, she writes, Gollum looks at the sleeping Frodo and Sam on the stairs of Cirith Ungol, and almost loves them.
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