The incidents were more numerous during periods of "intense conflict" between Pechier and his colleagues, Manteaux said.
|
|
Artéfact, for coffee and tea, is around the corner from Benedict, at 23, rue des Blancs-Manteaux.
|
|
Artéfact on the Rue des Blancs-Manteaux offers hand-brewed coffee and mixed teas in an airy setting with minimalist art.
|
|
"The charges rest on a beam of concordant elements," Manteaux said, acknowledging that the case rests on circumstantial evidence since the doctor was not caught in the act.
|
|
Near my home, the streets are named for medieval monastic orders, including the Guillemites and the Blancs-Manteaux, who bought land from the Templars and fortified the area.
|
|
On the same street, we plunge back into the past by stepping into the Église des Blancs Manteaux, originally a 13th-century monastery for Augustine monks built on land owned by the Templars.
|
|
Notre-Dame des Blancs-Manteaux is a Roman Catholic parish church in Le Marais, 4th arrondissement of Paris. It was built on the site of an earlier 1285 church founded by "Les Blancs-Manteaux" ("white coats"), the mendicant Augustinian Order of Servites, who also rebuilt the current church in 1685-1690.
|
|
Didier claimed €10,000 in damages. He said he would donate the money to supporters of Roger McGowen, a prisoner in Texas who was awaiting execution. However, Didier had addressed his claim to Etienne Manteaux in Épinal: Manteaux was the public prosecutor for the département. Didier had thereby invoked the criminal law rather than launching a civil claim, and under these circumstances the defendant in the case was the book's publisher, Éditions Grasset.
|
|
Les Longs Manteaux is a Franco-Argentine film, directed by Gilles Béhat, which links drama and action in the spaghetti-western genre. Released in 1986, it lasts 1 hour 46 minutes.
|
|
Loïc Murat, a French geologist, makes camp on a Bolivian mountain. He comes across a group of fascists, Les Longs Manteaux, who want to assassinate the writer, Juan Mendez. Murat also gets to know Julia, Mendez's daughter.
|
|
He was sent to the monastery of St. Eloi in Noyon. After two years he was permitted to repair to the monastery of Blancs-manteaux in Paris; where he spent the remainder of his life in literary pursuits.
|
|
In 1980, the play was mounted at the Blancs-Manteaux Theatre in Paris, with Daniel Russo and Nathalie Courval."Duos sans canapé" (Tribulations sexuelles à Chicago, by David Mamet), Jean-Pierre Thiollet, Le Quotidien de Paris, 1 January 1981.
|
|
Danjou was organist at Church of Notre-Dame-des-Blancs-Manteaux 1831–34,Fenner Douglass, Cavaillé-Coll and the Musicians, volume 1 (1980): "Jean-Louis-Felix Danjou (1812–66), a Parisian, began his career as organist at age seventeen for the church of Notre-Dame-des-Blancs-Manteaux, having earlier been taught by the clergy of that parish, then by Benott at the ..."Katharine Ellis, Interpreting the Musical Past: Early Music in Nineteenth-Century (2008), p. 258: "Félix Danjou (1812–1866): Organist at Notre-Dame-des-Blancs-Manteaux (1831–34); Saint-Eustache (1834–44); Notre Dame de Paris (1840–47). Discovered the Montpellier Codex (1847). Founder of the Revue de la musique religieuse, ... Saint-Eustache from 1834–1844,William A. Little, Mendelssohn and the Organ (2010): "... by one of the country's leading activists for the reform and improvement of church music, Jean-Louis-Félix Danjou (1812–1866).
|
|
She is the titular of the Grand Organ of the Notre-Dame-des-Blancs-Manteaux church. As a harpsichordist she has been performing the continuo in the group Musique-Ensemble and La Grande Écurie et la Chambre du Roy since 1977.
|
|
Les enquêtes de Nicolas Le Floch, commissaire au Châtelet (Listed here are the first French editions (Éd. J.-C. Lattès, Paris) and the first English editions (Gallic Books, London) #L'Énigme des Blancs-Manteaux, 2000, . – The Châtelet Apprentice, 2007, . #L'Homme au ventre de plomb, 2000, .
|
|
His recordings and his books follow the same line about organ music. The recordings are played in Notre-Dame-des-Blancs-Manteaux in Paris, in Saint- Maximin in Thionville and in Saint-Andreas d'Hildesheim. A complete discography has been edited by Alain Carteyrade on France Orgue.
|
|
Sports on the program include athletics, volleyball, football, and draughts. The 2015 edition was held at the Stade Mateco at the University of Yaounde. The rules for ID football at the competition included the game having two 25 minute periods, five players per side, and no offside rule. Two teams took part, Jeunes Manteaux d'Efoulan and Colombe.
|
|
He was born at Gonrieux near Namur on 1 April 1688. Like many of the members of his congregation he was one of the so-called Appelants who in 1713 did not accept the Papal Bull "Unigenitus", but appealed to a general council. He died in the monastery of the "Blancs-Manteaux" in Paris on 3 November 1746.
|
|
He was from a Parisian family and his father Jérôme and nephew Jacques Blanchard were also painters - Blanchard served as an apprentice under Nicolas. He worked on several churches in Paris (the Benedictine Blancs-Manteaux, the Third Order one of Picpus, the Chartreux) and produced 'petits Mays' for Notre-Dame de Paris. He also produced engravings on the theme of Henry IV of France's entry into Paris in 1594.
|
|
Jones, p. 23 Henri rejoined St. John's company, playing in Bucalossi's Les Manteaux Noirs at the Avenue Theatre in 1882. She then rejoined Santley's company at the Royalty in 1883 in The Merry Duchess, but Lytton was out of acting work all this time and was forced to take a variety of odd jobs. Henri then played in the lavish 1883 Christmas pantomime of Cinderella at the Theatre Royal, Drury Lane.
|
|
Sharp, p. 8 Meanwhile, the couple starred together again in Farnie's next operetta, Olivette, composed by Edmond Audran. This opened in September 1880 and lasted for another astonishing run of 467 performances. After this, Duplany became the manager of the Avenue Theatre, and he and St. John starred there first in a revival of Madame Favart, and then in Manteaux Noirs (1882), Offenbach's posthumous La Belle Lurette, and Barbe-bleue (both in 1883).
|
|
Volo released their debut album Bien Zarbos in 2005 with 19 tracks. It was so successful that they recorded a live acoustic version of 23 songs on their 2006 live album Blancs Manteaux à Volo. They included photos of the concerts on the record sleeve as a thank you. In August 2006, Antoine Réjasse and Franck Zerbib decided to quit Les Wriggles, but Frédéric Volovitch stayed in the formation renderred a trio in addition to continuing the Volo project.
|
|
He also had numerous customers among the French bourgeoisie. During a trip to Burgundy in 1845, he developed an interest in the creation and restoration of stained glass windows. He trained himself by participating in projects at Notre-Dame- des-Blancs-Manteaux and Saint-Eustache, then undertook restorative work on his own at several churches, including Saint-Étienne-du-Mont, Saint-Nicolas-du- Chardonnet, and Saint-Merri. In 1851, he had a showing at the Great Exhibition in London.
|
|
Marie Angélique Foulon was born in 1793 to Nicolas Foulon and Madeleine Marotte du Coudray. Nicolas Foulon was an apostate Benedictine monk, who at one point drew up a French breviary to replace the Roman Catholic one. He left and was expelled from the Jansenist monastery of Blancs-Manteaux in Paris at the time of the French Revolution. His revolutionary political involvement reportedly included being bailiff at the Council of 500, and serving in the Tribunat and Senate.
|
|
Jenny Augusta Elisabeth Brandt (13 December 1867, Stockholm- 17 April 1933), was a Swedish ballerina. She was a student at the Royal Swedish Ballet, became a student premier dancer in 1888, and was a premier dancer (ballerina) in 1889-1902. Her noted roles include a youth in Undina, "Franz" in Coppelia and the abbess in Robert. She also performed in Brudköpet (The Bartered Bride), Gioconda, Hungary, Pas des manteaux (No Coats), Slavisk bröllops lek (Slavic Wedding Party), and William Tell.
|
|
At the same time he studied Italian, English, German, and Dutch, in order to be able to understand the writers in these languages. He was not ordained priest until 1729 and then only at the express command of his superior. He always said Mass with much trepidation and only after long preparation. In 1730 he entered the Abbey of St-Ouen at Rouen, went later to the Abbey of St-Germain-des-Pres and Blancs-Manteaux, and died while taking his milk-cure at Saint-Denis.
|
|
His first studies were at the college of the Jesuits in Dijon. Soon after his profession in 1731 his superiors sent him to the monastery of the "Blancs-Manteaux" in Paris to assist in the scholarly work of the congregation. He was a hard worker, who reportedly slept only two or three hours per night. He first worked on the preparations for volumes XI and XII of the Histoire littéraire de la France; these volumes covered the years 1141-1167 and were edited by Charles Clémencet.
|
|
Iraqi women wearing hijab in Baghdad In south Iraq, particularly in the Shi'a holy cities of Najaf and Karbala, custom requires women to wear hijab. Women in public places usually wear abaya which is a long black cloth that covers the whole body except the face and the hands, in addition to the scarf that only covers the hair. They might wear boushiya. In private, in governmental institutions and universities they can wear manteaux which could be long or short with a scarf covering the head.
|
|
Les enquêtes de Nicolas Le Floch, commissaire au Châtelet (Listed here are the first French editions (Éd. J.-C. Lattès, Paris) and the first English editions (Gallic Books, London) 1\. L'Énigme des Blancs-Manteaux, 2000, . -- The Châtelet Apprentice, 2007, . 2\. L'Homme au ventre de plomb, 2000, . -- The Man with the Lead Stomach, 2008, . 3\. Le Fantôme de la rue Royale, 2001, . -- The Phantom of the Rue Royale, 2008, . 4\. L'Affaire Nicolas Le Floch, 2002, . -- The Nicolas Le Floch Affair, 2009, . 5\. Le Crime de l'hôtel Saint-Florentin, 2004, . -- The Saint-Florentin Murders, 2010, . 6\.
|
|
In the early 1970s, Blanchard took a degree at the École des Beaux-Arts in Le Havre, while Commoy studied photography in Geneva. In 1974, Blanchard moved to Paris to paint and make illustrations for magazines and advertisements. Commoy started working as a photographer for the magazines Rock & Folk, Dépèche Mode and Interview. In autumn 1976, Commoy and Blanchard met at the inauguration of a Kenzo boutique in Paris, and started living together in an apartment in Rue des Blancs-Manteaux that they also use as a studio.
|
|
In 1911 he helped found the Paris Mozart Society; he was also a member of the short-lived Association des Compositeurs Bretons during 1912–14. He worked as organist at the churches of Notre-Dame-des-Blancs-Manteaux, Saint-Martin-des-Champs and Saint-Séverin between 1911 and 1914. From 1924 he was appointed successor to Lucien Grandjany at Sacré-Cœur and from 1926 as the successor to Eugene Gigout at Saint-Augustin. Between 1924 and 1926 he edited and published a monthly journal called L'Orgue et les Organistes.
|
|
He left the D'Oyly Carte company in 1881, returned to London, and soon made his London debut in Jacques Offenbach's La boulangère. He played several further roles in London and then travelled to America in 1882, where he made his Broadway debut as Dromez in Bucalossi's Les Manteaux Noirs with a D'Oyly Carte touring company. He then played the roles of Nick Vedder and Jan Vedder in another D'Oyly Carte production, Robert Planquette's Rip Van Winkle (1882). Mansfield then appeared in Baltimore, Maryland, with another D'Oyly Carte troupe, as the Lord Chancellor in Gilbert and Sullivan's Iolanthe in December 1882.
|
|
Translated from Italian & enriched with historical & critical notes by M. Pingeron, Éd C. A. Joubert the older (Paris) 1771 the chapel of the Hôtel-Dieu, the église des Chartreux, the église des Blancs-Manteaux, the , the , the église de Sainte-Catherine, the Hospice of the Quinze-Vingts. He is attributed the main portal of the church of Mantes-la-Ville (Yvelines). He carved his own tomb: a bas-relief representing him holding a try square and surrounded by his two wives. This tomb disappeared in the fire of the church of the Cordeliers of Paris on 15 November 1580.
|
|
The show, entitled Réflexions profondes sur pas mal de trucs (Profound reflections on quite a few things), played on theatrical "flops", a form of humour that Tsamere said "can seem easy [but] is not when you really start to work on it". It was performed at the Blancs Manteaux theatre from April 2005 to January 2006. Tsamere met Rollin at the Dinard Comedy Festival, and he joined Tsamere and Joyet to write a second show, Chose Promise (Promised Thing). Written in 2007, it stars Tsamere as an economics teacher named Patrice Valenton, performing as part of a promise made to a friend who died in a car accident.
|
|
Cellier composed a three-act grand opera, Pandora, a version of Longfellow's The Masque of Pandora (with a libretto by B. C. Stephenson) that was presented in Boston in 1881."The Drama in America", The Era, 1 August 1880, p. 5 He returned to America later that year as music director of D'Oyly Carte's New York and touring productions of Billee Taylor (1882), Les Manteaux Noirs and Rip Van Winkle (both in the fall of 1882), and Iolanthe (1882-83), for the latter of which he prepared the New York overture. In 1883, Cellier's setting of Gray's Elegy, in the form of a cantata, was produced at the Leeds music festival.
|
|
Procida Bucalossi is primarily known for his dance arrangements (Lancers, Polka, Quadrille, Waltz) of Savoy Operas, particularly those of Gilbert & Sullivan. As a composer, Procida had success with a comic operetta Les Manteaux Noirs (The Black Cloaks) which ran at the Avenue Theatre between June and December 1882.D'Oly Carte - Who Was Who, accessed 20 November 2010 Other compositions attributed to Procida include "Ciribiribin", the "P&O; Polka" and songs titled "The Midnight Hour" and "Love, I Will Love You Forever".Philip Scowcroft, 7th Garland, accessed 20 November 2010 Ernest Bucalossi went to work for the D'Oyly Carte company in the early 1880s and succeeded his father as conductor at the Prince of Wales's Theatre in 1881.
|
|
They were not legally married until 1890, however, after Ryley finalised his divorce from his first wife. Ryley appeared in leading roles in all of the New York productions of the D'Oyly Carte Opera Company until 1883. He was Captain Felix Flapper in Billee Taylor (1881), Reginald Bunthorne in Patience (1881–82), Blood Red Bill in Edward Solomon's Claude Duval (1882), Philip of Aragon and Don Jose de Mantilla Les Manteaux Noirs (1882), Peter van Dunk in Rip Van Winkle (1882, with Selina Dolaro), and the Lord Chancellor in Iolanthe and Mr. Cox in Cox and Box (1882–83).Reviews mentioning Ryley, and particularly praising his Bunthorne He continued to appear in major Gilbert and Sullivan productions in America after leaving the company.
|
|
In 1240, the Order of the Temple built its fortified church just outside the walls of Paris, in the northern part of the Marais. The Temple turned this district into an attractive area, which became known as the Temple Quarter, and many religious institutions were built nearby: the des Blancs-Manteaux, de Sainte-Croix-de- la-Bretonnerie and des Carmes-Billettes convents, as well as the church of Sainte-Catherine-du-Val-des-Écoliers. During the mid-13th century, Charles I of Anjou, King of Naples and Sicily, and brother of King Louis IX of France built his residence near the current n°7 rue de Sévigné.This hôtel remained until 1868, and the rue du Roi-de-Sicile is named after it.
|
|
515 and Olivette; and he played Faust in Mefistofele (1880) with Constance Loseby as Marguerite and Lionel Brough as Valentine.Mefistofele, Operetta Research Center website, accessed 30 July 2014; and Mefistofele, Theatre Collection of the University of Kent, accessed 30 July 2014 In addition, he played some leading roles in musical theatre pieces under the management of Selina Dolaro at the Folly Theatre and at the Alhambra Theatre in The Bronze Horse (1891)Adams, p. 211 La petite mademoiselle and Les manteaux noirs, among others. Fred Leslie and Nellie Farren in Little Jack Sheppard In 1882, Leslie found wide success as the title character in the operetta Rip Van Winkle, by Robert Planquette, at the Comedy Theatre, also starring W. S. Penley.
|
|
The mosque was his ambitious effort to promote social integration among his people, and this is proved by the fact that when the then Viceroy of India sent him a letter questioning him on the large costs involved in building it, the Maharaja replied: "Your Excellency may be unaware that 60 per cent of my population my loyal Muslim subjects. It is only in the fitness of things that the best place of worship in my state be constructed for them". The mosque was built to the architectural design of the French architect Monsieur M. Manteaux, who had also designed the Jagatjit Palace in the city. Construction was started in 1927 and completed in 1930 and built at a cost of Rs 600,000.
|
|
After studying humanities at Paris he became a Benedictine at the abbey of St. Faron near Meaux on 30 January 1703, and continued his studies at the abbey of St. Denis. He was then sent to Saint- Germain-des-Prés to collaborate with his confrere Antoine-Augustin Touttée in the edition of the works of Cyril of Jerusalem. In 1734 he was forced to leave St. Germain-des-Pres at the instance of Cardinal Bissy, who suspected him of keeping his confreres from accepting the Bull Unigenitus. After spending a year at the abbey of Orbais, he was sent to St. Martin de Pontoise and in 1737 he was transferred to the abbey of Blancs-Manteaux, where he spent the remainder of his life.
|
|
The 12th-century cathedral Notre Dame de Paris on the Île de la Cité is one of the best-known landmarks of the 4th arrondissement, and there are the Gothic 13th-century Sainte-Chapelle palace chapel, Notre-Dame-des-Blancs- Manteaux, Saint-Louis-en-l'Île, Saint-Merri, Saint-Paul-Saint-Louis, St- Gervais-et-St-Protais, and Temple du Marais. Roads running through the 4th arrondissement include Rue Charlemagne, Rue de Rivoli, Rue des Francs- Bourgeois, and Rue des Rosiers. There are also a number of notable hotels in the district, including Hôtel de Beauvais, Hôtel de Sully, Hôtel de Sens, Hôtel de Ville, Hôtel Lambert, and Hôtel Saint-Pol, and a significant number of bridges, including Pont au Change, Pont au Double, Pont de Sully, Pont Louis-Philippe, Pont Marie, Pont Notre-Dame, Pont Saint-Louis, and Pont Saint- Michel.
|
|
4 In 1880, the couple returned to Britain, where Bracy undertook the role of Hector in the hit London production of Madame Favart, replacing Walter H. Fisher. He also appeared in roles during the early 1880s in Les Mousquetaires (1880 at the Globe Theatre); as Frittelini in Audran's long-running production of La mascotte (1881 at the Comedy Theatre), in which his song, "Love is Blind" was a great success; and, at the Avenue Theatre, in Madame Favart (1882), Bucalossi's Les Manteaux Noirs (1882), Olivette (1883), La Belle Lurette (1883) and Bluebeard (1883). Bracy as Hilarion, 1884 In 1883, as a principal tenor of the London stage, he was approached by the D'Oyly Carte Opera Company to create the role of Prince Hilarion for Gilbert and Sullivan's new comic opera Princess Ida. The production ran at the Savoy Theatre from January 1884, and Bracy left the company in October 1884, before the end of the run.
|
|