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72 Sentences With "man without a country"

How to use man without a country in a sentence? Find typical usage patterns (collocations)/phrases/context for "man without a country" and check conjugation/comparative form for "man without a country". Mastering all the usages of "man without a country" from sentence examples published by news publications.

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A man without a country, he fled to the UAE.
MIAMI — Marco Rubio's grandfather was a man without a country.
Though a U.S. resident, he was a man without a country.
What does it feel like to be a man without a country?
"I was a man without a country," the University of Utah quoted him as having said afterward.
Regardless, it hangs over Mr. Heller, who at the moment is something like a man without a country.
One song, "A Man Without a Country," ends with two full minutes of ambient landscape sound, almost silent. Why?
Though a de facto resident of the United States, he was effectively a man without a country, trapped in bureaucratic purgatory.
He ends the day "exhausted and blissful," quoting from "The Man Without a Country," by Edward Everett Hale, and begins to weep.
"I'm a man without a country," one of the interviewees quotes a fellow G.I. as saying, having been radicalized by his war experience.
A Man Without a Country is all his complaints, gripes, what he's seen America go through, and what he's been through as an older guy.
Ralph Northam (D) is "a man without a country," a comment that comes as Northam faces calls to resign over a controversy involving a racist photo.
Kanter has also publicly addressed political issues in his native Turkey, and his criticism of the president, Recep Tayyip Erdogan, has left him something of a man without a country.
Going on four years later, a combination of the war in Vietnam and white backlash against African-American unrest in the cities and the Civil Rights movement in general had left Johnson a man without a country.
Indeed, Marvel addressed the politics of the day more often during the Nixon presidency, which saw Spider-Man confront Students for a Democratic Society activists in 1969 at Empire State University—a fictionalized Columbia University—and Captain America abandon his mission as protector of the United States to become Nomad, the man without a country.
But if there was a silver lining to the otherwise interminable and horrifying election, it was that Kissinger seemed like a man without a country—too damaging for Clinton and too establishment for Trump, who ran in part by arguing that America's military was overstretched and that its intervention-heavy foreign policy was foolish.
Assange and Wikileaks Depending on a reader's preconceptions, she or he will interpret Raffi Khatchadourian's article about the WikiLeaks founder, Julian Assange, a ghostly global activist hiding out in a foreign embassy, as a portrait of either a self-involved, two-faced traitor to his own ideals or a crusading hero of the populace ("Man Without a Country," August 21st).
The Man Without a Country is a 1973 American made-for-television drama film based on the short story "The Man Without a Country" by Edward Everett Hale.
"The Man Without a Country" has been adapted for film several times, starting in 1917 with The Man Without a Country starring Florence La Badie, a 1918 film My Own United States, one in 1925, and another Man Without a Country starring John Litel and Gloria Holden and released by Warner Brothers in 1937.IMDb The Man Without a Country 1917 FilmIMDb My Own United States 1918 FilmIMDb The Man without a Country 1973 TV An opera of the story, also entitled The Man Without a Country, was composed by Walter Damrosch and premiered at the Metropolitan Opera in 1937. On November 21, 1943, the horror/thriller radio program The Weird Circle presented an adaptation of the story. Bill Johnstone (best known as Orson Welles' replacement as the title character in The Shadow radio drama) narrated (and took part in) the story as Hale.
The Man Without a Country The Man Without a Country is a 1917 American silent film adaptation of Edward Everett Hale's short story The Man Without a Country. It was directed by Ernest C. Warde, and starred Florence La Badie, Holmes Herbert, and J. H. Gilmour, and released by Thanhouser Film Corporation.The American Film Institute Catalog Feature Films: 1911-20 published by The American Film Institute, c.1988 The film follows closely to the storyline of the book, and was a success in film theaters.
"Do You Know What a Twerp Is?", A Man Without a Country, New York: Seven Stories Press, pp. 7–8.
The Man Without a Country is a 1925 American drama film directed by Rowland V. Lee and written by Robert N. Lee. It is based on the 1863 short story The Man Without a Country by Edward Everett Hale. The film stars Guy Edward Hearn, Pauline Starke, Lucy Beaumont, Richard Tucker, Earl Metcalfe and Edward Coxen. The film was released on February 11, 1925, by Fox Film Corporation.
Tom Bosley was host of the series. In 2016, Chuck Pfarrer penned an historical novel entitled Phillip Nolan: The Man Without a Country for the US Naval Institute Press.
"The Man Without a Country" was first published in The Atlantic Monthly for December 1863 "The Man Without a Country" is a short story by American writer Edward Everett Hale, first published in The Atlantic in December 1863. It is the story of American Army lieutenant Philip Nolan, who renounces his country during a trial for treason, and is consequently sentenced to spend the rest of his days at sea without so much as a word of news about the United States.
A Man Without a Country (subtitle: A Memoir Of Life In George W Bush's America) is an essay collection published in 2005 by the author Kurt Vonnegut. The essays deal with topics ranging from the importance of humor, to problems with modern technology, to Vonnegut's opinions on the differences between men and women. Many of the essays explicate Vonnegut's views about politics and the issues in modern American society, often from a humanistic perspective. A Man Without a Country was a New York Times Bestseller and a Booksense Notable Book.
His band was taken captive and sent to work the mines in northern New Spain. Nolan County, Texas is named for him. Edward Everett Hale used his name for the protagonist in his story "The Man Without a Country".
Andrew Laszlo A.S.C. (January 12, 1926 – October 7, 2011) was a Hungarian- American cinematographer best known for his work on the cult film classic The Warriors. He earned Emmy nominations for The Man Without a Country in 1973 and TV miniseries Shōgun in 1980.
The raid on Coshocton was condemned; Washington cort-martialed Broadhead and removed him from command. Gelelemend had become a man without a country. He lived at Fort Pitt until 1785, always in fear for his life. Long interested in Christianity, Gelelemend joined the Moravian mission at Salem, Ohio in 1788.
Vallandigham's deportation to the Confederacy prompted Edward Everett Hale to write "The Man Without a Country". This short story, which appeared in The Atlantic Monthly in December 1863, was widely republished. In 1898, Hale made the assertion that Vallandigham stated "he did not want to belong to the United States".Hale, Edward Everett.
Edward Everett Hale (April 3, 1822 – June 10, 1909) was an American author, historian, and Unitarian minister, best known for his writings such as "The Man Without a Country", published in Atlantic Monthly, in support of the Union during the Civil War. He was the grand-nephew of Nathan Hale, the American spy during the Revolutionary War.
The Man Without a Country is a studio album of phonograph records by Bing Crosby of the famous Edward Everett Hale story released September 15, 1947. The story had been adapted as a poetic narrative by Jean Holloway. The album was produced and directed by Paramount Pictures producer Robert Welch with musical accompaniment from Victor Young and His Orchestra.
He went into exile a second time, to take up residence in a remote villa in the Aegean, now a man without a country. Lysander's term as navarch then came to an end. He was replaced by Callicratidas but Cyrus now stinted his payments for the Spartan fleet. The funds allocated by the Great King had been used up.
"The Man Without a Country". p. 116, The Outlook, May–August 1898. In Ward Moore's 1953 alternate history novel Bring the Jubilee, the Confederacy wins the Battle of Gettysburg, wins its independence and imposes a humiliating peace on the United States. Vallandigham wins the 1864 presidential election, and the electorate turns sharply against the Republicans, held responsible for the disaster.
The Man Without a Country is a 1937 American short drama film directed by Crane Wilbur in Technicolor. It was nominated for an Academy Award at the 10th Academy Awards in 1937 for Best Short Subject (Color). It is a remake of the 1917 film of the same name, based on the story by Edward Everett Hale. Actor Holmes Herbert appeared in both versions.
Carlyle Harmon stayed with ERI until 1988, "In 1988 I was squeezed out of my own Institute. I truly felt like a man without a country." Carlyle Harmon was complimented by President Ronald Reagan for his efforts in making the Reagan "Star Wars" Strategic Defense Initiative (SDI) program for the military. Cleo Harmon, Carlyle's wife, used to work as the Secretary to the President of ERI.
What So Proudly We Hail is a compilation album of phonograph records by Bing Crosby released in 1946 featuring songs that were sung by Crosby in an American-type patriotic style. This album featured Bing singing patriotic songs such as: "Ballad for Americans", "God Bless America" and "The Star- Spangled Banner". The songs were later presented in a 33 1/3 rpm split set with The Man Without a Country.
Hale married Helen Manning (Brown) Hale, a great-great-granddaughter of Cornelius Vanderbilt, on September 11, 1926. They had three children together: Helen Jr., Herbert Dudley III, and Lucy. Hale was a grandson of author Edward Everett Hale, the Chaplain of the United States Senate who penned "The Man Without a Country". Hale also descended from Secretary of State Edward Everett and Nathan Hale, a Revolutionary War soldier.
In 1931 he became the Old Vic company's leading tenor when it moved to Sadler's Wells Theatre. His roles at Sadler's Wells included Fra Diavolo, Manrico of Il trovatore, Radames of Aida, Cavaradossi of Tosca, and Otello. In 1936 he made his Metropolitan Opera debut as Canio in Pagliacci. He remained at the Metropolitan until 1946, creating the role of Nolan in Damrosch's The Man Without a Country in 1937.
He was released on a $3,000 bond pending formal deportation proceedings against him. U.S. media described him as a "draft evader". Others called him a "modern-day Philip Nolan", a reference to the main character of the American Civil War short story The Man Without a Country. Represented by attorney Peter Rindskopf, Jolley appealed his case to the Board of Immigration Appeals in April 1969, but the Board ruled against him in March 1970.
His first published novel, Killing Che, was released in 2007. Pfarrer's second novel, a work of nautical fiction, was published by the United States Naval Institute Press in April 2016. Based on the epic American short story of the same name by Edward Everett Hale, Philip Nolan, The Man Without a Country is a novelization of Hale's story, and tells of Nolan's court martial and his life as a prisoner on an American ship.
The essay also appeared in the 2005 anthology A Man Without A Country. The song "Diane Young" by Vampire Weekend from their 2013 album Modern Vampires of the City opens with the line, "You torched a Saab like a pile of leaves." The music video for the single features a burning Saab 900. The Lil’ Kim song "Gettin’ Money (Get Money Remix)" contains the lyrics "Convertible Saab/I’m married to the mob".
Elmer Samuel Hosmer (1862 – 1945) was an American composer. A native of Massachusetts, he studied with J. C. D. Parker and Percy Goetschius, and wrote a good deal of church music. He also composed a number of cantatas, including one about Christopher Columbus (Columbus: A Short Cantata for Men's Voices) and one after "The Man Without a Country". He set a poem by Clara Hapgood Nash, "Mother", to music as a song.
Some of her films are The Greater Glory (1926), with Conway Tearle, The Man Without A Country (1925), with Pauline Starke, Torrent (1926), with Ricardo Cortez, The Beloved Rogue, with John Barrymore, Resurrection (1927), with Dolores del Río, The Crowd (1928), with Eleanor Boardman and Maid of Salem (1937), her final motion picture, with Claudette Colbert. Her final professional appearance was in April 1937 on the Robert L. Ripley radio programme. Beaumont's films spanned a variety of genres.
The two films were to be Daughters of Australia, budgeted at £12,500, and Man Without a Country, at a cost of £12,500 (these were later re-titled That Certain Something (1941) and The Power and the Glory (1941) respectively). Plans for further production – including a version of the Stingaree stories – did not come to fruition and the company was liquidated in 1948. Argosy is not to be confused with the British film company of the same name.
She may be best remembered for two roles in her long career, that of Mme. Zola in The Life of Emile Zola (1937), and her "exotic" depiction of the title role in Dracula's Daughter (1936). Her performance in the latter influenced the writings of horror novelist Anne Rice, and Dracula's Daughter is directly mentioned in Rice's novel The Queen of the Damned. In July 1937, Holden was assigned to play the character of Marian Morgan in The Man Without a Country (1937).
Back at Fox, Lee directed Gentle Julia (1923), another Tarkington adaptation. After Gentle Julia, Lee spent several months studying filmmaking in Europe, a practice he would continue for the next decade. Lee did You Can't Get Away with It (1923), In Love with Love (1924) with Marguerite De La Motte, and an expensive adaptation of The Man Without a Country (1925). Other credits included Havoc (1925), The Outsider (1926) (with Walter Pidgeon), and The Silver Treasure (1927), based on Nostromo by Joseph Conrad.
During the 1920s he toured with light opera companies in Asia, South America and South Africa. On 16 May 1936 he made his debut at the Metropolitan Opera as Escamillo in Bizet's Carmen. He performed several more roles at the Met in 1936–37, including Alfio in Cavalleria Rusticana, Amonasro in Aida, and Aaron Burr in the world premiere of Walter Damrosch's The Man Without a Country. He also performed with opera companies in Chicago, Cincinnati, Philadelphia, and St Louis.
A Man Without a Country, the last book Vonnegut published during his lifetime, includes material that originally appeared in In These Times. Before working at In These Times, Bleifuss was a features writer at the Fulton Sun, in Fulton, Missouri. His criticisms of the public relations industry have appeared in the Utne Reader and on the op-ed page of The New York Times. Bleifuss' articles have been featured on Project Censored's list of suppressed news stories more than those of any other American journalist.
He was invited to give speeches, lectures and commencement addresses around the country and received many awards and honors. Later in his career, Vonnegut published several autobiographical essays and short-story collections, including Fates Worse Than Death (1991), and A Man Without a Country (2005). After his death, he was hailed as a black-humor commentator on the society in which he lived and as one of the most important contemporary writers. Vonnegut's son Mark published a compilation of his father's unpublished compositions, titled Armageddon in Retrospect.
Rose was built at the Smith and Rhuland shipyard in Lunenburg, a yard which had established a reputation for large and successful replicas such as HMS in 1960 and in 1963. The ship was inspected and certified by the United States Coast Guard. She spent the first ten years of her life in Newport, Rhode Island sailing in Newport Harbor and as a dockside attraction. In the summer of 1972, Rose was hired for the film "The Man Without a Country", a made-for-television production.
He composed operas based on stories such as The Scarlet Letter (1896), Cyrano (1913), and The Man Without a Country (1937). Those operas are very seldom performed now. He also wrote music for performances of Euripides's Medea and Iphigenia in Tauris, and Sophocles's Electra, and songs such as the intensely dramatic Danny Deever. Damrosch was the National Broadcasting Company's music director under David Sarnoff, and from 1928 to 1942, he hosted the network's Music Appreciation Hour, a popular series of radio lectures on classic music aimed at students.
Her fiance becomes very unpopular at his club because of his views and is taken to task by one of his father's friends. Having lost Barbara and his popularity makes him resent the constant references to the United States and his debt to his country, and he curses his native land. Barbara enlists as a Red Cross nurse and her brother as a soldier. Later, an old friend of John's family, Pop Milton (Dundan), gives him a copy of The Man Without a Country and asks him to read it and rise above his treasonous views.
My Own United States is a 1918 American silent drama film directed by John W. Noble and starring Arnold Daly, Charles E. Graham, and Duncan McRae. It is based on the short story The Man Without a Country by Edward Everett Hale. It was distributed by Metro Pictures The original story, with its strong patriotic theme, was written during the American Civil War in order to increase public support for the Union cause; the film had a like function with regard to World War I, in which the United States was deeply involved at the time.
Although he remained a prolific writer in the 1980s Vonnegut struggled with depression and attempted suicide in 1984. Two years later, Vonnegut was seen by a younger generation when he played himself in Rodney Dangerfield's film Back to School. The last of Vonnegut's fourteen novels, Timequake (1997), was, as University of Detroit history professor and Vonnegut biographer Gregory Sumner said, "a reflection of an aging man facing mortality and testimony to an embattled faith in the resilience of human awareness and agency." Vonnegut's final book, a collection of essays entitled A Man Without a Country (2005), became a bestseller.
Trout accidentally becomes a great hero, rescuing many lives after the timequake, and finally receives a measure of acclaim: he spends his last days in a literary colony, honored for his heroism and some of his discarded works, which were preserved by a security guard. In A Man Without a Country, Vonnegut receives a brief phone call on January 20, 2004, from Kilgore Trout in which they discuss George W. Bush's State of the Union Address and the imminent death of the Earth due to human carelessness. In God Bless You, Dr. Kevorkian, Vonnegut's final interview is with Trout.
He soon published other stories in the same periodical. His best known work was "The Man Without a Country", published in the Atlantic in 1863 and intended to strengthen support for the Union cause in the North. As in some of his other non-romantic tales, he employed a minute realism which led his readers to suppose the narrative a record of fact. These two stories and such others as "The Rag-Man and the Rag-Woman" and "The Skeleton in the Closet", gave him a prominent position among short-story writers of 19th century America.
" In response to Truss, Ben Macintyre, a columnist in The Times, wrote: "Americans have long regarded the semi-colon with suspicion, as a genteel, self-conscious, neither-one-thing- nor-the other sort of punctuation mark, with neither the butchness of a full colon nor the flighty promiscuity of the comma. Hemingway, Chandler and Stephen King wouldn’t be seen dead in a ditch with a semi-colon (though Truman Capote might). Real men, goes the unwritten rule of American punctuation, don’t use semi-colons." In his book titled A Man Without a Country, Kurt Vonnegut writes: "Semicolons are transvestite hermaphrodites representing absolutely nothing.
Taylor was a member of the Law Society of British Columbia from 1946 until his retirement in 1988. He was one of the first lawyers in Canada practising mainly in immigration law matters, due in part to his father's lengthy tenure as head of the Immigration Branch in British Columbia. Taylor gained recognition in early 1957 with his representation of Christian George Hanna, "the man without a country," whose case was used by the opposition Progressive Conservative Party in the House of Commons to attack the then Liberal government's handling of immigration matters and the Minister of Citizenship and Immigration, Jack Pickersgill."Hanna leaves Canada,"The Calgary Herald, Oct.
He continued to perform at the Met for the next 40 years. Most of the 97 roles he performed at the Met were comprimario roles. He notably created roles in the world premieres of Deems Taylor's The King's Henchman (Cynric, 1927), Taylor's Peter Ibbetson (1931, Prison Governor), Howard Hanson's Merry Mount (Thomas Morton, 1934), Walter Damrosch's The Man Without a Country (1937, Lieutenant Reeve), and Samuel Barber's Vanessa (1958, Nicholas). He also sang roles in the United States premieres of Turandot (Mandarin, 1926), Jonny spielt auf (policeman, 1929), Fra Gherardo (1929, Podestà's Assessor), Sadko (Apparition, 1930), The Fair at Sorochyntsi (Gypsy, 1930), and Caponsacchi (1937, Venturini).
During this period, Rogers temporarily gains super strength. The series dealt with the Marvel Universe's version of the Watergate scandal,Sanderson "1970s" in Gilbert (2008), p. 164: "Inspired by the real life Watergate scandals, writer Steve Englehart devised a story line about a conspiracy within the U.S. government." making Rogers so uncertain about his role that he abandons his Captain America identity in favor of one called Nomad,Sanderson "1970s" in Gilbert (2008), p. 167: "Shocked by learning the identity of Number One of the Secret Empire, Steve Rogers abandoned his Captain America role and adopted a new costumed identity, Nomad." emphasizing the word's meaning as "man without a country".
In 2011, NPR wrote, "Kurt Vonnegut's blend of anti-war sentiment and satire made him one of the most popular writers of the 1960s." Vonnegut stated in a 1987 interview that, "my own feeling is that civilization ended in World War I, and we're still trying to recover from that", and that he wanted to write war- focused works without glamorizing war itself. Vonnegut had not intended to publish again, but his anger against the George W. Bush administration led him to write A Man Without a Country. Slaughterhouse-Five is the Vonnegut novel best known for its antiwar themes, but the author expressed his beliefs in ways beyond the depiction of the destruction of Dresden.
David Stanley Jacubanis, surname sometimes spelled Jacobanis (July 8, 1910 - June 23, 1985), was a Russian-American criminal and former member of the FBI's Ten Most Wanted list. Born in Baku, Jacubanis was mainly a drifter whose criminal career spanned thirty-seven years with convictions including breaking and entering, larceny, auto theft, armed robbery and carrying a gun without a license. Considered an escape risk by several prisons where he would be imprisoned, among them Alcatraz, Jacubanis was described by federal agents as "a man without a country"; Jacubanis was rejected for deportation by Russia, Canada, England and France. In 1962, shortly after being paroled, Jacubanis robbed $6,004 from a bank in Dedham, Massachusetts on March 27, 1962.
Berggruen was born in Paris, the son of art collector Heinz Berggruen,Businessweek: "Deep Thoughts With the Homeless Billionaire" By Devin Leonard September 27, 2012 and actress Bettina Moissi. His father was of German-Jewish descent and his mother a CatholicDer Spiegel: "Seinen Geist am Leben erhalten" by Ulrike Von Knöfel and Martin Doerry (in German) "Meine Mutter ist katholisch, mein Vater jüdisch" / My mother is Catholic, my father is Jewish of German and Italian/Albanian descent. Berggruen attended the École alsacienne in Paris and Le Rosey in Switzerland, before completing a baccalauréat in Paris as a candidat libre in 1978.Stacy Meichtry (September 29, 2011), Man Without a Country Wall Street Journal.
On October 19, 1950, columnist Walter Winchell (who by then had gone from liberal to conservative) commented: > The Man Without a Country has turned from fiction to fact... George Shaw > Wheeler (native American), who denounced the United States and renounced his > citizenship–asked' the Communists in Prague for asylum... He is now in dire > straits–despised even by the Reds and loathed by the Czechs... He is a most > pitiful figure there, we are informed... Through a friendly Embassy Wheeler > sent word this week that he wants to get out of the Red Paradise–back > home–to the USA. > This is to inform him that the United States does not admit foreigners with > Communist records and that he will not be admitted to this native American > soil again-even to be buried.
On May 12, 1937, Traubel made her debut appearance on the opera stage, after composer Walter Damrosch asked her to sing the role of Mary Rutledge in the world premiere of his opera The Man Without a Country at the Metropolitan Opera.Sicherman and Green (1980) p. 697 She made her debut with the Chicago City Opera Company later that year, appearing there until the company went bankrupt in 1939. In 1940, she joined the roster of the Chicago Opera Company, remaining a member of that company until it too went bankrupt in 1946. She made her debut with the San Francisco Opera as Brünnhilde in Die Walküre on October 9, 1945 with Lauritz Melchior as Siegmund, Margaret Harshaw as Fricka, and William Steinberg conducting; she made several further appearances there during 1945 and 1947.
Earl Metcalfe (March 11, 1889 – January 26, 1928) was an American actor. He appeared in the films The Fortune Hunter, While New York Sleeps, What Women Will Do, White Eagle, While Justice Waits, The Great Night, Look Your Best, Skid Proof, Fair Week, The Silent Accuser, Silk Stocking Sal, The Man Without a Country, The Ship of Souls, Partners Again, With Buffalo Bill on the U. P. Trail, The Midnight Sun, The Call of the Klondike, The Midnight Message, The Mystery Club, Atta Boy, Love's Blindness, Remember, The Notorious Lady, and The Devil's Saddle, among others. In a movie fight with actor/director Joseph Kaufman, Kaufman accidentally lost some teeth during the filming."In the Studios", New York Daily Mirror, May 5, 1915 Metcalfe died during a flight in a biplane in 1928 over Glendale or Burbank California.
STRAUSS OPERA HAS AMERICAN PREMIERE; " Feuersnoth," in One Act, Is Sung by the Philadelphia Civic Company. LAID IN TWELFTH CENTURY " Die Maeinkonigen," a Pretty Pastoral Work by Gluck, Also Given Before Brilliant Audience, Olin Downes, The New York Times, December 2, 1927 In 1936 Rasely joined the roster of the Metropolitan Opera in New York City, making his debut with the company as Vasek in Bedřich Smetana's The Bartered Bride on May 15, 1936 with Muriel Dickson as Marenka, Mario Chamlee as Jeník, and Wilfred Pelletier conducting. He remained at the Met for the next 8 year, notably creating the role of Harman Blennerhassett in the world premiere of Walter Damrosch's The Man Without a Country on May 12, 1937 and portraying Gherardi in the United States premiere of Richard Hageman's Caponsacchi on February 4, 1937.
Coffield guest starred on several TV shows throughout the 1970s and early 1980s, including The Love Boat, Hart to Hart, Eight Is Enough, Wide World Mystery, Family, and Love, Sidney, and he acted in TV movies such as Washington: Behind Closed Doors, and The Man Without a Country. He also performed in several plays on Broadway, including Hamlet (1969), Abelard and Heloise (1971), The Merchant of Venice (1973), Tartuffe (1977), and The Man Who Came to Dinner (1980). In addition to Broadway, Coffield had key roles in Misalliance at the Roundabout Theater, in A. R. Gurney's Middle Ages at the Hartman Theater in Stamford, Conn., and in S. N. Behrman's No Time for Comedy at the McCarter Theater in Princeton, N.J., and he performed at the Kennedy Center for the Performing Arts in Washington and at the Old Globe Shakespeare Festival Theater in San Diego.
As a professional physician, Pinsker preferred the medical term "Judeophobia" to the recently introduced "antisemitism". Pinsker knew that a combination of mutually exclusive assertions is a characteristic of a psychological disorder and was convinced that pathological, irrational phobia may explain this millennia-old hatred: > : "... to the living the Jew is a corpse, to the native a foreigner, to the > homesteader a vagrant, to the proprietary a beggar, to the poor an exploiter > and a millionaire, to the patriot a man without a country, for all a hated > rival." His analysis of the roots of this ancient hatred led him to call for the establishment of a Jewish National Homeland, either in Palestine or elsewhere. Eventually Pinsker came to agree with Moses Lilienblum that hatred of Jews was rooted in the fact that they were foreigners everywhere except their original homeland, the Land of Israel.
She notably sang Elisetta in the Met's first staging of Domenico Cimarosa's Il matrimonio segreto on February 25, 1937 with Muriel Dickson as Carolina, Irra Petina as Fidalma, George Rasely as Paolino, Louis D'Angelo as Geronimo, and Ettore Panizza conducting. Among the other roles she portrayed on the Met stage were an American Girl in Walter Damrosch's The Man Without a Country, Ellen in Lakmé, an Errand Girl in Louise, the Forest Bird in Siegfried, the First Esquire in Parsifal, an orphan in Der Rosenkavalier, Musetta in La Bohème, Papagena in The Magic Flute, Poussette in Manon, and Yniold in Pelléas et Mélisande. Her last and 157th performance at the Met was as Esmeralda in Bedřich Smetana's The Bartered Bride on January 16, 1942 with Jarmila Novotná as Marenka, Tokatyan as Jeník, Karl Laufkötter as Vasek, Norman Cordon as Kecal, Thelma Votipka as Ludmila, and Paul Breisach conducting. Bodanya took some time off from performing to have her son Paul.
Inspired by thoughts on his way home from church in May 1917, having just recited the Apostles' Creed used in most Christian churches as a statement of belief, Page drew on a wide variety of historical documents and speeches, including the Declaration of Independence, the Preamble to the US Constitution, Abraham Lincoln's Gettysburg Address, a speech made by Daniel Webster, and text from Edward Everett Hale's 1863 patriotic short story of a military officer condemned to exile, "The Man Without a Country." He proceeded to craft a simple but moving expression of American patriotism. His submission was chosen in March 1918 over more than 3000 other entries. On April 3, 1918, it was accepted by the House Speaker of the United States House of Representatives, and the US Commissioner of Education (then part of the US Department of the Interior) on behalf of the American people, according to the "Congressional Record", No. 102, April 13, 1918.
Photograph of Edward Hearn c.1920 from W. Lee Cozad's book Those Magnificent Mountain Movies: The Golden Years 1911–1939, which also includes the incorrect statement that Hearn, rather than Jack Dempsey himself, played the boxing champ in Daredevil Jack Engaged by Universal Pictures' early silent film subsidiary, Bluebird Photoplays, as leading man to Ruth Clifford in 1918's The Lure of Luxury, Hearn was subsequently put under contract with the low-budget studio Film Booking Offices of America (also known as FBO Pictures Corporation)"At the Theaters; Airdome" (St. Petersburg Times, February 6, 1926) and alternated between roles as leading man (to Ruth Renick in Tahiti-filmed The Fire Bride (1922), Jane Novak in Colleen of the Pines (1922), Gladys Walton The Town Scandal (1923), Laura La Plante Excitement (1924), and Josie Sedgwick in The Outlaw's Daughter (1925), and second leads, billed after Patsy Ruth Miller, Ralph Graves and Edna Murphy in Daughters of Today (1924). In 1925, Hearn was fourth-billed as Clara Bow's brother in The Lawful Cheater, a crime drama fashioned as a vehicle for the flapper star, while he also had a rare first-billed role as the central character, Philip Nolan, in Fox Film Corporation's adaptation of Edward Everett Hale's classic short story, "The Man Without a Country".

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