Indeed, there were many factors that went into making the scene so perfect.
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Her marks are lighter and thinner, and quicker, making the scene more airy.
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Esports' growth comes with more corporate involvement, making the scene bigger, richer and more impersonal.
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It's all about just making the scene feel like it plays and works in the best way possible.
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Pepper Pike firefighters isolated the damaged line, shutting off the flow of gas and making the scene safe at about 3:35 a.m.
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"You better buck your act up, lad," he whispers, his terrible attempt at a Nottinghamshire accent somehow making the scene all the more terrifying.
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The images were grainy, as if they had been pirated, making the scene far more compelling and dramatic than anything we might have seen on C-Span.
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While Sansa was forcibly violated by Ramsay, show-makers chose to point the camera toward Reek (Theon) — thereby making the scene about the trauma he was feeling in the moment and not hers.
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Though the store itself is small, its square footage really includes the outside steps and the sidewalk and the street, where on most days you can see skaters hovering around, making the scene by not making a scene.
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We asked Deborah Rose, a Philadelphia-based veteran promoter of sex-positive events, to explain the regulations surrounding the industry, how promoters get around some of these barriers, and strategies for making the scene better and safer for participants.
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Although the Evangelista family's entire emotional Christmas dinner was all written in Mock and co-writer Our Lady J's script, Mock, who also directs Pose's upcoming sixth episode, credits the drama's on-screen performers for making the scene as touching as it is.
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A late autumn wind crackled through the yellowing leaves, drowning out the enormous dump trucks and backhoes in the distance and making the scene seem unreal — that someone, somewhere, had decided that one way of life would end and another would begin.
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Gray describes the challenges of making the scene feel authentic, including shooting in the desert at another frame rate to make it look as if the moon rovers were affected by the different gravitational pull, then enhancing that footage with visual effects.
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Things were largely moving along just fine — new outposts for Laotian fare had opened up, along with charred steak joints, exciting taquerias and Chesapeake oyster houses — but he noted with regret that Washington chefs were no longer making the scene at the White House.
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The dolls and dandies attending the Jazz Age Lawn Party simultaneously express a passion for arcana and a thirst for making the scene as they lunch on the lawn (plucking grapes, scooping quinoa, picking at Caligulan spreads of Carr's crackers) or else cocktail like tycoons in $5,000 V.I.P. tents.
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Fincher can't stay in that shot without making the scene incredibly boring to look at, but cutting to basically any other shot will reveal Kevin in the back seat, thus giving the audience information Tench won't have (namely, what Kevin looks like after those gunshots and the resultant reconstructive surgery).
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In the video's narration, Cooper, who also directed the film, discusses how he set up the burgeoning relationship between these two characters (making the scene feel like it was unfolding in real time) and why it takes place at a grocery store (his fascination, before he himself was famous, with the fact that celebrities also go to the store sometimes).
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February 25, 2009. Both "Breath" and "State of Love and Trust" were recorded with the intention of the two songs possibly appearing in the film Singles.Crowe, Cameron. "Making the Scene: A Filmmakers Diary".
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Deborah Weisz was born in Chicago to Victor and Alice Mae. She grew up in Phoenix, where she began to play trombone at the age of ten.Stewart, Alex. Making the Scene: Contemporary New York City Big Band Jazz.
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"State of Love and Trust" features lyrics written by vocalist Eddie Vedder and music co-written by guitarist Mike McCready and bassist Jeff Ament. The song was originally recorded during the sessions for Ten with the possible intention of appearing in the film Singles.Crowe, Cameron. "Making the Scene: A Filmmakers Diary" .
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Not long after his stint with Andy and Jerry Gonzalez's Fort Apache Band, Arturo O'Farrill joined his father Chico O'Farrill to aid in the latter's late-career musical revival. In his frail state Chico was unable to manage his own affairs, and so he began to delegate the hiring of his musicians to outside contractors.Alexander Stewart. Making the Scene: Contemporary New York City Big Band Jazz. 243.
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Seeing this, Arturo O'Farrill stepped in on his father's behalf and assembled what became known as the Chico O'Farrill Afro-Cuban Jazz Orchestra. In 1995 he was named pianist and music director of the orchestra. In 1997 the Chico O'Farrill Afro-Cuban Jazz Orchestra began to play at Birdland each Sunday night,Alexander Stewart. Making the Scene: Contemporary New York City Big Band Jazz. 227.
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Zinn was born on Bainbridge Island, near Seattle, Washington. He wanted to be an actor and then moved backstage to start designing in middle school.Brendon Lemon, "Making the Scene with David Zinn", Lincoln Center Theatre, January 30, 2017. After using his high school career at Bainbridge High School to work in and around Seattle and Bainbrigdge Island, Zinn decided to move to New York City.
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Wratten filters are also used in photomicrography. Filters made by various manufacturers may be identified by Wratten numbers but not precisely match the spectral definition for that number. This is especially true for filters used for aesthetic (as opposed to technical) reasons. For example, an 81B warming filter is a filter used to slightly "warm" the colors in a color photo, making the scene a bit less blue and more red.
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"It was the Cardboard Andy, not the Andy I could love and play with," said close friend and collaborator Billy Name. "He was so sensitized you couldn't put your hand on him without him jumping. I couldn't even love him anymore, because it hurt him to touch him."Making the Scene: Factory Made: Warhol and the Sixties by Steven Watson , Dennis Drabelle, The Washington Post book review, November 16, 2003.
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Originally, the film was scheduled for release before the TV series began to air, but the film's release date was changed to be closer to Thanksgiving 1967, meaning that the film came out after the TV series had already been running for about two months."Making the Scene: Movies and TV", Boys' Life, Sept. 1967, p. 4. Gentle Giant therefore served as additional promotion for the Gentle Ben TV series rather than introducing it.
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Making the Scene: Contemporary New York City Big Band Jazz. Berkeley: University of California Press (2007): 244. He also began to receive a formal musical education around this time, graduating from LaGuardia High School for Music and Art and then studying at the Manhattan School of Music, the Conservatory of Music at Brooklyn College (from which he received the Distinguished Alumnus Medal), and the Aaron Copland School of Music at Queens College.Zoho Music.
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Filming took place in Los Angeles and Italy in June and July 2009. Benicio del Toro, Erin Wasson and members of the band Rooney have cameos in the film. In a feature for The New York Times website, Coppola discussed making the scene when Marco visits a special effects studio. She said she initially was unsure of how to approach it, but Savides did a long, slow zoom which captures his breathing and creates a sense of claustrophobia.
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He also overhears the same man say his insurance will no longer be covering the warehouse. He burns down the warehouse in the name of the working class, making the scene a sort of sympathetic scene for The Dead Man to Thompson's readership (middle class workers). In this way, Thompson utilizes and warps what was effective about Henry Box Brown's narrative to appeal to a different audience, including language such as "master" to keep a similar emotional attachment.
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Caravaggio's Judith Beheading Holofernes shows a different portrayal of this scene. Mary Gerrard points out that Caravaggio "reintroduced a narrative emphasis, but focusing now upon the dramatic rather than the epic features of the story and upon the human conflict between the two principal characters". Caravaggio shows Holofernes holding the blood coming from his neck like a string. Rather than making the scene of Holofernes's beheading more palatable for the viewers, Gentileschi differs by not holding back the gruesome imagery.
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Around 1989-1992 people who had travelled to attend the first raves began setting up promotion companies in each region to organize their own parties. This happened on a grassroots basis, often informally. By the mid-1990s, major corporations were sponsoring events and adopting the scene's music and fashion for their "edgier" advertising, making the scene become more commercialized. After sensational coverage in the tabloids, culminating in a particularly large rave (near Castlemorton) in May 1992, the government acted on what was depicted as a growing menace.
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Larry Siegel, with the help of Robert Menschel and NYSCA, founded the Midtown Y Photography Gallery in 1972 as a corridor gallery at the Emanu-El Midtown YM-YWHA on 14th Street. Larry Siegel had previously established the Image Gallery, which along with Helen Gee’s Limelight Gallery was one of the few venues in New York City, apart from the Museum of Modern Art, that held photography exhibitions in the 1950s and early 1960s.New York Public Library. (2007). Making the scene: The Midtown Y Photography Gallery, 1972-1996.
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However, it later becomes apparent the terrorists are going to attack during the dry run. Actor Alex Lanipekun believed the episode became a sort of "coming of age" for his character, as he had to deal with issues dealing with undercover operations including not to get close to a terrorist. The episode introduces the "Sugarhorse" story arc, which continues through to the series finale. In making the scene where Lucas North was waterboarded, Richard Armitage who portrays him was subjected to the actual torture to ensure the scene's authenticity.
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He thought that having Kurt sabotage his own audition sent out a "mixed message", and believed that actress Lauren Potter was "used as a prop in the continuing humanization of Sue Sylvester." Hale wrote that the storyline felt "smarmy and artificial", though praised Lynch for making the scene with Sue's sister "warm and real". Entertainment Weekly Dan Snierson felt that the revelation about Sue's sister was "a little manipulative", though wrote that he "didn't care in that glorious moment." He hoped that Glee writers would not humanize Sue too often, however, fearing that she would lose her "dictatorial swagger".
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Around 1920, Basie went to Harlem, a hotbed of jazz, where he lived down the block from the Alhambra Theater. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band.Count Basie, 1985, p. 51 Soon, Basie met many of the Harlem musicians who were "making the scene," including Willie "the Lion" Smith and James P. Johnson. Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies (featuring singer Katie Crippen) as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.
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However, Vikernes was convinced that the journalist gave information to the police and misrepresented his words in the published article. In the film Svein Erik Krogvold, the main police investigator in the case, said that police got the name directly from the journalist and thus could initiate an arrest of Vikernes.Tønder avsløres Vikernes was arrested the day the article was printed. The documentary also shows the development of the early Norwegian black metal scene, the inspiration for it, prevailing thoughts and attitudes and ultimately how the Norwegian media contributed to making the scene known worldwide by hyping the Satanist angle and thus inspiring copycat arsons.
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Susan, Mary's friend and a main character in the novel, is portrayed as the daughter of the Thomas Howard, 3rd Duke of Norfolk, making her Anne Boleyn's first cousin. The character is likely based upon Susan Clarencieux, who was a favored maid of Mary, but she was not the daughter of the duke. He in fact had no children by the name of Susan, making the scene where he brutally strikes her for defending her mistress over the claims of her illegitimacy, causing her lip to be split open, entirely fictional. The book depicts Mary as being crowned "princess of Wales" at age nine, officially making her heiress to the crown over her bastard half brother Henry Fitzroy.
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Hancock was Peter Berg's first film with visual effects as critical cinematic elements. He considered the computer-generated fight his least favorite part of the film, citing limited control in making the scene successful. According to the director, "Once the fight starts, you're very limited and you're at the mercy of your effects guys ... unless they're really technically oriented ... it's definitely the time we have the least amount of control as directors." He and other filmmakers worked to cut down on the fight scene, believing that the film's success would come from the character study of Smith's character, John Hancock, similar to Robert Downey, Jr.'s acclaimed portrayal of Tony Stark in the previous May's superhero release, Iron Man.
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Digitally blurred miniature fake of Jodhpur Original photo of Jodhpur Miniature faking, also known as diorama effect or diorama illusion, is a process in which a photograph of a life-size location or object is made to look like a photograph of a miniature scale model. Blurring parts of the photo simulates the shallow depth of field normally encountered in close-up photography, making the scene seem much smaller than it actually is; the blurring can be done either optically when the photograph is taken, or by digital postprocessing. Many diorama effect photographs are taken from a high angle to simulate the effect of looking down on a miniature. Tilt–shift photography is also associated with miniature faking.
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In their place stands a > girl who is a capable crime-fighter, a far cry from Batwoman who constantly > had to be rescued by [sic] Batman. However, with the launch of the Batman Family comic book series in 1975, readers continued to request for Batwoman to appear in new stories. One reader states: > it is totally beyond me why you ignored Batwoman in your first two issues... > I can understand your reluctance to go back to the days where everybody in > Gotham had a Bat-identity, but you can't wipe out Batwoman that easily...I > was counting on her making the scene in a new story, perhaps coming out of > retirement to offer assistance to your Dynamite Duo [Batgirl and Robin]. Batwoman was brought back in Batman Family #10 (March–April 1977) as "Batgirl's guest heroine" when she comes out of retirement to assist Batgirl in defeating Killer Moth and the Cavalier.
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" The scene, Map Reading offers a contrast to the dark earth of the hospital and military camps in the other panels and shows a company of soldiers resting by a roadside paying little attention to the only officer depicted among the hundreds of figures Spencer painted for the Chapel. Bilberry bushes fill the background of the painting, making the scene appear green and Arcadian which seems to prefigure the paradise promised in the Resurrection of the Soldiers on the end, alter, wall. Spencer imagined the Resurrection of the Soldiers taking place outside the walled village of Kalinova in Macedonia with soldiers rising out of their graves and handing in identical white crosses to a Christ figure towards the top of the wall. Working on the Memorial Chapel has been described as a six- year process of remembrance and exorcism for Spencer and he explained the emphasis on the colossal resurrection scene, "I had buried so many people and saw so many bodies that I felt death could not be the end of everything.
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