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13 Sentences With "making signals"

How to use making signals in a sentence? Find typical usage patterns (collocations)/phrases/context for "making signals" and check conjugation/comparative form for "making signals". Mastering all the usages of "making signals" from sentence examples published by news publications.

English players are making signals like they want the video assistant referee to review it.
" The two men approached each other, and Hayes "was enraged," Thomson alleged, adding, "He had his hands up, and was making signals.
" But as the two men approached each other, he said Hayes "was enraged," adding, "He had his hands up, and was making signals.
At the bar, men served 40s that had been submerged in ice while some people danced alone, making signals with their hands that only they understood.
"Making signals a priority is a sea change for New York because it's a shift from politicians wanting to do the big, shiny thing they can put their name on, to focusing on the things that actually matter most," said Nick Sifuentes, the executive director of Tri-State Transportation Campaign, an advocacy group.
The benefits of beamforming are to increase the received signal gain – by making signals emitted from different antennas add up constructively – and to reduce the multipath fading effect. In line-of-sight propagation, beamforming results in a well-defined directional pattern. However, conventional beams are not a good analogy in cellular networks, which are mainly characterized by multipath propagation. When the receiver has multiple antennas, the transmit beamforming cannot simultaneously maximize the signal level at all of the receive antennas, and precoding with multiple streams is often beneficial.
The British had been following the Spanish the previous day, but on the evening of 10 February Lestock halted the rear before it had reached its proper position in line abreast. By morning they had drifted even further out of line, eventually lying some five miles distant of the rest of the fleet. Only then did Lestock attempt to reach the action, but arrived too late. Mathews had been making signals all morning, and had twice sent a lieutenant in a boat to urge Lestock to bring his ships into the battle.
After a full day of pursuit, the leading French ships made an attempt to cut off , trailing in the British rear. Cornwallis dropped back to support Mars, while Captain Robert Stopford of HMS Phaeton began making signals implying a British fleet was in sight. When French lookouts spotted distant topsails, Villaret de Joyeuse decided that Cornwallis's actions meant that a British fleet was approaching to support him, and called off the pursuit. There was no British fleet in the vicinity; the topsails were those of a convoy of British merchantmen.
The plan was accepted and work started immediately.Scott (1919), pp. 58-59 In 1886 Scott was promoted to the rank of commander and joined HMS Edinburgh as second in command. Scott attempted to implement some of his ideas for gunnery improvement by holding regular firing practices, but was forced to direct most of his crew's energies towards the traditional naval task of cleaning the ship: During Edinburgh's time with the Mediterranean Fleet, Scott noted the difficulties experienced by the flagship in making signals to the fleet (rather than to individual ships).
D'Orves detached the 74-gun Héros and the 64-gun Artésien, under Suffren, to investigate. Suffren closed in, making signals according to tables captured at Porto Praya on the East Indiaman Hinchinbrooke, until Hannibal made signals that he was unable to answer. A chase ensued, and with the night Suffren abandoned the pursuit to rejoin his fleet. On 21, the fleet encountered Hannibal again, and again detached Héros, Artésien and Vengeur, but this time with other ships deploying as to ensure communication between the pursuers and the main body of the fleet, allowing Suffren to press on his chase.
Present-day Chennai On 19 January, Sévère detected a strange sail, and d'Orves detached Héros and Artésien to investigate. Suffren closed in, making signals according to tables captured at Porto Praya on the East Indiaman Hinchinbrooke, until the ship made signals that he was unable to answer. A chase ensued, and with the night Suffren abandoned the pursuit to rejoin the fleet. On 21, the fleet encountered the same ship again, and again detached Héros, Artésien and Vengeur, but this time with other ships deploying as to ensure communication between the pursuers and the main body of the fleet, allowing Suffren to press on his chase.
When the Nassau refused to sail on 26 May 1797, Onslow moved his flag to the Adamant and until the end of the mutiny, Duncan (in the Venerable) and Onslow maintained the blockade off the Texel alone, making signals to an imaginary fleet over the horizon. Onslow moved his flag again to the Monarch on 25 July 1797, and it was aboard her that he took part in the Battle of Camperdown on 11 October 1797. His flag captain, Edward O'Bryen, supposedly warned him that the Dutch ships were too close together to get between, to which Onslow replied "The Monarch will make a passage." Indeed, Monarch was the first to break the Dutch line and attack the Jupiter of 72 guns, flagship of Vice-Admiral Reyntjes, who subsequently surrendered to Onslow.
Though different theories abound as to the exact centuries the kulintang was finally realized, there is a consensus that kulintang music developed from a foreign musical tradition which was borrowed and adapted to the indigenous music tradition already present in the area. It's likely the earliest gongs used among the indigenous populace had no recreational value but were simply used for making signals and sending messages. Kulintang music likely evolved from this simple signaling tradition, transitioning into a period consisting of one player, one-gong type ensembles (like those found among the Ifugao of Luzon or Tiruray of Mindanao), developing into a multi-gong, multiplayer ensemble with the incorporation of concepts originating from Sunda and finally transforming into the present day kulintang ensemble, with the addition of the d’bakan, babndir and musical concepts of Islam via Islam traders.

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