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29 Sentences With "making mention of"

How to use making mention of in a sentence? Find typical usage patterns (collocations)/phrases/context for "making mention of" and check conjugation/comparative form for "making mention of". Mastering all the usages of "making mention of" from sentence examples published by news publications.

Trump ensured that the moment followed Rubio throughout the 2016 campaign, making mention of it several times on the campaign trail.
Of course, this occurred entirely in my mind, seeing as I don't recall Rowling making mention of makeup in any of her seven books.
To that end, the document serves as a kind of time capsule, making mention of the artist behind the statue and providing detailed information about the era.
The photo went viral, with thousands of women commenting on the original post calling them "hunkapotumuses" and making mention of calling 911 to ask specifically for them.
In a statement, Mr. Murdoch praised Mr. Ailes, 76, and his "remarkable contribution" to the company, without making mention of the sexual harassment scandal that felled him.
Seeing my interest in conspiracy theories of various kinds, someone named Justin Beights who I didn't know had tweeted at me about it, making mention of the bear.
" Maas underscored this in a post on (of course) Facebook, making mention of Germany's 2017 election, saying that any company that "achieves billions in the net has a social responsibility.
Last year, it ran the same event, making mention of the fact that Apple Pay was accepted at some national parks, like Yellowstone, Yosemite, the Grand Canyon and Muir Woods National Monument, for example.
Regardless, it seems strange to me that President Trump, a man not prone to making mention of "capital C" culture, seems to direct his hostility toward cultural heritage sites — places prized by the Iranian people, for whom he has professed support.
Earlier this month, she told Elle that she credits her husband for reintroducing pasta into her life, making mention of the "not that bad for you" version they make that consists of one egg, a little cheese, turkey bacon and some pasta water.
The singer penned a powerful note Sunday -- making mention of the fact it's International Women's Day -- and basically said she's done being belittled over old private photos and videos she sent to a significant other in her teens ... which have apparently resurfaced as of late.
Above the entrance there is a stylized Georgian inscription, in the medieval asomtavruli script, making mention of the ktitor Apridon, an important 12th-century dignitary. In a nearby rock there are a series of cave- dwellings for monks.
1998's hit PlayStation game features protagonist Solid Snake making mention of benzedrine to Dr. Naomi Hunter. Snake states that Dr. Hunter "can leave out the benzedrine. That stuff makes me too frisky.", when discussing his nanomachines and overall health while imprisoned on Shadow Moses Island.
Different consistencies of liquid and food mixed with barium sulfate are fed to the patient by spoon, cup or syringe, and x-rayed using videofluoroscopy. A patient's swallowing then can be evaluated and described. Some clinicians might choose to describe each phase of the swallow in detail, making mention of any delays or deviations from the norm. Others might choose to use a rating scale such as the Penetration Aspiration Scale.
Soon after this, another shock came to the production when actor Peter Arne, who had been hired to play Mr Range, was murdered on 1 August 1983. This was just hours after he had attended a costume fitting for his character at the BBC. His murder was reported widely in the British media the following day, with many reports making mention of his upcoming part in Doctor Who. He was replaced by William Lucas.
The interior is lit by six windows cut in the drum. The drum and façades are adorned with stone carving ornaments, with diverse motifs varied from geometric to complex floral patters. Under the southwest arch, a stone slab bears a cross with blossomed branches cut in relief and an inscription in the medieval Georgian asomtavruli script, paleographically dated to the first half of the 11th century and making mention of a donor, the prelate (mamamtavari) Arsen. The interior is adorned with frescoes dated to the 12th–13th century.
" He concludes by making mention of Jesse's trivial approach, "He's bartering with something that doesn't belong to him and he has no idea how dangerous it is." Sam Catlin additionally spoke about the introduction of Young Jesse in the series, involving the flashback sequence with his father, with Catlin saying, "We start to lean a little bit about what it was like for Jesse as a young boy, son of John Custer. And we flashback to an encounter John had with Odin Quincannon when Jesse was just a kid. As Jesse's grown up and come back to this town, [Quincannon]'s been sort of the ultimate white whale of sin.
Closer to the power." when speaking of his own character. Additionally, Yusef concludes by making mention of DeBlanc's feelings towards Jesse being the host of this entity, but more so that he was chosen, to which Yusef begins to remark, "DeBlanc doesn’t believe it’s a true connection because he’s seen this thing be inside people – whether it chooses them or they choose it – and it’s temporary. Whoever has it isn’t necessarily special… DeBlanc thinks that, ultimately, it doesn’t belong to humans and it belongs to these angel janitors of the other world. I always felt that DeBlanc and the angels looked at humans as silly and wasteful.
The action takes place twenty years after the previous play in the trilogy, The Marriage of Figaro. The story's premise is that several years ago, while the Count was away on a long business trip, the Countess and Chérubin spent a night together. When the Countess told Chérubin that what they did was wrong and that she could never see him again, he went away to war and intentionally let himself be mortally wounded on the field. As he lay dying, he wrote a final letter to the Countess, declaring his love and regrets, and making mention of all the things they had done.
Minard is best known for his cartographic depiction of numerical data on a map of Napoleon's disastrous losses suffered during the Russian campaign of 1812 (in French, Carte figurative des pertes successives en hommes de l'Armée Française dans la campagne de Russie 1812–1813). The illustration depicts Napoleon's army departing the Polish- Russian border. A thick band illustrates the size of his army at specific geographic points during their advance and retreat. It displays six types of data in two dimensions: the number of Napoleon's troops; the distance traveled; temperature; latitude and longitude; direction of travel; and location relative to specific dates without making mention of Napoleon; Minard's interest lay with the travails and sacrifices of the soldiers.
He plays both harmonica and guitar, occasionally at the same time, and has performed at blues festivals, and in juke joints, to supplement his regular income gained from working in a furniture factory in Pontotoc. Playing solo, or with his own blues ensemble, Bean also made an appearance as himself in the 2008 documentary film, M For Mississippi, making mention of his daytime employment. Four years later Bean had a part in the film's follow-up, We Juke Up In Here, where he notes the decline in the number of performance outlets, such as juke joints. Bean has been a regular performer at the Briggs Farm Blues Festival in Pennsylvania, appearing in 2005, 2010 and 2011.
The third text, dated to 1682 and is inscribed in the north crypt of the church in mkhedruli, attributes the structure to the members of the Taktakidze family: the bishop Phillip of Ruisi, Ardashel, and Elizbar. There is also a barely discernible two-line asomtavruli inscription in the interior of the eukterion, making mention of the bishop Phillip. A marble tombstone in front of the iconostasis carries a mkhedruli text, arranged in twelve lines, which indicates that buried here is Rostom (died 1689), a son of the prince royal Vakhtang of Kartli. Next to this tombstone was that of Erekle, son of Prince Giorgi Machabeli, who died fighting under the Georgian king Erekle II at Erivan in 1777.
It is tempting to conclude that the inspiration of the story is the claim of Leinster to supersede both Ulster and Connacht. However, it is apparent that by the time of the tale's composition, even the story-teller does not take the political issues very seriously, using the theme instead as a vehicle for a good story. An unusual element is that the tale draws its characters from essentially the same cast as Táin Bó Cuailnge, making mention of some thirty heroes from that narrative, yet never once mentions Cú Chulainn. Chadwick suggests this is probably an indication of the antiquity of the tradition of the story's tradition, predating the development of Cú Chulainn's story within the Ulster Cycle.
Using inner or vocalized zikr, remembrance or "making mention" of the Divine names, to remain attentive and alert, and so that the heart becomes aware of the presence of Truth (Al Haqq). 6\. Baaz gasht (or baz gasht) — restraint :Being self-disciplined, for example cultivating the quality of patience, keeping one's thoughts from straying when repeating the Shahada (the declaration of the Oneness of God and the acceptance of Muhammad as his prophet), being repentant and returning to righteousness. 7\. Neegar dashtan (or nigah dasht) — watchfulness, use of special faculties :Concentrating on the presence of God. Being alert, watchful for and open to subtle perceptions, positive energy, positive opportunity and positive impacts.
In the early 14th century, King Robert III granted Alexander Strachan a tract of land in Forfar which went on to become the Kinettles baronial estate. A dated stone situated opposite the castle's dovecot suggests that a modest two-story house occupied the site from 1678. In the 16th century ownership of the land was passed to the Lindsays who held it for 200 years before it was passed on to Sir Thomas Moodie, the then Provost of Dundee. A survey carried out in 1791 by the Reverend David Ferney also refers to the "manor house" at Kinnettles, making mention of the fact that it is one of the oldest surviving buildings in the area.
His two-week trial period with the cult complete, he returns to the city and attempts to explain what he's been through to his girlfriend, Louise, making mention of his transcendent moment with the woman in the river. Unable to re-adjust, however, (and visited by a violent dream in which a man has his eyes gouged out with scissors), he quickly decides to drop his film and return to the cult, now more committed to its cause than ever. Book IV – Commitment Things grow weirder as Uma introduces Bertrand to a room of sculptures resembling skinless bodies. Around this time, he also starts to move in and out of a dream-state, imagining that he's a soldier in a trench fighting against an unseen enemy.
The Mention Theory of irony states that sentences or phrases that are used in ironic speech are not being used, but are rather being mentioned. An example of this would be a person taking on the pretense of being a weatherman on the local news and saying, “What lovely weather it is! Rain, rain, and rain,” with an exaggerated enthusiastic voice and not explicit statement of whom she's referencing. The speaker would not be using a sentence, in this case, but rather she would be mentioning what she has heard the weatherman say before. Taking on the pretense of an oblivious weatherman and saying, “What lovely weather it is!” when it is storming and dark outside is making mention of a phrase previously said by weathermen and expressing contempt toward it.
The Priestly source serves largely as a tool of promoting God's overall influence in the event, inserting a narrative where God speaks directly to Noah and extolls his virtues, before vowing to establish a covenant with him and providing strict instructions as to the structure of the Ark. He then commands Noah to take with him the more famous two of every animal onto the Ark, although because the Priestly source's urtext never actually described Noah doing this, it is immediately followed by the Jahwist's contradictory claim of Noah bringing sevens for most and two for some. The Priestly source then describes the Flood as lasting for 150 days, without making mention of how the waters rose as the Yahwist had — although it then explains that God shut the windows of the firmament and the abyss in order to abate the waters, which would imply they were likewise its origin as well. The end of the Priesty source's Deluge is far more gradual than the Yahwist's, instead of taking seven days, it now takes a full year, and Noah sends out a raven at the end of the tenth month, as opposed to a dove after only 40 days of rain.
Colgrave, Two Lives, pp. 64–67 Still an eight-year-old, Cuthbert becomes lame and is visited by an angel who instructs him on a cure (chapter four).Colgrave, Two Lives, pp. 66–69 Cuthbert with the disguised angel In chapter five Cuthbert, while still a youth tending to sheep in Lauderdale, has a vision of a bishop being borne to heaven; subsequently it is discovered that Aidan, bishop of Lindisfarne, had died on the same hour as Cuthbert's vision.Colgrave, Two Lives, pp. 68–71 Far to the south, a young Cuthbert is travelling during the winter and crosses the river Wear at Chester-le-Street, taking shelter in one of the empty summer dwellings; suffering from lack of food, his horse pulls down warm bread and meat from the roof of the dwelling (chapter six).Colgrave, Two Lives, pp. 70–71 Book i ends with the anonymous author making mention of several other miracles of Cuthbert's youth without going into detail: how God provided food for him in camp with his army against an enemy, how he saw the soul of a reeve taken up to the sky, his defeat of some demons, and his cure of the insane (chapter seven).

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