It's simply someone who is making a claim to the crime.
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It was more like performance art than documentary, although with the added frisson that all this was not only making a claim to reality but was a record of participation in the construction of reality.
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On this reading Chieftain Iffucan represents the canon, making a claim to universality and a privileged access to inspiration that is challenged by the Appalachian inchlings. The richness of tradition is conceded ("Fat!...."), but it is relativized ("Your world is you").
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"Amore Entre Tres" came to occupy its space on several Latin music stations. "Amor Entre Tres" was also featured as the theme song for a Venezuelan telenovela called " La Vida Entera". Meanwhile, "Pasión Morena" was chosen as the soundtrack for a drama project for TV Azteca-Mexico of the same name. "Pasión Morena", composed by Jose Luis Morin and Olga Tanon, is about making a claim to freedom of people and their struggle to live life to its fullest.
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Playing for Western Australia against the touring Pakistan team in December 1976, Hughes made 137 runs from only 167 balls, making a claim to the attention of the national selectors. The Australian reported that "[r]arely has a batsman of his limited experience been seen in a more majestic performance".Ryan (2009), p. 95. A few weeks later, Hughes was called up as twelfth man for Australia in the New Year's Test match at the Melbourne Cricket Ground (MCG).
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He later studied at Cambridge University, despite not representing the University in cricket, Durlacher nevertheless won a Cambridge Blue in cross country running. In 1935, Durlacher was listed in the London Gazette as living in Stoke Green, Buckinghamshire and making a claim to his late father's estate. His sister, Nora Durlacher, was a tennis player who appeared in the 1919 Irish Lawn Tennis Championships doubles. Durlacher died suddenly while fishing in Ireland on 26 February 1971.
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Bruce, whose view was that educated Africans had no place in colonial society and opposed African education, recorded his personal dislike for Chilembwe as an educated African. He considered Chilembwe's churches were centres for agitation, and that by building them on the estate, Chilembwe was making a claim to part of its land. As Livingstone carried out the work of destruction, he, rather than Bruce, became a focus for Chilembwe’s grievances resulting in his tragic demise.R Tangri, (1971).
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Multiple drafts is also attacked for making a claim to novelty. It may be the case, however, that such attacks mistake which features Dennett is claiming as novel. Korb states that, "I believe that the central thesis will be relatively uncontentious for most cognitive scientists, but that its use as a cleaning solvent for messy puzzles will be viewed less happily in most quarters." (Korb 1993) In this way, Dennett uses uncontroversial ideas towards more controversial ends, leaving him open to claims of unoriginality when uncontroversial parts are focused upon.
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Because it recognised that equal treatment is a general principle of EU law, Mangold v Helm is significant for three critical reasons. First, it means that a claim for equal treatment is available for private citizens on a horizontal direct effect basis. It is unnecessary to wait for a Directive to have been implemented before making a claim to have caused discrimination. Second, it means that member state and EU legislation, like Directives, may be challenged on the ground that they fail to comply with the general principle of equal treatment.
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Chilembwe's mission was close to Magomero, and he provoked confrontation with the estate's owner and its manager by erecting churches and schools on estate land without permission. Bruce, who thought that educated Africans had no place in colonial society whose African members should only be rural peasants. He opposed African education and recorded his personal dislike for Chilembwe as a potentially disruptive educated African. He considered Chilembwe's churches were centres for agitation, and that by building them on the estate, Chilembwe was making a claim to part of its land and threatening its profits.
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DJs of this style often make a point of trying to sound as local as possible, sometimes going so far as falsely claiming to have visited a local landmark or attended a station's promotional event. However, sometimes the DJ has actually been to the location, or monitored the event online and can speak with knowledge about it without making a claim to having been there that day, although it may be implied. One motivation is to provide smaller- market radio stations with a polished, "big city" sound. Using experienced disc jockeys can avoid mistakes often made by younger or less-experienced talent.
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Anheuser-Busch cites prior registration of the trademark in the United States, and more recently its ownership of Budweiser Bier Bürgerbräu, when making a claim to the mark. Anheuser-Busch has also pointed to advertising campaigns where those predated any formal registration by either party, such as an extensive campaign in the 1930s in Italy that predated Budvar's 1940 registrations. The Budweis-based companies have argued in turn that Budweiser is generic, or is a protected geographical indication that refers to beer made specifically in the city of Budweis. Where possible, Budvar's claims are supported by proof of prior use (as in Germany).
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110 As he was still an infant when his father died in 364, he was overlooked for the succession, and Valentinian I was elected instead. It is possible that Varronianus was the young man referred to by John Chrysostom in two of his letters and homilies ("Homilies on Philippians" and "Letter to a Young Widow"). If so, it appears that Varronianus was still alive in AD 380, but was living in fear of his life, due to his imperial descent. At some point, he had one of his eyes removed, probably in an attempt to prevent him from making a claim to the throne.
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Some modern illusionists believe that it is unethical to give a performance that claims to be anything other than a clever and skillful deception. Most of these performers therefore eschew the term "magician" (which they view as making a claim to supernatural power) in favor of "illusionist" and similar descriptions; for example, the performer Jamy Ian Swiss makes these points by billing himself as an "honest liar". Alternatively, many performers say that magical acts, as a form of theatre, need no more of a disclaimer than any play or film; this policy is advocated by the magician and mentalist Joseph Dunninger, who states "For those who believe, no explanation is necessary; for those who do not believe, no explanation will suffice." These apparently irreconcilable differences of opinion have led to some conflicts among performers.
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