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Moreover, there is but one existential quantifier, in axiom 3. Axioms 1 and 2, together with an axiom schema of induction make up the usual Peano-Dedekind definition of N. Adding to these axioms any sort of axiom schema of induction makes redundant the axioms 3, 10, and 11.
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Greenberg (1987) introduced the concept of organizational justice with regard to how an employee judges the behaviour of the organization and the employee's resulting attitude and behaviour. (e.g., if a firm makes redundant half of the workers, an employee may feel a sense of injustice with a resulting change in attitude and a drop in productivity). Justice or fairness refers to the idea that an action or decision is morally right, which may be defined according to ethics, religion, fairness, equity, or law. People are naturally attentive to the justice of events and situations in their everyday lives, across a variety of contexts (Tabibnia, Satpute, & Lieberman, 2008).
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The sociologist Manuel Castells, in his trilogy on The Information Age: Economy, Society and Culture (the first volume of which, The Rise of the Network Society, appeared in 1996), reinterpreted the processes by which capitalism invests in certain regions of the globe, while divesting from others, using the new paradigm of "informational networks". In the era of globalization, capitalism is characterized by near- instantaneous flow, creating a new spatial dimension, "the space of flows". While technological innovation has enabled this unprecedented fluidity, this very process makes redundant whole areas and populations who are bypassed by informational networks. Indeed, the new spatial form of the mega-city or megalopolis, is defined by Castells as having the contradictory quality of being "globally connected and locally disconnected, physically and socially".
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As Virginia Woolf wrote, "no excuse is found for [her fools] and no mercy shown them [...] Sometimes it seems as if her creatures were born merely to give [her] the supreme delight of slicing their heads off". In the tradition of the comedy of manners and didactic novel, she uses a caricatural and parodic character to mock some of her contemporaries. Mrs. Bennet is distinguished primarily by her propensity to logorrhea, a defect that Thomas Gisborne considers specifically feminine. She does not listen to any advice, especially if it comes from Elizabeth (whom she does not like), makes redundant and repetitive speeches, chatters annoyingly, makes speeches full of absurdities and inconsistencies, which she accompanies, when she is thwarted, with complaints and continual cantankerous remarks that her interlocutors are careful not to interrupt, knowing that it would only serve to prolong them.
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