Stacy makes an analogy between hate crime and domestic crime, using the example of a woman who is beaten by her husband.
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Violence Against Fruits makes an analogy between the disembowelment of an imported persimmon and the targeting of Chinese-Indonesians in the Jakarta Riots.
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The entire thing seems a tad less exciting, after all, if Zuck's own Oculus chief scientist makes an analogy between the current state of AR and the very first graphical user interface.
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Weiss makes an analogy between her pregnant figure and Gustav Klimt's painting, Esperanza I, of 1903. Weiss enters the hospital and the word fetus is written on a skull. Weiss illustrates an intersection between her personal imaginary and scenes of the earthquake in Mexico. Then the word Mexico emerges.
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The midrash makes an analogy between the obviousness that a building has an owner, and that the world is looked after by God. Abraham says "Is it conceivable that the world is without a guide?"Genesis Rabbah, 39:1 Because of these examples, the 19th century philosopher Nachman Krochmal called the argument from design "a cardinal principle of the Jewish faith".Harris, J.M., Nachman Krochmal: Guiding the Perplexed of the Modern Age, NYU Press, 1991, p. 45.
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Fourth, he states that Iran is not an implacable enemy of the U.S. and should be engaged with. Fifth, he states that coalition forces in Iraq should undergo a careful, deliberate military disengagement rather than an immediate withdrawal or an extended military presence. Cole makes an analogy between Islamists and what he sees as similar American groups. He views Salafi jihadists as fundamentalist vigilantes similar to Timothy McVeigh while Wahabis can be seen as similar to the Amish.
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In turn, these papers have bases in several works from the mid-1950s. Of special importance are a few that have analogies to fluid dynamics and movement of gases (Lighthill and Whitman (1955) and Richards (1956) postulated the density of traffic to be a function of position; Newell (1955) makes an analogy between vehicle motion along a sparsely populated roadway and the movement of gases). First mention of simulating traffic with “high speed computers” is given by Gerlough and Mathewson (1956) and Goode (1956).
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Written by James T. Slater and Leslie Satcher (who also wrote the first single, "Tough"), the title makes an analogy between love and level of alcohol, as if love is addictive. In its first verse Pickler describes a miserable relationship between her friends just to compare it, in the second verse, with her own; which is a very good one, fulfilled with passion and love. As the song continues, it narrates the awful things that the parts of the bad relationship talk to Pickler and the man she loves. However, when they get home, they still are surrounded by their love.
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When scaled in the opposite direction, Hughes- Jones makes the argument that "social groups that fight each other are self‐sustaining, self‐replicating wholes containing interdependent parts" indicating that the group as a whole can have self-preservation with the individuals acting as the cells. He makes an analogy between the survival practices such as hygiene and the ritual nature of within small human groups or the nations that engage in religious warfare with the complex survival mechanisms of multi-cellular organisms that evolved from the cooperative association of single cell organisms in order to better protect themselves.
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92 makes an analogy between the relationship of Buenos Aires and other cities of the viceroyalty with a sibling relationship. The priest Juan Nepomuceno Solá then proposed that the Cabildo should receive the provisional command, until the formation of a governing junta made up of representatives from all populations of the Viceroyalty. Manuel Alberti, Miguel de Azcuénaga (who would be members of the Primera Junta some days later), Escalada and Argerich (or Aguirre) supported his vote, among others. Cornelio Saavedra suggested that the Cabildo should receive the provisional command until the formation of a governing junta in the manner and form that the Cabildo would deem as appropriate.
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An additional similarity between The Word for World Is Forest and "Vaster than Empires" is the theme of first contact between humans and a new environment. In "Vaster than Empires," the forest is both the setting for the story and a character in it. The forest directly responds to the humans with fear, a response that is similar to the response of Osden, the empath, to the rest of society: "the normal defensive-aggressive reaction between strangers meeting." Thus Le Guin makes an analogy between contact between humans and aliens, and contact between individual humans; both are contact between the self and the "other".
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In the "Spandrels" paper, Gould and Lewontin argue that the mosaic design on the spandrels in St. Mark's Basilica is "so elaborate, harmonious, and purposeful that we are tempted to view it as the starting point of any analysis, as the cause in some sense of the surrounding architecture." They then claim that this would be inappropriate, because the spandrels themselves were an architectural constraint that "provide a space in which the mosaicists worked". The paper makes an analogy between these spandrels and the evolutionary constraints of living organisms, and the need to distinguish between the current use of a trait and the reason it evolved. It also compares the adaptationist perspective to that of Dr. Pangloss, a character in Voltaire's Candide, who believed that the world he lived in was the best world possible.
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Weinberg makes an analogy between these requirements and the risk-management requirements that are placed on people who handle hazardous materials like uranium; in the case of procreation ethics, the hazardous materials that can plausibly bring harm to others are human gametes. Several implications of the theory of procreation ethics that Weinberg developed in The risk of a lifetime have been explored in journal articles or the popular media. For example, since Weinberg's theory of procreation ethics explicitly weighs the risks that are imposed on children by creating them, it implies that people who are in a situation that would likely expose their offspring to greater risks therefore are less likely to have a rational case for procreation; this includes people with heritable diseases and those living in severe poverty. It also suggests that the risks imposed by global warming should have some bearing on peoples' procreation decisions.
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Itzhak Bars's theory was a featured cover story in New Scientist magazine on October 13, 2007, and was again a featured cover story in Filosofia magazine on October 26, 2011. Because of a "gauge symmetry in phase space" at the basis of this 2T-physics theory, only gauge symmetric combinations of the six dimensions can be perceived by physical observers, and this is why humans think there are 3+1 dimensions rather than the underlying 4+2 large (not curled up) dimensions. However, with enough guidance, the 4+2 dimensional structure can be perceived indirectly by observers in 3+1 dimensions as predicted effects that, when correctly interpreted, reveal the underlying 4+2 dimensional universe. To explain to the layman how this gauge symmetry works, Bars makes an analogy between the phenomena in the 4+2 dimensional world and events happening in a hypothetical 3 dimensional room. In this analogy the two-dimensional surfaces that makeup the boundaries of the three-dimensional room (walls, ceiling, floor) are the counterparts of the 3+1 dimensional world humans live in as observers.
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