"He makes a spectacle of himself," Kelly said of King.
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There are almost two shows in Hunters competing for attention, one that delights in murder and makes a spectacle of violence, and one that considers heavy philosophical themes through grayscale flashbacks to the horrors of the Holocaust.
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White Famous successfully makes a spectacle of the people running Hollywood behind the scenes — episode three goes to particular lengths to portray executives as sex-crazed — but in the wake of the Harvey Weinstein scandal, even that feels weird.
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At the ball that night, all the majas are dancing, while the majos watch eagerly. Fernando enters dragging Rosario, whom Pepa proceeds to make fun of the minute she walks through the door. Fernando assures Rosario that he will defend her honor. Upon this, Paquiro makes a spectacle of asking Rosario to dance, and Pepa questions his motives jealously.
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1916, we meet the Chilcotes of Louisiana. In their elite circles, no one is surprised that the men are all drunk after an elegant dinner. Maggie May looks after her father, tying his shoes for him and retrieving him when he makes a spectacle of himself in public. “I'm just a low down cowardly drunkard,” he tells her.
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On Jerry's first kill, the two track their victim to a Chinese restaurant. Nervous, Jerry becomes paranoid and makes a spectacle of himself in front of the victim. To calm him, Tom describes Ronald Reagan's final acting performance, a cold-blooded hit man in The Killers. Enthused by the thought of following in Reagan's footsteps, Jerry is able to relax and make his first kill.
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Eva quickly downs two glasses of champagne, although she's not a drinker. Inebriated, Eva sits on the arm of Easton's chair, stroking his face and vowing to prove her dramatic talents to him. She makes a spectacle of herself before the bemused party guests. Then unexpectedly she gives two Shakespearean orations, Hamlet's well-known monologue ("to be or not to be") followed by Juliet's balcony scene.
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Yet the Bennet couple do not assume their role as educators: the mother repeatedly makes a spectacle of herself, who does not realise that her behaviour is more likely to put off any rich, eligible young man. All the while, the father, who seems to be an indifferent husband, has long-since given up on reining in his wife's behaviour, more intent on 'enjoying the show' than in correcting her behaviour, and the behaviour of his younger daughters.
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Obediently, Lillian writes up contracts that highly favor Gareth's interests and leave Reuben empty handed. Immediately conflicted by guilt, Lillian stands idly by, as Gareth pressures Reuben to sign the contracts and grant him 100% of the rights. When Reuben realizes that he has been swindled, Faye offers to help finance Reuben's next project, effectively giving her blessing for he and Derek to collaborate in the future. This offer is quickly retracted when Reuben accidentally makes a spectacle of himself at Courtney's engagement party and embarrasses the family.
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A mysterious man (Jack Nicholson) arrives in town and stirs up trouble by buying the town's landmark property: the Lenox Mansion. The arrival of this enigmatic stranger fascinates the townsfolk, all except for Felicia Alden (Veronica Cartwright), the devoutly religious wife of newspaper editor Clyde Alden (Richard Jenkins), Sukie's boss. Felicia senses that this man (whose name is easily forgotten) is up to no good. One night, at one of Jane's music recitals, the strange man appears and makes a spectacle of himself which leads to more gossip.
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Bianca thanks Marissa and apologizes for doubting her. Marissa is among those who attend the wedding of Tad and Cara, and stays with AJ at the Chandler mansion at his request. On March 16, 2011, Marissa joins Bianca and Kendall for a day out, and the three are present at ConFusion when a drunken Liza Colby, whose image has been tarnished by an Internet video posted by her daughter Colby revealing Liza's affair with Colby's boyfriend Damon Miller, makes a spectacle of herself in public. Kendall and Bianca express disgust towards Liza and pity for Colby, but Marissa says she just made a mistake.
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Marrying above her station, raising her social class, it has given her an unrealistic estimation of her own worth. She repeatedly makes a spectacle of herself, incapable of realizing that her behaviour is more likely to be off-putting to any rich, eligible young man who would take notice of her daughters. Her vulgar public manners, her crude, artless and transparent efforts at social climbing and matchmaking, and her all-around 'silliness' are a source of constant embarrassment to both Jane and Elizabeth. But, if one good thing has come from her lacking of good social graces, it is that they have helped to keep her eldest two daughters humble, (as opposed to her younger three, who (like their mother) lack any self-awareness as to their own character flaws).
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