Heroin(e) doesn't just make visible the work of rescuing a community.
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These enigmatic images make visible the otherwise unseen toxicity of the ground.
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Belongs to You make visible all the painful and beautiful facets of human
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Somewhat like trees, but more mysteriously, they seemed to make visible the wind's movements.
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How else to make visible that which is eroding under the duress of destruction?
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As the exhibition's title suggests, Huckaby wants to make visible the invisible and demonized.
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And finally, they make visible the vacuum left by this ebb into which post-truth pours.
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The voices present in Heavy Rag echo recent efforts by women to make visible male supremacy.
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Her voice sharpening with pain, Ms. Maris sporadically leans far forward to make visible Donna's urgency.
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"Circuits hide a surprising narrative potential that we wanted to make visible," the video below explains.
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Chueca's walls, much like this presidential election season, make visible the cyclical nature of our senselessness.
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First, there's a campaign to make visible the benefits of alternatives to single-use bags, including their economic viability.
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"The law aims to make visible, punish and to recognize the different forms of violence against women," Melo said.
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All these films make visible the hidden labor which undergirds the global economy, and expose its monotony and precariousness.
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I'm interested in the active use of neglected space to make visible narratives that we fear will be forgotten.
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Part of the power of Nisenbaum's paintings is that they make visible people and moments that are usually overlooked.
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The challenge in staging such a piece is to make visible this disparity between outer appearance and inner feeling.
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Vine Voices make visible contributions to the ongoing construction of Amazon's retail reality, review by review, star by star.
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Such embedded temporalities dramatize and make visible the restless impermanence of the dynamic invisible world each of us carries inside.
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In particular, he had internalized theosophy's hermetic quest to make visible those embedded truths that defy direct observation and empiricism.
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All these drawings make visible a process of experimentation, which goes hand in hand with the mobility of the artist's standpoint.
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Under the aegis of art, they stage scenarios, all too realistic, that make visible the quiet cruelties of the political process.
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In the face of this predicament, art such as Grullón's provides a way to make visible what might otherwise remain invisible.
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Readers may recognize our present era in these pages, which make visible white supremacist dog whistles and strains of neoliberalist thinking.
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There are also artists here who attempt to rescue or make visible a past that has been altogether obliterated, altered, or betrayed.
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" This year's fair takes this challenge to task with visual artworks, in order to "understand and make visible black realities and imaginaries.
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The Racial Imaginary Institute wants to "make visible that which has been intentionally presented as inevitable," to disrupt the "bloc" of whiteness.
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"People still have to fight and make visible certain inequalities that are still not fully resolved," he said before taking part in the race.
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And female candidates can make clear they will, as future congressional leaders, make visible the invisible victims of conflict, climate change, and wide-ranging crises.
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It is with this powerful exhibition as a backdrop that our gathering sets out to make visible a violent legacy that runs through this institution.
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How do we make visible those forms of care necessary to make life bearable for all, and how then do we elicit empathy and better care?
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That's using living organisms to detect some condition of their environment and respond accordingly, like to make visible the invisible conditions of water quality or air quality.
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A single problem like this one could expose all the data you put on the platform, and potentially everything your friends make visible to you as well.
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The idea is to "make visible the secret, dangerous, often illegal forms of surveillance that are increasingly becoming part of everyday life," he said in an interview.
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They're excited to make minorities visible in an outward way, but newsrooms need to be made up of the people we're choosing to make visible — that's the key.
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It make visible the depth of the junk news problem, displaying the quantity and the content of junk news, as well as the levels of engagement with it.
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Rather, there's an exhibit aiming to make visible the implications of corporate and government data collection, from invasions of individual privacy to the power accumulated by tech titans.
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Louis knows that the language of social theory, which requires the kind of education the poor are denied, is complicit in the system that it seeks to make visible.
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This effort to make visible the experiences of black women also lies at the center of the Brooklyn Museum's new exhibition We Wanted A Revolution: Black Radical Women, 1965-1985.
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" Related Tactics worked with visitors to the book sale, using a series of codified stickers to "make visible the ways unconscious biases and gaps in knowledge become normalized and often invisible.
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They wanted to make visible the face and fate of someone who could not speak for himself or herself, and to enlist the wider citizenry in a quest for the truth.
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Ms. Glickman Lauder's haunting photographs of death camps — many rendered through the otherworldly glow of infrared film — make visible the mechanics of genocide: the Nazis' gas chambers, dissection tables and crematories.
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We are repeatedly told that the island is "in the middle of nowhere," perhaps because naming an actual place would make visible the colonial legacy on which Caribbean resort culture is founded.
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Laila Shereen Sakr's "counter-collection" of digital content in the Arab world related to the recent uprisings, attempts to document and make visible ephemeral social media content — from Facebook posts to tweets.
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"The original idea was that it was always important to make visible what was happening on the continent," said Yvette Mutumba, a curator at the Weltkulturen Museum in Frankfurt am Main, Germany.
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In recasting the visual narrative away or past the most iconic imagery, I hoped to make visible the lesser-known, but equally-inspiring, stories from LA to Harlem and from coast to coast.
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The Racial Imaginary Institute decided to focus on whiteness as their first major initiative, in order to "make visible that which has been intentionally presented as inevitable," to disrupt the "bloc" of whiteness.
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But the top US diplomat, Trump's point man on North Korea, declined to set a deadline by which he wanted to see the Democratic People's Republic of Korea make visible steps toward that goal.
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Every moment is infused with what the poet Hart Crane called "infinite consanguinity," the mysterious bond that links us with one another and that only an alert and sensitive artistic imagination can make visible.
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It's not enough to think of these images in isolation; each photo published is part of a collective portrait—one constructed by both the stories we make visible and the stories we rub out.
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SEEK, an exhibition at the Carroll/Fletcher in London, finds the artist creating wall compositions, images, and video art that explore the democratization of time and space by attempting to make visible the unseen.
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The rear room's other major component, though not so visually rich, does a better job of conveying the enormity of Zurkow's project, the Harmonized System code, and the movements both seek to make visible and legible.
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Let's adjust our white gaze and Western art histories to make visible the double consciousness of a black gaze and black aesthetic traditions inside and outside the museum, as well as within and beyond the material.
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The type of theatre we're talking about here isn't Shakespeare's historic plays or modern TV dramas in the style of House of Cards or The West Wing - they can make visible what happens behind closed doors.
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A new group have organized a walking tour of queer culture landmarks in London, to make visible history often overlooked rather than let right-wing politicians take credit for magically solving The Gay Problem under David Cameron.
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Nussbaum's defiant, doomed image, and to some extent all the works in Before the Fall, transcend their history; to paraphrase a quote from Paul Klee, they do not reproduce the visible, but "make visible" the human condition.
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Even as his portraits make visible the smallest details of each individual face, they have a democratizing effect, treating everyone — from President Obama to a refugee from the Democratic Republic of the Congo — with the same unflinching eye.
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The current rise in nationalism and xenophobia, as evidenced by the Brexit vote and the rise of right wing governments around the world, is a sad reminder of the continued need to understand and make visible cultural difference.
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In his book, he sets out to make visible the "forces that rendered my blackness criminal, my black manhood vile, my black queerness sinful," he writes, but despite the cruelty he faced, he suffuses his memoir with humanity.
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Before sunrise, Greenpeace activists wearing vests emblazoned with the words "Statue Cleaning Team" spread across the city and scaled 18 public sculptures, covering their faces with giant air pollution masks to make visible the issue of lethal levels of toxic air.
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We appreciate the visibility this exhibition gives to the Iraq wars and to the work of Iraqi artists; however, we also wish to make visible MoMA's connection to funds generated from companies and corporations that directly profit from these wars.
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Take This Hammer: Art + Media Activism from the Bay Area highlights artworks that attempt to make visible the crippling inequity of wealth distribution, racial displacement, and growing gap between the moneyed elite and, increasingly, everybody else in the Bay Area.
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About 193 years later, that butterfly tattoo, so faint on her face, so mysterious to those around her, would start to make visible something India had been trying to hide: She was a young woman trapped in a body others saw as male.
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BRUSSELS, Oct 16 (Reuters) - The chairman of European Union leaders Donald Tusk said he hoped EU governments can still make visible progress in reforming the single currency area by December despite a eurosceptic government in Italy that wants to break EU budget rules.
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If we do not make visible all who would be perpetually disappeared, if we do not find the means to force the powerful to listen and reverse course, humanity will be engulfed in an apocalypse on an infinitely greater scale than the Sept.
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Swamped by the task of delivering Brexit, Prime Minister Theresa May is under pressure to make visible progress on a domestic agenda set out when she took power in July 2016, particularly after a snap election in 2017 that exposed a weakness on social reforms.
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Culture and history are vital, though often invisible, parts of any community, but the Mi Querido Barrio (My Beloved Community) augmented reality tour, presented by New York City's Caribbean Cultural Center African Diaspora Institute (CCCADI), showcasesthe many different ways AR can make visible the unseen.
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But the burial of the Dave Fowlers and (Robinson)'s request to share, should also help make visible just how many American social institutions benefit to this day from a history that involves the brutality of a domineering Whiteness, much in the same way that medicine has.
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"The people's rejection of recyclers starts with ignorance," DJ LU says, "So one of our principal goals here, as artists, is to make visible the realities of the recyclers: their work, which is incredibly important, and who these people are, which is as human as anyone else."
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The Vixen, a native of the South Side of Chicago, the United States' most racially segregated city, was largely known for her protest art and political vocality — her drag show, Black Girl Magic, was born from a desire to make visible the talent and elasticity of black drag queens.
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The cast and creators of "Hamilton" have conjured a wildly popular hip-hop, multiracial version of the early United States on the Broadway stage, revising a longstanding image of the white founding fathers in ways that make visible the racial diversity of the nation at its origins and today.
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In London, outside the Irish Embassy, 205,704 chalk markings were etched on the pavement to make visible the total number of women who have and are being forced to leave Northern Ireland and Ireland for abortions since 1983 when Eighth Amendment was enacted, effectively banning abortion in Ireland in almost all circumstances.
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With such titles as "Tickle Me" (1970), "Avenue 35013" (1970), "Joy" (1971), or "A Salute to a Sphere" (1971), Tyler's prints make visible a fantasy world in which strange architectural forms sprout like plants out of the surface of the earth, or where peculiar, organic shapes assume the sturdiness of monumental, if unclassifiable, architectural follies.
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Often, Bartons' semi-abstract work features heads emerging from a common figure and flowering into competing profiles; others contain multiple figures brought into such close contact that the individual forms integrate themselves into a larger wholeness; her bisected busts often make visible their equally artful underlying layers, as if they're ancient sculptures exposed like mannequins in a biology lab.
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As I fretfully consider our current political and cultural climate, and as I think about books that re-inscribe and circle around a female absence, I wonder if we—as readers, writers, consumers and publishers—are scrambling for narratives that mark this voiceless-ness, narratives that make visible, by focusing on her absence, the woman we need to see.
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My goal in this column is to make visible not only the stakes in the case but also Louisiana's strategy for saving its law, the first of a wave of anti-abortion measures to reach a Supreme Court transformed by the retirement of Justice Anthony Kennedy and the addition of two justices appointed by President Donald Trump.
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It would allow him to make visible the memory of his mother breaking a pencil as she wrote " a b c " over and over, trying to teach herself the alphabet, the " b bursting its belly / as dark dust blows / through a blue-lined sky," nail-salon chemicals emanating from the sweat that seeps through her pink "I ♥ NY" T-shirt.
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In addition to actions as part of international art festivals, artists and writers have staged pop-up readings, dramatized testimonies (such as Not at Home, a "durational art campaign which aims to make visible the experience of Irish women who have travelled abroad to access safe abortion services"), and, like Barry, they have canvassed in whatever constituencies were likely to have the most No or undecided voters.
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His latest show continues this project, but repeats specific motifs — the black curtain backdrop, the circular aperture of the camera lens, and clips — to unmask the artifice of studio portrait photography and make visible the complex power dynamic between photographer and photographed — a relationship built on consent, trust, and power, similar to romantic and sexual relationships (interesting because many of Sepuya's subjects are friends and lovers).
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Seen in light of the anti-immigrant sentiment that is currently tearing through the country, Montoya's stylized portrayals of the lives of Chicano men and women make visible stories too often absent the history — and the present day — of the US. José Montoya's Abundant Harvest: Works on Paper / Works on Life runs through July 17 at the Fowler Museum (308 Charles E Young Drive North, Los Angeles, California).
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" In addition to calling to attention to issues women worldwide face on a daily basis—from male violence to attacks on reproductive rights—Odeh and her co-authors also note that they hope to make "visible the needs and aspirations of those whom lean-in feminism ignored: women in the formal labor market, women working in the sphere of social reproduction and care, and unemployed and precarious working women.
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The article looks at the role of social media in allowing individuals to own the narrative of their illness or death: Cancer patients and others with terminal illnesses have long used photos and videos to bear witness to their suffering and make visible that which is considered off limits — on blogs, Twitter and now TikTok — and have encouraged family members and friends to do so on their behalf when they are no longer able to, pushing visual and emotional boundaries well beyond what may be considered comfortable.
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The guides and predecessors Wright chooses for himself are painters as often as they are poets — Cézanne, Morandi, Rothko — artists for whom the point of creating was to bring out and to make visible the spiritual core of the quotidian: Give me the names for things, just give me their real names,Not what we call them, but whatThey call themselves when no one's listening— And if it turns out, when one gets to road's end, that things have no "real names," that when no one is listening things are simply silent?
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Acoustic microscopy is microscopy that employs very high or ultra high frequency ultrasound. Acoustic microscopes operate non-destructively and penetrate most solid materials to make visible images of internal features, including defects such as cracks, delaminations and voids.
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For SeatID, users have the ability to customise settings and decide on the amount of information that they wish to make visible to other users. Furthermore, they can also select and limit the viewers who can see their information.
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This group's original aim was to make visible the invisible and document women's work in the home and outside of it, helping to make the case for childcare and show the complex social and economic issues of women and childcare.
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Radical democracy is based on the idea that there are hierarchical and oppressive power relations that exist in society. Democracy's role is to make visible and challenge those relations by allowing for difference, dissent and antagonisms in decision-making processes.
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Radical democracy is based on the idea that there are hierarchical and oppressive power relations that exist in society. Democracy's role is to make visible and challenge those relations by allowing for difference, dissent and antagonisms in decision-making processes.
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An acid-base indicator such as bromophenol blue is added to make visible the boundary between the acidic HCl solution and the near-neutral CdCl2 solution.Transport numbers and ionic mobilities by the moving boundary method, G. A. Lonergan and D. C. Pepper, J. Chem. Educ., 1965, 42 (2), p. 82.
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The acoustic images shown above are all planar images, so named because they make visible a horizontal plane within the sample. The acoustic data received in the return echo signals can also be used to make other types of images, including three-dimensional images, cross-sectional images, and thru-scan images.
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Critical Race Theory(CRT)is an extension of critical theory that is focused in inequities based on race and ethnicity. Daniel Solorzano describes the role of CRT as providing a framework to investigate and make visible those systemic aspects of society that allow the discriminatory and oppressive status quo of racism to continue.
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This was an attempt to make visible a phenomenon that we normally cannot see. After a series of successful gallery and museum exhibits, Chin abandoned object making to pursue an activist, ecological artwork. He began Revival Field in 1990. As a conceptual and scientifically grounded work Revival Field was developed with the intention of green remediation and ecological consciousness.
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Colan interview, The Comics Journal, p. 5. . By 2009 at the latest, they had returned to New York City, settling in Brooklyn. (Photo caption) Archive requires highlighting of black text on black background to make visible. On May 11, 2008, his family announced that Colan, who had been hospitalized for liver failure, had suffered a sharp deterioration in his health.
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Processes such as Pantone's proprietary six-color (CMYKOG) Hexachrome considerably expand the gamut. Light, saturated colors often cannot be created with CMYK, and light colors in general may make visible the halftone pattern. Using a CcMmYK process, with the addition of light cyan and magenta inks to CMYK, can solve these problems, and such a process is used by many inkjet printers, including desktop models.
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307 He started by having two custom-made buses built in Pubnico, Nova Scotia. He eventually garnered the support of General Motors and Ford to build the wheelchair coaches. He named the company the "Callow Veterans' and Invalids' Welfare League" and established an office in Halifax. He worked tirelessly to make facilities accessible and to make visible the needs of those with physical disabilities.
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Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverberation, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another. The term "psychedelic" is derived from the Ancient Greek words psychē (ψυχή, "soul") and dēloun (δηλοῦν, "to make visible, to reveal"),"psychedelic". Online Etymology Dictionary. translating to "mind- manifesting".
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The ghost possesses people on a mission to turn the whole world into SuperFreaks having great sex. All models in Pink and White Productions videos seek them out, and Houston organizes scenes around the model's personal fantasies. CrashPadSeries.com debuts episodic, reality-based queer pornography videos. The site is set up like a blog, featuring photos and identity profiles of the stars to make visible the alternate gender identities and sexualities represented in their videos.
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Community archaeology can alleviate or prevent violence towards communities that archaeology may cause. Self-reflexivity in archaeology can be thought of as looking into a metaphorical mirror, and includes attempts to make explicitly make visible the violence—such as colonization—archaeology has been implicitly part of.Spector (1993) Self-reflexivity in archaeology can be part of community presentation, as a means of breaking down imbalanced power dynamics between non-academic communities and archaeologists.Moser et al.
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A few astrologers consider the last c. 10 degrees of a given age (c. 720 years) as the time period during which the new age starts to make visible its influences, also called "orb of influence". In Nicholas Campion's The Book of World Horoscopes there are six pages listing researchers and their proposed dates for the start of the Age of Aquarius indicating that many researchers believe that each age commences at an exact date.
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Concentrating efforts over the Ruhr and Berlin, tactics were to create lighter conditions by setting up searchlight boxes, forming 'light horizons' to enable pilots to make visible contact with the enemy aircraft. Results were poor however, with only two Mosquitoes claimed over Berlin. In December 1944 the piston-engined elements of NJG 11 gave up sustained anti-Mosquito operations and confined itself to illuminated target defence night fighting against the heavy bombers of the RAF.
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Dendrites, as well as the cell soma, are clearly stained in brown and black and can be followed in their entire length, which allowed neuroanatomists to track connections between neurons and to make visible the complex networking structure of many parts of the brain and spinal cord. Golgi's staining is achieved by impregnating aldehyde fixed nervous tissue with potassium dichromate and silver nitrate. Cells thus stained are filled by microcrystallization of silver chromate.
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Focussed on witnessing, looking and reflection, Phillips' work deals with the relationship between (female) subject and viewer. Consistent throughout her work is an interest in the way psychological content is embedded in the physical world, a tendency Phillips strives to make visible via the depiction of contradictions. The artist has stated "I am interested in paradox and conflict, unease, humour and contradiction." An explicit aim of Phillips' work is to in some way destabilize the viewer.
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The pictograms are developed during workshops together with migrant groups and associations. The idea is then to make visible the feelings and everyday experiences of migrants, which migrantas argue otherwise receive very little publicity. The collective mostly works with women and encourages workshop participants to express their everyday experiences, feelings and views of life as a migrant living in a foreign culture. The sketches produced in these workshops are then developed into pictograms by the collective members themselves.
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The completed wire wound coils use reflected light to make visible invisible connections between time and frequency. These were followed by her series of works made with tank and gunsight prisms. Her work In Sua Memoria (1971–72) made in memory of her father epitomises her use of reflected light in a darkened space. As the art critic Jasia Reichardt observes: ‘There is an intersection (in Lijn’s work) at which science fiction, religion and quantum physics converge.’Jasia Reichardt. 1987.
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Through the establishment of a single sharing and collaboration point, the European Union wanted to resolve the problems of semantic interoperability amongst the EU member states. The main idea behind the service was to make visible specifications that already exist, so as to increase their reuse. In this way, governmental agencies and developers benefit as they do not reinvent the wheel, they reduce development costs, and increase the interoperability of their systems. In December 2011, the content and the activities of SEMIC.
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Certain groups turn to the destruction of property to stop environmental destruction or to make visible arguments against forms of modern technology they consider detrimental to the environment. The U.S. Federal Bureau of Investigation (FBI) and other law enforcement agencies use the term eco- terrorist when applied to damage of property. Proponents argue that since property cannot feel terror, damage to property is more accurately described as sabotage. Opponents, by contrast, point out that property owners and operators can indeed feel terror.
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Accessed 16 March 2016. In 2007, Duke University Press published Keeling's first book, The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense. In this book, Keeling argues that the cinema's ability to structure social reality, thus producing and reifying racism, homophobia, and misogyny, can be disrupted by the figure of the black femme. Despite her lack of representation in hegemonic imagery of race and gender, she haunts that imagery, constantly threatening to make visible alternative social arrangements.
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Liam Gillick (born 1964, Aylesbury, Buckinghamshire) is a British artist who lives and works in New York City."Liam Gillick", Hessel Museum of Art, Bard College. Retrieved on 9 November 2019 Gillick deploys multiple forms to make visible the aesthetics of the constructed world and examine the ideological control systems that have emerged along with globalization and neoliberalism. He utilizes materials that resemble everyday built environments, transforming them into minimalist abstractions that deliver commentaries on social constructs, while also exploring notions of modernism.
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Advocates of speed reading generally claim that subvocalization places extra burden on the cognitive resources, thus slowing the reading down. Speedreading courses often prescribe lengthy practices to eliminate subvocalizing when reading. Normal reading instructors often simply apply remedial teaching to a reader who subvocalizes to the degree that they make visible movements on the lips, jaw, or throat. Furthermore, fMRI studies comparing fast and slow readers (during a reading task) indicate that between the two groups there are significant differences in the brain areas being activated.
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Islas wrote and published in several genres, but is best known for his two finished novels, The Rain God and Migrant Souls. Both of these books depict the Angel family, who live in the border region of the United States. Islas believed deeply in writing about the Chicano experience in America to "help make visible Chicano/a creative expression and [the] struggle against institutional and individual racist acts", and encouraged his Chicano/a students to write from their own heritage and experience.Aldama, Dancing with Ghosts, 26.
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Bou's aim in creating this project is to show the hidden beauty of nature. He focuses on bird flights capturing the elusive contours drawn by birds in motion, or, as he says, "to make visible the invisible". Bou says that he feels like a curator looking for hidden drawings that birds make in the sky with their flights. Depending on the type of flight, the result could be regular patterns, like flamingoes in a V formation, or chaotic lines like swifts looking for insects in the air.
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These ideas were developed in conversations with the British biophysicist and lecturer on mystical aspects of sound vibration Jill Purce, who also called Stockhausen's attention to the work of Hans Jenny (; ). In a radio interview three months before the premiere, Stockhausen explained his purpose was to show "how sound waves always change the molecules, even the atoms of a being who listens to music, making them vibrate. And that is what we want to make visible, because most people only believe what they see" .
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Since 1999, several political parties have arisen in order to make visible the 'none of the above' option in the parliaments and force empty seats. "Blank Seats" ran for the Congress and Senate elections of 20 November 2011. Its programme is to leave empty the corresponding assigned seats by not taking full possession of their duties as congressperson, senator, etc. According to law, the seat remains assigned to the elected candidate until the possession act takes place, the elected candidate explicitly refuses or new elections are called.
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The headteacher, under enormous pressure to make visible changes discarded mixed- ability teaching, many teachers decided to leave, and the pass rate dropped below 25 percent. The school went through nine inspections before it finally came out of special measures in 2000 and serious weaknesses in 2003. Ken Muller, a teacher at the school and SWP activist, made a request to Ofsted under the new Freedom of Information Act to see the documents relating to the judgment. Twenty working days later, he got a reply.
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They must make visible avenues for redress for those affected by disparate impacts, and establish processes for the timely redress of any discriminatory outputs. In January 2020, Harvard University's Berkman Klein Center for Internet and Society published a meta-study of 36 prominent sets of principles for AI, identifying eight key themes: privacy, accountability, safety and security, transparency and explainability, fairness and non-discrimination, human control of technology, professional responsibility, and promotion of human values. A similar meta-study was conducted by researchers from the Swiss Federal Institute of Technology in Zurich in 2019.
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What was new was a refusal to credit the higher status of certain types, where the taxonomy implied a preference for tragedy and the sublime to comedy and the Rococo. Croce suggested that "expression" is central in the way that beauty was once thought to be central. George Dickie suggested that the sociological institutions of the art world were the glue binding art and sensibility into unities. Marshall McLuhan suggested that art always functions as a "counter-environment" designed to make visible what is usually invisible about a society.
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In addition to the boardwalk and era-style tent similar to those used by the Lafayette Escadrille, the gallery has reproductions of an Albatros D.Va, a Fokker Dr.I and Fokker E.III Eindecker, and authentic examples of a SPAD VII.c.1, Nieuport 28, and Sopwith Pup. The fabric skin of the Sopwith Pup was left off to make visible the complex structure and craftsmanship that went into the original aircraft, as well as these museum reproductions. Among the many displays is a model of the synchronization gear first developed for the Fokker Eindecker.
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Late in 1978, the United States Post Office granted non-profit status to Lutherans Concerned. The name of the organization was further changed in 1980 to "Lutherans Concerned/North America" (LC/NA), to make visible the continental reach Lutherans Concerned had achieved through its programs and influence. The shortened name, Lutherans Concerned, continued to be used as the working name except in more formal documents and press releases. The 1980 name change reflected the international nature of the organization, with members, chapters and movement building within the Evangelical Lutheran Church in Canada (ELCIC).
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In mid-2014 Indira Neville joined up with New Zealand graphic novelists, writers and fellow comics artists Rachel Fenton and Sarah Laing. They set about to develop the first anthology of New Zealand women's comics in a book format. The anthology "...will incorporate both existing and new work. We want to make visible the depth and breadth of New Zealand women’s comics; showing off some of the beautiful, amazing and often-unseen women’s comics of the past, as well as providing an opportunity for collaboration and the creation of new book- specific pieces via the Three words concept".
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Land defenders play an active and increasingly visible role in actions intended to protect, honour, and make visible the importance of land. There are strong connections between the water protector movement land defender movement and Indigenous environmental activism. Land defenders resist the installation of pipelines, fossil fuel industries, destruction of territory for development such as agriculture and resource extraction activities such as fracking because these actions can lead to the degredation of land, destruction of forest, and disruption of habitat. Land defenders resist activities that harm land, especially across Indigenous territories and their work is tied to human rights.
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Controversies about its Origin and its Development Dynamics), as well as in his 1977 book, "Weltwirtschaftsordnung und Entwicklungspolitik. Plädoyer für Dissoziation" (World Economic Order and Development Policy. Plea for Dissociation), Senghaas attempts to make visible the structural dependency of the periphery on the metropolises, or stated more simply, the dependence of the developing countries (or areas) on the political and economic power centers in the age of world economy. Senghaas sees a solution to the impediments to development, created externally (pressure of the industrial countries) and internally (interests of the power elite in keeping the existing societal structures), in a decoupling (not severance!) at times from the world market.
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"Marisol Portrait Sculpture." Pg. 95 This strategy was employed as a self-critique, but also identified herself clearly as a woman who faced prejudices within the current circumstances. As Luce Irigaray noted in her book This Sex Which is Not One, "to play with mimesis is thus, for a woman, to try to recover the place of her exploitation by discourse, without allowing herself to be simply reduced to it. It means to resubmit herself … to ideas about herself, that are elaborated in/by amasculine logic, but so as to make visible, by an effect of playful repetition what was supposed to remain invisible".
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In his view, the purpose of media studies is to make visible what is invisible: the effects of media technologies themselves, rather than simply the messages they convey. Media studies therefore, ideally, seeks to identify patterns within a medium and in its interactions with other media. Based on his studies in New Criticism, McLuhan argued that technologies are to words as the surrounding culture is to a poem: the former derive their meaning from the context formed by the latter. Like Harold Innis, McLuhan looked to the broader culture and society within which a medium conveys its messages to identify patterns of the medium's effects.
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Stuxnet attacked Windows systems using an unprecedented four zero-day attacks (plus the CPLINK vulnerability and a vulnerability used by the Conficker worm). It is initially spread using infected removable drives such as USB flash drives, which contain Windows shortcut files to initiate executable code. The worm then uses other exploits and techniques such as peer-to-peer remote procedure call (RPC) to infect and update other computers inside private networks that are not directly connected to the Internet. The number of zero-day exploits used is unusual, as they are highly valued and malware creators do not typically make use of (and thus simultaneously make visible) four different zero-day exploits in the same worm.
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The Monica Ross Action Group (MRAG) was established in 2013, following her death, to ensure that new audiences benefitted from her legacy. The group undertakes projects with the professed aim "to make visible Monica's invaluable contribution to contemporary practice, expand an understanding of the nature and impact of her long-standing radical practice, and demonstrate how her work is crucially relevant to a contemporary reassessment of feminist performance practice and theory". As of 2015, the Monica Ross Action Group consisted of artists Susan Hiller, Suzanne Treister, and Anne Tallentire, as well as partner Bernard Mills and daughter Alice Ross. The group was responsible for the organisation of "Monica Ross: A Symposium", which took place at the British Library on Friday 28 November 2014.
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Since 2010, Macho is part of the Parity Commission of the Department of Science and Technology of the University of the Basque Country UPV/EHU, and since 2015, she is a member of the Cooperation Council of the same university. Since 2011 she is a member of the Female Researchers and Technologists Association (AMIT, from Spanish). In May 2014, she created the digital space named "Women with science", which belongs to the Scientific Culture Chair of the University of the Basque Country, where she is the editor in chief. The purpose of "Women with science" is to spread the role of women in science and make visible the important work and contributions of past pioneers and present researchers, including cross-curricular subjects such as science and gender inequalities.
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In 1984, Morgan, together with the late Simone de Beauvoir of France, and women from 80 other countries, founded The Sisterhood Is Global Institute (SIGI), an international non-profit NGO with consultative status to the United Nations, which has for three decades functioned as the world’s first feminist think- tank. The Institute has played a leading policy-formulation, strategic, and activist role in the evolution of the international Women’s Movement. SIGI has also developed a global communications network through which an umbrella of NGO interest, advice, contacts, and support is collectively mobilized to empower the global women’s movement. Among its many activities, the Institute pioneered the first Urgent Acton Alerts regarding women’s rights; the first Global Campaign To Make Visible Women’s Unpaid Labor In National Accounts; and the first Women’s Rights Manuals For Muslim Societies (in 12 languages).
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Pope John Paul II surprisingly named Archbishop Degenhardt to be a cardinal, along with Bishop Karl Lehmann of Mainz and five other bishops, on 28 January 2001, after he had just named 37 cardinals one week earlier. Pope John Paul II himself explained his naming only one year later on the occasion of Degenhardt's death in a letter of condolence written from the World Youth Day in Toronto as follows: "With his appointment to cardinal, I wanted to make visible the faithful evidence of the Paderborn spiritual leader for the entire world church." On 21 February 2001 he received the Paderborn archbishop as a cardinal priest with the titular church of San Liborio into the college of cardinals in the largest consistory of modern church history. Degenhardt held various ecclesiastical offices, including the leadership of the Eccumenical Commission of the German Bishops Conference from 1974 to 1976.
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DuBay was the first of seven children born to Richard and Dorothy (née Lucas)William Bryan Dubay at the California Birth Index via FamilySearch.org. Retrieved August 5, 2015. DuBay, the latest in a multigenerational family line of Lucases, Searses, and Spreckles in San Francisco, California,DuBay in Archive requires blocking text to make visible. became interested in comics after an uncle presented him with a gift of comic albums starring the Hergé character Tintin. DuBay began in the comic book field as a fan artist whose work included writing and drawing a backup feature in the fanzine Komix Illustrated in 1964, variously writing and drawing features in the fanzines Fantasy Heroes' Hangout and The Voice of Comicdom that same year, and drawing the preexisting superhero character Powerman in the fanzine Star-Studded Comics No. 9 (July 1966), a black-and- white, newsprint magazine published by Texas Trio.
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Ideological criticism is a method in rhetorical criticism concerned with critiquing texts for the dominant ideology they express while silencing opposing or contrary ideologies. It was started by a group of scholars roughly in the late-1970s through the mid-1980s at universities in the United States. Leading scholars of ideological criticism were Michael Calvin McGee at the University of Iowa and Phillip Wander at San Jose State University. Wander's 1983 article, "The Ideological Turn in Modern Criticism," and his 1984 article, "The Third Persona: An Ideological Turn in Rhetorical Theory," remain two of the most important articles in the field. According to Sonja Foss, “the primary goal of the ideological critic is to discover and make visible the dominant ideology or ideologies embedded in an artifact and the ideologies that are being muted in it.” Foss has also mentioned the contribution to ideological criticism of several theoretical schools, including Marxism, structuralism, cultural studies, and postmodernism.
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The second part, once the homogenization process was completed, consisted of the creation of a vanguard party (in accordance with Leninist theory), which should be strong enough to guide the workers and peasants through the revolutionary process. In this sense, the LC23S never considered itself a full fledged party, but a transitional step towards it. Several groups, from different places and with different backgrounds, decided to join the project: Los Lacandones; Los Macias; Los Guajiros; Los Procesos, part of the Student Revolutionary Front (Frente Estudiantil Revolucionario, FER) of Guadalajara; the radical wing of the Autonomous University of Sinaloa's Students Federation, known as Los Enfermos (the sick ones); MAR-23; the Professional Student Movement (Movimiento Estudiantil Profesional, MEP); Grupo 23 de Septiembre; as well as several small groups without previous partisan organization or militancy. Through pints, pamphlets and the distribution of its own publication, Madera, periódico clandestino, they intended to make visible their political program, as well as to recruit new members.
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Norton is centrally concerned with the ways in which language and literacy research can address larger social inequities, while supporting educational change at the grassroots level. Her research seeks to make visible the relations of power that language learners and teachers navigate in diverse classrooms and communities. An advocate for international development, her trajectory of research extends from Canada to sub-Saharan Africa, focussing on a broad range of topics including digital literacy, popular culture, health literacy, language assessment, and teacher education. In 2006, she co-founded the Africa Research Network on Applied Linguistics and Literacy, and is active in the innovative African Storybook in which her former UBC graduate students, Juliet Tembe and Sam Andema, are team members.Faculty of Education: Community Engagement The ASP is an open-access digital initiative of the South African Institute for Distance Education, which promotes early literacy for African children through the provision of hundreds of children’s stories in multiple African languages, as well as English, French, and Portuguese.
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Kokoschka integrated painterly techniques with those used in drawing, as seen in his use of vibrant and contrasting colors, rapid brushstrokes, anxious scratch marks, and uneven handling. In a letter from 1909, Kokoschka noted that he “would like to do a nervously disordered portrait.” With no additional elements to establish a narrative for the sitter, Kokoschka stressed that the essence of the individual comes out through the means of creating their image. Patrick Werkner, an art historian, describes Kokoschka’s portraits by suggesting that it is as if the skin becomes separated from the body, allowing the viewer to see through the physiognomy like a veil only to make visible the means of depiction. Kokoschka’s portraits as a whole comment on the overwhelming feelings of uncertainty felt by those who were aware of the shifting cultural milieu leading up the end of the old order of the Austrian Empire in 1918. Kokoschka’s portrait, Hans Tietze and Erica Tietze-Conrat, was painted in 1909 in the library of the couple’s home.
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In 2010 and 2011 he participated in several group exhibitions, such as the Youth Exchange titled Contemporary Art at the Van Dyck Art Gallery in Gijón, where the work of Carlos Albert achieved recognition and importance within the current art scene. His presence in the arts sector has increased as time has passed and not only in the Spanish field but also abroad, in such renowned art fairs like Karlshruhe Art Fair and in German art galleries, such as 100KUBIK of Cologne, which in 2013 we will see a selection of works, in order to create greater awareness of his work internationally. From the beginning of his career, Albert's effort to make visible his work was reflected in numerous solo and group exhibitions in which he participated and in the many events in which his presence has not been unnoticed by the public or by the organizations, earning numerous awards. Also, Carlos Albert currently is committed to showcasing his work over the Internet and does so through the online art gallery Plastiké Art Gallery.
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'Angela Leighton summed up his critical contribution in her review for the Times Literary Supplement of Twentieth Century Poetry: Selves and Situations (2005) when she wrote that 'Robinson has been a generous promoter of contemporary poetry for decades, and this collection of essays bears witness to his dedication and energy. He writes with an unformulaic enthusiasm, moving easily from biographical, political and poetic context to the nitty-gritty of close reading, while also striking an easy, readable tone'. Five years later, in the same journal, Justin Quinn found that Poetry & Translation: The Art of the Impossible (2010) was 'Vigorously and wittily argued ... an excellent and provocative contribution to a complex debate.' More recently, Robinson has been able to make visible a greater range of his writings, publishing a selection of his aphorisms called Spirits of the Stair in 2009, Foreigners, Drunks and Babies: Eleven Stories in 2013, a collection of prose poetry and memoirs called The Draft Will (2015) and his first novel, September in the Rain in 2016.
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As interest in the band grew, Panther Burns soon played early gigs in Memphis and other cities, horrifying the host of a Memphis morning television talk show on which they performed. During the talk show performance, Lyon simultaneously encoded and transmitted an experimental, live, slow-scan feed to experimental artist groups OPEN SPACE in Victoria, Center for New Art Activities in New York, and RELAY in San Francisco. Falco explained to the disgusted host that the group was merely a "neo-rumorist orchestra" for a TeleVista experiment, creating what he termed an "anti-environment" to make visible cultural treasures and older, local performers overlooked in the daily environment by mainstream society and the establishment. The album cover of Behind the Magnolia Curtain, the band's debut album, recorded in 1981The band's early happening-styled, so-called "art-action" performances at downtown Memphis cotton lofts at the time frequently included waggish projected images, like the group's trademark burning panther image, trained on the musicians, harking back to Velvet Underground-era, psychedelic days of the 1960s.
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He soon became convinced that he had discovered a new type of rays, which are today called X-rays. The following year Henri Becquerel was experimenting with fluorescent uranium salts, and wondered if they too might produce X-rays. On 1 March 1896 he discovered that they did indeed produce rays, but of a different kind, and even when the uranium salt was kept in a dark drawer, it still made an intense image on an X-ray plate, indicating that the rays came from within, and did not require an external energy source. The periodic table circa 1930 Unlike Röntgen's discovery, which was the object of widespread curiosity from scientists and lay people alike for the ability of X-rays to make visible the bones within the human body, Becquerel's discovery made little impact at the time, and Becquerel himself soon moved on to other research, Marie Curie tested samples of as many elements and minerals as she could find for signs of Becquerel rays, and in April 1898 also found them in thorium.
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Bintou Dembélé's engagements led her to work with students and scholars in schools and universities, with musicians and dancers from different backgrounds as well as with some of the Parisian suburbs' carceral population. Bintou Dembélé's commitment to the development of the Hip Hop culture and to the recognition and legitimacy of its actors in the French public spaces and common discourse led her to integrate the SeFeA laboratory organized by Université Sorbonne Nouvelle - Paris 3 in 2014. In September 2016, she is hosted by the Gender and Women studies department of the University of California, Berkeley in a conference to talk about the video documentary of her performance Z.H. In the French and francophone contexts, Bintou Dembélé's work can be related to the one of Maboula Soumahoro, Alice Diop or Isabelle Boni-Claverie. Bintou Demélé is one of the spokesperson of the scholars Mame- Fatou Niang and Kaytie Nielsen recent documentary Mariannes Noires (Black Mariannes) whose aim is to give voice and make visible Afro-French female identities.
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Hafiz, however, gradually resumed his literary activities recently coming up with his Kabita Ekattur (Poems Seventy One) recently to make visible again his formidable presence in the literary arena while his third book is set to hit the bookstalls in few months. A journalist by profession Hafiz eventually found the literature section of newspapers as his professional abode while he served as a literary editor of a number of newspapers over the past four decades. But the instability in the newspaper industry also threw him out of the job several times, exposing him to extreme difficulties. His luck in gambling earned him the repute of being a great gambler in close circle and in one of his newspaper interviews Hafiz bluntly said during his state of joblessness, gambling appeared to be his major income source for a period. A dichotomy of love of land and devotion to the lover is clearly visible in his poems but Hafiz finds a way toward a compromise projecting himself as a tender lover and rebel patriot as he wrote “Rather today let us like the songs of Jahidur/Summon boshekh from the heart, bring in both lives /Do you know, Helen.
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