Paul: You don't have to make a great effort to have happiness; it is just in your backyard, in your small land.
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My parents make a great effort to pay my expenses, and one way to thank them is to study hard and learn how to do real journalism.
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Meanwhile, Lung and Tung also make a great effort to him build up his confidence......
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Cultural change is a long-term process. Policymakers need to make a great effort to improve some basics aspects of a society’s cultural traits. The Beatles exemplified changing cultural dynamics, not only in music, but fashion and lifestyle. Over a half century after their emergence, they continue to have a worldwide cultural impact.
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Not only is that type of learning expensive, it tends also to be fragile. It is typically difficult to remember those kinds of items. Even when we make a great effort, we do not always succeed. We often recognise a face without being able to remember the name of the person ... not to mention all that almost all of us have forgotten much of what we "learned" at school.
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The origins and name of the commune appear to be linked to the old road that passes through it. Montpezat-sous-Bauzon in Monastier has a very old road coming from the Rhone valley called Chemin du Pal. Julius Caesar would have passed near the village (or even through) on his way to face the Arverni with his legions. He would have been forced to make a great effort to shift the snow that was blocking him.
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It is difficult to tell if Selvo truly was at fault for the defeat in the third battle with the Norman fleet near Corfu, but according to Hazlitt and Norwich, almost all accounts name Selvo as an heroic figure who nearly overcame an unlikely counterattack. This claim is based mostly on anecdotal evidence and it clearly did not weigh heavily enough on the minds of the Venetians who overthrew Selvo based on the outcome of the battle. A faction of influential Venetians, possibly led by Vitale Faliero based on later writings, led a popular revolt to depose Selvo, and in December 1084 they succeeded. Selvo apparently did not make a great effort to defend himself and was sent off to a monastery.
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A poor spot would put the horse too close or too far back from the jump, so that it would either have to stretch and make a great effort over the fence, or have to jump more "up and down" rather than over the fence. A poor spot interrupts the rhythm of a course, and increases the likelihood that a horse will rub or drop a rail. A good ride over fences will look easy, with the horse jumping from the correct takeoff spot, easily fitting the strides in between the jumps (as opposed to having to really stretch out or collect its stride), and cleanly making the flying changes required. Refusals, knocked rails, or rubs over fences incur a severe drop (faults) in the rider's score.
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He was ordered first to make a great effort to chastise the enemy in Buhahayen, and then to burn the Spanish settlement and fort and go to La Caldera, fortify it, and leave there a sufficient garrison with artillery, boats, and provisions for its maintenance and service. Then he was to return to Manila with the rest of his men, after telling their friends in Tampacan that the Spaniards would shortly return to the river better equipped and in greater numbers. Before this could be completed, however, the forces of Buhahayen, reinforced by a fleet and 1,000 soldiers from Terrenate, attacked the Spanish in their camp. In intense fighting, sometimes hand to hand, the Spanish routed the attackers, killing many, taking many prisoners, and capturing or burning most of the boats.
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The symbolic parallelism of the gods being transported on barques in real life and in the afterlife worked for the New Kingdom Egyptians as a religious and ceremonial link to the gods. Evidence for the importance of the temples is discussed in a song from the tomb of Amenemhat, as well as the appearance of the god Amun in Karnak Temple. The song describes the temple as “a woman, drunk in religious ecstasy and attired in erotically Hathoric coiffure, awaiting with bed linens the arrival of the god” (Darnell, 2010). The Hathoric coiffure refers to Hathor, the Egyptian goddess of fertility. Egyptologist Marina Escolano-Poveda outlined the importance of a relief in the Red Chapel of Hatshepsut in depicting the celebratory nature of the festival, “The reliefs make a great effort to depict the grand spectacle: Many priests support the barks and statues, while a crowd makes a joyous din with sistrum rattles. The gods’ barks were brought alongside the jetty at the Temple of Luxor and were carried on the shoulders of the priests to the sacred precinct.
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