She's made tracks that feel like footwork and anime soundtracks and happy hardcore all at once.
|
|
Practically my entire life, I have made tracks in the snow, whether with skis, snowboards, or snowshoes.
|
|
Every Christmas morning my two brothers and I would run downstairs and see if Santa made tracks on his way to the cookies.
|
|
It's very versatile and on some songs I went a bit out of my comfort zone, I made tracks that are more in the pop realm.
|
|
Soulja was considerably younger than the major stars and appeared with a simplicity which made tracks like "Bapes" (which came from the iconic YouTube video) so popular.
|
|
To mark the anniversay, Paradinas made a mix of entirely RDJ-made tracks and remixes under his various aliases including Aphex Twin, Polygon Window, AFX, and Caustic Window.
|
|
When I made this track I wasn't thinking about making a "club song" and when I made tracks like "Another Nigga" off Pablo Frescobar I wasn't trying to be technical.
|
|
Across the 10 records, he made tracks full of ghostly whispers, surrealist asides, preening fuck-yous to the wannabe literati, all centered around Lawrence's unique sense of humor—the unearned confidence of an overachieving underdog.
|
|
For example, about 8.7 million Americans flew or cruised to the Caribbean last year, while 17.74 million-plus made tracks for Europe, over 6.25 million headed to Asia and more than 2.44 million vacationed in the Middle East.
|
|
No release date or any other details have been given, and as per usual, just because rappers say they've made tracks doesn't necessarily mean those songs will ever come out, but it's heartening to know that they exist, nonetheless.
|
|
It would be nice if the tanks also had a little bit more awareness of their environment (like the cars in Anki Overdrive, which can automatically stay on specially made tracks), but I do like the more visceral action in Galaxy Zega.
|
|
Even friendships like the ones she formed Missy Elliott, a multi-faceted MC who, with the help of Timbaland, gave "baby-girl" some unforgettable hits on her second album One in a Million, thus forming the R&B trinity that made tracks so ahead of the time that they shook the foundation of pop culture for the greater part of the 90's.
|
|
Living in Baltimore, making tracks indebted to the bounce of local dance music, as well as vogue, rap, and other forms of pedal-to-the-medal music, he built up a collection of scuzzy, high energy tracks that put him in demand as both a producer and a DJ. He made tracks with both local stalwarts (TT the Artist) and internetty superstars (Lil B), bringing his left-of-center approach to familiar forms no matter what sort of track he was involved with.
|
|
Using footprints as objects of divination is "ichnomantic" Ichnomancy (from ichno- "track, footstep" + -mancy "method of divination") is the divination of a person's qualities (e.g., posture, position) or character (i.e., personality) by means of footprints or other such human-made tracks.
|
|
" > "In the dry weather a lone Jabiru came yearly to stand motionless for hours > in the lower paddock. Snakes including death adders were plentiful. A dairy > farm adjoined the school. The cows in search of pasture, made tracks along > the school's fence.
|
|
Justin Sweatt began his career working in psychedelic rock and noise music acts; he occasionally made tracks using synthesizers during this period, but he never had the time to make the "kind of synthesizer music that [he] had always heard in [his] head.""Xander Harris Interview". Sick of the Radio. April 23, 2011.
|
|
Joe Danger contains a sandbox mode, which allows the player to drag and drop objects onto the course to customise levels. This mode is integrated into some single-player levels where the game may instruct the player to introduce obstacles such as ramps to access later sections. New levels can be shared online with friends via the PlayStation Network. The game has a split screen multiplayer mode for up to four players on a selection of specially-made tracks.
|
|
These forces built 833 dummy tanks, guns, vehicles, field kitchens and fuel tanks, and used their real and dummy equipment to simulate the unloading of armies from a railhead at Myatlevo, and the concentration of armour and motorized infantry as if preparing to attack Yukhnov. The radios communicated false traffic between the simulated armies and Front headquarters. The real tanks and other vehicles made tracks like those of troop columns. When the Luftwaffe attacked, the deception units returned fire and lit bottles of fuel to simulate fires.
|
|
The tablet and computer versions of the game allow users to create hand-drawn tracks, which they can upload to the game to be played by other players. The game currently has over 700,000+ player-made tracks. Tracks can be made by using the in-game editor, which features several tools, including a line tool, curved line tool, brush tool, and eraser. There are also powerups and vehicle powerups which can affect the player's bike in ways such as changing the rider's gravity, or boosting the rider in a certain direction.
|
|
Jonathan Saul Kane (born 1969) is an English DJ, musician who has released recorded material since 1989 as Depth Charge and The Octagon Man, amongst other noms de disc. He is also the owner of the record labels DC Recordings and Electron Industries. He is well known for his pioneering use of samples, particularly from cult films in the martial arts, spaghetti western and pornographic genres. He has also made tracks celebrating his favourite football team (Brazil on the 1990 single "Goal") and player (on the 1998 single "Romário").
|
|
He made tracks for the United Nations High Commissioner for Refugees (Young & Rubicam), Drug Free America (RSA), Nintendo (Leagas Delaney), Nike (RSA), Shell Ferrari, Marlboro, BMW, Het Parool in the Netherlands (Kesselkramer), (Saatchi & Saatchi) and others. The desire to be with his family pulled him to Spain, where on the beaches of Málaga, he struggled to get Chambao off the ground. He introduced them to Sony BMG, and got them a five-record deal. Irreconcilable differences forced him to leave the band, while still maintaining a close relationship with Daniel Casan, the band's songwriter.
|
|
But the opening two rounds of the season where both on "temporary" tracks within bigger soccer style stadiums. These man made tracks did not complement Hamill's style and he picked up only eight out of a possible fifty points. He did have a strong finish to the season winning again in Prague and finishing fourth in Bydgoszcz, yet after such a promising 2000 campaign Hamill was disappointed to finish sixth overall in 2001. The United States national speedway team had qualified for the 2001 Speedway World Cup Final at the Olympic Stadium in Wrocław, though Hamill originally wasn't part of the team.
|
|
Winter X Games Snocross (also snowcross) is a racing sport involving racing specialized high performance snowmobiles on natural or artificially-made tracks consisting of tight turns, banked corners, steep jumps and obstacles. Riders race at speed of up to 60 miles per hour (96 kilometers per hour).2007 Rock Maple Snocross Racing , January 26, 2007, Retrieved December 4, 2007 Jumps are up to 30 feet (9 meters) tall, so riders travel up to 130 feet (40 meters) before they touch the ground. According to the World Snowmobile Association which governs snocross, watercross, and hillcross racing, snocross is the most popular form of snowmobile racing.
|
|
A People's History of the Dismemberment Plan is a 2003 album by Washington D.C. indie band The Dismemberment Plan, issued on DeSoto Records. The album is a compilation of songs from three of the band's previous releases, The Dismemberment Plan Is Terrified, Emergency & I and Change, remixed by friends and fans as well as those simply interested in the project. The Dismemberment Plan made tracks available to the public via their website, giving the criteria of "use what you find, embellish, edit, and rematerialize as you see fit, and if we like it, we'll put it on the record" as the only guidelines for the project. After about a year the band sifted through the submitted remixes and selected 12 tracks for the final album.
|
|
From 1986 to 1994, Gen Atem collaborated with the New York artist Rammellzee, who interlaced graffiti with elements of Afrofuturism in his work, which he called Ikonoklast Panzerism – Gothic Futurism. Together with Rammellzee, Gen Atem realized various performances and exhibitions in New York City and Amsterdam between 1986 and 1994. Gen Atem and Rammellzee organized and executed so-called “art battle performances“, like the one at Eigen+Art Gallery in New York City in 1994, titled “Exercises in Self Presentation“. For these art battles, each artist created 26 sculptures, each of which represented one of the letters of the alphabet. A chassis with wheels was an integral part of each sculpture, and the two artists had their letters compete with each other in combinations of so-called “letter formation functions” on a system of self-made tracks.
|
|
The CD/DVD version of Vocal Play, which was released in 2010, contains original self-made tracks, such as "SOS (Anybody Out There)", the power ballad of "Love Me", the Motown-influenced “Ready or Not”, the Latin 768 and a duet with Michael Bublé on the Dinah Washington classic, “Relax Max”. The DVD includes HD live material from their performance at Madison Square Garden, extensive interviews with each group member, as well as their video clips. In fall 2010, the group, along with American rapper Ludacris, were featured on a track that appeared in Quincy Jones's album, Soul Bossa Nostra, which led them to a performance at The View in November, before continuing on touring with Bublé. Naturally 7 contributed a few songs for the soundtrack of the 2010 German/English dub film Animals United, including "King of the Road", "Splish Splash", "Hokey Pokey", and "Move On Up".
|
|
When recording on the twin-track machine there was very little opportunity for overdubbing; the recording was essentially that of a live music performance. The first two Beatles albums, Please Please Me and With The Beatles, were recorded on the BTR two track machines; with the introduction of four-track machines in 1963 (the first 4-track Beatles recording was "I Want to Hold Your Hand") there came a change in the way recordings were made—tracks could be built up layer by layer, encouraging experimentation in the multitrack recording process. In 1968 eight-track recorders became available, but Abbey Road was somewhat slow in adopting the new technology and a number of Beatles tracks (including "Hey Jude") were recorded in other studios in London to get access to the new eight-track recorders. The Beatles' final album Abbey Road, was the only one to be recorded using a transistorised mixing console, the EMI TG12345, rather than the earlier REDD valve consoles.
|
|
An explosion destroying some walls in Nuclear Throne In video games, the term destructible environment, or terrain deformation, refers to an environment within a game which can be wholly or partially destroyed by the player. It may refer to any part of the environment including terrain, buildings and other man-made structures. A game may feature destructible environments to demonstrate its graphical prowess, underscore the potency of the player character's given abilities, and/or require the player to leverage them to solve problems or discover new paths and/or secrets. Early examples include the Taito shooter games Gun Fight (1975) and Space Invaders (1978), where the players could take cover behind destructible objects.Brian Ashcraft, How Cover Shaped Gaming's Last Decade, Kotaku An early example of fully destructible environments can be found in Namco's 1982 game Dig Dug, in which the whole of each level is destructible, though enemies can usually only follow the player through a combination of pre-made tracks and paths made by the player.
|
|