They made rough sketches, transferred it to cards, and eventually produced "charts" on actual blueprint sheets and Mylar.
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Hungary's nationalist government made rough sleeping a crime last year and gave police the power to order homeless people to move into shelters.
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Betweenwhiles he scowled over the plantation account-books, made rough estimates, added and balanced, and scowled the harder.
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Therefore, the texture of the bottoms of channels should be made rough with vegetation or riprap, and outlet structures should be properly designed with energy dissipaters.
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Athasian elves are hostile nomads, marked by savage dispositions and a deep distrust of outsiders. An Athasian elf stands 6½'–7½' tall. They are slender, lean, and generally in terrific physical condition. Their features are deeply etched into their weather-toughened faces, and their skin is made rough by the windblown sands and baking sun of the wilderness.
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The building is small and made rough hewn wood from local trees. Run by María de los Angeles, the museum is dedicated to stories of goblins and similar creatures around the world. Angeles states that, according to legend, a group of friends were camping in this area in 1994 when they came upon a group of goblins which told them that their kind were angry over mankind's destruction of nature and cruelty to each other.
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He travels safely, and is rewarded by the Great Spirit with the gift of fire. He carries the gift in his beak back to his people, but upon his return, he does not appear to be the same bird that he once was. The fire has scorched his plumage black, with only hints of his previous color, and his voice has been made rough and hoarse by the smoke. In this way, his sacrifice is commemorated.
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According to the German "Society against Expulsion", some Germans were sent to "concentration camps". A 1964 report by the German Red Cross stated that 1,215 "internment camps" were established, as well as 846 forced labour and "disciplinary centres", and 215 prisons, on Czechoslovak territory. Special Courts sentenced 21,469 persons to prison and 713 were executed for crimes committed during the Nazi occupation. They made rough estimate claiming 350,000 Germans in Czechoslovakia passed through one or more of these institutions and 100,000 perished.
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The retreat lasted for two weeks with Barlow's brother Sebastian in attendance. Barlow said the first week was very productive, while saying the second week "wasn’t productive at all", only managing to come up with two songs from that week. Eventually, the band made rough drafts of close to 40 songs. In an interview in December 2016, Barlow said the band had been "working on [their third album] for a long time already, but the real work is not too far away".
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St. Leger learned drawing and painting at the schools he attended. During his military campaigns he carried sketch-books in his haversack at all times; he made rough pencil sketches when the opportunity was available and would later work them into final drawings or water colours. His artwork was being published in the London magazine Black and White by the middle of 1900. His only published book came out in London under the title of War Sketches in Colour in November 1903.
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The anal fin is larger than the second dorsal fin and is rounded in juveniles, becoming more angular in adults. The large caudal fin has a distinct lower lobe and a deep ventral notch near the tip of the upper lobe. The skin is thick and made rough by widely spaced, arrowhead-shaped dermal denticles with three horizontal ridges. The dorsal coloration is brown to gray with 9-10 dark saddles closely alternating with lateral blotches, including a large round blotch encompassing the gill slits; the fins are dark above with variably pale margins.
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Alexander Biggar was also at the bay as a professional elephant-hunter and helped the trekkers with important information regarding conditions at Port Natal. Bantjes made notes suggested by Uys, which later formed the basis of his more comprehensive report on the positive aspects of Natal. Bantjes also made rough maps of the bay (this journal is now missing) showing the potential for a harbour which could supply the Boers in their new homeland. At Port Natal, Uys sent Dick King, who could speak Zulu, to uMgungundlovu to investigate with King Dingaan the possibility of granting them land to settle.
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Garbage began writing for their second album at the start of March 1997 at a vacation house in Friday Harbor, Washington. There, the group demoed and made rough outlines for new songs over a three-week period. When they that felt they had made a good start, they relocated to their Madison, Wisconsin, base at Smart Studios and began fleshing out the ideas and rough sketches that were made over the rest of the year. The group recorded all of the material for the second album through a 48-track digital system direct to hard drives utilizing a 24-bit Pro Tools rig.
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The name of the band was dreamt up by founder Adge Cutler. It appears to be short for mangelwurzel, a crop grown to feed livestock, and wurzel is also sometimes used in the UK (perhaps only as a result of the band's name) as a synonym for yokel. The Wurzels' particular "genre" of music was named Scrumpy and Western after the group's first EP of the same name, issued early in 1967. Scrumpy is a name given to traditionally- made rough cider in southwest England, popular amongst The Wurzels and their fans, and frequently referred to in their songs.
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The first stop was in 5 September 1646 on a voyage to Batavia, Dutch East Indies, and the second was an expedition by the galliot Nachtglas (Nightglass), which left from Cape Town on 22 November 1655. The crew of the Nachtglas noticed the tablet left by the Heemstede on 10 January 1656 near a watering place. They left a wooden tablet themselves as well, like they also did on Nachtglas Eijland (now Inaccessible Island). The Nachtglas, commanded by Jan Jacobszoon van Amsterdam, examined Tristan da Cunha and Gough Island and made rough charts for the Dutch East India Company.
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Despite these losses, the crew was able to attain and then maintain limited control by using the throttles to adjust thrust from the remaining wing-mounted engines. By using each engine independently, the crew made rough steering adjustments, and by using the engines together they were able to roughly adjust altitude. The crew guided the crippled jet to Sioux Gateway Airport and lined it up for landing on one of the runways. Without the use of flaps and slats, they were unable to slow down for landing, and were forced to attempt landing at a very high ground speed.
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Garbage began writing their second album, which would go under the working title of Sad Alcoholic Clowns, in March 1997 in the band's label head Jerry Moss's vacation house in Friday Harbor, Washington. The group demoed and made rough outlines for new songs. When they felt they had made a good start, Garbage took the work they made in Washington back to their Madison, Wisconsin, base at Smart Studios and begin fleshing out the ideas and rough sketches over the following year. The group recorded all of their work for the second album through a 48-track digital system digitally, direct to hard drives utilizing a 24-bit Pro Tools rig.
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Through the long Alaska summer days, they took chemical and geologic samples, shot photographs, and made rough maps. Mincing their way across the crumbling, treacherous surface of the hot ash, they studied the temperatures and temperaments of the roaring fumaroles and explored the perilous margins of the pyroclastic deposits. As they explored and documented the valley, they began to build a picture of the eruption. For five years, the American public had been entranced by the exciting volcanic discoveries in Alaska. Hungry for stories to push the horrors of World War I from their minds, thousands of National Geographic subscribers were thrilled to read Griggs’ gripping articles about the adventures of his exploring parties.
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A small village existed at the site of Hattertown before 1821, when the Taylor and Benedict families arrived there and began hat production. Hattertown was later to become one of the few places in the region where an entire village was directly involved in the hat trade. Hatting in the village was a cottage industry in which hat producers made rough-formed hats for sale to wholesalers in Danbury or "front shops" in New York City where they would be finished. Hatting continued in Hattertown until at least 1856, but it was in decline by the 1840s as fur processing and hat forming were becoming increasingly mechanized and the local supply of fur-bearing animals was largely depleted.
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He was still in Bohemia when the Seven Years' War opened with Frederick's invasion of Saxony (1756). Von Browne's army, advancing to the relief of Pirna, was met, and, after a hard struggle, defeated by the king at Lobositz, but he drew off in excellent order, and soon made another attempt with a picked force to reach Pirna, by wild mountain tracks. The field marshal never spared himself, bivouacking in the snow with his men, and Carlyle records that private soldiers made rough shelters over him as he slept. He actually reached the Elbe at Schandau, but as the Saxons were unable to break out, von Browne retired, having succeeded, however, in delaying the development of Frederick's operations for a whole campaign.
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Garbage began writing their second album, which would go under the working title of Sad Alcoholic Clowns, in March 1997 in the band's label-head Jerry Moss's Friday Harbor, Washington, vacation house. The group demoed and made rough outlines for new songs, of which "Special" was one. When they felt they had made a good start, Garbage took the work they made in Washington back to their Madison, Wisconsin base at Smart Studios and begin fleshing out the ideas and rough sketches over the following year. Garbage intended their second album to build upon the framework, music style and musical template laid down by their first release; to create a rapprochement between the "high-tech and low-down, the now sound and of golden memories" and wear musical references to the 1960s, 1970s and 1980s.
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Starship founder Paul Kantner then came up with the term "Planet Earth Rock and Roll Orchestra", a label of reference to the San Francisco musicians that played on David Crosby's If I Could Only Remember My Name. During the sessions for Crosby's album at Wally Heider Studios, the musicians of each band (who were working in other rooms) dropped in to the sessions and improvised hours of music, and everything was recorded. Some of the basic tracks played during these recorded sessions in 1971 were used for Crosby's album. Engineer Stephen Barncard and David Crosby made rough mixes of some of the session tapes, and in 1991 Graham Nash sent a DAT tape to Paul Kantner which later showed up in the tape trading markets as a 'pristine' digital copy.
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Garbage began writing their second album, which would go under the working title of Sad Alcoholic Clowns, in March 1997 in the band's label-head Jerry Moss's Friday Harbor, Washington, vacation house. The group demoed and made rough outlines for new songs, of which "Bend Me" was one. When they felt they had made a good start, Garbage took the work they made in Washington back to their Madison, Wisconsin base at Smart Studios and begin fleshing out the ideas and rough sketches over the following year. Garbage intended their second album to build upon the framework, music style and musical template laid down by their first release; to create a rapprochement between the "high- tech and low-down, the now sound and of golden memories" and wear musical references to the 1960s, 1970s and 1980s.
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Garbage began writing their second album, which would go under the working title of Sad Alcoholic Clowns, in March 1997 in the band's label-head Jerry Moss's Friday Harbor, Washington, vacation house. The group demoed and made rough outlines for new songs, of which "Temptation", was one of. When they felt they had made a good start, Garbage took the work they made in Washington back to their Madison, Wisconsin base at Smart Studios and begin fleshing out the ideas and rough sketches over the following year. Garbage intended their second album to build upon the framework, music style and musical template laid down by their first release; to create a rapprochement between the "high-tech and low-down, the now sound and of golden memories" and wear musical references to the 1960s, 1970s and 1980s: the production of "Temptation" nodded towards Isaac Hayes and Donna Summer's disco period; Garbage recorded all of their work for the second album through a 48-track digital system digitally, direct to hard drives utilizing a 24bit Pro Tools rig.
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