Ochoa, L. p. 84 Carnival is important in the Veracruz part of the Huasteca, but each as a very local and religious character.Ochoa, L. p. 100-101 For the Nahuas, Carnival is considered to be a “ritual of inversion” where social norms are relaxed. This is done to “placate the Devil” and keep him happy as well. Activities include men dressing as women and local authorities are made powerless temporarily.
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The term was later used about other royalty who had been made powerless, also in other countries, but lost its meaning when parliamentarism made all royals powerless. ; roman à clef: lit. "novel with a key": an account of actual persons, places or events in fictional guise."This roman à clef sets out to recount the struggle between the media moguls Robert Maxwell [...] and Rupert Murdoch," "Review by Laurence Meyer of Jeffrey Archer's The Fourth Estate", International Herald Tribune, July 31, 1996.
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In the conflict, Namor was rendered human after exposure to his own formula as was Rogers whom'd undergone an Atlantean transformation to infiltrate the city. The former fell overboard with the latter diving in to save him now that he'd been made powerless. For the next couple of weeks, Steve and Namor forage around a deserted island trying to find a way back to civilization. Namor becoming morose by the fact he'd been rendered human and that the worst side of him had taken over the one person he cared for from the surface world.
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That stance would remain unaltered over the years to come. Finally, the Review Committee was largely made powerless when the President and General Secretary of the WPA decided to bypass it and began to communicate with the Soviets directly. However, later, at the General Assembly during the World Congress in Vienna in 1983, the status and work of the Review Committee were discussed and it was resolved to allow the committee to become statutory. The General Assembly resolved further to change the Committee scope towards complaints about not only political but any abuse of psychiatry.
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She intended it as an account of the woman whom Rochester married and kept in his attic in Jane Eyre. Begun well before she settled in Bude, the book won the notable WH Smith Literary Award in 1967. She returned to themes of dominance and dependence, especially in marriage, depicting the mutually painful relationship between a privileged English man and a Creole woman from Dominica made powerless on being duped and coerced by him and others. Both the man and the woman enter marriage under mistaken assumptions about the other partner.
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He expresses the view that while Kosovo's independence was inevitable, judicial determination of the issue was unsatisfactory as a matter of policy. Parish's book Mirages of International Justice (2011) Matthew Parish, "Mirages of International Justice: The Elusive Pursuit of a Transnational Legal Order" (London: Edward Elgar 2011) advances a constructivist account of international law. He thinks sovereign states would never agree to create genuinely impartial and independent international courts that would enforce international law against themselves. Thus international courts are deliberately made powerless, and they occupy precarious roles in the balance of power in which they are liable to make decisions in accordance with Great Power interests.
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Brood of the Witch-Queen was reprinted in the January 1951 issue of Famous Fantastic Mysteries The novel begins with the strange murder of Sir Michael Ferrara. A horrifying series of events follows, leading to a woman being used against her will to prey on her husband and then abducted and killed inside a secret chamber in an old Egyptian pyramid. Only after a series of adventures and investigation is Antony Ferrara made powerless by Dr Bruce Cairn destroying the source of his control — the famed Book of Thoth — upon which Ferrara is no longer able to control the elemental he has summoned and is found as a burned corpse the day after.
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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement,Sistine, 184–185 and even in the upper parts there is "a profound disturbance, tension and commotion" in the figures.Sistine, 187 Sydney J. Freedberg interprets their "complex responses" as "those of giant powers here made powerless, bound by racking spiritual anxiety", as their role of intercessors with the deity had come to an end, and perhaps they regret some of the verdicts.Freedberg, 471 (quoted), 473 There is an impression that all the groups of figures are circling the central figure of Christ in a huge rotary movement.Hartt, 640; Freedberg, 471 At the centre of the work is Christ, shown as the individual verdicts of the Last Judgment are pronounced; he looks down towards the damned.
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