The Makiki Heights neighborhood, in part made fashionable when Mrs.
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Being branded as boring could threaten the longevity of a flavor made fashionable largely through social media.
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The modern version was first popularized in 1920s Shanghai and made fashionable by socialites there and in Hong Kong.
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Eventually, Dickey writes, they were taken up as symbols of power by the hip-hop movement, and made fashionable.
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This area became a hub for plastics-making in the 230s when companies made fashionable combs and hair accessories.
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This area became a hub for plastics-making in the 230s when companies made fashionable combs and hair accessories.
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The 31-year-old Big Bang Theory actress shared a photo on Wednesday of the aftermath of the ancient Chinese therapy procedure: her back covered in deep red circles made fashionable by 23-time gold medalist Michael Phelps during the 2016 Rio Olympics.
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This limitations on land use also brought high-rise apartment buildings to the neighborhood, made fashionable by second generation Palmers.
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Giuliano l'Apostata follows conventions for Italian peplum films which had been made fashionable by Cabiria from 1914. It is a melodrama with original music by Luigi Mancinelli and set design and costumes by Duilio Cambellotti. The film did not become popular and has received little attention over the years.
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Pink gin is a cocktail made fashionable in England in the mid-19th century, consisting of Plymouth gin and a dash of Angostura bitters, a dark red bitters that makes the whole drink pinkish. Lemon rind is also commonly used as a garnish, with the citrus essential oils subtly complementing the flavour.
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Louis de Rouvroy, Duc de Saint-Simon, thought that her eccentricity bordered on madness, but he agreed with her criticisms of the extreme of French ladies fashions and praised the simple, practical hairstyle which she made fashionable. Shrewsbury and his wife had no children, and at his death the dukedom became extinct, while the earldom passed to a cousin, Gilbert Talbot. The duchess died in Shropshire eight years after her husband.
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The Amy B. Mitchell House is a historic house at 237 Highland Avenue in Winchester, Massachusetts. The 2.5 story wood frame house was built c. 1909 in an area made fashionable after the establishment of the Middlesex Fells Reservation, and is an excellent local example of Medieval Revival styling. It features jerkin-headed cross gable sections decorated with vertical valances, exposed rafter ends, and a rustic fieldstone chimney.
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Shawsheen Cemetery is a historic cemetery on Great Road and Shawsheen Road in Bedford, Massachusetts. The cemetery is Bedford's second, opened in 1849 as its Old Burying Ground was filling up. The original ten acres, and a number of smaller additions between 1894 and 1959, were laid out in the rural cemetery style made fashionable in the 19th century. The total size of the cemetery is , but not all of this has been developed.
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Another Bladnoch ship owner was Mr Robert Bennett, proprietor of a large bakery in the village. He had a vessel which traded between Wigtown and Whithorn. McClumpha's drapery and tailoring establishment, run by father and son, made fashionable and substantial gentlemen's clothing. There was also Mr George Paton's joiner and cartwright's shop, a post office, three grocers' shops, two public houses, and a beautiful bowling green which had been gifted to the village by the Earl of Galloway.
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Caracalla's name at birth was Lucius Septimius Bassianus. He was renamed Marcus Aurelius Antoninus at the age of seven as part of his father's attempt at union with the families of Antoninus Pius and Marcus Aurelius. According to the 4th century historian Aurelius Victor in his Epitome de Caesaribus, he became known by the agnomen "Caracalla" after a Gallic hooded tunic that he habitually wore and made fashionable. He may have begun wearing it during his campaigns on the Rhine and Danube.
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He carried back to Louis XIV the news of the capture of Milan castle. He was a member of the Académie française, succeeding his father in seat 18 on 16 August 1734. He received the nickname "friend of Man" as a famous homosexual. Bachaumont noted, in his Mémoires (5 May 1770) that "[the Duke of Villars] was taxed with a vice that he had made fashionable at court, and that had brought him very wide renown, as can be seen in la Pucelle".
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Handel subsequently put on an annual performance of Messiah there, which helped to popularise the piece among British audiences. He bequeathed to the hospital a fair copy (full score) of the work. The musical service, which was originally sung by the blind children only, was made fashionable by the generosity of Handel. In 1774 Dr Charles Burney and a Signor Giardini made an unsuccessful attempt to form in connection with the hospital a public music school, in imitation of the Pio Ospedale della Pietà in Venice, Italy.
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Two women wearing cheongsam in a 1930s Shanghai advertisement. The cheongsam is a body-hugging (modified in Shanghai) one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo (; Wade-Giles ch'i-p'ao), and is also known in English as a mandarin gown. The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
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His first appearance for England was in June 1992, against Pakistan at Lord's. In the third Test he made an important half-century in the first-innings. He was then dropped for the rest of the summer. This was to become a familiar pattern, as England regularly turned to Salisbury now that leg-spin was being made fashionable again by the emergence of Shane Warne, and just as regularly discarded him after a couple of matches; never in his fifteen Test career did he play more than three games in a row.
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After 1797, McIntire worked in the style of Boston architect Charles Bulfinch, who had made fashionable here the neoclassical manner of Scottish architect Robert Adam. Unlike Bulfinch, however, whose designs were featured across the East Coast, McIntire built almost exclusively in New England. His wooden or brick houses were typically 3 stories tall, each with 4 rooms around a central hall. In 1799, he went into business with his brothers, Joseph and Angier McIntire, who erected the structures, while at the workshop he oversaw various ornamentations, including the swags, rosettes, garlands and sheaves of wheat which dominate the interior wooden surfaces.
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Several new, straight roads leading up to the manor, planted with linden trees and in several places raised on stone causeways (some of these more than long and high) were constructed. The manpower needed to construct these new roads almost equaled what was needed to create the manor house itself, and they still dominate the surrounding cultural landscape. A garden, dating from the time of the monastery and later expanded, already existed on the site. The plan by Hårleman intended to expand the garden and the park in a style made fashionable through the French landscape architect André Le Nôtre.
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She won the favour of Queen Anne, after the death of Prince George of Denmark, by her impulsive comment: "Oh my poor Queen I see how much you do miss your dear husband". During the Paris embassy she became extremely popular, due to her hospitality and lively conversation. Saint Simon thought that her eccentricity bordered on madness, but he did praise the simple, practical hairstyle which she made fashionable. On the accession of George I the Duchess of Shrewsbury became a lady of the bedchamber to the Princess of Wales, a position which she retained till her death on 29 June 1726.
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1826 New York Theatre, by architect Ithiel Town By the mid-1820s, wealthy settler families in the new ward that was made fashionable by the opening of Lafayette Street, parallel to the Bowery, wanted easy access to fashionable high-class European drama, then only available at the Park Theatre. Under the leadership of Henry Astor, they formed the New York Association and bought the land where Astor's Bull's Head Tavern stood,The Bowery Boys: "Bull's Head Tavern"; the old tavern was moved into the countryside, on the northwest corner of 3rd Avenue and 24th Street, where the new cattle market developed around it. facing the neighborhood and occupying the area between Elizabeth, Canal (then called Walker), and Bayard streets. They hired architect Ithiel Town to design the new venue.
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The guitar player (c. 1672), by Johannes Vermeer The Baroque guitar (c. 1600–1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string.Harvey Turnbull, The Guitar (From The Renaissance to the Present Day) (3rd impression 1978), London: Batsford (), p. 15: "Early lutes, vihuelas and guitars share one important feature that would have been of practical concern to the player; the frets, unlike the fixed metal frets on the modern guitar, were made of gut and tied round the neck" (Chapter 1 – The Development of the Instrument). The "Hispano-Italian guitar" was made fashionable in the 17th century by Italian actors, working in Paris. cIt was first an instrument of aristocrats, inspired by the actors, and later it became an amateur instrument.
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Tolkien in fact revived the tradition of European epic literature in the tradition of Beowulf, the North Germanic Edda and the Arthurian Cycles. Science fiction, is another important type of genre fiction and it has developed in a variety of ways, ranging from the early, technological adventure Jules Verne had made fashionable in the 1860s, to Aldous Huxley's Brave New World (1932) about Western consumerism and technology. George Orwell's Nineteen Eighty-Four (1949) deals with totalitarianism and surveillance, among other matters, while Stanisław Lem, Isaac Asimov and Arthur C. Clarke produced modern classics which focus on the interaction between humans and machines. The surreal novels of Philip K Dick such as The Three Stigmata of Palmer Eldritch explore the nature of reality, reflecting the widespread recreational experimentation with drugs and cold-war paranoia of the 60's and 70's.
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It took £3628 in 1908, over a thousand pounds less than the previous year, and the hotel lost over £50,000 between 15 May 1906 and 31 July 1908, which led to the replacement of the manager Elles with Theodore Kroell and appointment of Charles Van Gyzelen as manager of the restaurant. The hotel also suffered a blow upon the death of King Edward in 1910, when 38 planned dinners and functions were cancelled, but began to prosper the following year, made fashionable by the Prince of Wales who regularly dined here. King Edward was particularly fond of the cakes made at the Ritz. The hotel would regularly send him a supply, but this was kept in confidence as the King's chef may not have wanted it known that food he did not prepare was served at Buckingham Palace.
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Overall ready-to-wear fashion exposed women to the newest styles and fashion trends, leading to a substantial increase in profits by US factories from $12,900,583 in 1876 to $1,604,500,957 in 1929. The ready-to-wear fashion revolution led to an expansion of the US fashion industry that made fashionable apparel accessible, cost effective, and commensurable. Interest in ready to wear was sparked by Yves Saint Laurent, who was the first designer to launch a ready to wear collection, and in 1966 he opened Rive Gauche, his first ready to wear boutique. Whether he succeeded in democratizing fashion is an open question, since few were able to afford his designs, but he did pave the way for ready- to-wear fashion and the cross-fertilisation between haute-couture and high- street fashion that persists into 21st century.
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The journalist Malcolm Muggeridge, who was not an admirer of Eden, recalled that, among other qualities, "an elegant appearance and an earnest disposition ... equipped him for dazzling advancement ... An astrakhan collar became him. What came to be known as an Anthony Eden hat grew on heads like his". In June 1938, four months after Eden's resignation from Neville Chamberlain's Cabinet, the Member of Parliament and diarist "Chips" Channon noted that he had "doffed his bowler" to Chamberlain in St. James's Park and that "everyone wears a bowler now ... [Si]nce the Eden debacle black homburgs are "out"".Sir Henry Channon, diary, 14 June 1938 However, in August of that year, the British Minister in Prague, Basil Newton, wore "a black homburg of the kind made fashionable by Anthony Eden" to greet Lord Runciman on his arrival by train at Wilson station for talks with the Czechoslovak government.
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The art of swimming was initially not regarded as being entirely proper for women, but when the Queen and her daughter supported it by attending the lessons, swimming was quickly made fashionable and became accepted for women. The same thing happened when Nancy Edberg introduced lessons in teaching women to ice skate (1864); this was initially considered so improper that a covered fence was put up around the place where the lessons took place to hide the women from public view; but when the queen and her daughter themselves joined the class, ice skating quickly became fashionable and accepted for women, and the fence was pulled down. Among her other students in swimming was the Princess of Wales, Alexandra of Denmark, and the Empress of Russia, Maria Feodorovna (Dagmar of Denmark). At the swimming exhibition at Gjörckes simskola in Stockholm on 24 August 1864 "Mamsell Nancy Edberg displayed her skill in the art of swimming".
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During her years in the public eye, Georgiana Cavendish, Duchess of Devonshire was painted several times by both Thomas Gainsborough and Joshua Reynolds. Gainsborough's painting of her around 1785, in a large black hat (a style which she made fashionable, and came to be known as the 'Gainsborough' or 'portrait' hat), has become famous for its history. After having been lost from Chatsworth House for many years, it was discovered in the 1830s in the home of an elderly schoolmistress, who had cut it down somewhat in order to fit it over her fireplace. In 1841 she sold it to a picture dealer for £56, and he later gave it to a friend, the art collector Wynne Ellis. When Ellis died, the painting went for sale at Christie's in London in 1876, where it was bought by the Bond Street art dealer William Agnew for the then astronomical sum of 10,000 guineas, at the time the highest price ever paid for a painting at auction.
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