Biometric data collection had been made acceptable, but that didn't make it useful.
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Everything has been made acceptable and I'm not sure that's a good thing.
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All of these actions will be costly and uncertain, but could be made acceptable.
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Prominent Brexit-supporting lawmaker Jacob Rees-Mogg has said that May's deal could be made acceptable to eurosceptic rebels in the Conservative Party if the Irish backstop was removed or nullified.
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To legitimize the growing importance of these so-called new social strata (新興社會階層), the party congress inducted many of their influential members into the C.C.P. The move would have been heresy under canonical Marxism, but it was made acceptable by the convenient adoption of a new ideology: socialism with Chinese characteristics.
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From the Medieval period swans were kept in ponds and were a source of income and made acceptable gifts.Phillips, E. A Short History of the Great Hospital. 1999. pp 35.36. Jarrolds Selected wild cygnets had their wings clipped and bills cut into a distinctive pattern bearing the owner's mark.
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Creating new conventions of art-making, they made acceptable in serious contemporary art circles the radical inclusion in their works of unlikely materials. Another pioneer of collage was Joseph Cornell, whose more intimately scaled works were seen as radical because of both his personal iconography and his use of found objects.
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Tarski's Theory of Truth. The Journal of Philosophy, 69(13), 347-375. doi:10.2307/2024879 which is a theory of truth where truth is somehow made acceptable despite semantic terms as close as possible, the word "Nixon" refers to Richard M. Nixon, and "is alive" is associated with the set of currently living things. Then one way of representing the truth condition of "Nixon is alive" is as the ordered pair .
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An important aspect of all of these examples of noise in European keyboard and string music before the 19th century is that they are used as sound effects in programme music. Sounds that would likely cause offense in other musical contexts are made acceptable by their illustrative function. Over time, their evocative effect was weakened as at the same time they became incorporated more generally into abstract musical contexts.Arnold 1994, 56–57.
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He described the six convex regular 4-polytopes in 1852 but his work was not published until 1901, six years after his death. By 1854, Bernhard Riemann's Habilitationsschrift had firmly established the geometry of higher dimensions, and thus the concept of n-dimensional polytopes was made acceptable. Schläfli's polytopes were rediscovered many times in the following decades, even during his lifetime. In 1882 Reinhold Hoppe, writing in German, coined the word polytop to refer to this more general concept of polygons and polyhedra.
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Representation in the house of delegates was apportioned on the basis of the census of 1850, counting Whites only. The Senate representation was arbitrarily fixed at 50 seats, with the west receiving twenty, and the east thirty senators. This was made acceptable to the west by a provision that required the General Assembly to reapportion representation on the basis of White population in 1865, or else put the matter to a public referendum. But the east also gave itself a tax advantage in requiring a property tax at true and actual value, except for slaves.
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Representation in the house of delegates was apportioned on the basis of the census of 1850, counting whites only. The Senate representation was arbitrarily fixed at 50 seats, with the west receiving twenty, and the east thirty senators. This was made acceptable to the west by a provision that required the General Assembly to reapportion representation on the basis of white population in 1865, or else put the matter to a public referendum. But the east also gave itself a tax advantage in requiring a property tax at true and actual value, except for slaves.
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Featuring the emergence of combined manufactured items, with artist materials, moving away from previous conventions of painting. This trend in art is exemplified by the work of Jasper Johns and Robert Rauschenberg, whose "combines" in the 1950s were forerunners of Pop Art and Installation art, and made use of the assemblage of large physical objects, including stuffed animals, birds and commercial photography. Robert Rauschenberg, Jasper Johns, Larry Rivers, John Chamberlain, Claes Oldenburg, George Segal, Jim Dine, and Edward Kienholz among others were important pioneers of both abstraction and Pop Art; creating new conventions of art- making; they made acceptable in serious contemporary art circles the radical inclusion of unlikely materials as parts of their works of art.
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If development is carried out without planning permission then the LPA may take "enforcement action" to have the building removed, the land reinstated, or at least undertake the minimum measures required to remove the harm arising. Generally, a retrospective application for planning permission would be invited if there is a reasonable likelihood of it being permitted, and action taken if planning permission is refused or the development incapable of being made acceptable. Almost all planning permissions are granted conditionally and enforcement action can also be taken to secure compliance with the conditions imposed. Unauthorised development can be the subject of a "stop notice" if there is an urgent need to prevent further harm.
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Mel Tolkin was born Shmuel Tolchinsky (, , , means "from Tuľčyn") in a Jewish shtetl near Odessa, Ukraine, then part of the Russian Empire. This background of anti-Semitic pogroms, shared by other comedy writers of his generation, he noted in 1992, "I'm not happy to have to say ... created the condition where humor becomes anger made acceptable with a joke".Los Angeles Times interview, 1992, quoted in The New York Times, 2007, above His family moved to Montreal, Quebec, Canada in 1926, where Tolkin became known as Samuel. He studied accounting after graduating from high school, and surreptitiously entered show business by composing songs and sketches for local revues and playing piano in jazz clubs.
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The plot presents de dichotomy between love for your country and the love of a woman (In "Beau Geste" it was the love for "doing the decent thing"...) Highly romantic tale the characters (and it has plenty of excellent secondaries) are really stretched to their romanticized limits, but it works. Even the recurrent enemy of Bojolly (who of course has an English mother is an old Etonian and made "acceptable" as a gentleman as such) is believable and a constant lifelong fight. French North Africa best novel of the first part of the XXth Century.Review of the novel accessed 10 Sept 2014 The main character featured briefly at the beginning of the novel Beau Geste.
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Llanllawer Holy Well, an ancient spring at Cwm Gwaun, Pembrokeshire According to Trefor Owen, the song preserves "an early well-cult made acceptable to medieval Christianity by its association with the Virgin and perpetuated both by the desire to wish one's neighbor well at the beginning of a new year and by the small monetary payment involved." Similar speculations from the nineteenth century have sought to link the mysterious maidens of the song with the goddess Aurora, bearing the gold of the rising and setting sun on her head and feet. The meaning of the words "levy-dew" in the original lyrics of the song is not certainly known. One line of speculation holds that the words represent the Welsh phrase llef y Dduw, "a cry to God".
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There is no evidence that All's Well That Ends Well was popular in Shakespeare's own lifetime and it has remained one of his lesser-known plays ever since, in part due to its unorthodox mixture of fairy tale logic, gender role reversals and cynical realism. Helena's love for the seemingly unlovable Bertram is difficult to explain on the page, but in performance it can be made acceptable by casting an actor of obvious physical attraction or by playing him as a naive and innocent figure not yet ready for love although, as both Helena and the audience can see, capable of emotional growth. This latter interpretation also assists at the point in the final scene in which Bertram suddenly switches from hatred to love in just one line. This is considered a particular problem for actors trained to admire psychological realism.
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WHO and ISPCAN state that understanding the complex interplay of various risk factors is vital for dealing with the problem of child maltreatment. The American psychoanalyst Elisabeth Young- Bruehl maintains that harm to children is justified and made acceptable by widely held beliefs in children's inherent subservience to adults, resulting in a largely unacknowledged prejudice against children she terms childism. She contends that such prejudice, while not the immediate cause of child maltreatment, must be investigated in order to understand the motivations behind a given act of abuse, as well as to shed light on societal failures to support children's needs and development in general. Founding editor of the International Journal of Children's Rights, Michael Freeman, also argues that the ultimate causes of child abuse lie in prejudice against children, especially the view that human rights do not apply equally to adults and children.
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In 1765 his Coresus et Callirhoe secured his admission to the Academy. It was made the subject of a pompous (though not wholly serious) eulogy by Diderot, and was bought by the king, who had it reproduced at the Gobelins factory. Hitherto Fragonard had hesitated between religious, classic and other subjects; but now the demand of the wealthy art patrons of Louis XV's pleasure-loving and licentious court turned him definitely towards those scenes of love and voluptuousness with which his name will ever be associated, and which are only made acceptable by the tender beauty of his color and the virtuosity of his facile brushwork; such works include the Blind Man's Bluff (Le collin maillard), Serment d'amour (Love Vow), Le Verrou (The Bolt), La Culbute (The Tumble), La Chemise enlevée (The Shirt Removed), and L'escarpolette (The Swing, Wallace Collection), and his decorations for the apartments of Mme du Barry and the dancer Madeleine Guimard. The portrait of Denis Diderot (1769) has recently had its attribution to Fragonard called into question.
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"This assumption," Robert G. McCloskey wrote as to the legal essentiality of the concept due process of law in The American Supreme Court, "was a product[,] no doubt[,] of many converging factors: the multiplication of 'welfare state' threats, the Macedonian cries of the business community and its legal and academic defenders, a growing awareness that an interpretation of due process[,] which seemed impossibly novel[—]and probably unnecessary a decade before[—]could be made acceptable by slow accretion[,] and might prove very useful in the cause of righteousness. As Waite wrote, the voices of two great contemporaries[,] Thomas M. Cooley and Stephen J. Field, must have been echoing in his mind. Cooley′s classic treatise[,] Constitutional Limitations, first published in 1868, had become a canonical text for jurists, and [Cooley's] support of due process in its emerging form gave the stamp of scholarly approval to an interpretation that seemed ethically more and more imperative."Robert G. McCloskey, The American Supreme Court, 3d Ed., in The Chicago History of American Civilization, Daniel J. Boorstin, Ed., University of Chicago Press, 2000.
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