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87 Sentences With "made a recording of"

How to use made a recording of in a sentence? Find typical usage patterns (collocations)/phrases/context for "made a recording of" and check conjugation/comparative form for "made a recording of". Mastering all the usages of "made a recording of" from sentence examples published by news publications.

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Padgett made a recording of the composite hymn played in reverse on top of the Enigma theme, and
Joesley Batista, one of the brothers who control JBS, also made a recording of a conversation he had with Temer earlier this year.
She made a recording of one of the calls and it was later obtained by a co-worker in 2014 and subsequently spread on social media.
The CNP made a recording of the speech, which a helpful correspondent flagged for me, and you can listen to for yourself here but the big highlights come around minutes 24 and 25.
In her later years, Angelou made a recording of herself reading the poem — her famous husky drawl measured and stately — but here, Williams animates Angelou's words with a charismatic recitation that is all her own.
As recounted in "Women Composers and Music Technology in the United States" (22009), by Elizabeth Hinkle-Turner, Mr. Ussachevsky made a recording of a chamber work by Ms. Anderson but somehow missed a few notes.
Cohen made a recording of a conversation he had with Stephanie Winston Wolkoff, a former adviser to first lady Melania Trump, who expressed concern about the inaugural committee's spending, according to the Wall Street Journal.
Doubtless this reception was due in part to the glowing voice and aura of the soprano Barbara Hannigan, who has sung all performances to date (and has made a recording of the work, for the Winter & Winter label).
President Donald TrumpDonald John TrumpFacebook releases audit on conservative bias claims Harry Reid: 'Decriminalizing border crossings is not something that should be at the top of the list' Recessions happen when presidents overlook key problems MORE's legal team has admitted that his former personal attorney, Michael Cohen, secretly made a recording of a conversation in which both men discussed making payments to a former Playboy model who claims to have had an affair with Trump.
Gershwin was present at the recording sessions. Continuing in this vein, Tibbett made a recording of Jerome Kern and Oscar Hammerstein II's song Ol' Man River from Show Boat.
While touring to support the album in 2019, Hootie & the Blowfish made a recording of R.E.M's "Losing My Religion" and added it to digital copies of Imperfect Circle in 2020.
From 10 to 13 June 1955 Villa-Lobos made a recording of this symphony at the Salle de la Mutualité in Paris with the Orchestre National de la Radiodiffusion Française.
77–78 In November 1916, she reappeared with the RPO to sing Mozart's 'Non piu di fiori' from La clemenza di Tito.Elkin 1946, p. 144 She made a recording of the Clemenza item.
Gitte made a recording of "When You're Young and in Love" on 23 October 1964. The song has also been recorded by Donny and Marie - as "(When You're) Young and in Love" - and The Jets for their 1987 album Magic.
Owens made a recording of the song on August 28, 1934. The recording was not a success. Eddy Arnold recorded it in 1944 and again in 1955; both recordings were extremely successful. Tex Owens wrote over 100 songs, but this one was far and away his biggest success.
The popular anthem was recorded often. On the occasion of the bicentenary of Mendelssohn's birth in 2009, Carus-Verlag made a recording of his complete sacred music in twelve volumes. The psalm setting is performed on vol. 5 by the Kammerchor Stuttgart, conducted by Frieder Bernius and recorded in 1996.
Kenny Countie met LaBarre via a personal ad in 2006 when he was 24. He moved in with her shortly after meeting her. Countie was described as having a low IQ and "child like" trust. LaBarre made a recording of him vomiting whilst she accused him of being a pedophile.
He composed music for BBC television productions of Shakespeare plays, including The Good Old Days. He appeared as a lutenist in the 1971 film, Mary Queen of Scots. He also made a recording of a Vivaldi mandolin concerto for a part live-action, part animated film Looney Tunes Back in Action (2003).
He was also music director of the Bergen Philharmonic Orchestra from 1985 until 1990. He is the son-in-law of conductor Victor de Sabata and has made a recording of de Sabata's compositions for the Hyperion record label. In 1971, he recorded Donizetti's Maria Stuarda and Verdi's La traviata, both with Beverly Sills.
CBC JazzImage also made a recording of the composition that same year, featuring the New York Saxophone Quartet. After the sudden death of Gerald Danovitch from cancer in 1997, Newman and Kestenberg formed the Phoenix Saxophone Quartet. They broadcast a tribute to Danovitch on 8 January 1999 on the CBC Radio 2 program "In Performance".
He joined his International Orchestra of San Diego with the Pro-Musica Ensenada Choir and the Convivium Musicum Choir of Mexico and produced Mozart's Requiem, Vivaldi's Gloria and made a recording of Haydn's Seasons. He worked with the International University Orchestra of San Diego until September 10, 1990, when he died from a heart attack.
Rollins and Witts, pp. 13–20 Lytton later used the song "My Cosy Corner" from the show in his music hall acts with much success, and made a recording of it.Jones, p. 96 Kern's song "How'd You Like to Spoon with Me?" was interpolated into the New York production, and it also became a hit.
The concerto was premiered on December 6, 1940, by the Philadelphia Orchestra conducted by Leopold Stokowski with Louis Krasner as the soloist (Krasner had previously given the premiere of the Violin Concerto by Schoenberg's pupil, Alban Berg). Krasner later made a recording of the concerto, with Dimitri Mitropoulos and the New York Philharmonic Orchestra.
In 1985, the London Symphony Orchestra made a recording of the music from The Wild Geese, again at CTS Studio. Budd's other solo albums include Live at Newport, Everything is Coming Up Roses, and Have a Jazzy Christmas. Budd's last work was a symphonic score for the 1925 silent film The Phantom of the Opera.
"I'm in Love" is a song credited to Lennon–McCartney and possibly written by John Lennon. In 1963 the English Merseybeat band the Fourmost made a recording of the song at the EMI Studios, produced by George Martin. John Lennon said, in 1971, “Me — I wrote it for the Fourmost.” He seemed less definite in his 1980 Playboy interview.
Dienes was appointed Director of Music St Mary's, Warwick, in 2001 where she directed and trained the choir of gentlemen and boys, the girls' choir, and Collegium, an adult concert choir based at the church. With the choirs of St Mary's she made a recording of Advent and Christmas music, A Spotless Rose, on Regent Records (REG CD 236).
It included the earliest recordings of later popular tracks such as "Do You Sleep?," "Snow Day," "Train Songs," and "It's Over." Loeb sold the violet-colored cassette to fans at gigs and sent it to music industry promoters. Loeb and her band also made a recording of her song "Stay (I Missed You)" during the same time.
Juan F. Acosta died in 1968 and is buried in Quebradillas. According to his wishes, his family planted a pine tree by his grave. Over 300 of Acosta's musical compositions are safeguarded in the Institute of Puerto Rican Culture. In the 1960s, the Institute made a recording of 12 of Acosta's greatest compositions, interpreted in piano by Elsa Rivera Salgado (1908–1998).
Al even made a recording of her performance, despite Ruby's protests. She later said farewell and vanished, never to be seen again. His theory is that Ruby was an agent sent back from a future time to attract jazz trombonist and nuclear researcher (and possible renegade from the future world) Joel Kurzenknabe. That accomplished, she will return to her own time.
Cole performed it on television in 1957 for The Nat King Cole Show. Harry Belafonte made a recording of the song in 1949 with jazz saxophonist Zoot Sims. This was one of Belafonte's first recordings. Sims' performance was parodied on December 10, 1977, on The Muppet Show by Zoot from Dr. Teeth and The Electric Mayhem, the character he inspired.
In 1933 Cohen organised a concert in his honour under the patronage of the King and Queen. Undoubtedly Elgar doted on Cohen and closely followed her career, giving her constant support. Under Elgar's direction she made a recording of his Piano Quintet with the Stratton String Quartet. Elgar had only sketched it but he gave the short score to Harriet for the recording.
While in Europe, Gurowitsch played Eugen d'Albert's cello concerto, with the composer himself accompanying her on piano. She made her American debut in 1910, with the New York Symphony Orchestra, under conductor Walter Damrosch. In 1913 she made a recording of the Kol Nidre, and headlined a "Russian Music Carnival" at Carnegie Hall. In 1914, she toured on the lyceum circuit with baritone Marcus A. Kellerman.
In 2012, T.J. began working at Weenie World to take Ann Eiffel down. She fired him on January 5, 2013 after he made a recording of Eiffel saying she cons people. He made a second recording in the process of being fired that had Eiffel saying that she took credit for all his sales. He saved both recordings despite Eiffel attempting to delete them.
She first went to England in 1909, and in 1915, she married Alexander Fachiri, an English barrister living in London. By 1924, she had played in public in Hungary, Austria, Germany, Italy, France and the Netherlands, as well as appearing regularly at London concerts. Adila Fachiri made a recording of the Beethoven 10th violin sonata with Donald Tovey.National Gramophonic Society, 78rpm record nos. 114-117.
Reid's roles recorded with D'Oyly Carte included Fitzbattleaxe in Utopia (1976), Ernest Dummkopf in The Grand Duke (1976), Marco in The Gondoliers (1977), Aesculapius Carboy in The Zoo (1978), and Leonard Meryll in Yeomen (1979). He also participated in the D'Oyly Carte: The Last Night recording in 1982."Meston Reid Discography", CastAlbums.org, accessed 17 November 2015 In 1989 he made a recording of traditional Scottish songs.
He made a recording of the chanting and had engineers at MIT confirm the phenomenon, which is known as overtone singing.NPR story of recording and MIT analysis The recording was originally released as an LP on Anthology Records. In 2005 the master tapes were digitized for a CD on the GemsTone label. Royalties from sales of the CD go to the Gyuto Tantric University in India.
"Downhearted Blues" is a blues song composed by American jazz singer Alberta Hunter and musician Lovie Austin. The first line sets the theme for the song: "Gee but it's hard to love someone when that someone don't love you." Hunter sang it during her engagement at the Dreamland Cafe, in Chicago, where she performed with Joe "King" Oliver's band. She made a recording of the song in 1922.
She has made a recording of her children songs ("El Planeta Sonoro"), for the benefit of Aldeas Infantiles SOS, the international orphans organization. Mariana is also the creator of healing spaces through individual and group singing ("Sonando y Sanando", "Afinando el Instrumento"). She has done workshops for actors, dancers, therapists, musicians and educators, as much in Uruguay as in Spain. She also has created many educational music programs for children.
Morgan was not the only vocalist in her family. Three of her brothers were also singers. From top: Dick, Duke and Charlie with Jaye P., for a 1959 appearance on The Jimmy Dean Show. In 1950, a year after her graduation from high school, Morgan made a recording of "Life Is Just a Bowl of Cherries" issued by Derby Records, which made it to #26 on the U.S. Billboard record chart.
The York Brothers entitled one of their songs "Hillbilly Rose" and the Delmore Brothers followed with their song "Hillbilly Boogie". In 1927, the Gennett studios in Richmond, Indiana, made a recording of black fiddler Jim Booker. The recordings were labeled "made for Hillbilly" in the Gennett files and were marketed to a white audience. Columbia Records had much success with the "Hill Billies" featuring Al Hopkins and Fiddlin' Charlie Bowman.
He was the brother of Henri Casadesus, uncle of the famed pianist Robert Casadesus, and grand-uncle to Jean Casadesus. Marius Casadesus achieved perhaps his greatest fame (or notoriety) through his association with the Adélaïde Concerto attributed to Mozart. This concerto was published in 1933 in a piano transcription under Mozart's name, with Casadesus as "editor." Many music scholars believed in its authenticity, and Yehudi Menuhin made a recording of the concerto.
Harper, C., pp. 16–43 (Chapter: London: the first days) There, he met the engineer and producer Bill Leader, at whose home they made a recording of Jansch's music on a reel-to-reel tape recorder. Leader sold the tape for £100 to Transatlantic Records, who produced an album directly from it.See sleeve notes of the CD re- release of the album The album Bert Jansch was released in 1965, and went on to sell 150,000 copies.
During the 1970s, Doráti and the orchestra, under contract with Decca Records, made a recording of the complete cycle of Joseph Haydn's symphonies; only one other ensemble, the Austro-Hungarian Haydn Orchestra, conducted by Ádám Fischer, has since repeated this feat. Doráti's recording has been widely reported as a world-first. However, this was not the case. Ernst Märzendorfer earlier recorded the complete Haydn symphonies with the Vienna Chamber Orchestra, although it was given a very limited release.
In 1938 Mignon Nevada made a recording of "Le Soir", a song by Ambroise Thomas which had been given its premiere by her mother. This is the only recording which she is known to have made. It was first issued on a 12-inch 78 rpm record (International Record Collector's Club 118) with a spoken introduction by her mother and reissued on LP ca. 1965 on the same label as part of a compilation (cat. no.
She recorded Aida with Riccardo Muti in July and made a recording of duets with Giuseppe Di Stefano in August. In September 1974, she underwent major surgery to remove a large benign mass from her abdomen. She recovered and was performing again on stage by early 1975. In 1976 Caballé appeared at the Met once again as Norma and sang her first Aida in that house, alongside Robert Nagy as Radamès and Marilyn Horne as Amneris.
The heartwarming tale, written in just three days in 1939, is about a small boy's adjustment to being an angel in heaven and his gift to the holy infant. The beloved and enduring Christmas story has been reprinted countless times and translated into many languages.Des Moines Register, Famous Iowans Loretta Young made a recording of the story for Decca records released in 1950.Loretta Young recording The TV version starred Johnny Whitaker, Fred Gwynne and John McGiver.
In 1977, Gregory Rose directed Singcircle in a performance of Stockhausen's Stimmung at the Round House – the first performances of the work outside the original ensemble, the Collegium Vocales of Cologne. Subsequently Singcircle made a recording of that performance on the Hyperion Label.Stockhausen Stimmung – Singcircle/Gregory Rose In 1978, they performed at the BBC Promenade concerts in the Royal Albert Hall. In 1985, Singcircle performed this work at the Barbican Centre with Karlheinz Stockhausen himself at the mixing desk.
She appeared with two, sometimes four, African American boys who would add dances and comedy to her songs. Two of the boys, both then under ten years old, Irving "Sneeze" Williams and Sonny Jones went on to have their own careers as musicians. She has been said to be the first Black woman to make a recording. On 24 January 1902 she made a recording of "The Honeysuckle and the Bee" under the name of "Belle Davis and her Piccaninnies".
He was studying with Jacques Rouvier, Christian Ivaldi, Bruno Rigutto, Jean Koerner and Anne Grappotte. Later, he continued his studies first with Jacques Rouvier and then Bruno Rigutto, during which time he was awarded a scholarship by the Meyer Foundation for cultural and artistic development, and made a recording of works by early twentieth-century composers. For this project he received the advice of Pierre Boulez. He has also taken masterclasses with Dimitri Bashkirov, Idil Biret, John O'Conor and Oxana Yablonskaya.
The singer describes himself as being from the land "where the lemon tree blooms yellow" and looks "far away in the distance, where the sun shines brighter" to the village where he was born. Most versions of the song end with the line "long live Serbia!". In April 1917, a Serbian American group named Tamburaško Pevačko Društvo made a recording of the song. Towards the end of World War I, the Serbian Army retook Serbia from Austria-Hungary and Bulgaria.
Kabalevsky wrote for all musical genres and was consistently faithful to the ideals of socialist realism. Kabalevsky frequently travelled overseas; he was a member of the Soviet Committee for the Defense of Peace as well as a representative for the Promotion of Friendship between the Soviet Union and foreign countries. In 1961, Kabalevsky made a recording of his Overture Pathetique, Spring, and Songs of Morning, in which he conducted. It was released in the U.S. in 1975 on the Westminster Gold label.
From 1989 to 1995, Botkin studied with Martin Canin at the Bowdoin College. In 1996, he enrolled at the University of Washington, where he was taught by Craig Sheppard. He then moved onto Stanford University, where he studied under Adolph Baller and graduated with a Bachelor of Arts degree. Prior to graduating, Botkin performed with the Stanford Symphony Orchestra, Palo Alto Chamber Orchestra and Palo Alto Philharmonic Orchestra, where he made a recording of the Johann Sebastian Bach's D minor concerto.
That Certain Feeling is a 1956 American comedy film directed by Norman Panama and Melvin Frank and starring Bob Hope, Eva Marie Saint, and George Sanders.The New York Times The cast also features Pearl Bailey and a young Jerry Mathers. Based on the Broadway play King of Hearts by Jean Kerr, the film includes a song of the same name with music by George Gershwin and lyrics by Ira Gershwin, written in 1925. Bailey was one of many singers who made a recording of it.
In 2014, to celebrate the centenary of Thomas's birth, the British Council Wales undertook a year-long programme of cultural and educational works. Highlights included a touring replica of Thomas's work shed, Sir Peter Blake's exhibition of illustrations based on Under Milk Wood and a 36-hour marathon of readings, which included Michael Sheen and Sir Ian McKellen performing Thomas's work. The Royal Patron of The Dylan Thomas 100 Festival was Charles, Prince of Wales, who made a recording of Fern Hill for the event.
Turdi Akhun (; 1881-1956), sometimes spelled Turdu Ahun,"World Music: Latin and North America, Caribbean, India, Asia and Pacific", by Broughton, Simon, Mark Ellingham, Richard Trillo, pg. 45 was a traditional Uyghur folk musician in the Xinjiang region. He was born into a family with a rich musical history and could perform his music completely from memory, even into his 70s. Prior to his death he, along with Omar Akhun, made a recording of 12 muqams and was recognised as the foremost exponent of this genre.
The author of the song, Elizabeth Garrett, was the daughter of former Lincoln County Sheriff Pat Garrett, the man who killed Billy the Kid. "O Fair New Mexico" was composed and copyrighted in 1915 as a guardia vieja era tango. On March 14, 1917, the New Mexico legislature and then governor Washington E. Lindsey approved the song as the official state song of New Mexico. In 1924, Elizabeth Garret made a recording of the song at Marsh Laboratories in Chicago, released on the Autograph Records label (which was owned by Marsh Laboratories).
Development began over 20 years before the first film's debut, when Ed Warren played a tape of Lorraine Warren's original interview with Carolyn Perron for producer Tony DeRosa-Grund. DeRosa-Grund made a recording of Warren playing back the tape and of their subsequent discussion. At the end of the tape, Warren said to DeRosa-Grund, "If we can't make this into a film I don't know what we can." DeRosa-Grund then described his vision of the film for Ed. DeRosa-Grund wrote the original treatment and titled the project The Conjuring.
With Michael Round he made a recording of the Sonata for two pianos and other works by Bax. Late in his life he was awarded MMus by Bristol University, when they first introduced the degree. Around 1967 he returned to the Victoria Rooms, Clifton, to celebrate the 75th anniversary of his first public recital, as a child, largely reprising the programme he had played at his début. Even later, in 1976, he visited the London Esperanto Club to be interviewed, in Esperanto, on the occasion of his 90th birthday.
It was re-released as Roy Orbison - Authorized Bootleg Collection by Orbison Records in 1999. BBC Radio recorded a performance from the first week of Gracie Fields' first performance, which was broadcast on 5 January 1969, and Philips made a recording of a performance from the second week, with a view to a commercial issue, which Fields later rejected. Her original Philips demonstration disc is now part of a private Gracie collection. The only song not broadcast by the BBC was Fields’ encore of "There'll Always Be an England".
"Hello Little Girl" is the first song written by John Lennon, and credited to the Lennon–McCartney songwriting partnership. According to Lennon, he drew on an old "Thirties or Forties song" that his mother sang to him. Written in 1957, it was used as one of the songs at the Beatles unsuccessful Decca audition in 1962. They recorded a home demo of it, with Stuart Sutcliffe on bass, which is available only on bootleg currently. In 1963, the English Merseybeat band the Fourmost made a recording of the song at EMI Studios (produced by George Martin) and released it as their debut single.
In the 1960s, Rifkin created arrangements for Judy Collins on her albums In My Life and Wildflowers. He performed with the Even Dozen Jug Band (along with David Grisman, Maria Muldaur, Stefan Grossman, and John Sebastian, among others) and made a recording of his humorous re-imaginings of music by Lennon and McCartney in the style of the 18th century, notably Bach, known as The Baroque Beatles Book and recently reissued on CD. In a related vein, Rifkin sang the countertenor solo in the premiere performance of the spoof cantata Iphigenia in Brooklyn by P. D. Q. Bach (Peter Schickele).
He also made a recording of a unique happening by Tadeusz Kantor titled The Dividing Line, which made history in December 1965. Among his most famous photographs there are portraits of Zofia and Krzysztof Komenda in bed at Zakopane's guest house or the young Sławomir Mrożek with his head wrapped in curtains. He photographed the most memorable names in Polish post- war culture. Plewiński recalls the moment when he decided he wanted to be a photographer, while kayaking on vacation, At the time kayaking was a fad and everyone was doing it, including the future pope.
The two songs with this title share only a few words and no music in common, with the Everly Brothers version containing musical motifs recycled from the Steinman song "Out of the Frying Pan (And Into the Fire)". A demo recording of this song, with Rory Dodd singing lead vocals, has for many years been in circulation among fan websites. Steinman also wrote a later incarnation of "A Kiss Is A Terrible Thing To Waste", with partly different music and a partly different lyric. Steinman made a recording of this later incarnation with Gina Taylor, a.k.a.
In the mid-1940s Mezzrow started his own record label, King Jazz Records, featuring himself with groups, usually including Sidney Bechet and often including the trumpeter Oran "Hot Lips" Page. He also played on six recordings by Fats Waller. He appeared at the 1948 Nice Jazz Festival, following which he made his home in France and organized many bands that included French musicians like Claude Luter and visiting Americans, such as Buck Clayton, Peanuts Holland, Jimmy Archey, Kansas Fields and Lionel Hampton. With ex-Basie trumpeter Buck Clayton, he made a recording of the Louis Armstrong's "West End Blues" in Paris in 1953.
Furthermore, Seiffert provided tempi he considered right for the piece, but that were not supported by later research. The Canon was first recorded in 1940 by Arthur Fiedler.Daniel Guss, CD booklet to Pachelbel's Greatest Hit: The Ultimate Canon, BMG Classics (RCA Red Seal) In 1968, the Jean-François Paillard chamber orchestra made a recording of the piece that would change its fortunes significantly. This rendition was done in a more Romantic style, at a significantly slower tempo than it had been played at before, and contained _obbligato_ parts, written by Paillard, that are now closely associated with the piece.
In the months before his death in 1959, Buddy Holly made a recording of "Wait 'Till the Sun Shines, Nellie" and other songs now called the "Apartment Tapes", which he was making as notes for himself while chilling in his living room at his home in New York City. Nowadays this cover of "Wait 'Till the Sun Shines, Nellie" by Buddy Holly is at the top of searches on YouTube for this song title. His original recording by himself on guitar can be found. Also the released version which has been remixed with added 'backup singers' and instruments is easy to find and is a longer version.
Musicians associated with Schoenberg have had a profound influence upon contemporary music performance practice in the US (e.g., Louis Krasner, Eugene Lehner and Rudolf Kolisch at the New England Conservatory of Music; Eduard Steuermann and Felix Galimir at the Juilliard School). In Europe, the work of Hans Keller, , and René Leibowitz has had a measurable influence in spreading Schoenberg's musical legacy outside of Germany and Austria. His pupil and assistant Max Deutsch, who later became a professor of music, was also a conductor who made a recording of three "master works" Schoenberg with the Orchestre de la Suisse Romande, released posthumously in late 2013.
Les cinq doigts is a 1921 piano composition by Igor Stravinsky. Subtitled 8 mélodies très faciles sur 5 notes ("8 very easy melodies on 5 notes"), the work comprises eight short pieces in which the right hand generally plays only five notes, remaining in essentially the same position at the keyboard throughout the work. The movements of the work have these tempo markings: Richard Taruskin has noted that the third section, the "Allegretto", is an arrangement of the Russian folk melody "Kamarinskaya". Stravinsky made a recording of Les cinq doigts for the Brunswick label as part of his first recording contract, signed in 1925.
Prelude, Fugue, and Riffs by Leonard Bernstein was commissioned for Woody Herman's big band, but it was premiered by Goodman. Herman was the dedicatee (1945) and first performer (1946) of Igor Stravinsky's Ebony Concerto, but many years later Stravinsky made another recording with Goodman as the soloist. He made a recording of Mozart's Clarinet Quintet in July 1956 with the Boston Symphony String Quartet at the Berkshire Festival; on the same occasion he recorded Mozart's Clarinet Concerto in A major, K. 622, with the Boston Symphony Orchestra conducted by Charles Munch. He also recorded the clarinet concertos of Weber After forays outside swing, Goodman started a new band in 1953.
Her first appearance in the title role in Arabella was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. Many performances were given under the baton of Georg Solti and it was with him that in 1981 she made a recording of The Marriage of Figaro. In later parts of her career, her appearances onstage became infrequent, although she remained busy as a concert singer. She appeared in performances in Samuel Barber's Vanessa in Monte Carlo (televised in 2001), with the Washington National Opera (2002), and the Los Angeles Opera in November to December 2004.
The original manuscripts of his compositions were donated to CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and the archives of Bristol University. There are many items, including a large number of Esperanto songs, over 30 of which, by his own account, he composed. During the First World War he was imprisoned as a conscientious objector, and learned Esperanto with the help of fellow-prisoner Henry Montagu Butler. He dedicated much time to the language and spoke it well; in 1965 he made a recording of some of the Esperanto songs with the well-known mezzo- soprano Sybil Michelow.
His friend Duke Ellington recalled Eckstine's artistry in his 1973 autobiography Music is My Mistress: > Eckstine-style love songs opened new lines of communication for the man in > the man-woman merry-go-round, and blues a la B were the essence of cool. > When he made a recording of "Caravan", I was happy and honored to watch one > of our tunes help take him into the stratosphere of universal acclaim. And, > of course, he hasn't looked back since. A remarkable artist, the sonorous B. > ... His style and technique have been extensively copied by some of the > neocommercial singers, but despite their efforts he remains out front to > show how and what should have been done.
Beaver & Krause, individually or as a team, went on to sell Moog IIIs to musicians and perform on their recordings with the instrument. In November 1968 Krause was asked by George Harrison to demonstrate the synthesizer after performing on a session for Apple artist Jackie Lomax in Los Angeles. According to Krause, without his knowledge, permission, or compensation, Harrison made a recording of the demonstration and issued an unauthorized version as "No Time Or Space" on his Electronic Sound album the following year.Into A Wild Sanctuary, Krause 1998, Heyday Books Because of their studio work in Hollywood, New York City, and London, Beaver & Krause are credited with helping to introduce the synthesizer to pop music and film.
Faber & Faber Ltd, London, 1996. The ballet was designed to show off the brilliance and style of Markova and the elevation and technical skill of Idzikowsky.Programme note for Sadler’s Wells Royal Ballet Christmas season at Sadler’s Wells Theatre, 25 September to 6 October 1984. Order of numbers: # Entrée des Promeneurs (company) # Pas de quatre: (four girls) # Male Variation # Adage des Amoureux (two leads) # Pas de trois (girl and two boys) # Female Variation # Pas de six: (six boys) # Sortie des Promeneurs (company) The Sadler's Well Orchestra, conducted by Charles Mackerras made a recording of the music in July 1950 at Abbey Road studios, but due to the standard of playing it was not published.
Nicks wrote "I Don't Want to Know" much earlier than the Rumours sessions, when she and Lindsey Buckingham were performing as the duo Buckingham Nicks, prior to joining Fleetwood Mac. The other members of Fleetwood Mac decided to use the song as a replacement for a song Nicks had written for Rumours, "Silver Springs," when they found that "Silver Springs" would not fit on the album. The other four band members made a recording of the song without Nicks late in the Rumours recording sessions. Buckingham was able to sing Nicks' lead vocal on this version as well as the harmony vocals because he knew the song from their Buckingham Nicks days.
"Till the End of Time" is a popular song written by lyricist Buddy Kaye and composer Ted Mossman and published in 1945. The melody is based on Frédéric Chopin's Polonaise in A flat major, Op. 53, the "Polonaise héroique". A number of recordings of the song were made in 1945. The biggest hit was by Perry Como; another version by Dick Haymes also charted; the Les Brown orchestra, with vocalist Doris Day, and Ginny Simms also made a recording of the song. It featured prominently in the 1946 film of the same name. The Perry Como recording was made on July 3, 1945 with the orchestra of Russ Case, and released by RCA Victor as catalog number 20-1709.
Bricktop continued to perform as a cabaret entertainer well into her eighties, including some engagements at the age of 84 in London, where she proved herself to be as professional and feisty as she had ever been and included Cole Porter's "Love for Sale" in her repertoire. Bricktop made a brief cameo appearance, as herself, in Woody Allen's 1983 mockumentary film Zelig, in which she "reminisced" about a visit by Leonard Zelig to her club, and an unsuccessful attempt by Cole Porter to find a rhyme for "You're the tops, you're Leonard Zelig." She appeared in the 1974 Michael Schultz's film Honeybaby, Honeybaby, in which she played herself, operating a "Bricktop's" in Beirut, Lebanon. In 1972, Bricktop made a recording of "So Long Baby," with Cy Coleman.
The Cubs honored Pieper with a "day" on September 22, 1940, celebrating 25 years as field announcer, and again on September 13, 1953, in honor of his fifty years as a Cub employee. The latter occasion took place a day before Gene Baker and Ernie Banks joined—and thus integrated—the ballclub. In 1961, he got to throw out the first ball to open the season, after which he reported for work as customary, in his chair behind home plate, making the usual announcements and providing fresh baseballs to the plate umpire as needed. The Hall of Fame made a recording of Pieper's voice in 1966. As Wrigley Field had no lighting system until 1988, all the Cubs home games were played in the daytime.
In addition to the established concert season, the choir also undertakes other engagements further afield, foreign tours (Germany in 2017 and 2019, Portugal in 2018) and community, outreach and education work in and around Bristol. Because of the continued closure of Colston Hall for the rebuilding of its interior (originally scheduled for 2017-19), the choir has given most of its concerts in Bristol Cathedral since January 2018, apart from Messiah performances in Clifton Cathedral and Redmaids%27 High School. In January 2020 Bristol Choral Society made a recording of music by Bob Chilcott, Cecilia McDowall and Judith Weir for Delphian Records. No further performances were possible in the 2019-20 season because of the COVID-19 pandemic, though the choir continued to have virtual rehearsals each week.
Other roles that she went on to sing soon afterwards were Luisa Miller, Amelia in Un ballo in maschera and the title role of La Gioconda. A partial list of other operas in which she sang during the first part of her career (1964–1974) include Verdi's Aida and La forza del destino, Donizetti's Anna Bolena, Puccini's Manon Lescaut, Catalani's Loreley, Bellini's La straniera, Zandonai's Francesca da Rimini, and Susanna in Mussorgsky's Khovanshchina. She gave a recital at Carnegie Hall in 1976 and disappeared from the scene shortly after that. The role for which she is best known is Abigaille in Verdi's opera Nabucco. She made a recording of this role for Decca/London in 1965 (opposite Tito Gobbi, and conducted by Lamberto Gardelli), and gave a performance of the role on opening night of La Scala's 1966-67 season.
On 5 May 2011, The Guardian reported that Mills had met with officers from the London Metropolitan Police who showed her evidence, seized from private investigator Glenn Mulcaire, which could form the basis of a claim against News of The World for breach of privacy over alleged phone-hacking. Mills's name and private mobile phone number were listed in Mulcaire's notes, along with those of her friends and associates. Mills later alleged that a journalist working for the Mirror Group had admitted to her in 2001 that he had hacked her phone. Appearing as a witness at the Leveson Inquiry on 9 February 2012, Mills was asked under oath if she had ever made a recording of McCartney's phone calls or answerphone messages, and had ever played it to Piers Morgan or 'anybody else'; she replied, 'Never ever.
Belafonte had also made a recording of the song for RCA Victor Records, which was released as catalog number 20-6784 in 1955, with the flip side "A-Roving". Perry Como recorded the song in 1955, as did his RCA Victor labelmate top country crooner Eddy Arnold, and English jazz musician Cliff Townshend of The Squadronaires (father of The Who guitarist Pete Townshend) also released a popular version in 1956, as did American rock n roll star Gene Vincent in the same year. In 1963, an uptempo doo-wop version by Vito & the Salutations peaked at number 66 on the Billboard Hot 100; this version was used in the soundtrack for Goodfellas in 1990. While the sheet music business was losing its prominence to sound recordings, a sheet music release of the song peaked at number one on its tenth week on the Billboard Best Selling Sheet Music chart on the week ending June 18, 1955.
Woody Herman and The King Cole Trio, with Irving Ashby, Joe Comfort and Gene Orloff, made a recording of "Mule Train" on November 7, 1949 in New York City, as well as the track "My Baby Just Cares For Me", which were both released by Capitol Records as a single, catalog number 787, which gave label credit to Herman for "Mule Train" and to the trio for "My Baby Just Cares For Me". Burl Ives recorded a version of the song in the 1950s, featuring the snapping of the whips, and yells. Gordon MacRae made a recording on October 21, 1949, which was released by Capitol Records in the United States as the flip side of the single "Dear Hearts and Gentle People" (which he also recorded on October 21, 1949). Les Welch and his Orchestra made a recording in Australia in February, 1950, which was released by Pacific Records (in Australia).
His long collaboration with conductor Leonti Wolf and the Tel Aviv philharmonic choir resulted in performances of Verdi's Requiem and Mozart's Requiem and the role of Dr. Dulcamara in L'Elisir d'Amore with Israeli chamber orchestra. In December 2008 sang with same conductor and choir the premiere of Irit Israelis' Cantata to 60 years of Israel independence at the TelAviv museum Rekanati hall. Concert repertoire also includes Stabat Mater by Rossini, Creation by Haydn, Messa di Gloria by Puccini, Beethoven's 9th Symphony, Verdi's Requiem, Vesperae solennes de confessore, Great Mass and Requiem by Mozart and Requiem by Faure. Repertoire also includes songs by Tchaikovsky, Rachmaninov, Mussorgsky, Brahms, Schubert, Wolf, Erwin Junger, Dvořák and others. Premiered David's song cycle by Israeli composer Erwin Junger in 1993. Made two recordings for the Israeli Radio (Kol Hamusica) in 1991 and 1996. Appeared in a recital at Kfar Bloom during the festival of Kol Hamusica in 2007. In 2004 recorded two song cycles by Erwin Junger, and in 2005 made a recording of songs by Erwin Junger on verses of Hungarian poets.
In July 2011, in a sequence of articles, political blogger Paul Staines alleged that while editor of the Daily Mirror in 2002 Morgan published a story concerning the affair of Sven- Goran Eriksson and Ulrika Jonsson while knowing it to have been obtained by phone hacking. On 20 December 2011, Morgan appeared as a witness by satellite link from the United States at the Leveson Inquiry."Piers Morgan tells Leveson: Daily Mirror did not hack phones", BBC News, 20 December 2011 While he said he had no reason to believe that phone hacking had occurred at the Mirror while he was in charge there, he admitted to hearing a recording of an answerphone message left by Paul McCartney for Heather Mills, but refused to "discuss where that tape was played or who made [it] – it would compromise a source." Appearing as a witness at the same Inquiry on 9 February 2012, Mills was asked under oath if she had ever made a recording of McCartney's phone call or had played it to Morgan; she replied: "Never".
Herrmann was an early and enthusiastic proponent of the music of Charles Ives. He met Ives in the early 1930s, performed many of his works while conductor of the CBS Symphony Orchestra, and conducted Ives' Second Symphony with the London Symphony Orchestra on his first visit to London in 1956. Herrmann later made a recording of the work in 1972 and this reunion with the LSO, after more than a decade, was significant to him for several reasons - he had long hoped to record his own interpretation of the symphony, feeling that Leonard Bernstein's 1951 version was "overblown and inaccurate"; on a personal level, it also served to assuage Herrmann's long- held feeling that he had been snubbed by the orchestra after his first visit in 1956. The notoriously prickly composer had also been enraged by the recent appointment of the LSO's new chief conductor André Previn, who Herrmann detested, and deprecatingly referred to as "that jazz boy". Herrmann was also an ardent champion of the romantic-era composer Joachim Raff, whose music had fallen into near-oblivion by the 1960s.
At the time of the release of the Doris Day version of "Secret Love" two vocal cover versions were issued, one of which - by Gogi Grant with the Harry Geller orchestra - is said to have been recorded at RCA Victor's LA recording studio in July 1953 which would make its recording earlier than Day's: the other vocal cover was recorded for MGM by Tommy Edwards with the LeRoy Holmes orchestra. Bing Crosby also had a single release of "Secret Love", recorded for Decca in Los Angeles in a 31 December 1953 session with the John Scott Trotter Orchestra and it was included in his album Bing Sings the Hits (1954). On 4 December 1953 Slim Whitman made a recording of "Secret Love" in Baltimore MD: Whitman's version reached number 2 on the C&W; chart in Billboard magazine in the spring of 1954 concurrent with the Doris Day version being number 1 on the magazine's Pop chart. Both the Moonglows and the Orioles covered "Secret Love" for the r&b; market, the Moonglows' track being recorded in Chicago 10 January 1954 while the Orioles' track was recorded in New York City 29 January 1954.

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