They made a film of it with Viggo Mortensen, didn't they?
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" She explains, "I [also] made a film of different groups of people watching and reacting to the film.
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With all that in mind, I recently spoke to Saria about how he made a film of what some would consider illegal in India and why the film didn't have greater success on the festival circuit.
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Springsteen explained how movie came to be in a recent interview with Sirius XM. "We made a film of the Western Stars album, where I play the record start to finish along with some other things," he said.
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Opera interested moviemakers even before film had sound: Cecil B. DeMille made a film of "Carmen" in 1915 starring Geraldine Farrar, one of the great prima donnas of the day, even though audiences could not hear her sing a note.
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And Mr Miller's vast body of non-Batman material is almost as influential: the current "Daredevil" Netflix series is based largely on his run on the Marvel comic; Zack Snyder made a film of his "300" graphic novel; and Mr Miller himself has co-directed two films adapted from his "Sin City" comics.
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A standing ovation followed. Her brother Steven made a film of her life, titled No Limbs No Limits.
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Zoltan Szalkai, the Hungarian filmmaker, made a film of János Rózsás and György Zoltán Bien, who were eyewitnesses of the gulag. Rózsás died on November 2, 2012, aged 86, in Nagykanizsa.
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The company had made a film of kid called The Kid, which starred Bruce Lee as Kid Cheung and his dad Lee Hoi- chuen as Hung Pak Ho. The company was defunct in 1953 since Zhang Shichuan died.
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Treloar won a $1,000 cash prize, a substantial sum at that time. Two weeks later, Thomas Edison made a film of Treloar's posing routine. Edison had also made two films of Sandow a few years before. Those were the first three motion pictures featuring a bodybuilder.
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The former team boss called McLaren's strategy "a disaster". GrandPrix.com expressed disbelief in the outcome: "It was a showdown so improbable that even Hollywood would not have made a film of it. The scriptwriters would have been laughed out of the studios." Autosport magazine writer Adam Cooper called the race "epic".
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In 1961 Kannada film director B.R. Panthalu made a film of Chidambaram's life titled Kappalottiya Thamizhan. Chidambaram was portrayed by Sivaji Ganesan, Subramanya Siva by T. K. Shanmugam and Subramanya Barathi by S. V. Subbaiah. The story of this movie is based on Ma. Po. Si.'s biography 'Kappalottiya Tamizhan'.
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Leduc's best-known book, the memoir La Bâtarde, was published in 1964. It nearly won the Prix Goncourt and quickly became a bestseller. She went on to write eight more books, including La Folie en tête (Mad in Pursuit), the second part of her literary autobiography. In 1968 Radley Metzger made a film of Leduc's novel Thérèse and Isabelle.
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In 1996, the Italian director, Cristina Comencini, made a film of the same name based on the novel. In 2006, she wrote Ascolta la mia voce (Listen to my voice), a sequel of Follow your Heart. This novel was translated in twelve languages. From 1996 to 1998 she contributed to Famiglia Cristiana, a popular Italian magazine.
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Russell wanted to make a literary adaptation that was low budget and done with a small crew. He pitched the idea to Channel Four who were enthusiastic. Russell put forward 12 titles and they selected Treasure Island because it could be programmed as a Christmas movie. Russell adored the novel as a boy and made a film of it while young.
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Dionysus in 69 challenged notions of the orthodox theatre by deconstructing Euripides' text, interpolating text and action devised by the performers, and involving the spectators in an active and sensory artistic experience. Brian de Palma, Bruce Joel Rubin, and Robert Fiore made a film of Dionysus in 1970. The film records and merges the final two performances of the 1968 stage play.
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In 1897, a film presentation by Professor Stevenson featured a stage show at Calcutta's Star Theatre. With Stevenson's encouragement and camera, Hiralal Sen, an Indian photographer, made a film of scenes from that show, The Flower of Persia (1898). The Wrestlers (1899) by H. S. Bhatavdekar showed a wrestling match at the Hanging Gardens in Bombay. Dadasaheb Phalke is considered the father of Indian cinema, including Bollywood.
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21 Years On is a live album by The Dubliners. Recorded at the National Concert Hall, Dublin in 1983, this was the first album by The Dubliners to feature Seán Cannon, who joined the group when Luke Kelly could no longer perform regularly due to a brain tumour. The album was released by Raidió Teilifís Éireann, who also made a film of the concert. Cellist Nigel Warren-Green also features.
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Bolleter's work is regularly featured on ABC's Radio National and ABC FM. Film maker Robert Castiglione has made a film of Bolleter's work with ruined pianos entitled Invitation to Ruin. It was shown in Tura's Totally Huge New Music Festival of 2015. Andrew Ford, in his book In Defence of Classical Music has a chapter on Bolleter's work entitled Things fall apart in the music of Ross Bolleter.
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Between 2002 and 2005, Temple completed a feature-length documentary about the Glastonbury Festival. This involved him shooting footage at the festival as well as drawing on the vast amount of archival footage, as well as footage sent in by fans of the festival. It was released in the UK in April 2006. In 2006 (premiered January 2007), Temple made a film of the life of his friend, in Joe Strummer: The Future Is Unwritten.
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Brighton at Circular Quay after her wheelhouse was closed in She worked alongside passenger vessels Brightside (formerlay Emu), Fairlight and the tug/ferries Port Jackson, Irresistible, Commodore and Mystery. She was the last paddle steamer on the Manly run. In 1896 Marius Sestier made a film of Passengers Alighting from Ferry Brighton at Manly the first film shot and screened in Australia. On her way to Manly from Circular Quay on 7 August 1900, Brighton collided with the collier Brunner off Chowder Bay.
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Stewart also released a new solo track, Let's Do It Again, in 2008. In July 2010, Stewart recorded his first solo album of new material since 1998's Sly-Fi. Entitled The Blackbird Diaries, it was recorded in Nashville, Tennessee, and includes duets with Stevie Nicks, Martina McBride, Colbie Caillat and The Secret Sisters. Stewart has made a film of the making of the album and also filmed a live concert in Nashville at The Belcourt Theatre on 9 December 2010.
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Alexander Hamilton Leighton was born in Philadelphia, Pennsylvania on July 17, 1908 to Archibald Ogilvie Leighton and Gertrude Anne Leighton (née Hamilton). His sister was Gertrude Catherine Kerr Leighton (1914-1996), a specialist in international law and psychiatry. As a young man, he became interested in photography. Using the motion picture camera, he recorded a trip he made across Nova Scotia by canoe in 1927, and in 1936 he made a film of a group of Mikmaw First Nation People hunting porpoise in a birch bark canoe and then of making oil to sell.
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Ishii returned to Toei in 1991 with the V-cinema film The Hit Man: Blood Smells Like Roses. In 1993 he made a film of Yoshiharu Tsuge's manga, Master of the Gensenkan Inn (Gensenkan Shujin), and in 1998 he filmed Tsuge's avant-garde manga, Wind-Up Type (Nejishiki). In 1999 he made Jigoku: Japanese Hell, using the trial of Aum sect leader Shoko Asahara as the main inspiration for the plot. Ishii's last film, The Blind Beast Vs The Dwarf (2001) was another based on the work of Edogawa Rampo.
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In August 1994, Goodrick made a film of K Foundation originators Bill Drummond and Jimmy Cauty burning one million pounds sterling in cash; he kept the master tapes before the Foundation reacquired them. He drove Drummond and Mark Manning to the top of the world (as recounted in Bad Wisdom). He was the ski-masked person fumbling with lighter fluid and matches when Rachel Whiteread came to claim the K Foundation art award. He is currently an underground/alternative arts film maker and is frequently involved with both Drummond and Jimmy Cauty's current projects.
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In collaboration with Boeing, Chase produced Circles, a computer film based on the spinning hoops. King Screen made a film of the dance and sculpture collaboration. Chase requested and received footage edited out of the King Screen film, and from the cut footage, made her own film, Circles II, with the help of film professionals Bob Brown and Frank Olvey. Using color separations that showed the dancers and sculpture as color forms, Chase used time lapse so that trails of light followed the wake of dancers' arms and legs.
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In 1906 ownership passed to the General Electric Company, who expanded the works and adapted it for the production of light bulbs and glass tubes. During the 1950s there was an introduction of new furnaces and machinery, followed by another decline, resulting in machine production being halted. In 1977 Amber Films made a film of the works called "Glassworks", which included various aspects of commercial glass manufacture; tube drawing by hand, the manufacture of a melting pot on the premises, and the dramatic pot changing process. In 1997 production of glass in the works was stopped.
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While in Chicago, Jessie was general secretary of The League of Women Shoppers, working to organize buying power to improve workplace conditions and wages. For the Metropolitan Housing and Planning Council she made a film of housing conditions designed to convince her former Winnetka neighbors to finance improvements. She also worked for the Industrial Board of the YWCA, the ACLU, Spanish Refugee Relief, the American Committee for the Protection of the Foreign Born, WILPF, and the Campaign for World Government. O'Connor claimed she served on so many boards during this period that she did justice to none of them.
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Making a thinly veiled criticism of Brook in the process, Anikst praised the fact that there were "no attempts at sensationalism, no efforts to 'modernise' Shakespeare by introducing Freudian themes, Existentialist ideas, eroticism, or sexual perversion. [Kozintsev] ... has simply made a film of Shakespeare's tragedy." Dmitri Shostakovich provided an epic score, its motifs including an (increasingly ironic) trumpet fanfare for Lear, and a five-bar "Call to Death" marking each character's demise. Kozintzev described his vision of the film as an ensemble piece: with Lear, played by a dynamic Jüri Järvet, as first among equals in a cast of fully developed characters.
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Mart Crowley and Dominick Dunne set up the film version of the play with Cinema Center Films, owned by CBS Television. Crowley was paid $250,000 plus a percentage of the profits for the film rights; in addition to this, he received a fee for writing the script. Crowley and Dunne originally wanted the play's director, Robert Moore, to direct the film but Gordon Stulberg, head of Cinema Center, was reluctant to entrust the job to someone who had never made a movie before. They decided on William Friedkin, who had just made a film of The Birthday Party by Harold Pinter that impressed them.
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The corporation founded by William F. Cody, the actual Buffalo Bill, and two partners in 1913, which made a film of his wild west exploits, The Adventures of Buffalo Bill (1917), brought a suit in federal court in Colorado seeking an injunction to prevent the 1922 film serial from using the name "Buffalo Bill" and his likeness in any advertising. Applying the law of unfair competition, the court dismissed the suit noting that the name, which at best had only a common law trademark, had acquired a secondary meaning regarding the American west which had lost its exclusivity from being used in several plays without challenge, and that the theater-going public could readily distinguish between the films.
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It developed a reputation for both documentaries and feature films, notably the Lieutenant Daring series, featuring Percy Morgan, and the Dick Turpin and Don Q films. Barnet LBC: Red Lion, Finchley Nicholas Hiley, Encyclopedia Of Early Cinema: British and Colonial Kinematograph Company By 1912 it had begun making longer films, such as Robin Hood Outlawed, and using location footage, some shot by Fred Burlingham. Film & TV Database It also covered important news stories such as the funeral of Edward VII and the Coronation of George V, as well as major sporting fixtures. Biography of J. B. McDowell In 1910 the company made a film of the Canadian Pacific Railway and, in 1912, filmed the F.A. Cup Final and the Derby, as well as in Jamaica.
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She immediately returned to the stage in 1958 with two productions: Amorina by Eduardo Borrás followed by Luces de Buenos Aires starring Merello, Hugo del Carril and Mariano Mores. She starred in Miércoles de ceniza by Luis Basurto in 1959 under the direction of Cecilio Madanes, sharing the lead alternately with Eva Frano and in 1961 she performed Estrellas en el Avenia under the direction of Cecilio Madanes. In 1961, she also made a film of the earlier play she had been in Amorina under the direction of Hugo del Carril, who also acted in the film with Golde Flami. She returned to the theater in 1962 with La Moreira by Juan Carlos Ghiano and the following year performed Carolina Paternóster by Eduardo Pappo.
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RCA recorded an audio version, and, the following year, Stuart Burge made a film of the production (now available on DVD) for BHE Films. Dexter continued with Hamlet (with music by Conrad Susa, 1969), Equus (one of his triumphs, 1973), The Party (Lord Olivier's final stage appearance, 1973), Phaedra Britannica (with his friend, Dame Diana Rigg, 1975), The Merchant (aka, Shylock, 1977), As You Like It (with music by Harrison Birtwistle, 1979), Life of Galileo (with Sir Michael Gambon, 1980), The Glass Menagerie (with Jessica Tandy, 1983) and Julius Caesar (1988). His final great success was M. Butterfly (1988), on Broadway, and the following year, he staged Die Dreigroschenoper there (with Sting as Macheath), which was to be his final production.
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In 1997 he made a film of Schubert's Winterreise for Channel 4 directed by David Alden; he has been the subject of a South Bank Show profile documentary on ITV and presented the BBC 4 film The Diary of One Who Disappeared about Czech composer Leoš Janáček. He has written on music for The New York Review of Books, The Guardian, The Times Literary Supplement, Opernwelt, BBC Music Magazine, Opera Now and The Independent. Later engagements included recitals in Paris, Stockholm, Lisbon, Brussels, Amsterdam and the Vienna Konzerthaus. In North America he appeared in recitals in New York City at the Frick Collection in 1998 and Alice Tully Hall in 1999 and made his Carnegie Hall debut under Sir Neville Marriner.
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The industrial-looking building that housed the concert space was previously used by a slaughterhouse and meat-packing business, and the surrounding La Villette area was well known as a traditional meat-packing district. As a result, the Pavillon de Paris was also known colloquially as Les Abattoirs (The Slaughterhouse), and some of the acts who recorded live performances at the Pavillon chose to refer to the venue as the "Abattoirs". For example, the French film-maker Freddy Hausser made a film of The Rolling Stones performing at the Pavillon that is titled Les Stones aux abattoirs (The Stones At The Slaughterhouse). In 1980, the Pavillon de Paris was closed, and for the next 3 years, most touring rock bands appeared at the Hippodrome de Pantin in the nearby Parc de la Villette.
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He also writes short stories and his work has appeared in anthologies, most recently in the Penguin Book of Caribbean Short Stories and the Faber Book of West Indian Stories. His novel The Humming-Bird Tree was first published by Heinemann in 1969, when it won the Winifred Holtby Memorial Prize from the Royal Society of Literature for best regional novel. It was re-issued as a paperback in the Heinemann Caribbean Writers series in 1974, and has been widely used as a textbook in schools in the region and abroad. The BBC made a film of The Humming-Bird Tree for broadcast at Christmas 1992, and in the same year Heinemann re-issued the novel in a new edition. In 2006 Macmillan published a new edition of The Humming-Bird Tree.
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He has made numerous other TV appearances over the years, some in Jamaica, but most in the US. Maryland Public TV made a film of his work 1n 1990. PBS featured his curated exhibition Magical Visions in 2012. He was one of five international artists featured in the PBS film Free Within Ourselves. He has lectured worldwide in countries such as Jamaica, China, Cuba, Canada, Japan, Liberia, Taiwan, and across the US. He has lectured in institutions such as the San Francisco Art Institute, Metropolitan Museum of Art; Getty Museum; Art Institute of Chicago; the Smithsonian Institution; the College Art Association of America; the Modern Language Association of America; the Cooper Union Institute; the Crocker Museum; the Cincinnati Museum of Art; the Massachusetts College of Art; the California Institute of Art; the Baltimore Institute of Art; the Maryland Institute College of Art; the University of the West Indies, Jamaica; and the University of Liberia.
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