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13 Sentences With "lyricized"

How to use lyricized in a sentence? Find typical usage patterns (collocations)/phrases/context for "lyricized" and check conjugation/comparative form for "lyricized". Mastering all the usages of "lyricized" from sentence examples published by news publications.

In any case, it would be hard to keep up with every instance of Mr. Louboutin being lyricized.
Feminism (the shoe stitchers are all women), French craftsmanship and lack of respect for middle management are all lyricized, while empty design studios underscore the precariousness of couture itself.
"Oh Johnny, Oh Johnny, Oh!" is a popular American song composed by Abe Olman (1887–1984), lyricized by Ed Rose (pseudonym for Edward Smackels, Jr.; 1875–1935),ASCAP Biographical Dictionary — Listed under "Ed Rose" : 1st Edition, 1948, pg. 312 : 2nd Edition, 1952, pg. 421 : 3rd Edition, 1966, pg. 621 : 4th Edition, 1980, pg.
Mem Nahadr ( ), also known as M. Nahadr and simply "M", is an American performance artist and multi-octave vocalist having access to the whistle register and best known for the performance of the song "Butterfly", composed by Yoko Kanno and lyricized by Chris Mosdell for Cowboy Bebop. She is also an author, composer, poet, filmmaker, and human rights activist.
The music for "A Saint She Ain't" was composed by Denis King, arranged by both King and Chris Walker, lyricized by Dick Vosburgh, and performed by King and Walker on two pianos for the original production.["STAGE DOOR RECORDS - PRIVATES ON PARADE - Original London Cast (STAGE 9033)." STAGE DOOR RECORDS - PRIVATES ON PARADE - Original London Cast (STAGE 9033). N.p., 24 Jan. 2014. Web. 08 Mar. 2015.
315, 319-320 He declared himself disappointed by Lovinescu having disregarded the post-Symbolist poetry of George Bacovia, and criticized him for deriding the lyricized prose of traditionalist author Mihail Sadoveanu.Cernat, p.319-321 He commented with irony on Lovinescu's primarily historicist perspective, arguing that it closely resembled what he himself criticized in the didacticism of Mihail Dragomirescu and Henric Sanielevici, and claiming that his rival's Sburătorul society aggravated "the dependence on literary schools".Cernat, p.
In 2000, Monovox earned a $250,000 recording contract through the internet record label GarageBand.com. The highest user-rated song out of thousands of recordings submitted to the Garageband.com website, "First Time" (which was penned by Schaeffer and later lyricized by Shaw) was soon re-recorded in Sausalito, California, with Jerry Harrison as producer. This song, along with twelve additional tracks that the band would record, would become the group's first and only full-length album as Monovox.
Two songs "I Have My Way" (我有我路向) sung by Jackie Chan and "I Just Want You to Understand" (我只想你懂) sung by Taiwanese musician Jonathan Lee, both lyricized by Hong Kong songwriter James Wong and composed by Lee, are featured as theme songs for the Asian versions of the film. A soundtrack containing alternative rock and hip hop song was released on 30 July 1996 by Interscope Records. It peaked at #133 on the Billboard 200.
The album has 21 songs in total, 15 Instrumental pieces by Mychael Danna and 6 Hindi songs composed by A. R. Rahman with lyrics by Sukhwinder Singh and Raqeeb Alam, except for the song Vaishnava Janatho (which is a famous 15th century bhajan in Gujarati composed and lyricized by Narsinh Mehta). However, A. R. Rahman introduced new orchestration with new singers. The soundtrack was released by international label, Varèse Sarabande but it is distributed in India by Sony BMG. The Indian release contains only the 6 Hindi songs composed by A.R.Rahman.
"I'm Free" was "lyricized" again in the 1990s, this time by Catherine O'Brien, who also provided lyrics to the Haggart tune "My Inspiration." O'Brien's version, published in 1996, retains the original title, "I'm Free." "What's New" was the title track of a Triple Platinum 1983 album by Linda Ronstadt, one of three recordings she released backed by The Nelson Riddle Orchestra. Linda's earnest version of the song, released as the album's first single, reached the Top 40 of the Cash Box Top 100 chart and peaked at #53 on the Billboard Hot 100.
102 The trope also fed into his construction, in many plays, of what Northrop Frye has called the Shakespearean "green world" – a space that lies outside of city limits, a liminal space where erotic passions can be freely explored, away from civilization and the social order – such as the Forest of Arden in As You Like It.A. Shurbanov, Shakespeare's Lyricized Drama (2010) p. 197 A mysterious and dark, feminine place, as opposed to the rigid masculine civil structure, the green world can also be found featured in A Midsummer Night's Dream and Titus Andronicus.
On 22 November, Red Chillies Entertainment revealed a new film poster depicting Bauua kissing Aafia on the forehead in front of a large sunlit dome-arched window, and announced that the first song of the film would release the following day. On 23 November, the first song of the film was released, titled "Mere Naam Tu"; an orchestral ballad picturized on Bauua as he sweepingly proclaims his love for Aafia, it was composed by Ajay-Atul, lyricized by Irshad Kamil and sung by Abhay Jodhpurkar. On 30 November, Red Chillies Entertainment announced a fan- interaction website, called "Bauua Ki Toli." By completing social-media related activities and earning points, fans can earn the chance to become Bauua's "Khaasam Khaas" and win Zero merchandise, personalised autographed posters from Shah Rukh Khan, as well as movie ticket cashback from Paytm and exclusive Bauua apparel.
Beginning in early 2015, Hamburger gathered multiple artists together once a week to brainstorm ideas. Hamburger mentored the artists as pieces began to take shape, working with the Hudson River Park as a performance space. Completely free to the public, BOSSS programming included Given The Present, The Future Does Not Depend On The Past (written by Sam Alper, composed and lyricized by Deepali Gupta, and directed by Jimmy Maize), The Visitors (written and directed by Barbara Cassidy and choreographed by Johari Mayfield, with Jessica Corbin as Choral Leader), Moms (written by Sarah Delappe [playwright of The Wolves] and directed by Morgan Green), The Queer Garden (written by Kenny Finkle, directed by Jessie Geiger, and produced by Louise English), We Were Wild Once Episode 6: Talks With A Drunk (directed by Sanaz Ghajarrahimi), Night, Janitor, Carousel (directed by Ellie Heyman), An Evening With Bina48 (directed by Andrew Scoville, designed by David Tennant and Kate Freer), This Place (directed by Lee Sunday Evans), Gnomads of the Garden (written by Stephanie Okun), Long Time (conceived by PopUP Theatrics, written by Peca Ștefan, and directed by Tamilla Woodard), and Ghost Card (choreographed by Megan Weaver and Hassan Christopher).

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