Seriously, who eats that much lunchmeat in one sitting, or ever?
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If you're of a fan of devon — Australia's favourite mystical lunchmeat — by all means, go ahead.
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I use lunchmeat containers to store them, and I tape the cardboard box tops to the plastic lids.
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But if you're going to have warm turkey, it's difficult not to pine for actual roast turkey instead of lunchmeat.
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While the iPad was recording, it caught Duke talking about the dangers of football, specifically concussions, and that their pension is just lunchmeat.
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He's visited 125 facilities in 25 countries, watching vinyl pucks get pressed into records, lunchmeat stuffed into cans, and silicone molded into sex dolls.
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"Please refer to them as steers, not cows," Mr. Corsino said, "Because cows are turned into hamburger and lunchmeat, and that's not who we are."
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"[I'm] annoyed, more than anything," Morrison told KOB 4, which is a considerably more laid-back response than one is entitled to when repeatedly harassed with urine-soaked lunchmeat.
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The creamy "snaketti" loaf created within the mysterious bowels of SNAX is laced with snake hash—probably the least trippy thing about this video—and garnished with potato chips and lunchmeat.
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I go for the meal deal, despite the genuine tragedy of having to settle for a turkey sandwich over tuna (lunchmeat is what the devil uses to wipe his ass, fight me).
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So you're left with a few dismal options, mainly white bread rolls with lunchmeat or flat bread with a cheese-like substance akin to what you find on top of baseball stadium nachos.
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The Tennessee Chicken consists of a chicken breast coated in a light ketchup-y barbecue sauce, warm lunchmeat ham, and a slice of deli cheese semi-melted on top—not quite Nashville on a plate.
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The fridge was ultimately replaced months after Spicer took it and following the Wall Street Journal story, but aides making as little as $51,000 a year were frustrated that they didn't have a place for their Lean Cuisines, containers of chicken and rice, and lunchmeat sandwiches brought from home during that time.
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Lunchmeat VHS contains interviews with actors of niche genre films, painters of VHS cover art, directors of obscure gems, and even proprietors of long-standing VHS rental stores. Lunchmeat VHS also reviews music from horror films (on vinyl), and produces genre-themed crossword puzzles as well as cartoons.
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Lunch Meat is a 1987 American film directed by Kirk Alex. The film is also known as Lunchmeat (American video title).
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Lunchmeat VHS Fanzine is a magazine dedicated to the preservation of horror and exploitation films on the VHS format. It is published occasionally and is edited by Josh Schafer. It has been in publication since August 2008.
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In late 2017 she launched NCCA's TECHNE platform for innovative art. In 2018 together with Maurice Jones she co-founded United Curators collective. In 2019 Fuchs curated the Input symposium on digital art at Lunchmeat Festival in Prague and co-curated the "Persisting Realities" exhibition and "The Work of Art in the Age of Artificial Intelligence" workshop at CTM Festival in Berlin. Fuchs is co-producer of Gamma festival of music, art and urban culture.
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Soulside, also spelled Soul Side, was an American post-hardcore band from the greater Washington, D.C. area. The original name of the band was Lunchmeat, formed in 1985. The name was changed to Soulside in spring 1986 and they disbanded in summer of 1989, after an extensive European tour and recording the definitive Hot Bodi-Gram. The group's sound could be described as clean, heavy, and warm, with lyrics focused on politics.
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In March 2010, in addition to residencies, galleries and theatre, a fourth space for music was added. The concert hall can accommodate 1,000 people and hosts 50–70 concerts per year, including regular and one-off events. In addition to its own music events, MeetFactory organizes around 40 co-productions with various local and national organizations each year, and collaborates with festivals such as Lunchmeat, Sperm, and Komiksfest, or with NGOs such as Amnesty International or with the Czech Association of Paraplegics.
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Since 2014 the project has received coverage from the international horror community and other pop culture media. Videogram has appeared in interviews with and been featured in The A.V. Club, Bloody Disgusting, Cinema Retro, Lunchmeat VHS, Rue Morgue, Starburst, and Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism and Innocence in the Series by author Kevin J. Wetmore Jr. In 2017 Videogram's music appeared on the Rue Morgue compilation They Came From Rue Morgue and Vestra Pictures documentaries VHS Lives: A Schlockumentary and VHS Lives 2: Undead Format. In 2018 Videogram's "Choice Cuts 2014 - 2018" compilation album and Acid Washed "Voorhees Stomp" remix single was featured in online and mobile platform digital distributor Groupees horror and thriller-themed "The Darkening" bundle that included games by Akupara Games, among others.
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One of the most well-known programs to air on WUSL was a morning zoo-style show called "The Carter & Sanborn Morning Show" (or "Carter & Sanborn in the Morning"), which was hosted by Brian Carter and Dave Sanborn. The show featured a cast of off-beat characters, all voiced by Sanborn, including wise-cracking horoscope reader "Horace, the Taurus" and fall down drunk blues singer "Lunchmeat Mumford". During the late 1980s and early 1990s, the show was a main draw in Philadelphia among younger members of all demographics. Bill Simpson, who would later host a nighttime show on both incarnations of WJJZ (first at 106.1 and later at 97.5), used the alias Dave Sanborn on the show, which often created confusion with the well-known jazz saxophonist David Sanborn, especially among those who were not regular listeners.
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