165 Sentences With "low voice" | Random Sentence Generator

"Is there a change?" he asked in a low voice.

"You are being disrespectful," he said, in a low voice.

The denouement has Ms. Simnett speaking in a creepy, low voice.

She says with this low voice and I'm like, 'Oh my god.

"Because I didn't think about it," Collins said in a low voice.

"What's up with him today?" the relative asked me in a low voice.

He spoke slowly and in a low voice, while taking small sips of mundo.

And he said in a low voice, 'I know it's bad, but it works.

Then a chaplain stepped forward and began speaking to me in a low voice.

" Tamir leaned over and in a low voice, almost whispering, said, "You are innocent.

"When she came to me she didn't have a low voice," Gardner said on the podcast.

"Do you wish to serve me?" he asked in a low voice, leaning closer to her.

After about 10 minutes I heard a loud, low voice say, 'Hey, you seen my goat?

Then, in a low voice, Marcus says that tomorrow morning he is going home. Home. Home.

Mr. Trump spoke in a low voice, his arms folded tightly, during questions about the Russia inquiry.

She leans over and asks in a low voice how long it has been since my surgery.

It has a great future, even if it has a low voice on some sides of the planet.

Reno's masculine, rectangular frame and low voice matched with her trademark pearls and blue dress made for comedy gold.

Twenty minutes later, as I crossed the rotunda to retrieve more bookmarks, I heard a low voice behind me.

Yes, the low voice/slow vocal is what best conveys the relaxation because his tone is so non-threatening.

Maine explains in a low voice that he's settled into an easy rhythm since he's been here by himself.

"Instead of an invitation for tea," Mr. Rehman responded in a low voice, "it is better to provide justice."

That way, when he did command his men, in his soft, low voice, they would know he was serious.

Then, Mr. Lichtman walked toward the judge, bent forward and in a low voice mentioned one more name — the defendant's.

"I have a patient who is asking about the End of Life Option Act," he said in a low voice.

On Wednesday morning, Mr. Freidman spoke in a low voice as he apologized for his crimes in a mostly empty courtroom.

He turned to me, our eyes met, and he said in a low voice, "Looks like there's some trouble in paradise."

Men chant loudly, "Here I am, oh Lord, here I am," and women repeat this phrase audibly, but in a low voice.

"In Japan, they have a version of this," she said in a low voice so as not to bother the other museumgoers.

"This is embarrassing," he says to me in a low voice, like a father whose child is throwing a tantrum at church.

Inside, her father spoke to the shopkeepers in a low voice while Little Sister watched the parade of vendors on the street.

Mr. Trump spoke with a low voice, his arms folded tightly during questions about the Russia inquiry as his aides grew fidgety.

Hefe Wine raps in a super low voice and sings in a semi-high one, which suggests a full range of masculine appeal.

"They are the person you least expect," a shopkeeper in Addis Ababa said in a low voice, his eyes darting around the store.

In a low voice, Brittany asked for a piece of paper, wrote down "Todd Smith," and said that he'd beaten and raped her.

Then, as she picked up the receiver, presumably to place the order, she said in a low voice, That will be 500 dollars, please.

She was a specialist in X-ray crystallography at Imperial College, a beautiful, sleek woman with a warm, low voice and an intimate manner.

One look from this attractive man, one stroke of that low voice, and her anxiety and stress had taken a hard turn into something else.

As I spoke to her in an unnaturally low voice, I failed to realize one thing: Missy did not care that I was a girl.

Gideon slowly approaches Harriet, perched on the bridge railing, his hands spread out in front of him, offering promises of emancipation in a low voice.

Album Review The first striking thing on "Baby Come Back to Me," the opening song on "Experiment," Kane Brown's second album, is Brown's honeyed, low voice.

" You really have to listen closely to the video ... someone screams "SUCK!!!" which is then followed by a guy with a low voice, commanding, "Suck a d***.

"They called it a DNE2 tumor, which is usually benign," Stream says, her low voice racing at a fast clip, like someone perpetually trying to catch up.

If you say it "slowly in a low voice," the dog may perceive it as fear or insecurity on your part and be less likely to obey.

"If it's not the giving of the car, it's probably something very emphatic with a very low voice about how deep the meaning of life is," she said.

Elizabeth Holmes is being outed as a fraud of epic proportions in the business world, but there's nothing deceitful about her curiously low voice ... so says her family.

"I recalled Don Jr. leaning over to his father and speaking in a low voice, which I could clearly hear, and saying: 'The meeting is all set,'" Cohen said.

"The protection of the heritage," Mr. Wildenstein replied in a low voice, noting that his father had feared the dispersion of the collection and had not explained his decisions.

Looking down at the Moroccan tagine she ordered, in her characteristically low voice, she explained that even after a record deal was imminent she refused to quit her day job.

"I recalled Don Jr. leaning over to his father and speaking in a low voice, which I could clearly hear, and saying: 'The meeting is all set,'" Cohen told the committee.

Of all the enchanting things about A Star is Born, one of the most mesmerising has to be Bradley Cooper's distinctly low voice that he manages to maintain throughout the movie.

"For weeks after we danced, I believed the rumors that you were a changeling," he said in a low voice, pitched only for her ears beneath the tumult of the evening's festivities.

Janney has long brought her low voice and strong features to portrayals of smart, interesting characters, most famously the put-upon White House press secretary C.J. Cregg on the TV drama The West Wing.

Important with her mission, Gillian went out onto the landing, calling their names in a low voice, raising her hand to knock before she poked her head around their bedroom doors into the fusty half-light.

Since she was a teenager, Ms. Fohr, now 27, has been a kind of one-woman post-cabaret movement, using finger-picked folk-guitar mesmerization, synthesizer ripples, aggressive drone chords and a severe, semi-operatic low voice.

When Unbreakable Kimmy Schmidt star Tituss Burgess stopped by The Late Late Show Monday night, Corden coaxed him into singing on the flimsiest of pretexts: Burgess has a high voice, but fellow guest John Stamos has a low voice.

I already struggled with confidence all the time, if I was good enough to do music because I have this low voice — I didn't necessarily want to be a singer, but I loved singing the songs that I wrote.

Amazon has spent the past two years zeroing in on natural conversation — from features like Follow-up Mode, which allows you to converse without using the wake word, to Whisper Mode, which enables the assistant to respond to whispers with a low voice of its own.

With a glowing resume (including being the subject of a short documentary with Fader), Lipa also stands out in the oversaturated world of pop music because of her instantly distinguishable low voice (which is sometimes raspy, but always alluring) and for those undeniably catchy "fuck you" break-up lyrics.

But there's a good reason for this discrepancy: "It takes a long time for a low voice like his to mature, and it's been a privilege to watch and hear him grow," Barry Tucker, the president of the foundation (and the son of the award's namesake), said in a statement.

Between the recent ABC podcast The Dropout, HBO's new documentary The Inventor: Out For Blood in Silicon Valley and the upcoming movie Bad Blood, starring Jennifer Lawrence (based on the book by John Carreyrou), the public has suddenly become fascinated with the story of the wide-eyed woman with the oddly low voice, who loves to wear black turtlenecks.

Hed better get out of the way, said the truckman grimly, in a low voice.

Edwards' style is defined by his low voice and sarcastic delivery. He now lives in Toronto, Ontario.

The Secret () is a prayer said in a low voice by the priest or bishop during religious services.

The biggest, fattest and strongest of the Space Bikers. She speaks with a German accent and a low voice. Voiced by Candi Milo.

Silgwa baneului akjang (실과 바늘의 악장 Conductor of Thread and Needle), co-author, Hakwon, 1979. Najeun moksoriro (낮은 목소리로 In a Low Voice), ed.

For example, if he were to say "Help me!", he would say it slowly, in a low voice. He wears an aqua vest and jeans.

Brahms dedicated them to Max Klinger. Written for a low voice, they were also transcribed for high voice. They have been orchestrated by Detlev Glanert (whose orchestration adds linking preludes) and Günter Raphael.

In former times, championship bouts were held in which the object was to blind the opponent's eye. The winner is required to happily sing a quatrain while the loser replies in a low voice to show despair.

Alvaro Neder of Allmusic says, despite not selling well, it was "the aggressiveness of her low voice and the dry arrangements" on Eller's debut album that brought her national recognition. The controversial song "Rubens", expressing ambiguous sexuality, was censored.

Growler is an American hound and talented bass guitarist. Growler has a particularly low voice and oddly pitched howl and growl. A backstory to be released reveals why he got called Growler. Growler was introduced in Series 2 United Kingdom.

Tachiki is known for his low voice. He serves as the narrator for Pride Fighting Championships and Dream. He and Toshiyuki Morikawa formed the band "2HEARTS" in 2003. Their song, "Ever Free", served as the ending theme for Dynasty Warriors 4: Empires.

Coretti, quite tall, lush, in an open green silk dress with a pelerine, perfectly in harmony with her golden brown skin, sang in English with a strong, rather low voice of a very beautiful timbre. The concert was unusual for that time.

Richard Baxter Townshend, Oxford don and author of the Tenderfoot series of books; brother- in-law of the W.M.B. depicted in Variation IV. This variation references R.B.T's presentation of an old man in some amateur theatricals ‒ the low voice flying off occasionally into "soprano" timbre.

Sindhi songs from the Sindh include many different varieties. Sindhi music is generally performed in either the “Baits” or “Waee” styles. The Baits style is vocal music in Sanhoon, low voice, or Graham, high voice. Waee music is instrumental, performed in a variety of ways using a string instrument.

New York: Boosey & Co. digitized copies are available from the Newberry Library Blaine, Richard, and Henry Treleaven. 1917. America! My Home Land. New York: Boosey & Co.; for low voice (in F). Newberry Library and from the Library of Congress Blaine, Richard, and Henry Treleaven. 1918. America! My homeland.

The Sanskrit word japa is derived from the root jap-, meaning "to utter in a low voice, repeat internally, mutter".V. S. Apte. A Practical Sanskrit Dictionary. p. 447. It can be further defined as ja to destroy birth, death, and reincarnation and pa meaning to destroy ones sins.

Pribaoutki is written for low voice and instrumental ensemble. Stravinsky is said to have preferred a male singer, although the work is commonly performed by mezzo-soprano or contralto. The eight-member ensemble consists of: flute, oboe (doubling English horn), clarinet, bassoon, violin, viola, cello, and double bass.Stravinsky, Igor. Pribaoutki.

Biblical Songs () is a song cycle which consists of musical settings by Czech composer Antonín Dvořák of ten texts, selected by him, from the Book of Psalms. It was originally composed for low voice and piano (1894, Op.99, B. 185). The first five songs were later orchestrated by the composer (1895, B. 189).

In former times, championship bouts were held in which the objective was to blind the opponent's eye. The winner is required to happily sing a quatrain while the loser replies in a low voice to show despair. Participants must be agile, physically fit and able to sing local songs. Women playing a drum as musical accompaniment for Caci fighting.

The falsetto at the beginning of the song was done by Junnosuke Kawaguchi, the band's bassist. Though he generally speaks with a low voice, he sings in falsetto for a number of songs. "Chain Gang" was originally planned to be on their debut album, but was shelved due to concern with the lyrics, particularly the line about killing Christ.

In Maa Hobby (With Love) talk show, Angham said that "singing in a low voice is far much more difficult than screaming in high pitch notes. There are not so many artists today that are capable of doing so." Angham's vocal trademark is her ability to sing in the whistle register and to transfer true emotions through her songs.

Music from Sindh province is sung in Sindhi, and is generally performed in either the "Baits" or "Waee" styles. The Baits style is vocal music in Sanhoon (low voice) or Graham (high voice). Waee instrumental music is performed in a variety of ways using a string instrument. Waee, also known as Kafi, is found in the surrounding areas of Balochistan, Punjab, and Kutch.

Unable to convince boys to participate, she acted the male roles and sang their songs. By age nine, she had developed an unusually low voice. Fascinated by film stars, Cher's role model was Audrey Hepburn, particularly due to her role in the 1961 film Breakfast at Tiffany's. Cher began to take after the unconventional outfits and behavior of Hepburn's character.

Clam is a small, quiet albino pygmy rhinoceros who is one of Lazlo's bunkmates and best friends. Despite being one of the main characters of the show, he rarely speaks in full sentences. He has a low voice and usually speaks in short bursts of few words, often repeating the last words that others say. He is voiced by Carlos Alazraqui.

While in office all members of establishment must behave in a quiet and dignified manner. They must address other members of establishment courteously. They must attend to their work and not waste the time. They must try to maintain perfect silence and if they have occasion to talk, they will do in low voice so as not to disturb others.

They lay down in front of the dead or > wounded people; some caressed those who were still alive and spoke to them > in a low voice. Then I heard a series of shots. I looked into the pit and > saw that the bodies were twitching or the heads lying already motionless on > top of the bodies that lay beneath them. Blood was running from their necks.

After his father died, Wolfsohn developed a close relationship with his mother, who comforted him by singing, using a high voice to depict an angel and a low voice for St Peter. Wolfsohn asserted that hearing his mother express both unpleasant screams and beautiful singing contributed to his belief that the human voice should be able to express the complete spectrum of human emotion.

Inhaled helium is occasionally used to drastically change the timbre of the voice. When inhaled, helium changes the resonant properties of the human vocal track resulting in a very high squeaky voice. In Salvatore Martirano’s composition L’s GA the singer is required to inhale from a helium mask. Conversely, an unnaturally low voice may be achieved by asking the singer to inhale sulfur hexafluoride.

Preferences for voice pitch change across the cycle. When seeking a short term mating partner, women may prefer a male with a low voice pitch, particularly during the fertile phase. During the late follicular phase, it is common for women demonstrate a preference for mates with a masculine, deep voice. Research has also been conducted on the attractiveness of the female voice throughout the cycle.

1907 cover Seven Lieder is a set of songs by the English composer Edward Elgar published together in 1907, by Ascherberg, Hopwood & Crew Ltd. The set was published with German words 'by Ed. Sachs', though a wartime reprint of the songs published it as Edward Elgar's Album of Seven Songs with only the English words. It was also published in different keys, for 'high' and 'low' voice.

"Notturno" (translated as Nocturne), Opus 44, Number 1 (TrV 197), is an orchestral song written for low voice which Richard Strauss composed in 1899 based on a poem Erscheinung (translated as Apparition) by the German poet Richard Dehmel (1863-1920). In performance it takes about 13 minutes. Norman Del Mar described it as “ranking amongst Strauss’s finest as well as more ambitious works”.Del Mar, page 325.

" They each had worked with Brown previously and knew he would be able to "nail it", as he is able to give a "tough, low voice" and "turn on a dime between dangerous and comedic characterizations." Brown sought to reflect the Rhino's simplistic thinking style in his voice. He believes "the quintessential 'thug' was played by William Bendix in The Glass Key. The simpler the character, the simpler the thought process.

Spiritualism began there in the winter of 1844-45 and over the next several years, a number of mediums converged there. The Laona Free Association organized soon after 1850 and the First Spiritualist Society of Laona was formed in 1855. The American composer Alan Hovhaness visited Laona and composed two works inspired by the hamlet: Laona (for piano) and Dawn at Laona, Op. 153 (cantata for low voice and piano).

Later in the evening, Borynski received a second telephone call from a man speaking Polish. Borynski was heard by his Polish housekeeper to speak in short, clipped sentences during the call, different from his normal cheerful disposition. Borynski reportedly said "All right, I go". Borynski was not normally secretive, but he was reported to have taken the call in a low voice, with his hand cupped around the mouthpiece.

Fisher,William Arms: 1926, Seventy Negro Spirituals, edited for low voice. Oliver Ditson Company, NY, sheet music format, pp. 60–62. Noted as Negro Spiritual. Deas, E. C. 1928: Songs and spirituals of Negro composition: The song has alternatively been known as “Ain' go'n' to study war no mo'”, “Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Going to Pull My War-Clothes” and “Study war no more”.

Hormones have been declared as the "key to the sexual universe" because they are present in all animals and are the driving force in two critical developmental stages: sex-determinism in the fetus, and puberty in the teenage individual. Playing a critical role in the development of the brain and behavior, testosterone and estrogen have been labeled the "male- hormone" and "female-hormone" respectively as a result of the impact they have on masculinizing or feminizing the brain and behavior human. For example, testosterone is responsible for dominant, aggressive, and sexual behavior. Moreover, features such as a beard and a low voice (which also develop due to testosterone production) probably appeared for more successful competitive behavior among men, since men with a beard and low voice seem more dominant, aggressive, and look more high-status compared to clean shaven male faces and high voices, which means they are more likely to get a high status and increase their reproductive success.

Behind the VW was a small pick-up truck that had followed them from Aguilares. In a low voice, Grande is quoted as saying "We must do what God wants." As the pick-up came closer to the VW, a hail of bullets fell from the sky impacting the car. Later, a doctor who examined the bodies indicated that Grande was killed by bullets coming both from the front and rear of the vehicle.

On the Road to Mandalay was published as a piano/vocal song in 1907 by the John Church Company and dedicated to John Croxton. The tempo is marked alla marcia and the music set in common time. The song changes tonality as each of the three verses reaches the chorus, shifting dramatically from minor to major. Originally published in the key of C and marked Low Voice, the style is described as Romantic.

Nomura wanted Cloud and Vincent's voices to contrast with each other due to their similarities in terms of personality. He felt Vincent was older and more mature than Cloud, and as a result, he cast Shōgo Suzuki, who has a very low voice with. In English adaptations, Cloud is voiced by Steve Burton. Burton was first hired to voice Cloud once a man behind Square saw his work in the 2001 movie The Last Castle.

Chris Jancelewicz of The Huffington Post described Victor as "the very definition of daytime TV icon" and noted that, "Even people who have never seen an episode in their lives know his name, his face, and his powerful low voice." In the early 1990s, he was described as a . He is credited as being one of the soap opera world's leading stars. Jamey Giddens of Zap2it considers Braeden the soap opera's leading male.

During the Middle Ages these books were rearranged for greater convenience. The custom of Low Mass changed the Sacramentary into a Missal. At Low Mass the celebrant had to supplement personally what was normally chanted by the deacon and subdeacon or sung by the choir. This then reacted upon High Mass, so that here too the celebrant began to say himself in a low voice what was sung by some one else.

"How Little We Know" is a song written by written by Hoagy Carmichael and Johnny Mercer for the 1944 film To Have and Have Not, where it is performed by the character "Slim" played by Lauren Bacall. A young Andy Williams recorded the song for the film as a possible alternative track to dub Bacall's low voice. Bacall said they used her singing. After the film's release it was a hit recording sung by Judy Johnson.

Parnok’s works are filled with the timbre of tragedy and the melody of coincidence. Her first poem was printed in 1906 and her last, the week before her death. Her first collection Стихотворения (Poems) was published in 1916 and her last book of works Вполголоса (Half-Whispered or In a low voice) was published in 1928. She created five books of poems, more than 30 critical essays, and several translations. Sofia Polyakova, editor of Parnok's Collected Works, preserved 261 of her poems.

In fact, misattribution of doubtful works has gone both ways. Yet there are some unique features to La Rue's style. He had a liking for extreme low voice ranges, descending sometimes to C or even the subterranean B flat below the bass staff; he employed more chromaticism than most of his contemporaries; and much of his work is rich in dissonance. He also broke up long, dense textures by inserting contrasting passages for two voices only, something done also by Ockeghem and Josquin.

One that wants to expand externally, and one that attempts to pull in internally. The latter is always at an advantage than the former. There is a possibility for his work to be criticized as escapism by populists who argue for active participation in reality. Today, when everyone is busy looking forward and moving ahead, in his low voice that sings ‘return to where you came from’ there is a lot of meaning to take that we can listen to.

It is a libel on South Carolina, and Mr. Butler, who is a relative of mine," Brooks calmly announced in a low voice. As Sumner began to stand up, Brooks beat Sumner severely on the head before he could reach his feet, using a thick gutta-percha cane with a gold head. The force of the blows so shocked Sumner that he lost his sight immediately. "I no longer saw my assailant, nor any other person or object in the room.

Tōru Furuya remarked that there were not many auditions for the characters because the cast was made up of veteran voice actors. Performing the roles was not without its difficulties, Toshio Furukawa, the voice of Piccolo, said it was difficult to constantly perform with a low voice because his normal lighter voice would break through if he broke concentration. Shunsuke Kikuchi composed the score for Dragon Ball. The opening theme song for all of the episodes is performed by Hiroki Takahashi.

Miming has resulted in a number of notable moments. In 1991 Nirvana refused to mime to the pre-recorded backing track of "Smells Like Teen Spirit" with Kurt Cobain singing in a deliberately low voice and altering lyrics in the song. In 1995, the Gallagher brothers of Oasis switched places while performing "Roll with It". During their performance of "Don't leave me this way" the Communards singers Jimmy Somerville and Sarah Jane Morris swapped lyrics for part of the song towards the end.

At the end of the film, before his death at the hands of McClane, Gruber echoes the phrase before McClane overpowers him. At the end of Die Hard 2, he delivers it before lighting a trail of fuel to destroy the enemy airplane. At the end of Die Hard with a Vengeance, he says it in a low voice after shooting down the enemy helicopter. In the fourth film, Live Free or Die Hard, McClane is held captive by cyber-terrorist Thomas Gabriel.

He made his debut as a rock-ballad singer in 1997 with the song "Now" ("이제는"). Hong Kyung Min's style of rock was much unlike any other rock singer. Different from rock singers with loud high-pitched tones, Hong Kyung Min's mid-to-low voice color and stable tone approached listeners with a more comforting sensation. Although he was acknowledged as a talented singer with his strong husky voice appealing to many music lovers, his place in the pop music market was not significant.

" Another method involved the male head of the household approaching the hive and knocking gently upon the hive until "the bees attention was thus secured" and then saying "in a low voice that such or such a person - mentioning the name - was dead. The key to the family home could also be used as a knocker. One description from Carolina mountains of the United States says that "You knock on each hive, so, and say, 'Lucy is dead.'" Bees could also be invited to the funeral.

He was sensitive to noise, and retired to an empty house, where even the sound of his own footsteps and his low voice when he prayed caused him pain. He was liable to vivid and terrifying dreams, and subject to visual hallucination. His wife died in February 1687; in 1690 he preached a sermon on the parable of the ten virgins, an attempt to interpret apocalyptic passages of scripture in the light of recent events. The sermon, repeated in other places, made some stir, and was published in the following year.

Rimsky-Korsakov, My Musical Life, 299. The elder composer's comments on Glazunov's initial appearances as a conductor may in fact have been accurate for this occasion as well: "Slow by nature, maladroit and clumsy of movement, the maestro, speaking slowly and in a low voice, manifestly displayed little ability either for conducting rehearsals or for swaying the orchestra during concert performances." Not only did Glazunov conduct badly during the rehearsal of the First Symphony, but he also made cuts in the score and several changes in orchestration.Walker, 37.

For example, there are three enemies firing, one would be assigned a low voice, another a medium voice, and the third a high voice. This allows all the weapons being fired in any particular scene to harmonise and deliver a distinct sound for the game. Blacks sound was nominated for Best Audio at the 2006 BAFTA Video Games Awards, and won Best Art & Sound jointly with Burnout Revenge at the 2006 Develop Industry Excellence Awards. The music for Black was composed by Chris Tilton, using a theme co-authored with Oscar- winning composer Michael Giacchino.

Chloe tells a story. The verse is sung by an omniscient narrator, describing the struggle of a lonely character, conducting a long and determined search for "Chloe" in the "dismal swampland." The searcher then picks up the chorus, with its hook of "I Got to go where you are," declaring that "If you live, I'll find you." The score is marked "In a tragic way" and while—owing to its narrative opening—it is not necessarily gender-specific, its range and melodic line suggests that it was designed for low voice.

Females are slightly larger than males, reaching a mean size of in length, whereas the males reach about 1.7 in. They are solid brown with whitish under parts, and large, white-rimmed eyes, giving them a phantom-like appearance. Breeding males and some females may have yellow throats and abdomens, and it is the only Eleutherodactylus species which exhibits sexual dimorphism in color and size. The species is characterized by large truncated discs under the frogs’ feet, and a peculiar, melodious, low voice completely different from any other coquí in Puerto Rico.

At the front are Hafez and his wife, Anisa. At the back row, from left to right: Maher, Bashar, Bassel, Majd, and Bushra Unlike his brothers Bassel and Maher, and second sister, also named Bushra, Bashar was quiet, reserved and lacked interest in politics or the military. The Assad children reportedly rarely saw their father, and Bashar later stated that he only entered his father's office once while he was president. He was described as "soft-spoken", and according to a university friend, he was timid, avoided eye contact and spoke in a low voice.

Another especially significant work of Le Gallienne is his song-cycle, Four Holy Sonnets of John Donne, for low voice and piano. He also wrote music for Tim Burstall's film The Prize (1960), which won a bronze medal at the Venice Film Festival, and worked with Burstall on two other films.ABC Classic FM: Knowing the Score He died of diabetes-induced heart disease in 1963, and was buried in the Eltham cemetery next to the artists' colony Montsalvat. A second symphony remained incomplete at the time of his death.

WoongSan's style is a distinctive blend of jazz, blues, Latin and funk style. Her mid-low voice does not span as much tonal ground as other famous singers, but what she lacks in range she more than makes up for in creativity and malleability. As an independent lyricist, Woong San has penned powerful ballads, cozy love numbers and everything in between. Buddhism has played a prominent role in her life, and it shines through in her songwriting: she often explores the themes of freedom, mindfulness and the beauty of change in her songs.

The earlier (1973) translation omitted the word "holy". The original Tridentine Roman Missal included the word "Amen" as an integral part of this response at the end and directed that the whole response ("Amen" included) be said by "the bystanders or else by the priest himself" (Circumstantes respondent: alioquin ipsemet sacerdos). Later editions removed the "Amen" from the response and directed the priest to say the "Amen" himself in a low voice (submissa voce). In the rubric it added "the server or" before "the bystanders" (Minister, seu circumstantes respondent: alioquin ipsemet Sacerdos).

Chudina was one of the most popular Soviet sportspersons of the 1950s, and was then used by the Soviet media as an example of superiority of the national sport programs. She was a colorful person who had a coarse low voice, enjoyed alcohol drinking and playing cards in a company, and was a careless car driver. After retiring from competitions (as she was suspected in being an Intersex person) she worked as a sports administrator and was soon forgotten. She had developed tuberculosis and lost one leg due to gangrene.

Fasts and abstinences can be once a month, once every two months, once a week, once every two weeks, or perpetual . . . Offices are celebrated thrice a day: at dawn, noon, and dusk. At these times, candles are lit on the altar, and joss-sticks are placed in the incense-burner; the caretaker of the temple gives several strokes of the bell and the faithful perform several prostrations in front of the altar, bowing their heads to the ground. Prayers are said in low voice; a few beads are recited.

In the Roman Rite the secreta is said by the celebrant at the end of the Offertory in the Mass. It is the original and for a long time was the only offertory prayer. It is said in a low voice merely because it was said at the same time the choir sang the Offertory, and it has inherited the special name of Secret as being the only prayer said in that way at the beginning. The silent recital of the Canon (which is sometimes called "Secreta") did not begin earlier than the sixth or seventh century.

Rial said that it was very difficult to try to sound like the previous voice actors, especially Maya's low voice, so she tried her own approach. She also got to voice Pen-Pen the penguin in Evangelion. In 2005, she voiced the serious lead character Jo in a team of mercenary girls in the cyberpunk science fiction series Burst Angel. Rial continued to land leading roles in anime shows. In 2006, she voiced the title character in Nanaka 6/17, about a 17-year-old girl who, through an accident, has amnesia and regresses to her 6-year-old self.

When Weiss's brother Fred was questioned about him in 1926, he replied, "I've seen him once in twenty years... that was when he shot me, six years ago". When photographers tried to snap his picture, Weiss would glare at them and say in a low voice, "You take a picture of me and I'll kill you". On one occasion, Weiss chased away at gunpoint a deputy U.S. Marshal who came to arrest a friend for violation of the Mann Act at a party he was attending. The marshal returned with reinforcements, arrested the friend, and confiscated a cache of alcohol and weapons.

I, p. 215 Monastic priests began, by the seventh century, to celebrate such Masses daily, and side altars were added to the churches to facilitate celebration by priests in a low voice and regardless of the presence of a congregation or religious community. Decrees were issued against solitary celebration by the priest alone, requiring the assistance of at least two persons, so as to justify the use of the plural in liturgical formulas such as Dominus vobiscum.Edward Foley et alii, A Commentary on the General Instruction of the Roman Missal (Liturgical Press, 2008 , 978-0-8146-6017-1), p.

In an interview with magazine Famitsu, Shindō noted that she has a low voice in contrast to Mashiro's intended pitch, so she tries to perform Morfonica songs in a higher tone. In the wake of backlash and cyberbullying from parts of the fan base for her singing voice and the addition of Morfonica to Girls Band Party! before fellow band Raise A Suilen, Bushiroad and her agency have stated their intention to take legal action. She is also involved in Bushiroad's D4DJ franchise as a member of the DJ unit Lyrical Lily, for which she voices the character Haruna Kasuga.

The chords are created by the movement of the three voices: the low voice starts at C#; the high voice starts at E. Both the low and high voices are moved up or down the D harmonic minor scale at the same time, with the direction of the movement depending on the position within the sequence. The middle voice starts at A and plays a different pattern (A, E, E, C, C, C, C, A, A, E, E, C, C, A). The generated chords create harmonic ambiguity, since both C# and C are present, yielding an A major or A minor feel.

11See also the poems in Strata, Vol. II, Banks Peninsula Poets and Writers Collective, 1996 Commenting on how The Unfashionable Goddess had come into being, Jacobson said: "I like writing lyric poetry - although writing lyric love poetry is definitely not the thing in New Zealand at the moment." The Akaroa Mail Seven poems from the collection have been set for low voice and piano by composer Ivan Bootham in the song cycle "For One Who Went Away". Bootham said that besides the touches of surreal magic realism in Jacobson's lyric poetry, he also wrote poetry on social/political topics that was bitingly satirical.

3 According to Elizabeth Harrington, "by the late 800s it came to be considered too holy to be heard by the people and was prayed in a low voice".Liturgy Brisbane, "Eucharistic Prayer I" The spread of the practice from East Syria, where it had originated, to the Greek- speaking Byzantine Empire is witnessed to by Emperor Justinian's legislation against it in 565, a time when it was still unknown in Rome.Uwe Michael Lang, "The Liturgy and Sacred Language", pp. 11–13 of an extract from Alcuin Reid (editor), T&T; Clark Companion to Liturgy (Bloomsbury 2015), pp.

The bass-baritone bugle was developed in the 1950s to give a broader depth to the low voice in the drum corps. These instruments were designed to imitate the American concert baritone, which itself is a hybrid of a British style baritone and standard Euphonium. The bass-baritone eventually supplanted the baro-tone as the primary baritone voice, and is no longer called a bass-baritone, but simply just a "baritone." The baritone has been made available in single D piston configuration with either a slip slide, F# rotary, F rotary, or E rotary valve, two piston, or three piston.

Vincent's Japanese voice actor, Shōgo Suzuki, explained that he tries "to hold back as much emotion as possible when playing Vincent," noting that Vincent is "a bit of a loner" and "appears cold on the surface." Nomura wanted Cloud and Vincent's voices to contrast with each other due to their similarities in terms of personality. He felt Vincent was older and more mature than Cloud, and as a result, he cast Suzuki, who has a very low voice. In the English dub, Vincent was voiced by Steve Blum as the casting staff searched for a man who portrays Vincent's brooding manner based on his dark past.

At the bedside of each patient, Flatau discussed their cases, he listened to the voice of everyone, even the youngest doctor ... As a teacher and a boss, he was deeply attached to each and every one who worked with him. They could draw richly from his great experience and extensive knowledge. He was patient, forgiving, always cheerful, treating students as their beloved family. Thinking forehead, deep dark eyes with a keen, yet warm gaze, low voice with a wide range of modulation – these are the features which, apart from the deep knowledge and great experience, attracted and charmed anyone who was in the circle of his indefatigable activity.

Front cover of "A Perfect Day" for low voice "A Perfect Day" (first line: "When you come to the end of a perfect day") is a parlor song written by Carrie Jacobs-Bond (1862–1946) in 1909 at the Mission Inn, Riverside, California.The place is indicated in a line inserted above the title on p. 3 of the high voice (soprano) edition published in 1938 by the Boston Music Company; this version is in the key of C. Jacobs-Bond wrote the lyrics after watching the sun set over Mount Rubidoux from her 4th-floor room. She came up with the tune three months later while touring the Mojave Desert.

According to Ian Brookes, during the scene where Bacall sings "Am I Blue?" with Hoagy Carmichael, her low-voice establishes herself as "one of the boys" and thus a "soldier" in the anti- fascist cause. Moreover, during this scene, the patrons at the bar represent different races and are racially integrated throughout the space, challenging the ideas of segregation and race during the time period. The next song, Limehouse Blues is reminiscent of Django Reinhardt's pre-war version. This represents French resistance spirit, as swing music became a symbol of resistance in France, because it was the only available example of American culture in France at the time.

"SiN Episodes Interview, CPUGamer, March 16, 2006 Voice actress Hannah Logan, who portrayed the character in both games, thought she did it well as she could do "a really low" voice and "do sexy vixens pretty well and it comes pretty easily." Logan commented on Elexis and Blade: "Love and hate are different sides of the same coin; I think they are in 'love' with hating each other. Passion, pain, pleasure, winning, it's all the same in their cat and mouse game. ... I think Elexis is very much in touch with her 'feminine' side, but uses it in a masculine way, as a weapon.

A notable alternate performance of "Smells Like Teen Spirit" occurred on BBC's Top of the Pops in 1991, during which the band refused to mime to the pre-recorded backing track and Cobain sang in a deliberately low voice and altered numerous lyrics in the song (for example, "Load up on guns, bring your friends" became "Load up on drugs, kill your friends"). Cobain later said he was trying to sound like former Smiths frontman Morrissey.Cross, p. 208. When Top of the Pops was cancelled in 2006, The Observer listed Nirvana's performance of "Smells Like Teen Spirit" as the third greatest in the show's history.

Kokubo was criticized for his style of dress on February 9, 2010 after he was seen at the Narita International Airport wearing his Olympic team uniform with his shirt untucked, his trousers hanging low, and his tie loosened. Next day, when asked by the press, Kokubo said he was sorry about his dress, but the microphone caught Kokubo murmuring in a low voice "shut up". Subsequently, he was barred from the Olympic opening ceremony.Unsuitable — Japanese snowboarder busted for bad fashion This caused a controversy in Japan regarding whether an Olympian should represent the country not only in his/her athletic effort but also in cultural contexts.

Wexler appeared in The Wonder Years, Friends, Murder One, ER, Married... with Children, Alright Already, Dharma & Greg, Everybody Loves Raymond, House M.D., Without a Trace, and The War at Home. Perhaps because of his stern and low voice, Wexler often plays the role of a lawyer, judge or a doctor. Evidence of this are his appearances in A Friend to Die For, Murder One, Friends, Living Single, Buddy Faro, The Michael Richards Show, Three Sisters, Judging Amy, Sabrina, the Teenage Witch, The King of Queens, NYPD Blue, Boston Legal, and Seinfeld. He voiced the troll leader Vendel in the acclaimed Netflix original series Trollhunters.

Score retired from playing baseball in 1962. Beginning in 1964, he was employed as a television and radio play-by-play announcer with the Cleveland Indians for the next 34 years, first on television from to , and then on radio from to , the longest career for an Indians play-by-play announcer. Score was revered by the Indians fans for his announcing style, including a low voice and a low-key style, as well as a habit of occasionally mispronouncing the names of players on opposing teams. Score's final Major League Baseball game as an announcer was Game 7 of the 1997 World Series.

Owing to Cowan's commitments to contracts with School Publications they returned to Wellington, setting up a studio. In 1968, along with her friend, painter Rita Angus, Peter made a series of works recording her protest over the razing of the Bolton Street Cemetery to extend Wellington's urban motorway. Peter wrote of the visits she and Angus made: > ‘Conversation was kept to a minimum, we did not wish to attract attention to > ourselves. But from time to time, a low voice would call, “Juliet, come and > see …” and together we would examine a curious inscription, or a pattern of > lichen on stone. > ‘The summer of 1969 favoured our work.

Themes that can be developed in this way without violating the rules of counterpoint are said to be in invertible counterpoint. Invertible counterpoint can occur at various intervals, usually the octave, less often at the tenth or twelfth. To calculate the interval of inversion, add the intervals by which each voice has moved and subtract one. For example: If motif A in the high voice moves down a sixth, and motif B in the low voice moves up a fifth, in such a way as to result in A and B having exchanged registers, then the two are in double counterpoint at the tenth (6 + 5 – 1 = 10).

Dissatisfied with his salary earnings as a Columbia staff producer, particularly after several hit albums which earned him no royalties, Johnston became an independent producer, most successfully with Lindisfarne on Fog on the Tyne, which topped the British album chart in 1972. In 1972 he toured with Leonard Cohen as a keyboard player, and produced the resulting live album Live Songs. In 1978 he produced Jimmy Cliff's Give Thankx album, featuring "Bongo Man". In 1979, Johnston produced an album with the San Francisco band Reggae Jackson, titled Smash Hits that featured Jimmy Foot, Cheryl Lynn, Kenneth Nash, and Wayne Bidgell (the low voice heard on Jimmy Cliff's "Bongo Man" track).

" Diana Steenbergen of IGN found him "menacing, with his low voice and the cruel words ... trying to tear them apart emotionally before tearing Dean apart literally", and enjoyed the sadistic and "vicious humor" that makes the character "more sinister". However, she believed that Azazel having a family was an unnecessary parallel with the Winchesters that "doesn't quite make sense". After viewing the episode, Brian Tallerico of UGO gave his opinion that the series should follow Buffy the Vampire Slayer format of having a different recurring villain each season. "If the firestarting demon is the Big Bad for the first two seasons, that's fine", he commented, "but don't drag it out longer than that.

Stuart Murdoch recalled that this album felt more difficult to make than prior albums. Musically the songs were more complex and "demanded a pop precision that you just couldn’t skirt around" requiring the group to practice and refine things more than they had traditionally. The band introduced many stylistic changes on this album, such as an organic strings section and more songs with lead vocals by other members of the band; Sarah Martin sings on "Waiting for the Moon to Rise", Isobel Campbell sings on "Family Tree", and performs duets with Stevie Jackson (who sings in an unusually low voice) on "Beyond the Sunrise" and Stuart Murdoch on "Women's Realm". Jackson also sings lead vocal on "The Wrong Girl".

On one of these mornings, I was lying on the sofa endeavouring to keep > perfectly quiet, while my father wrote busily and rapidly at his desk, when > he suddenly jumped from his chair and rushed to a mirror which hung near, > and in which I could see the reflection of some extraordinary facial > contortions which he was making. He returned rapidly to his desk, wrote > furiously for a few moments, and then went again to the mirror. The facial > pantomime was resumed, and then turning toward, but evidently not seeing, > me, he began talking rapidly in a low voice. Ceasing this soon, however, he > returned once more to his desk, where he remained silently writing until > luncheon time.

Pottinger wrote in a letter to Aberdeen that at a feast celebrating the ratification with his Hong Kong counterpart, Keying, Keying insisted they ceremonially exchange miniature portraits of each member of each others' families. Upon receiving a miniature portrait of Pottinger's wife, Pottinger wrote that Keying "placed it on his head—which I am told is the highest token of respect and friendship—filled a glass of wine, held the picture in front of his face, muttered some words in a low voice, drank the wine, again placed the picture on his head and then sat down" to complete the ceremony of long-term amity between the two families and the two peoples.

65 for soprano and piano/File de acatist for voice and flute/Low voice and piano Lieders. 70 1994 – Musica per cinque op. 72 for flute, harp, violin, viola and cello 1996 – Songs of Exile Op. 74; seven songs for soprano and piano 1998 – Triptych op. 79 for soprano and piano 1999 – Character pieces, op. 80 for oboe and piano 1999 – Lamaneto Op. 82 for 2 flutes and percussion 2000 – Dramatic Sonata Op. 83 for cello and piano/Psalms of David op.84 – five Lieders for soprano and piano/Meșterul Manole op.85 – five Lieders for soprano and piano 2001 – Viziuni dansante op. 86 for violin and piano/Naive paintings op. 91 for instrumental ensemble 2002 – Serenada op.

Cha once suffered from vocal nodules as she spent hours practising speaking aloud on the rooftop, as her clients struggled to hear her low voice. She also developed atopy and suffered from atopic dermatitis during her training, mainly due to the poor air quality in the hair salon and frequent exposure of cosmetic and hair products to her skin. Cha was recommended by her customer service manager to quit the job, but she was determined to continue, adjusting her dietary and sleeping habits to improve her skin condition instead. Despite the multiple obstacles, Cha grew a passion for the job, describing herself as being "amazed" every time she observed a client walk out of the hair salon after a complete makeover.

Excerpt of the trumpet part of Symphony No. 9 of Antonín Dvořák, where sight transposition is required. Although transpositions are usually written out, musicians are occasionally asked to transpose music "at sight", that is, to read the music in one key while playing in another. Musicians who play transposing instruments sometimes have to do this (for example when encountering an unusual transposition, such as clarinet in C), as well as singers' accompanists, since singers sometimes request a different key than the one printed in the music to better fit their vocal range (although many, but not all, songs are printed in editions for high, medium, and low voice). There are three basic techniques for teaching sight transposition: interval, clef, and numbers.

This choir responds to > the leader in prayer, who begins the service with 'Baruk she-amar.' After > the morning prayer the exilarch, who until now has been standing in a > covered place, appears; the whole congregation rises and remains standing > until he has taken his place on the platform, and the two geonim, the one > from Sura preceding, have taken seats to his right and left, each making an > obeisance. > A costly canopy has been erected over the seat of the exilarch. Then the > leader in prayer steps in front of the platform and, in a low voice audible > only to those close by, and accompanied by the 'Amen' of the choir, > addresses the exilarch with a benediction, prepared long beforehand.

"Géraldine rencontre Jean-Jacques Goldman", Radio Maguelonne / NRJ Méditerranée, 26 April 1998 In an interview by Nagui on RTL, the singer said that "Tu manques" would never be released as a single and never performed on stage (finally, the song came out, but it was actually never sung live). According to an analysis, the "rhythm is slow", the "sentences are widely spaced", "there is a wide interval between two verses". "The singer's voice is special : it has a very low voice that shakes a lot, a mixture of sadness and emotion, which reinforces this tragical aspect". The various noises that can be heard in the musical introduction would represent the vacuum and the uncertainty as a result of the absence of the loved person.

In response to the appeal "Orate fratres et sorores" (pray brothers and sisters) the choir replied by singing, in a low voice, the first three verses of Psalm 19, "Exaudiat te Dominus". In another departure from the Sarum custom, the priest in giving the kiss of peace at York said, "Habete vinculum" ("Retain ye the bond of charity and peace that ye may be fit for the sacred mysteries of God") instead of "Pax tibi et ecclesiae" ("Peace to thee and the Church"). There were also differences in the prayers which immediately preceded the receiving of Holy Communion, and the formulae used in the actual reception of the Sacrament by the priest were again peculiar to York. Further, the number of sequences retained in the York Missal considerably exceeded that of those printed in the Sarum book.

In the Mozarabic Rite, after an invitation to the people, to which they answer "Præsta æterne omnipotens Deus," the celebrant says a prayer without a special name that corresponds to the Secret and continues at once to the memory of the saints and intercession prayer. In these other Western rites this prayer is said aloud. All the Eastern rites have prayers, now said silently, after the Great Entrance, when the gifts are brought to the altar and offered to God, but they are invariable and none of them can be exactly compared to the Roman Secret. At either high or low Mass the celebrant, having answered "Amen" to the prayer "Suscipiat Dominus sacrificium", says in a low voice the Secret or Secrets in the same order as he said the Collects, finding each at its place in the proper Mass.

Steven Miller (born November 8, 1956, in New Jersey) is an American record producer and executive. He is best known for his association with Windham Hill Records, where his ambient sound helped create notable instrumental recordings such as Michael Hedges’ Aerial Boundaries, Mark Isham’s Vapor Drawings and George Winston’s December. As a guitarist and keyboardist, Miller released a recording of his own compositions, Singing Whale Songs in a Low Voice (on his Hip Pocket/Windham Hill Jazz imprint) which featured Isham and pianist Art Lande. He also worked with many of the other Windham Hill artists, including label founder William Ackerman, Liz Story, Alex de Grassi, Darol Anger, Barbara Higbie, Scott Cossu, Nightnoise, Michael Manring and Andy Narell. Together with Narell, he created the original music for Apple’s early/mid 1980s products, IIe, Lisa, and Macintosh.

On this occasion, the police summoned Rahman and strongly urged him to allow his wife to visit her parents for a week or so. They told him that he was liable to be arrested on various charges, including abduction and illegal confinement, if his wife remained confined inside his tiny, rundown house; also that there was a minor charge against him of stealing a cell phone and other items from the Todi mansion, He was told that the girl, Priyanka, had never spoken to her parents properly after disappearing from the house one fine day, and that the parents were totally aghast and bewildered. Rizwan was always present when Priyanka spoke to her parents, and because of his presence, the conversations were necessarily stilted and stifled, with no mutual understanding in sight. Also, Priyanka was speaking only in very brief sentences, monosyllables, yes-no answers and low voice to her parents.

To be prepared for partaking of the Eucharist, the faithful bow while the celebrant says in low voice the prayer of submission, then the priest and the participants offer each other a wish of peace and the priest inaudibly prays the Father for the forgiveness of sins (The Absolution to the Father). The Elevation is similar to that in the Byzantine Rite, with the celebrant who raises the portion of the Lamb engraved with a cross (the ispadikon) crying: "The holy things for the holy ones". The priest makes a second consignation and puts gently the ispakidon in the chalice (the commixture), then he recites aloud a Confession of faith. The partaking of the Eucharist follows, first the Body of Christ given to the celebrants, to the deacons and to the faithful who approach the sanctuary without shoes and then the Blood of Christ in the same order.

She had a low voice and shaved regularly to create a masculine appearance. The impersonation of the opposite sex was popular in theater and film until 1933 when the Hollywood Motion Picture Production Code was passed. This law or code was established to eliminate perversion which temporarily ended the era of male impersonation in film and theater. The first known drag balls of the United States were in Harlem in the 1920s, at the Rockland Palace.Wilson, James F. “‘That’s the Kind of Gal I Am’: Drag Balls, ‘Sexual Perversion,’ and David Belasco’s Lulu Belle.” Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance, University of Michigan Press, ANN ARBOR, 2010, pp. 79–111. JSTOR, www.jstor.org/stable/10.3998/mpub.1175684.6. These shows are called balls and feature extravagant performances of gays and lesbians impersonating the opposite sex and competing against one another in fashion shows.

Freeman's Journal report of meeting of the Central Branch under the heading "United Irishmen Centennial Association Central Branch" 2 February 1898 Maud Gonne wrote of meeting James Bermingham at the laying of the foundation stone of the Wolfe Tone Memorial in St. Stephen's Green, Dublin, on 15 August 1898. She said that she was standing in the crowd because she did not want to join the platform party with parliamentarians who "were eulogising Wolfe Tone and trying to keep the people from following his teaching". James Bermingham ("an old Fenian workingman member of the Dublin Amnesty Association") took her hand and, along with Michael Lambert, "the two old Fenians" brought Maud Gonne to the back of the platform to where the foundation stone had been lowered. Maud Gonne later wrote: "...in a low voice I promised for the Irish people that we would achieve Wolfe Tone's work, – an Independent Irish Republic".

"A Perfect Day" was phenomenally successful when first published in 1910.When first published in 1910 by Carrie Jacobs- Bond & Son in Chicago, it came out in transcriptions for high voice (soprano, tenor) in the key of A-flat and low voice (contralto, bass) in the key of F. Later, a medium-voice (low soprano / high alto, baritone) transcription appeared, in the key of G. Publication information and the sheet music (including notes and lyrics) are part of the Lester S. Levy Collection of the Johns Hopkins University Peabody Institute, online at Johns Hopkins University site (accessed 2009 September 03). Eight million copies of the sheet music and five million recordings sold within a year;Library of Congress Jacobs-Bond site. 25 million copies of the sheet music sold during Jacobs-Bond's lifetime, and many millions of recordings circulated as various artists performed the song on the fast-growing means of audio duplication.

Louise Diane d'Orléans was born in the Palais-Royal, the Paris residence of the House of Orléans, on 27 June 1716 as the youngest child of the Duke and Duchess of Orléans. On the subject of her granddaughter's birth, Elizabeth Charlotte of the Palatinate (known at court simply as Madame) said: > At the moment when I concluded my letter to the Princess of Wales, they came > to announce to me that Madame d'Orléans was in labour. It was just eleven > o'clock when my carriage was ready [at the Château de Saint-Cloud], and at a > quarter to one I entered the ante-chamber, and was told in a low voice : > 'Her Royal Highness was safely brought to bed an hour ago.' But this was > said in so sad a tone that I did not doubt that Madame d'Orléans had brought > into the world a seventh daughter, and that unfortunately is what has > happened.

312 The rubric in the Tridentine editions of the Roman Missal directs the priest, if not already facing the people, to turn to them, say "Orate, fratres" in a low voice while extending and joining his hands, and then turn back to the altar while reciting the rest of the invitation inaudibly. It is the only occasion when those editions tell him to turn back to the altar by completing a clockwise 360° turn, unlike the other occasions, when according to the same editions, he reverses his turning to the people.Ritus servandus in celebratione Missae, VII, 7The Mass of the Faithful The limitation of the voice and the silent recitation of most of the request for prayer was removed in the 1970 edition. A rubric that remains directs the priest, when making the request, to stand at the middle of the altar, facing the people, and to extend then join his hands.

Strauss wrote two “large songs for low voice and orchestral accompaniment” (German '): Notturno being the first and Nächtlicher Gang the second. Strauss described his two songs in correspondence with his father Franz Strauss as “Baritone songs”. The song was dedicated to the Dutch baritone Anton von Rooy. It was premiered on December 3, 1900, in Berlin, with the composer conducting the Berlin Royal Court Opera with baritone Baptist Hoffmann. The orchestration is for strings and wind, with no percussion and “just three trombones for their sombre quality”.Del Mar, page 328. Strauss, had only recently taken up his duties as chief conductor of the Berlin Royal Court Opera (where he served from 1898 to 1908), finishing the composition of the song at his home in Charlottenburg on 11 July 1899 and the full scoring two months later on 16 September. Otto Singer Jr. made a reduction for piano, violin and voice in the same year. Strauss set 11 poems by the German poet Richard Dehmel over the period 1895-1901.