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"low pitch" Definitions
  1. DIAPASON NORMAL
"low pitch" Synonyms
lowness resonance deepness sonority bass low tone bass notes

312 Sentences With "low pitch"

How to use low pitch in a sentence? Find typical usage patterns (collocations)/phrases/context for "low pitch" and check conjugation/comparative form for "low pitch". Mastering all the usages of "low pitch" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

"You have to be able to stick the low pitch," McCann said.
Chapman is getting that low pitch from the home plate umpire Tony Randazzo.
With a low pitch count — 79 pitches through six innings — Collins let Syndergaard bat in the top of the seventh.
Five pitches later he struck Davis out on a nasty pitch that had the leadoff man flailing at a low pitch.
Encouraged by launch-angle data and the narrower strike zone, many hitters have tailored their swings to lift the low pitch.
Each also has a custom sound produced by a transducer inside the tank that matches a low pitch hum to motor revs.
When pilots want to attain higher speeds, they bring the aircraft to a low pitch, essentially converting the helicopter into a plane.
The center fielder golfed a low pitch off the glove of Angels first baseman Marte, scoring two and giving Oakland the lead.
I am not calling for a return to the days when the batter could call for a high pitch or a low pitch.
He hit his third home run of the season in the fourth inning on a low pitch from Strasburg, the type Cespedes excels at clobbering.
He lifted a low pitch to the opposite field for his 220th home run of the season and his third since Kansas City acquired him from Chicago.
Goldschmidt sent a low pitch from Philadelphia right-hander Zach Eflin over the wall in left-center in the fifth inning to give the Cardinals a 3-0 lead.
Halladay, who died last year in a plane crash, wanted to bait hitters with edge-of-the-zone strikes, maintain a low pitch count and work deep into games.
But despite a low pitch count of 86, Syndergaard had to leave the game because of a blister on the top of the middle finger of his throwing hand.
Hanser Alberto, who has the major league's highest average against left-handers, led off with a single and moved to second when Corbin hit Trey Mancini on a low pitch.
Everything about Theranos – from its promise for a healthier future in which all people could easily access their health information to Holmes' low-pitch voice — turned out to be a lie.
Although low pitch vocals can stimulate ASMR, high pitch of the vocals can also convey relaxation to some because we increase our pitch when we express care or concern to others.
That 8-7 win over the White Sox ended in the tenth, when Bogaerts reached for a low pitch and served it into shallow center to bring home the winning run.
When Beltre has fallen to his knee in the past, he has usually done so in response to a low pitch, but the one last Tuesday night was up in the zone.
Baltimore closer Mychal Givens retired the first two batters he faced in the ninth before Reyes golfed a low pitch just over the right field wall to tie it at 3-3.
According to MBARI, the very low pitch of some baleen whale vocalisations can only be heard with high quality speakers or headphones — the hydrophone can pick up sounds from 10 to 128,000 Hertz.
"When he's at his best he's getting strikeouts, he's getting bad swings on his breaking balls, good command of his heater, throwing strikes, low pitch count, all of the above," A's manager Bob Melvin said.
The low-pitch buzzing of the table's fan, the constant thwack of the puck bouncing off the boards, the excitement you get when you score: It all brings back some of my fondest memory at the arcade.
The Mariners were closing in on a seventh straight loss before Lind went down and slugged a low pitch from Cardinals closer Trevor Rosenthal well over the fence in right field for his fourth career walk-off blast.
Babies first start learning language by listening not to individual words, but to the rhythm and intonation of the speech stream -- that is, the changes between high and low pitch, and the rhythm and loudness of syllables in speech.
Anyway, so I guess Benton had been accused of "cheating," and did Legion with no effects, but, on Once Upon the Cross, he sneaks it back in, the low pitch shifter just layered in quietly under some lines for emphasis.
In fact, Yadier Molina did everything correct in blocking the low pitch, but he just failed to account for it sticking to his equipment, so he spun around in vain looking for a ball that was already in his possession as Szczur trotted softly to first.
Its call is a series of rapidly repeated "whoo"s, starting at a low pitch which rises and becomes faster and louder.
This material was considerably more fragile than fiberglass. The Tama production line offered, in the 78-84 period, the complete 8 piece set or, for those who did not need the whole set, two sub sets, of four pieces each, the low pitch (the longest) set and the high pitch set. The most famous drummers used the low pitch set, such as Stewart Copeland for the whole Police period. The dimensions of the low pitch set of shells were the following (length mm, edge to edge): 810, 733, 667, 607. The high pitch set was dimensioned as follows: 552, 498, 455, 411 mm.
However, the main difference is that the traction for the trains is high pitch than the ones from C751B trains which are a low pitch.
This variation seems to correspond to the beginning of the descent towards the airport, at the moment when the crew selected the propellers' full low pitch position.
Just as in English, where in a word like zoo or wood or now the initial voiced consonant has a low pitch compared with the following vowel, the same is true of Chichewa. Thus Trithart marks the tones of initial consonants such as [m], [n], [z], and [dz] in some words as Low.Trithart (1976), p. 267. However, an initial nasal consonant is not always pronounced with a low pitch.
The Hatoma dialect contains two "tonal categories", denoted as marked and unmarked. Words of the marked class are analyzed as being "high from the syllable containing the second mora" and unmarked words begin from a low pitch but end with a low pitch. "Peripheral tone classes" are also noted in certain nouns and adverb. Hatoma is noted for having the simplest verb conjugation and morphophonology of the Yaeyama dialects.
Drawing the bow across the tailpiece creates a very quiet resonant sound. Because the tailpiece is large and heavy this sound is general of a quite low pitch.
Two bay windows have paneled aprons, round-corner windows, and bracketed cornices. The house has a low pitch hip roof with paneled soffit windows and paired-bracket cornice supports.
Many words in the language itself can be considered either high or low pitch. The Barasano language expresses this importance by way of the phonemics on the word level.
It is a two-story, stucco house with a low-pitch hipped roof. Barns and sheds from c.1920 are also included, as well as a pavilion built in 1995.
Myers (1998).Downing & Mtenje (2017), p. 110. Not every word has a high tone. Over a third of nouns are toneless and are pronounced with all the syllables on a low pitch.
As reconstructed by Starostin et al. (2003), Proto-Altaic was a pitch accent or tone language; at least the first and probably every syllable could have a high or a low pitch.
Djent () (also known as Djent metal) is a subgenre of progressive metal. Its distinctive sound is a high-gain, distorted, palm-muted, low-pitch guitar sound. The name "Djent" is an onomatopoeia of this sound.
For example, in most Norwegian dialects, the word ('pronounce') is pronounced using tone 1 (), while ('pronunciation') uses tone 2 (). There are significant variations in the realization of the pitch accent between dialects. In most of Eastern Norway, including the capital Oslo, the so-called low pitch dialects are spoken. In these dialects, accent 1 uses a low flat pitch in the first syllable, while accent 2 uses a high, sharply falling pitch in the first syllable and a low pitch in the beginning of the second syllable.
Diameter = 6 inch. In 1985 Tama changed its program of production and modified the octobans by reducing the length of the shells. The low pitch set was discontinued due them being too difficult to transport on stage.
Like many Dardic languages, Palula shows either tone or, as in Palula, a pitch accent. Words may have only one accented mora, which is associated with high pitch; the remaining mora have a default or low pitch.
The buildings were built using fairly typical period mill construction and styling, with load-bearing brick walls, low-pitch gable roofs, and arched paired windows. The complex was the largest and most impressive in the Weir Village area.
For low pitch roof, ponding is a potential problem that must be considered at the design stage in order to avoid the deleterious effects of prolonged soaking and the increased loading, due to the weight of the water.
Kundal Shahi, like many Dardic languages, has either phonemic tone or, as in Kundal Shahi, pitch accent. Words may have only one accented mora, which is associated with high pitch; the remaining mora have a default or low pitch.
Around three years of age, Rana temporaria temporaria return to the site where they first developed. Males return first and produce a low pitch growling croak to attract mates. A successful mate will wrap his forelimbs around the female in amplexus.
This article is a list of bands and musical artists described as playing djent. Djent () is a subgenre of progressive metal, distinguished by a high- gain, distorted, palm-muted, low-pitch guitar sound. The name "Djent" is an onomatopoeia of this sound.
This percussion instrument is often played in pairs, where one naqqara will produce low pitch beats called nar and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called damka.
The tone tier contains the features that show the distribution of tones in the phonological representation. The features in the tone tier are [+/– high pitch] and [+/– low pitch], and they are assigned to the tone-bearing units of the language (syllables or moras).
The present building offers a stimulating environment under a low pitch copper felt roof. The trapezoidal plan tapers symmetrically from West to East. Stained glass windows by Margaret Trehearne were installed. The chapel sheds beautiful light through the red and blue stained glass.
The high pitch drum is called "subidor" (riser) or "primo" (first), and the low pitch drums are called "buleador" and "segundo" (second). Not less important are the "Cuás" that are two wooden sticks banged on a wooden surface and a large Maraca that keeps time.
There are also several smaller sets of steps leading to the outside from minor entrances. The entrances are framed by pedimented parapets, which sit on pilasters. The roof has a low pitch with wide overhangs, and is covered with asbestos tiles in a diamond pattern.
By the 1930s, samba de roda had developed into the faster, more harmonically complex Rio-style samba that is now played in Rio's Carnival. Through the middle of the 20th century this new Rio-style samba spread throughout Brazil. Of note, the low pitch bass that was heard on beats 1 and 3, and the higher pitched surdo on beats 2 and 4 in Bahia, brought by the slaves, was changed in Samba-the low pitch was moved to beats 2 and 4. The paradoxical result was that samba was brought back to Bahia from Rio, but now in a highly altered form, and no longer associated with Afro-Brazilians.
Lexical tones are the tones of individual words - or the lack of tones, since quite a large number of words in Chichewa (including over a third of nouns and most verbs in their basic form) are toneless and pronounced with all their syllables on a low pitch.
In addition to aspirated and unaspirated consonants, there is a series of muddy consonants, like . These are pronounced with slack or breathy voice: that is, they are weakly voiced. Muddy consonants as initial cause a syllable to be pronounced with low pitch or light (陽 yáng) tone.
The building is of double depth central entry plan and is three storeys high. The centre door is narrow and panelled with a small pedimented hood. There is also a low pitch roof with a stack at either gable. The interior of the rear range is timber framed.
The northern wing features low pitch gable and flat roof sections. The southern wing features a skillion roof form. The police station, which was sometimes referred to as 'Liverpool Street,' provided accommodation for about fifty police (single men) in a barracks, and included 'very complete and commodious' cells.
Bhagavad Gita (XVI.1-3) also classifies mārdava as a divine quality and the Buddhists consider mārdava as the realization of Dharma (dharma-pratipatti). Patanjali mentions mārdava as a low pitch along with anvavavasarga and udutā khasya; he explains this word as svarasya mridutā or snigdhatā (smoothness of sound).
Audiograms illustrating normal hearing (left) and unilateral low-pitch hearing loss associated with Ménière's disease (right) Loudness discomfort levels (LDLs): data of people with hyperacusis without hearing loss. Upper line: average hearing thresholds. Lower long line: LDLs of this group. Lower short line: LDLs of a reference group with normal hearing.
The windowed masonry basement extends several feet above ground level and the building's extremely low-pitch roof is not visible from street level. The three-story extension to the west of the White Building is also of timber frame and brick construction. It has a partial fourth-floor extension with a clerestory window.
But today, it is common to see the use of gungchae and yeolchae together. 'Gungchae' is used to play the low pitch side. With yeolchae, you can make the sound 'dda(따)', and with gungchae sound 'gung(궁)'. When you use it at the same time, you can make the sound 'dung(덩)'.
It has a low pitch, and contains moulded and carved beams, moulded rafters, bosses, and quatrefoil panels. The bosses are carved with the heraldry of the Stanley family. The west arch of the chapel has a pierced timber tympanum. Between the north chancel chapel and the chancel is an arcade carried on octagonal piers.
The Fifth Ward Wardroom is a historic meeting hall at 47 Mulberry Street in Pawtucket, Rhode Island. It is a single-story red brick building, with a low- pitch hipped roof. Basically rectangular, an enclosed entry pavilion projects from the main block. The building was designed by William R. Walker & Son and built in 1886.
The depot is a two- story rectangular brick building that has a variety of design styles. The low- pitch hip roof is clad in red Spanish tiles. The lower floor has Roman arches around the doors and windows. There is extensive use of concrete in this building, in the quoins, keystones, imposts, and sills.
The L.A. Black Rice Milling Association Inc. Office is a historic office building at 508 South Monroe Street in DeWitt, Arkansas. It is a single-story brick structure with a low-pitch shed roof. Built in 1942, the building has minimal styling, with a recessed porch on its eastern facade sheltering the entries to two storefronts.
In 1867, the batter had the right to call for a high or low pitch, to be determined by the umpire. The National League formed in 1876. Its rules changed almost yearly for the next quarter century. In 1880, a batter was out if the catcher caught the third strike; otherwise, the batter got four strikes.
Labu distinguishes 7 vowels and 17 consonants. The vowels also exhibit contrasts between high and low pitch (or "tone"), just as in Yabêm, the Lutheran mission lingua franca for the coastal languages of Morobe Province during much of the 20th century. The orthography of Labu is based on that of Yabêm (= Jabêm), except that y replaces Yabêm j.
The Bell Hill School is a single-story brick structure, measuring about by , resting on a granite foundation. It has a front-facing gable roof with low pitch, covered in asphalt shingles. The cornices are simple wooden boxes, with a piece of ogee moulding on the eave wall. The main (southern) facade has three bays, with a centered doorway flanked by sash windows.
The workshop is located immediately to the north of the electrical and drill store. It is a long wood framed building measuring about with corrugated iron cladding. The roof has a very low pitch consisting of two skillion roofs that overlap at the apex. There are three door openings along the north elevation and a single door opening at the east elevation.
The number of hair cells that are stimulated is thought to communicate loudness in low pitch frequencies. Aside from pitch and loudness, another quality that distinguishes sound stimuli is timbre. Timbre allows us to hear the difference between two instruments that are playing at the same frequency and loudness, for example. When two simple tones are put together they create a complex tone.
Maxwell's article indicated that the story was originally told by WWRL radio station in Woodside, New York. This story was repeated by sportswriter Bill Bryson, Sr. in Baseball Digest in 1958. Another version of the story, as told by Halsey Hall, had Oyler chopping at a low pitch and sticking the ball into the mud 5 feet from home plate.
The Childs–Brown House is an historic house in Pawtucket, Rhode Island. It is a two-story wood frame structure, roughly square in shape, with a low-pitch hipped roof broken by dormer roofs. An ell extends to the rear of the house. Both the eaves and the roof of the front porch exhibit heavy brackets typical of the Italianate style.
McAllister-Beaver House is a historic home located at Bellefonte, Centre County, Pennsylvania. It was built about 1850, and is a massive two-story, five bay rectangular limestone building. It measures 42 feet, 4 inches, across and 34 feet, 2 inches, deep in the Georgian style architecture. It has a low pitch, gable roof and a center hall plan interior.
The Enoch Fuller House is an historic octagon house located at 72 Pine Street in Stoneham, Massachusetts. The two story wood frame house was built c. 1850 for Enoch Fuller, a friend of P. T. Barnum, and is topped by a low pitch roof with a central cupola. There is a single story porch that wraps around the entire building.
The Princedom Cabin is a historic cabin on the south side of Lookout Drive in Bella Vista, Arkansas. It is a wood frame structure with one story facing the road, and two at the back of its steeply sloping lot. It is finished in board- and-batten siding, and has a low pitch roof, with a fieldstone chimney prominently placed at the front facade. Built c.
The thon and rammana (, ) are hand drums played as a pair in Thai classical music. It consists of two drums: the thon (โทน), a goblet drum with a ceramic or wooden body and the rammana (รำมะนา), a small rebana-typed frame drum or tambourine. They are used usually in the khruang sai ensemble. The thon gives a low pitch and the rammana gives a high pitch.
The low pitch string is attached to the upper peg while the high pitch string is attached to the bottom peg. Like the violins, the pegs are twisted to tune to the strings. #The body has a hollow cylindrical shape made from hard wood or ivory. One side of the body is covered with a stretched snake skin which expands the vibration from the strings.
The tower is topped by a low-pitch hip roof with broad eaves decorated with paired brackets and dentil moulding. The mill was organized in 1872 and built for the manufacture of cotton cloth with a capacity of 43,480 spindles. Augustus Chace served as the company's first president. In 1895, a two-story granite addition measuring 310 feet by 120 feet was built for weaving.
The Horatio N. Howard House is a two-story, end-gable, red brick Greek Revival house, with a one-and-one-half-story flank-gable wing. The house sits on a stone foundation. The main portion of the house has a low pitch roof with classical cornices with returns. The main facade contains a main entrance at one end, set into a recessed porch with fluted columns.
Court Street is a short one-block predominantly residential street paralleling Broad Street, the main street through the center of Windsor. Number 44 is on the west side of the street. It is a two-story structure, four bays wide, with a low-pitch hip roof with deep overhanging eaves. A two-story ell projects from the north side; a single-story one from the south.
The William Hamilton House is a historic house in Bellevue, Nebraska. It was built in 1856 for Reverend William Hamilton, a Presbyterian minister. With It was designed with Greek Revival features like "the low pitch of roof, the design of the windows, and the use of cornice boards and cornice returns." It has been listed on the National Register of Historic Places since October 15, 1969.
The South Parish church is located in downtown Portsmouth, at the southwest corner of State and Church streets. It is a single-story masonry structure, fashioned out of ashlar granite blocks quarried in Rockport, Massachusetts. Its gabled roof has a single-stage square belfry, topped by a low-pitch hip roof. The front facade is dominated by a four-column pedimented portico, with Tuscan columns for support.
The Johnson Hall Museum is located on the east side of US Route 1 in northeastern Wells, opposite Harrisecket Road. A semi-circular drive provides access to the low-slung single-story building. It has a broad low-pitch roof with a cross-gable configuration, which extends over a wraparound porch supported by Tuscan columns. A porte-cochere with gable roof projects from the front.
The striking motif on the sitar is complemented by Jagger's droning, and slight nasal singing. In addition, "Paint It Black" was highlighted by Wyman's heavy bass, Charlie Watts's low-pitch drumming, and Richards' bolero-driven acoustic guitar outro. Soon after the recording session, Richards noted that the conclusion of the track was over-recorded, and that a different guitar could have potentially improved the song.
The Ashwood School is a historic school building at 5604 United States Route 220 in Hot Springs, Virginia. It is a two-story brick building with a low- pitch hip roof and modest Classical Revival styling. It was built about 1909, and served all grades until 1927, when a new high school was built. It then served as an elementary school until its closure in 1969.
The Houghton House stands south of St. Albans's central business district, on the west side of South Main Street opposite the Bellows Free Academy. It is a two-story wood-frame structure, with a low-pitch hip roof and clapboarded exterior. The front facade is five bays wide and symmetrical, with a center entrance flanked by sidelight windows. Above the entrance is a Palladian window.
The eave above is dentillated, and has paired brackets above the corner boards. A weathervane rises above the low-pitch pyramidal roof. The church congregation was established in 1817, and initially met in the Hampden Academy building under the auspices of the Maine Charity School. Land for a building was donated in 1834, and the present building was constructed in 1835; its designer is unknown.
The Santa Cruz Catholic Church was built Manuel G. Flores in the Spanish Colonial Revival style with Islamic nuances, including a minaret-like bell tower. The overall plan is that of a long rectangular basilica adjoined by the Convento surrounding a courtyard. All of the building's masonry is covered with white paint and plaster. The roof is a frame of wooden trusses and decking with a low pitch.
The Campbell House is a historic house at 305 North Forrest Street in Forrest City, Arkansas. It is a two-story brick building, exhibiting classic Prairie School features including a low-pitch hip roof and wide eaves. It was built in 1917 by William Wilson Campbell, a leading banker and businessman in Forrest City, and remains in the hands of his descendants. It was designed by Estes Mann.
The entrance is flanked by pilasters, and has sidelights and a transom. The side wing also has a low pitch roof with classical cornices with returns, and has a porch stretched across most of the front. The interior of the house contains a main staircase against one, with a hall leading to a pair of parlors connected by a large, segmental arch-head doorway. Each parlor contains a fireplace.
The pitch matters for a variety of reasons, including the type of roofing material used, walkability, proportions to the building as a whole (which is sometimes a critical factor in some architectural styles such as a steep pitch in Gothic architecture and a low pitch in Classical architecture),"Pitch" Sturgis, Russell. A dictionary of architecture and building: biographical, historical, and descriptive. New York: The Macmillan Co. ;, 1901. 152. Print.
The roof, dated 1642, is of low pitch. There is an ancient gable cross, but the parapets have been rebuilt partly with brick, and have lost the fillings of their merlons. The nave has a north arcade of three bays, the two eastern arches are semi-circular, of c. 1150, and supported on two circular columns with scalloped caps, the western arch with its respond was rebuilt in the 13th century.
The pitch accent of Vedic Sanskrit, or Vedic accent for brevity, is traditionally divided by Sanskrit grammarians into three qualities, udātta उदात्त "raised" (acute accent, high pitch), anudātta अनुदात्त "not raised" (from अ(न्)- (negative prefix) + उदात्त) (unstressed, or low pitch, grave accent) and svarita स्वरित "sounded" (high falling pitch, corresponds to the Latin circumflex accent). It is most similar to the pitch-accent system of modern-day Japanese.
Vibrations in the vocal cords is achieved by the accelerated movements of the opening and closing of the glottis. Sound is produced from this movement as air is expired from the lungs. The size of the opening of the glottis can determine the pitch of sounds. A larger opening of the glottis produces a low pitch tone and a smaller opening of the glottis produces a high pitch tone.
The Womack House is a historic house at 1867 South Ringo Street in Little Rock, Arkansas. It is a single-story wood frame structure, with a low-pitch gable roof, weatherboard siding, and a brick foundation. A cross-gabled porch extends across the front, supported by sloping square columns. The gable ends are supported by knee brackets, and the eaves have exposed rafter ends in the Craftsman style.
Lemuel Boozer House, also known as the Boozer-Harmon House, is a historic home located in the town of Lexington in Lexington County, South Carolina. The home belonged to lawyer, politician, and judge Lemuel Boozer (1809-1870). It was built about 1828–1830 and is a one-story clapboard dwelling on a raised basement. It has a low-pitch gable roof and a tall basement of brick piers.
The portico has fluted Doric columns rising to a plain entablature and a low-pitch hip roof. The interior retains a number of original features, including wide floorboards in some of its rooms, and four fireplaces, including one with a beehive oven. Also preserved is the original front staircase, a traditional colonial winding stair set in the front vestibule. The house is estimated to have been built about 1728.
After a season, the players recognised that the low pitch would be permanently adopted, and they bought the instruments from him. On 10 August 1895, the first of the Queen's Hall Promenade Concerts took place. It opened with Wagner's overture to Rienzi, but the rest of the programme comprised, in the words of an historian of the Proms, David Cox, "for the most part ... blatant trivialities".Cox, p.
The drum can be played by using four fingers from each hand. The right hand is used to beat the head of the drum, and the left hand is used to stop the vibration. If the musician stops the vibration closer to the edge of the drum head,a low pitch will be emitted. If the musician stops the vibration closer to the center, then a higher pitch will be emitted.
The subcontrabass saxophone is a type of saxophone that Adolphe Sax patented and planned to build but never constructed. Sax called this imagined instrument saxophone bourdon (named after a low pitch stop found on many a pipe organ). It is a transposing instrument pitched in B, one octave below the bass saxophone, two octaves below the tenor saxophone, and three octaves and a major second below its written pitch.
The Catherine Ahern Three-Decker is a historic triple decker at 215 Cambridge Street in Worcester, Massachusetts. It is a well-preserved example of a triple-decker that predates the popularity of that building type. Built in 1888, it has Italianate design details, including a low pitch hipped roof, and a decorated porch sheltering the front door. It is unusual in that its long side faces the street.
The main entrance is in the central bay, surrounded by a stonework arch and topped by a triangular pediment. The building has a strong cornice line, topped by a parapet. Behind the parapet is a low-pitch hip roof pierced by three vaulted-arch dormers. The building's public lobby space is richly decorated with terrazzo marble flooring, marble wainscoting, and heavy woodwork surrounds for the interior doors and service windows.
The Slate House is set on a parcel north of the central village of Brownville. It is a two-story structure, roughly square in shape, with a low- pitch hip roof with bracketed eaves. A shed joins the main house to a carriage house at the southeast corner. A wooden trim water table separates the foundation from the first floor, and the front corners of the building have wide wooden pilasters.
Unlike Gyeongsang pitches, Hamgyŏng pitches are regular reflexes of fifteenth-century Middle Korean tones. The Middle Korean high and rising tones have become the Hamgyŏng high pitch, and the Middle Korean low tone has become the Hamgyŏng low pitch. Vowel length is not phonemic. The Hamgyŏng dialect has palatalized both Middle Korean , and , into , like the majority of Korean dialects, but unlike Seoul Korean, which has palatalized only the latter pair.
A Koza (meaning "goat") is the generic term for one of five basic types of bagpipes used in Polish folk music. The koza comes from the southern mountainous region of Poland known as Podhale and differs considerably from other types of bagpipes in its construction. Its scale is: b,c,d,e,f,g (with drones on B, f and b). The instrument is known for producing a continuous, low pitch.
The Erastus Bolles House is a one-and-a-half-story wood-frame building on an L-shaped floorplan. Its design is extremely simple. The low-pitch gables lack the pediment returns of high Greek Revival, but the style is manifest in the overall massing, the six-pane double-sash windows with straight sills and lintels, and the narrow clapboard siding. The main entrance is offset to the right edge of the front façade.
The Larkin House is located in the historic center of Monterey, at the southwest corner of Calle Principal and Jefferson Street. It is a two-story wood frame structure, with walls of adobe and a low-pitch hip roof. Three of its four sides are covered by a two-story wood-frame flat-roof veranda. The post-and-beam framing is exposed in the interior, where there is also a fireplace and chimney.
The Deep River Freight Station is located in eastern Deep River, between River Street and the former CVR railroad tracks, which run parallel to the Connecticut River. It is a single- story wood frame structure, about . It is mounted on brownstone piers, which support massive wooden sills. Original period loading docks are on the buildings north and south side, and the building has a low-pitch roof with wide eaves supported by large brackets.
The Thomas Walker House is a historic house at 201 North Spring Street in Hardy, Arkansas. Built in 1925, this 1-1/2 story stone structure is a particularly fine local example of Craftsman style. It is fashioned out of rough-cut local fieldstone, and has a prominent front porch supported by tapered square columns, and its low-pitch cross gable roof has exposed rafter ends. The interior retains period flooring, woodwork, and hardware.
The Paul Gibbs House stands in a rural area of northwestern Framingham, on the north side of Edmands Road, between Pine Hill and Nixon Roads. It is a two-story wood frame structure, with a low-pitch hip roof and mostly clapboarded exterior. The roof has extended eaves, below which are shallow attic windows. The main facade is three bays wide, with a pair of projecting rectangular bays on either side of the main entrance.
Humming is often used in music of genres, from classical (for example, the famous chorus at the end of Act 2 of Giacomo Puccini's Madama Butterfly) to jazz to R&B.; Another form of music derived from basic humming is the humwhistle. The folk art, also known as "whistle-hum," produces a high pitch and low pitch simultaneously. The two-tone sound is related to field holler, overtone singing, and yodeling the music.
Both of those games were won by the Yankees. Game 4 went into extra innings, and when the Yankees took a 5–4 lead in the tenth, the Braves were looking at the possibility of falling three games to one in the series. Jones led off the Milwaukee half of the tenth inning, pinch hitting for Warren Spahn. He jumped back from a low pitch that home plate umpire Augie Donatelli called a ball.
The 1-1/2 story wood frame house was built c. 1860, and is an unusual combination of Carpenter Gothic and Second Empire styling. The front facade has three steeply-pitched gables clad in flushboarding, and the gable windows are framed in scroll-sawn decorations. The house corners have rounded corner pilasters, and the main entrance is framed by Ionic columns and topped by a low-pitch gable with more scroll-sawn woodwork.
The Lamberton Cabin is a historic summer cabin at 8 North Mountain in Bella Vista, Arkansas. It is a roughly square single-story wood frame structure with a low-pitch gable roof. The roof is extended to the west by a shed-roofed sleeping porch, and there is an open deck to the east. The roof extends significantly beyond the walls, much of which consist of screened sections (there are no windows).
The main block of the house is a three-story wood frame structure resting on a stuccoed brick foundation. It has a low-pitch hip roof, with a cupola on top and two chimneys rising from the sides. There are porches on the sides, of which the one on the right has been enclosed. The main block is five bays wide and four deep, and is clad in wood clapboarding with corner quoining.
The District 6 Schoolhouse is an historic school building located at 347 Willett Avenue in East Providence, Rhode Island. It is a single-story wood frame structure, with a pair of entry doors and a low-pitch gable roof. The interior has been extensively altered to meet its modern usage as a meeting space. The school was built between 1864 and 1874, and is the oldest surviving school building in the city.
Although it was substantially completed earlier, as late as 1873 the school board was still hiring workers to do finishing work. The two-story, brick Italianate building features a low pitch roof, bracketed eaves, a square bell tower, and a fanlight over the main entrance. School district consolidation began in Van Buren County in 1957 and culminated two years later with the creation of three districts. The Vernon School held its last classes in 1960.
The John Clifton House is a historic house at 1803 Pecan Street in Texarkana, Arkansas. It is a single-story brick structure, with a porch wrapping around the front facade, supported by large square brick piers. It has a low-pitch roof with rafters exposed at the gabled side elevations, and horizontal ribbons of windows. It is a fine local example of the Prairie School of architecture, and the best in the Pleasant Hill neighborhood.
The former Greene County Courthouse is located at Courthouse Square in the center of Paragould, the county seat of Greene County, Arkansas. It is a large two-story Georgian Revival structure, built out of red brick. It has a low- pitch hip roof with small gables at three corners, as well as above the entrances. The roof is topped by a square tower with a clock and belfry, topped by an ogee roof and spire.
The Eugene Towbin House is a historic house at 16 Broadview Drive in Little Rock, Arkansas. It was built in 1960 to a design by Hollis Beck, and is a good local example of Mid-Century Modern architecture. It is a single-story frame structure, its walls finished in vertical board siding and resting on a concrete block foundation. It is covered by a low-pitch side-facing gabled roof with deep eaves.
It is covered by a low-pitch hipped roof. The building was erected in 1825, during Dover's early boom period as a cotton textile manufacturing center. Its location, known then as the Landing, was the commercial trading hub for the city's maritime cotton trade, which was one of the most extensive in the country in 1830. It is one of Dover's oldest surviving commercial buildings, and an excellent example of commercial Federal period architecture.
Each facade of the belfry stage is topped by a bracketed low-pitch gable, and a narrow steeple rises above. The center bay of the main facade is a gabled projection, with the main entrance set in a tall segmented-arch opening. Windows in the flanking bays and the sides are also set in segmented-arch openings. with Swanton was incorporated in 1790, and its town center was laid out in 1803.
It is a two-story wood frame structure, with a low- pitch hip roof topped by a cupola, clapboard siding, and a porch that wraps around the front and side of the house. The cupola is distinguished by tripled narrow round-arch windows on each side, and a bracketed roofline matching that of the main roof. The building's corners have paneled pilasters, and the windows are topped by decorative woodwork. The house was built c.
The former Abbot Tavern is located northeast of downtown Andover, on the northwest side of Elm Street a short way north of its junction with Wolcott Street. The street is a busy through street in a residential area. The tavern is a two-story wood frame structure, with a low-pitch hip roof, central chimney, and clapboarded exterior. It is five bays wide and three deep, with a center entrance sheltered by a projecting gabled vestibule.
The John B. Robarge Duplex stands on the east side of North Champlain Street in Burlington's Old North End neighborhood, a short way south of its junction with North Street. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its front is symmetrical, with two window bays on each story, and a round-arch window set in the gable. Most windows are rectangular sash, topped by a low-pitch gabled lintel.
She collaborated with Rahman for the Tamil song "Mersalaayitten" included in the soundtrack of I, performed along with Anirudh Ravichander. According to International Business Times, Mohan "chips in" by rendering the title word in a "porsche" way. Later the year, Mohan was roped in to perform the song "Neeyum Nannum" from Naanum Rowdydhaan which was composed and co-sung by Ravichander. Besides she performed a low-pitch song "Kohila" from Ko 2, co- sung and composed by Leon James.
The house in 2014 The Matthew Cottrill House stands on the north side of Main Street in downtown Damariscotta. It is a two-story wood frame structure, with a low-pitch hip roof, clapboard siding, and a granite foundation. The front facade is symmetrically arranged, with five bays. The outer bays have sash windows with shutters, while the main entrance is in the center bay, sheltered by a half-round portico with Doric columns supporting a plain frieze.
It has a low-pitch gabled roof, which is surrounded by a low balustrade, and is set on a granite foundation. Its main facade faces north, and is distinguished by a semicircular portico projecting over the center of five bays, supported by smooth Doric columns. This portico shelters the main entrance, which is flanked by sidelight windows and topped by a round arch. The round arch is repeated in the immediately flanking bays over sash windows.
An entry courtyard is situated on the east side, while a sprawling stone terrace is on the west side. Framed in wood, the walls are of stone masonry at the first level, and redwood shingle sheathing at the second level. The low pitch gable roof features wide overhangs and eyebrow vents, the original wood shingle replaced in 2004 with fireproof composite shingles. The foundation is of quarry stone and cement, while the chimneys are of brick.
Camden's main post office is located at the southern end of its commercial downtown area, on the east side of Chestnut Street, with the town common across the street. It is a single-story masonry structure, built out of brick and granite. It has a low-pitch hip roof, with a projecting cornice. The front is seven bays wide, the center five projecting slightly, with pilasters at the corners of both the building and the projection.
The Norfolk Downs Shelter stands on the eastern edge of a large parcel of land south of the Norfolk Curling Club and Norfolk Country Club, southwest of the village center of Norfolk. The land is now mostly wooded, with some open areas, including between it and the road. The structure is a single story in height, with a central octagonal section flanked by uncovered rectangular wings. The central portion is covered by a low-pitch octagonal roof.
In spite of providing backing vocals for Lage Raho Munna Bhais "Bande Mein Tha Dum", Ghoshal and Nigam performed a romantic duet titled "Pal Pal", a composition by Moitra. For the song, she received a Best Female Playback Singer nomination at the 52nd Filmfare Awards. She was next heard with Vishal Bhardwaj in the song "O Saathi Re", which exudes the feeling of intimacy and deep love. Ghoshal's low pitch rendition in the song was positively noted by critics.
The Isham-Terry House occupies a prominent and highly visible location just north of Interstate 84 outside downtown Hartford, at the northwest corner of High and Walnut Streets, and adjacent to the city's police department headquarters. It is a roughly cubical painted brick structure, two stories in height, with a low-pitch roof. A three-story tower projecting from its southwest corner adds visual prominence. The roof eaves are deep, with decorative Italianate brackets for support.
It remained tied until the bottom of the ninth. With two strikes, A. J. Pierzynski swung and missed at a low pitch from Angels pitcher Kelvim Escobar for strike three. Josh Paul, the Angels catcher, rolled the ball to the mound and left the infield. Pierzynski realized strike three had been called, so he ran to first base in case the umpire ruled that the catcher had not legally caught the strike-three pitch (see Uncaught third strike rule).
The Sherman House is located on the north side of East Main Street in downtown Lancaster, between Broad and High Streets. It is a two- story brick building with a low-pitch hip roof and Italianate styling, with an older two-story wood-frame ell at the rear. The main facade is three bays wide, with a single-story porch extending across the front. The porch has bracketed and paneled posts, a dentil cornice, and a low balustrade.
Stevens' Building is an historic commercial building at 24-44 Southbridge Street in downtown Worcester, Massachusetts. It is one of the city's most imposing mid-19th century buildings. The brick building is four stories for most of its length on Southbridge Street, and also presents a finished facade to Burnside Court. The central portion rises to a full five stories with a flat roof, while the north and south sections are four floors with a low pitch roof.
The asymmetry is minimal, but nonetheless convincing when seen > from a three-quarter view. Massing takes the form of a large, low-pitch, > gable-fronted main block with a one story projection on the east side and a > two story projection containing the staircase on the west side. At the rear > is a flat roofed fire station wing. The one story addition spanning the > western elevation of the main block, behind the staircase “tower,” dates > from the historic period.
Reformed Dutch Church of Rensselaer in Watervliet (also known as Component No. 19) is a historic Reformed Dutch church at 210 Old Loudon Road in the hamlet of Latham, town of Colonie, Albany County, New York. It was built in 1817 in a vernacular Greek Revival style. It has a pedimented roof and corner pilasters. It features a square cupola with a single bell atop the roof with a large channeled cornice with a low pitch roof.
Wang's pitching style is characterized by efficiency, command of the strike zone, few walks, few home runs allowed but also records very few strikeouts. Wang works quickly and uses his ground-ball inducing sinker to produce many double plays. This efficiency often allows Wang to maintain a low pitch count deep into games. In Taiwan and the minor leagues, Wang threw a more conventional assortment of pitches, including a four-seam fastball, a changeup, and far more splitters.
In turn, neurons are fired at the same rate as the vibrations. The brain is able to measure the vibrations and is then aware of any low frequency pitches. When a louder sound is heard, more hair cells are stimulated and the intensity of firing of axons in the cochlear nerve is increased. However, because the rate of firing also defines low pitch the brain has an alternate way of encoding for loudness of low frequency sounds.
The Nickels-Sortwell House is set facing south on a sideways-sloping lot on the north side of Main Street (United States Route 1) in the center of Wiscasset. It is a three-story wood frame structure, five bays wide and deep, the length including a rear ell. It has a low-pitch hip roof and is set on a granite foundation. The front facade is finished in flushboard, while the remainder of the house is clapboarded.
The Selden Brewer House is located in a mixed commercial-residential area of southern East Hartford, and the southern corner of Main Street and Naubuc Avenue. It is a three-story brick structure with a low-pitch hip roof surrounded by a wooden paneled balustrade. The building is roughly cube-shaped in appearance, with its facade facing north toward Main Street. Only three bays wide, the bays are set closely together near the center of the facade.
The Ernest R. Burwell House is located on the east side of Bristol's fashionable Federal Hill residential area, at the northeast corner of Grove and Oakland Streets. Although it faces Grove Street, it is set well back, with a tree-dotted lawn and semi-circular drive in between. It is a two-story masonry structure, its exterior finished in stucco. It is covered by a low-pitch hip roof, at whose center is an elevated monitor section.
With a low-pitch hip roof, projecting eaves, uninterrupted cedar trim and casement windows, the fourteen room stucco and cypress house is an excellent example of Wright's Prairie School style. The house features include three Roman brick fireplaces, elegant woodwork & built-ins. Wright's plan included a stucco wall surrounding the front wing which has been removed and a barn that was never built. The Gridley house is in a cruciform plan, common for Wright's early Prairie School houses.
The John Ross House is located near Rossville's downtown, on the south side of a lane joining Andrew Street and East Lake Avenue. Its location is not original; it was moved a short distance, from a more central downtown location, in the 1960s. The house is a two-story log structure, consisting of two log pens flanking a first- floor breezeway, all covered by a low-pitch wood shingle gable roof. The logs are chinked with modern cement.
Good kendang instruments are said to be made from the wood of jackfruit, coconuts or cempedak. Buffalo hide is often used for the bam (inferior surface which emits low-pitch beats) while soft goatskin is used for the chang (superior surface which emits high-pitch beats). The skin is stretched on y-shaped leather or rattan strings, which can be tightened to change the pitch of the heads. The thinner the leather the sharper the sound.
It is capped with a Prairie-style low pitch roof with low profile dormers on the south and west sides, and wide eaves. The two-story square structure is clad in wood lap siding. The house is built on a limestone foundation that is faced with brick on the exterior. In addition to the front porch there is also a side porch, a rear service entrance, and a small projecting window bay off the dining room.
Elm Hill Farm is southwest of downtown Hallowell, on the north side of Litchfield Road, a secondary street leading west. It is set on a hill with views toward Vaughan Brook to the south and the Kennebec River to the east. The farm complex includes the main house, several barns, and a garage. The house is a roughly square 1-1/2 story wood frame structure, with a low-pitch gabled roof and original hand-split wooden clapboard siding.
In relation to these subjects pleqërishte songs are also called lashtërishte ("of the ancient time"), a term used exclusively in Gjirokastër. These specific topics have largely fallen into public disuse over the years but remain thematically notable. Songs of the genre adhere to a slow tempo and low pitch with little vocal variation as opposed to genres such as djemurishte ("of young men") in particular. As all fourth-part genres they feature a third soloist (hedhës).
The Dr. James Patrick House is a historic house at 370 North Williams Drive in Fayetteville, Arkansas. Set on a steeply pitched lot on Mount Sequoyah, it is a basically linear single-story structure sited well away from the road to maximize its eastward view. It has a low-pitch roof and is finished in glass and brick. It is functionally divided by a carport near its center, with public rooms on one side and private ones the other.
The Keene State President's House is located on the east side of the college campus, on the west side of Main Street at its junction with Appian Way. It is a two story brick structure, with a low-pitch hip roof. Its exterior is Italianate in style, with a symmetrical five-bay facade adorned with elaborate window lintels and a cornice with paired brackets. An Italianate porch shelters the main entrance, supported by clustered square columns.
Elliot Hall is located on the east side of the Keene State College campus, set well back from Main Street north of Wyman Street. It is a three-story brick structure covered by a low- pitch roof, and trimmed in granite. The main facade is symmetrical, with sash windows set in rectangular openings featuring stone sills and lintels. A stone beltcourse separates the first and second stories, and a course of brick corbelling separates the second and third floors.
There is a dentillated cornice line between the floors and above the second floor, with a frieze board above that is punctuated by window openings covered with painted metal grillwork. The roof is a low-pitch hip roof. The rear additions added to each unit date to later in the 19th century, and are not as architecturally sophisticated. The house was built in 1836-37 for Edward Kent, then mayor of Bangor, and Jonas Cutting, his law partner.
The Bowditch House is significant both architecturally and historically. It is a 3-1/2 story clapboarded house in the Federal style, five bays wide and two rooms deep, with a low-pitch hip roof. The building originally stood at 312 Essex Street, and was moved to its present location in the 1940s to avoid demolition as part of a road widening project. Its most elegant feature is its main entrance, which is centered on the front facade.
This corresponds with high swing- and-miss rates across all of his pitches, including 54% on his changeup—the highest whiff rate among all starting pitchers' changeups since PITCHf/x began tracking pitches. Through the 2012 season, Strasburg's career strikeout-to- walk ratio of 4.67 would rank second all-time if he had enough innings to qualify. Strasburg maintains that his high strikeout rate is not intentional, and in fact is a hindrance to maintaining low pitch counts.
In 1988 an article was published, describing a discrete type of vocal dysfunction which results in men sounding like actor Humphrey Bogart and women sounding like actress Lauren Bacall; coincidentally, Bogart and Bacall were married to each other and made several films together. BBS is now the medical term for an ongoing hoarseness that often afflicts actors, singers or TV/radio voice workers who routinely speak in a very low pitch. Treatment usually involves voice therapy by a speech language pathologist.
The catcher, when receiving a borderline pitch, usually has several options in how he makes the catch. He can catch the pitch in the webbing of his mitt or in the heel; he can catch the pitch on his forehand or backhand, as necessary; he can catch a low pitch with the mitt pointed upward or downward. These choices help the catcher to create a favorable presentation (or frame) for the umpire. A variation on "framing" is called "pulling pitches".
The William Bryant Octagon House stands east of Stoneham's Central Square, at the northwest corner of Spring and Washington Streets. The setting is residential, but Washington Street is a busy artery, and the house stands just northeast of its junction with Pleasant Street, another artery. It is a two-story eight-sided structure, covered by a low-pitch hip roof with a central octagonal cupola. The walls are finished in wooden clapboards, and the house rests on a granite foundation.
The Rundlet-May House stands in what is now a predominantly residential area south of downtown Portsmouth, on the west side of Middle Street, a busy north-south road. It is a three-story wood frame structure, topped by a low-pitch hip roof surrounded by a wooden balustrade. It is finished in wooden clapboards, and has four chimneys, symmetrically placed with two on each side. Its main facade is five bays wide, with a center entrance framed by sidelights and a fanlight.
The Old Grafton County Courthouse stands in the town center of Plymouth, on the south side of Court Street just west of the town hall. It is a square wood frame structure, on each side, with a truncated hip roof topped by a cupola. The open cupola has square posts at the corners, and is covered by a low-pitch hip roof. The main facade of the building faces north, and is three bays wide, with sash windows flanking the main entrance.
The Abbot-Battles House is located north of downtown Andover, on the north side of Lowell Street (Massachusetts Route 133), a busy east-west through street. It is a two-story wood-frame structure, with a low-pitch hip roof and clapboarded exterior. Its main facade is five bays wide, with a center entrance sheltered by a Victorian-era porch. Ionic columns rise to an entablature adorned with triglyphs, and the porch roof is bounded by a balustrade with urns on the posts.
The H. M. Van Deusen Whip Company is located on the western side of downtown Westfield, on the south side of Arnold Street between Elm and Washington Streets. It is a long rectangular 3-1/2 story building, constructed with load-bearing brick walls. A stair tower projects midway on the long side, and a single-story brick office addition is attached to the north side. Windows are set in segmented-arch openings, and it is covered by a low-pitch gabled roof.
The four-storey tower has a corbelled saddle, corner buttresses, and triple arcades to the lower storey. The interior has polychrome brick patterns and bath stone dressings on red bricks. The stilted low-pitch chancel roof has stellar-pattern ribs and crenellated wall plates; the nave roof is steeper with wall posts to the main trusses. John Newman described the new church as "one of Butterfield's finest churches, big boned and austere outside, highly charged in the polychromatic patterning of its interior".
The Ronoake Baptist Church is a historic church in rural Clark County, Arkansas. The church is located at the end of Ronoake Church Road, off United States Route 67 north of Gurdon. The single-story wood frame church was built in 1945 to serve an African-American congregation founded in 1893, and is an excellent example of Craftsman architecture. It has a low-pitch gable roof with broad eaves, with exposed rafter tails, kingpost supports, and banks of windows characteristic of the style.
The Laurens Polygonal Hog House is a historic farm outbuilding in Dewey County, South Dakota. It is located northeast of Eagle Butte, on the east side of South Dakota Highway 63, about north of its junction with United States Route 212. It is a 10-side structure, with walls and foundation of concrete and stone, and a conical wood frame roof with low pitch, and is partially set into a sloping hillside. It has a single entrance and four windows.
The pulses are highly irregular, with low pitch and frequency amplitude. Some languages do not maintain a voicing distinction for some consonants, but all languages use voicing to some degree. For example, no language is known to have a phonemic voicing contrast for vowels with all known vowels canonically voiced. Other positions of the glottis, such as breathy and creaky voice, are used in a number of languages, like Jalapa Mazatec, to contrast phonemes while in other languages, like English, they exist allophonically.
Blade pitch acts much like the gearing of the final drive of a car. Low pitch yields good low speed acceleration (and climb rate in an aircraft) while high pitch optimizes high speed performance and fuel economy. It is quite common for an aircraft to be designed with a variable-pitch propeller, to give maximum thrust over a larger speed range. A fine pitch would be used during take-off and landing, whereas a coarser pitch is used for high-speed cruise flight.
The Holland–Drew House is located at the southeast corner of Main and Holland Streets, northeast of Lewiston's central business district. It is a two-story brick structure, with a low-pitch hip roof that has a denticulated cornice. The front (west-facing) facade is three bays wide, with the center entrance sheltered by a portico supported by round columns in front and pilasters in back. The portico has a bracketed and dentillated cornice, details repeated on flanking single-story bay windows.
The First Ward Wardroom is a historic meeting hall at 171 Fountain Street in Pawtucket, Rhode Island. It is a single-story red brick building, with a low- pitch gable-over-hipped roof. Basically rectangular, an enclosed entry pavilion projects from the main block. The building, designed by William R. Walker & Son and built in 1886, is one of only three ward halls (structures built by the city and used as polling places and meeting halls) to survive in the state.
The Isaac Davis House stands in a mixed commercial-residential area west of downtown Worcester, at the northwest corner of Elm and Oak Streets. It is a three-story masonry structure, built primarily out of red brick with brownstone trim, and covered by a low-pitch hip roof. The roof has a modillioned and dentilled cornice, and two similar street-facing main facades. These facades are divided into three bays, with the outer bays consisting of paired windows topped by brownstone architrave caps.
Grupi Argjiro, a male vocal ensemble from Gjirokastër, performing the Albanian iso-polyphony. Pleqërishte is a genre of Albanian folk iso-polyphony sung by men in Labëria and is principally identified with the city of Gjirokastër and its environs. The genre is characterized by a slow tempo, low pitch and small range. Pleqërishte means both "of old men" and "of the old time" in reference to the mode of singing and the lyrical themes of part of their songs respectively.
The Miles-Humes House is a 2 1/2-story, five bay rectangular limestone building in the Georgian style architecture. It has a low pitch, gable roof and three dormer windows. In 1896, the house was moved 12 feet from the street and elevated 4 feet off the ground in order to add on new porches to the front and side of the building. The north wing was also removed and replaced with a three-story addition to the back of the house.
Most of the buildings are three or four stories in height, with brick construction typical of the late 19th and early 20th centuries. Common features include segmented-arch window openings and low- pitch gabled roofs. The New Haven Clock Company had its origins in the clock manufactory of Chauncey Jerome, an important figure in the early 19th-century development of the clock industry in Connecticut. Jerome's principal factory was in Bristol, and he opened a case manufacturing plant on this site in 1844.
The switches for some settings, such as the on-off switch for the speaker-protection limiter or a low-pitch "rumble filter" (designed to protect speakers from very low sounds), may be hidden behind a screwed-on door or metal plate. Screwed-on covers are also widely used on children's electric and electronic toys, so that a parent can control certain settings such as the maximum speed of a toy electric ride-on car or the maximum volume of a video game.
In Star Wars: Episode III – Revenge of the Sith (2005), Burtt's provided the voice for Lushros Dofine, captain of the Invisible Hand cruiser. The heavy breathing of Darth Vader was created by recording Burtt's own breathing in an old Dacor scuba regulator. Burtt used the voice of an elderly lady that he had met in a photography shop for the voice of E.T. the Extra- Terrestrial. The woman's low pitch was the result of very heavy smoking, specifically Kool cigarettes.
The Daniel Smith House is located in Prescott, Wisconsin. The original section of this house, built in about 1855, is a wood frame structure built on a stone foundation. It displays many features found in the Greek Revival style of architecture, including: low-pitch gable ends, fluted pilaster corner boards, boxes cornice with dentils and a plain frieze, and a full-front porch with Doric columns. In about 1870 a one-story clapboarded addition was made to the southwest corner of the house.
The Harrison Parker Sr. House is a historic house in Winchester, Massachusetts. The 2.5 story wood frame house was built in 1843 by Harrison Parker Sr., the owner of a local lumber mill. It is also one of the finer examples of Italianate style in the town, with a low-pitch hip roof with wide eaves decorated with brackets, and small attic windows set in the architrave. The second story windows have round-arch tops, and there are decorated porches on three sides.
Dryden District School No. 5, also known as Eight Square Schoolhouse, is a historic octagonal school building located in Dryden in Tompkins County, New York. It was built in 1827 and is a simple one-room, one-story, brick octagon style building constructed with a low pitch hipped roof banded by a plain narrow frieze. A circular brick chimney rises from the center of the standing seam metal roof. Also on the property are two free standing, wood frame, gable roofed outhouses.
The Alna School is located in central Alna, a rural community in Lincoln County, Maine. It is set on the west side of Alna Road (Maine State Route 218), north of its junction with Golden Ridge Road and south of the historic Alna Meetinghouse. The school is a single story wood frame structure, with a low-pitch hipped roof topped by an open octagonal cupola with bell. Its exterior is finished in wooden clapboards, and it rests on a brick foundation.
The pavilion was named after 1967 to commemorate the service of Don Leitch, a long-serving steward and President of the AH & P Society from 1978-1983. The Leitch Pavilion is a rectangular building ten bays long, its principal structural bays separated by stout round-log posts, which appear to mark the original perimeter of the space. To this main area are added side skillions of very low pitch. The roof is of broken-back form, sheeted with corrugated iron with some translucent plastic panels.
The former First Church of Christ, Scientist, now the Little Rock Community Church, is a historic church building at 2000 South Louisiana Street in Little Rock, Arkansas. It is a single-story Mission style building, designed by noted Arkansas architect John Parks Almand and completed in 1919. Characteristics of the Mission style include the low-pitch tile hip roof, overhanging eaves with exposed rafter ends, and smooth plaster walls. The building also has modest Classical features, found in pilaster capitals and medallions of plaster and terra cotta.
The Missouri and North Arkansas Depot is a historic railroad station at Center Street and Cash Streets in Bellefonte, Arkansas. It is a small single-story structure with a wide low-pitch gable-on-hip roof and a rubble-stone exterior over a wood frame. A small shed-roof addition enlarges the building slightly to the north, while a larger cross-gable addition projects from the rear. It was built in 1901 by the Missouri and North Arkansas Railroad to serve the area's passenger traffic.
Dana house in 1967 The Dana House consists of three roughly rectangular painted brick sections, 2-1/2 stories in height, with a low-pitch hip roof. The main block, apparently adapted from a stock pattern by New Haven architect Henry Austin, has a three- bay front facade, with a single-story porch extending across its width, supported by turned posts. The building's roof has typical Italianate wide eaves, with a wooden soffit and corbelled brickwork arches underneath. A square cupola rises above the main block.
The Essex Freight Station is located at the southern end of Railroad Avenue, a spur road off Connecticut Route 154 just west of the limited access highway of Connecticut Route 9. The setting includes the railyard, now used by the heritage Connecticut Valley Railroad, which includes operable early 20th-century equipment including switches and signals. The station is located on the west side of the railyard. It is a single-story wood frame structure, with a low-pitch roof that has wide eaves supported by large brackets.
The Barker Octagon House is set on Worcester's east side, on the east side of Plantation Street a short way south of Massachusetts Route 9. The house is two stories in height, with a low-pitch octagonal hip roof with a deep eave supported by paired decorative brackets. The walls are finished in stucco, and it has simple pilasters at the corners, giving the wall faces a paneled appearance. A Colonial Revival porch shelters the front entry, its four Tuscan columns supporting a shed roof.
The Alaska Engineering Commission Cottage No. 25 is a historic house at 345 West Third Avenue in Anchorage, Alaska. It is a two-story wood frame structure, with a low-pitch gable roof that has wide overhanging eaves with exposed rafter tails. It was designed and built in 1917 by the Alaska Engineering Commission, a Federal agency charged with building railways in Alaska. It is one of the second set of such housing built by the commission, and is now owned by Anchorage Historic Properties.
The Judge Charles P. McCarthy House is a two-story Prairie school duplex which was constructed in Boise, Idaho in 1913. It was adapted from a Frank Lloyd Wright design published in the April 1907 edition of Ladies Home Journal Magazine, where readers could purchase plans for a flat rate, or have them customized by Wright's office for a 10% premium. It appears as a classic prairie-style design with horizontal design elements, including a low-pitch roof with deep hipped roof overhangs. With .
The building has gone a number of alterations since its construction, many of which have subsequently been reversed to bring the building close to the original vision of the architect, Ammi B. Young. Young's design had a low-pitch roof that was found inadequate for proper drainage, and was steepened in the late 1860s to a design by Alfred B. Mullett. The roof was raised when a fourth floor was added in the 20th century; the fourth floor was removed during restoration, but Mullett's roofline was retained.
The Bacon-Gleason- Blodgett Homestead is located in eastern Bedford, near the town line with Burlington. It is set at the southwest corner of Wilson Road and Old Burlington Road; the latter is an old alignment of the main east-west road, now Massachusetts Route 62 which runs a short way to the north. It is a 2-1/2 story wood frame structure, with a low-pitch hip roof and clapboarded exterior. Its two side walls are brick, each with two interior chimneys.
Villa Friuli is located northwest of downtown Torrington, on the west side of High Street at its junction with Central Avenue. It is a 2-1/2 story masonry structure, built out of terra cotta tile covered in stucco, and topped by a low-pitch hip roof. The roof is pierced by hip-roof dormers, and has extended eaves supported by paired large Stick style brackets. The facade is a symmetrical four bays wide, with a projecting single-story porch sheltering the center two bays.
While the architect and builder are unknown, The Homestead that David Johnston built is typical of many Colonial Georgian country homes with a low pitch all encompassing roof and a detached return verandah form on an elevated masonry base. Stuccoed brick construction on sandstone foundations enclosing extensive cellars. Floor and roof are of pit sawn timbers fastened by hand forged nails. The original part of the house is of symmetrical design with wide verandas to three sides enclosing four large rooms, a hall and pantry.
The Cox House is a historic house on Bridge Street in Morrilton, Arkansas. It is a small but architecturally eclectic single-story wood frame house, with a gable roof and weatherboard siding. It has a projecting gabled porch, with bargeboard on the gable rake edges, brackets on the eaves, low-pitch gabled cornices over the front windows, and a broad two-leaf entrance with sidelight windows. It was built in 1875 by Hance Wesley Burrow, a farmer and veteran of the American Civil War.
The Albert Ridyard Three-Decker is located south of downtown Worcester, in the city's Main South neighborhood. It is set on the southeast side of Mount Pleasant Street, a short residential road just off Main Street. It is a three-story wood-frame building, covered by a low-pitch hip roof. Its front facade is divided into two sections: the right section has a projecting polygonal bay rising through all three floors, and the left section has the main building entrance on the ground floor.
The Edward Everett Hale House stands on the north side of the Roxbury Highlands, on the west side of Morley Street, a dead-end residential street a short way south of John Eliot Square. It is a 2-1/2 story wood frame structure, with a side gable roof and a mostly clapboarded exterior. The front facade is five bays wide, with a four-column Ionic portico projecting in front of the center three bays. The columns rise to an entablature with a low-pitch triangular pediment.
A vintage silver-plated Conn New Wonder Series 2 alto saxophone, made in Elkhart, Indiana, USA. The serial number 197155 dates the instrument to 1927. The 'H' below the serial number indicates that it is a "High Pitch" (A=456 Hertz) instrument. A more modern "Low Pitch" (A=440 Hertz) saxophone would have the letter 'L' or 'LP' below the serial number The strongest opponents of the upward tendency in pitch were singers, who complained that it was putting a strain on their voices.
Written in the key of D in Mixolydian mode, it is followed by the chord progression I-♭VII-IV (D–C–G). The song has a moderate tempo of 85 beats per minute (Andante). Lorde's vocals were compared to those of Amy Winehouse, Lana Del Rey, and Florence Welch, for their low- pitch—a hybrid between Adele and Ellie Goulding. Chris Coplan of Consequence of Sound described them as "romantic and playful", while Duncan Greive of The Guardian felt they were "simultaneously vulnerable and imperious".
The Samuel Colby House is located south of downtown Taunton, on the south side of Winthrop Street at its junction with Walnut Street. It is a two- story wood frame structure, with a stuccoed finish, and a low-pitch hip roof capped by a large square cupola. The main roof has elongated eaves studded with paired brackets, and the cupola roof has a curtain-style valance. The house is three bays wide, with a polygonal bay above the main entrance at the center of the front facade.
The Wheeler Block is located in the village center of Colchester, facing north across Norwich Avenue to the town green, near the junction with Hayward Avenue. It is a 2-1/2 story wood frame structure in the Second Empire style, with a mansard roof, bracketed cornice, and gable-roof dormers with paired round-arch windows. A single-story porch extends across the front, with turned balusters and bracketed square posts supporting a low-pitch hip roof. An ell extends to the left of the main block.
The Beisel-Mitchell House is a historic house at 420 West Court Street in Paragould, Arkansas. It is a two-story L-shaped Spanish Revival structure with a white stucco exterior, and a low-pitch gable roof clad in red tile. The house was built in 1930 for E. N. Beisel as a wedding present for his wife, and apparently kicked off a minor building boom of similar Spanish Revival houses in the area. It is among the best-preserved and least-altered of those houses.
In its original form, the mill was built with a high parapet which concealed a low pitch roof but probably at the same time as the second wheel was added c. 1800, the roof was raised, as a result of which the mill acquired a usable sixth storey. A weir was built across the Derwent to build up a head for Arkwright's Mill and a pre-existing paper mill. It is unusual in that it is convex in form, rather than the usual concave.
Rolls are irregular mixtures of loudness and pitches. Rumbles are less loud, last for longer (up to more than 30 seconds), and of low pitch. Inversion thunder results when lightning strikes between cloud and ground occur during a temperature inversion; the resulting thunder sound have significantly greater acoustic energy than from the same distance in a non- inversion condition. In an inversion, the air near the ground is cooler than the higher air; inversions often occur when warm moist air passes above a cold front.
Like other storks, they are quite mute except at nest where they make bill- clattering sounds. The sounds produced are of a low-pitch and resonant and ends with a short sigh. Juveniles fledged from the nests can occasionally call using a mildly-warbling, high-pitched series of whistles, accompanied with open, quivering wings. These calls and behaviour are directed at adult birds and are a display to solicit food, particularly in drought years when younger birds are apparently unable to find food on their own easily.
Recorders in multiple sizes (contra-bass, bass, tenor, alto, soprano, the sopranino, and the even smaller kleine sopranino or garklein) are often played today in consorts of mixed size. Handel and Telemann, among others, wrote solo works for the recorder. Arnold Dolmetsch did much to revive the recorder as a serious concert instrument, reconstructing a "consort of recorders (descant, treble, tenor and bass) all at low pitch and based on historical originals".Brian Blood, "The Dolmetsch Story", Dolmetsch Online (26 September 2013, accessed 20 January 2014).
The Henry Goulding House is located on the northern fringe of downtown Worcester, on the east side of Harvard Street at its junction with Dix Street. The building is now a large multisection structure, extending for some length along the road. The original mansion block is located at the northern end, with an early 20th- century addition in the middle, and a 1970s modern section at the southern end. It is a two-story frame structure, with a low-pitch hip roof and stuccoed exterior.
The Bank Building was located near the southern end of Uxbridge's commercial center, on the east side of South Main Street roughly opposite Town Hall. It was three stories in height, built out of red brick with granite, wooden, and cast iron trim elements. It was covered by a low-pitch hip roof with an unadorned cornice above an entablature. The ground floor consisted of two storefronts flanking a central building entrance, where each storefront had a recessed entrance flanked by plate glass display windows.
The John Mason House is a historic house in Winchester, Massachusetts. This two-story wood frame house was built sometime in the 1860s, probably for Joshua Stone, who sold it to John Mason sometime before 1875. Mason was one of the first Boston businessmen to establish a suburban residence in Winchester. The house has a variety of high-style Italianate features, including a characteristic low-pitch hip roof with decorative brackets, and a three-bay front facade in which paired narrow windows are topped by decorative framing.
The E.L. Smith Roundhouse Granite Shed stands on the south side of Burnham Street, across the Stephens Branch of the Winooski River from downtown Barre. The shed is part of a larger industrial site, most of which is still taken up by granite-related businesses. It is a sixteen- sided building, two stories in height, with a low-pitch conical roof and its walls finished in wooden clapboards. The roof originally had a cupola at the center; this was lost to a fire in 1968 which also destroyed a number of other original features.
Kortholt from Praetorius, Syntagma musicum, Wolfenbüttel 1619 The kortholt is a musical instrument of the woodwind family, used in the Renaissance period. The name comes from Low Saxon and means short (kort) piece of wood (holt). This name is mentioned in the work Syntagma musicum by Michael Praetorius, who is the main source for information about this instrument. The name refers to the characteristic low pitch that belies the short length of the instrument, and could be applied more generically to any wind instrument which was deeper in pitch than expected from its length.
The Morley House is an architecturally undistinguished 2½ story wood frame structure, with a hip roof and a single chimney rising from the left side. The roof is pierced by hip-roofed dormers. The front of the house is spanned by a single-story porch with a low-pitch hip roof and a gable above the stairs, which rise to the front door. The house was built in 1906 for Edward W. Morley, who made it his home until his death in 1923, and has reportedly been little altered since then.
The former Algonquin Company plant is located on Fall River's west side, between Bay Street and the former Old Colony Railroad line, which runs along the southern bank of the Taunton River. The property was also historically served by a wharf located nearby on the riverbank. The plant's main building is a three-story brick structure, long, with segmented-arch windows and a low-pitch gabled roof with bracketed cornice. In front of this building, facing directly onto Bay Street, is the former office building, a Classical Revival single-story tan brick building.
A capoeira bateria showing three berimbaus a reco- reco and a pandeiro Capoeira instruments are disposed in a row called bateria. It is traditionally formed by three berimbaus, two pandeiros, three atabaques, one agogô and one ganzá, but this format may vary depending on the capoeira group's traditions or the roda style. The berimbau is the leading instrument, determining the tempo and style of the music and game played. Two low pitch berimbaus (called berra-boi and médio) form the base and a high pitch berimbau (called viola) makes variations and improvisations.
The Port Royal House is a historic house at in Chatham, Massachusetts. The two story wood frame house was built in 1863 by Seth Eldredge, a ship's captain. The Italianate villa was reportedly based on a house in Port Royal, Jamaica seen by Captain Eldredge, who acquired its plans and had it copied. It has a low-pitch hip roof whose eave is decorated with paired brackets, the corners have paneled piasters, and a single-story porch extends across the front, supported by fluted columns mounted on paneled piers.
The Cornell Mills building stands in eastern Fall River, and is sandwiched between Alden Street to the east and the western interchange of Massachusetts Route 24 and Interstate 195 to the southwest, from which it is a prominent landmark. The main mill building is a three-story granite structure, fashioned out of rough- cut blocks with dressed corner quoining blocks, lintels, and sills. The window bays are regular in size, but are relieved architecturally by buttresses that group them into threes and sixes. It has a low-pitch gable roof with a wide cornice.
Eddie's House is the smallest structure ever known to be designed by Frank Lloyd Wright and fits in well with the Robert Berger House. Eddie's House was constructed of the same materials as the larger house and the "small triangular hut... bowed to the hexagonal geometry of the house's hexagonal plan." The doghouse also displays many signature design elements that have come to represent Frank Lloyd Wright's architectural style. These include an entrance hidden on the rear of the house, and a large overhang on a roof with a low pitch.
The McLellan-Sweat Mansion is set at the corner of High and Spring Streets in downtown Portland, but is accessed via the main entrance of the Portland Museum of Art at Congress Square. It is a three-story brick structure with a low-pitch hip roof and a granite foundation. The brick of the walls is laid in Flemish bond. The main facade, facing Spring Street, is five bays wide, with a central entrance sheltered by a semicircular portico supported by Doric columns, and topped by a balustrade.
The Clapp House is an asymmetrical two-story brick Italianate structure with a low-pitch hip roof having wide eaves with paired brackets underneath. The front facade has a two-story slant-sided bay window at one end with deep front entry porch at the other, which runs from the corner of the house to the central entrance. There is a single story hip roof rear ell. On the interior, the central entry leads to a foyer, which opens onto an east and west parlor, and a stairway upward.
Contrabass (from ) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist. The term "contrabass" is relative, usually denoting a very low-pitched instrument of its type, rather than one in a particular range. For example, the contrabass flute's lowest note is approximately an octave higher than that of the contrabass clarinet.
The main house is a basically square brick structure, 2-1/2 stories in height, with a raised basement and a low-pitch hipped roof that has a large square cupola at its center. The house has two primary facades, one facing east to Second Street, and the other to the west toward the Tombigbee River. Each is five bays wide, with the center three bays fronted by massive two-story Greek temple fronts. These porticos have paneled square pillars, which rise to a modillioned and dentillated cornice.
South Korean singer and the low-pitch (baritone) vocalist of SS501, Park Jung- min has released two studio albums (one is an album dedicated to his 10th debut anniversary), two EPs, 20 singles, 4 soundtrack contribution songs, 3 DVDs, and 7 music compositions. During 2005-2010, JungMin has had two solo songs from SS501 albums: "Here" from Kokoro,"Kokoro (First Press Limited Edition C)(Japan Version) info" YesAsia. Retrieved 2012-10-09. and "If You Cannot" with Ji-sun from SS501 Solo Collection."SS501 - Collection info" YesAsia. Retrieved 2012-10-09.
Yucatec distinguishes short vowels and long vowels, indicated by single versus double letters (ii ee aa oo uu), and between high- and low-tone long vowels. High- tone vowels begin on a high pitch and fall in phrase-final position but rise elsewhere, sometimes without much vowel length. It is indicated in writing by an acute accent (íi ée áa óo úu). Low-tone vowels begin on a low pitch and are sustained in length; they are sometimes indicated in writing by a grave accent (ìi èe àa òo ùu).
The Octavium was utilized by several recording artists of that era, most notably the Grateful Dead, bassist Monk Montgomery, bassist Nathan East, and the Pointer Sisters. The Octavium speaker and Dones's subwoofer technology were also utilized, in a few select theaters, to reproduce low pitch frequencies for the 1974 blockbuster movie Earthquake. During the late 1960s, Dones's Octavium was favorably reviewed by audiophile publications including Hi-Fi News and Audio Magazine. Another early subwoofer enclosure made for home and studio use was the separate bass speaker for the Servo Statik 1 by New Technology Enterprises.
The Mather Homestead is located in the Clay-Arsenal neighborhood on Hartford's north side, on the north side of Mahl Avenue just west of Main Street, the historic main road between downtown Hartford and Windsor. It is a two-story brick building, covered by a low-pitch hip roof. Its main facade faces south, and is asymmetrically arranged, with three closely spaced windows at the center of the second floor and one at the left end. The first floor is sheltered by a full-width porch with six Doric columns, and has a center entrance.
The Capron-Phillips House is located near the eastern end of the village of South Coventry, on the south side of Main Street (Connecticut Route 31) at its junction with Mason Street. It is a three-story, wood-framed structure with a low-pitch hip roof, and a two-story ell extending to the rear. It has modillioned and bracketed eaves at both the roof line and on the porch. A projecting gable-roofed section at the front features a three-part round-arch window in the gable.
The 2-1/2 story wood frame house was built in 1856, and is a well-preserved local example of high-style Italianate design. It has a low-pitch gable roof, with dentil moulding in the gable eave, and a round-arch window near the apex of the gable. The roof cornice has paired brackets, and the front porch, which extends across the three-bay front of the main block, is supported by square posts with brackets. The house was listed on the National Register of Historic Places on October 17, 1985.
The Greek Revival Ritzman House was built by an unknown contractor during a time period when Greek Revival style was becoming popular in the Midwest. The brick Ritzman House incorporates several elements common to Greek Revival structures including: a low-pitch gable roof, cornice lines with a wide trim band, and an elaborate door surround with a narrow transom line and sidelights. The Ritzman House belongs to a class of Greek Revival homes that lack front porches, this occurs in about 20 percent of residential Greek Revival architecture.
The Boscawen Academy was a private school chartered by the state of New Hampshire in 1827 as part of a general plan to improve secondary education. This two story Federal style brick building was constructed in 1827-28 by William Abbot, a local joiner who also built a number of other civic buildings in central New Hampshire. The brick exterior is laid in common bond, with a header course every eight rows. It has a low pitch gable roof whose pedimented end, above the front facade, has a fanlight window.
The John E. and Ruth Hipple House is a historic house located at 219 N. Highland in Pierre, South Dakota. Built in 1913, the Prairie School house features a roof with a low pitch and overhanging eaves, a front porch, and a horizontal emphasis throughout its design. The home was originally owned by John E. and Ruth Hipple, both of whom were prominent Pierre citizens. John served as Pierre's mayor from 1924 to 1939 and owned the Capital Journal, while Ruth was an important figure in the local women's suffrage movement.
The Wapiti Ranger Station is west of Cody, Wyoming on the north side of U.S. Route 14/16/20, between Cody and the east entrance to Yellowstone National Park. The original 1903 building now stands amid a cluster of more modern Forest Service buildings, from which it is set off by a rail fence. It is a single-story log structure, with a low-pitch gabled roof. Modern extensions to the rear give the building a U shape, and its interior has been modernized, as it continues to serve an active role in forest management.
This source does confirm his later kills were reported as Zeros, but were impossible to verify from Japanese records. It is confirmed that the Appari Japanese fighters Wagner shot down were not Navy "Zeros," but Army "Nates," by Wagner's own account: "Looking back, I saw two Japanese pursuit behind me and three more overhead, low-wing fixed landing gear single seaters (j.k. This is the description for a Nate," not a "Zero."), so I pulled nose-up and continued to climb directly into the sun at full throttle and low pitch.
The Brewster House is set on the north side of Brewster Lane, a short road that forms a triangular island with Maine State Route 112 and United States Route 202. It is a two- story wood frame structure, five bays wide, with a low-pitch hip roof, clapboard siding, and a granite foundation. The main facade has a center entry, which is flanked by sidelight windows and topped by a recessed arch. This is sheltered by a Greek Revival portico, with square columns at the front and pilasters at the rear.
This mix was sent to Capitol and United Artists on Tuesday 9 June, and released on the US mono version of the Hard Day's Night soundtrack album on Friday 26 June 1964. The stereo version of the album used a fake stereo version of this mono mix. This mix was also used on the mono version of the Capitol album Something New, released on Monday 20 July 1964. This mix was also used on the film print of A Hard Day's Night except the speed was slower in a low pitch.
The Community Center No. 1 is a historic government building at 1212 South Church Street in Jonesboro, Arkansas, USA. It is a single-story building, faced in buff brick, with a stylish Art Deco entrance area consisting of towers and projections made of smooth white concrete. The entrance is flanked by large flat-roof sections which house recreational facilities, while the center section has a low-pitch gable roof. The community center was designed by Elmer A. Stuck, and built in 1936 with funding from the Public Works Administration.
The flaps can be deployed to an extreme range, extending out at full to a 58-degree position; the flight manual notes that the full setting is recommended only for performing emergency landings. In the skies, the Beaver is relatively easy to handle, having been described as possessing light and comfortable controls; however, effective application of the rudder is necessitated in order to counteract adverse yaw. It should be flown with a relatively nose-low pitch attitude to maintain airspeed. Reportedly, the aircraft is very easy to land, even upon less than calm water conditions.
In some early documents making use of written accents, a grave accent could often be added to any syllable with low pitch, not just the end of the word, e.g. . Some scholars, such as the Russian linguist Nikolai Trubetzkoy, have suggested that because there is usually no fall after a grave accent, the rise in pitch which was heard at the end of a clause was phonologically not a true accent, but merely a default phrasal tone, such as is heard in languages like Luganda., quoting N.S. Trubetzkoy (1939); cf. also Blumenfeld (2003).
Dakelh has a very simple tone system of the type often described as pitch accent—it is in fact very similar to the prototypical pitch-accent language, Japanese. In Dakelh, a word may or may not have a tonic syllable. If it does not, the pitch rises gradually across the phonological word. If it does have a tonic syllable, then that syllable has a high pitch, the following syllable downsteps to a low pitch, and subsequent syllables until the end of the prosodic unit are also low pitched.
The Childs Sports Building is located in a rural-residential setting south of the village center of Norfolk, on the north side of Windrow Road near its junction with Gamefield Road. This area is part of what was once a large country estate of the Childs family. The building is a 1-1/2 story masonry structure, built out of rough fieldstone and capped by a roof with clipped gables. It is roughly rectangular in plan, with a round turret rising at its northeast corner to a low-pitch conical roof.
The Anza House is located in the downtown area of San Juan Bautista, at the southwest corner of Franklin and Third Streets. It is a single-story adobe structure, built out of vertically placed wooden poles and mud bricks, with exterior and interior finishes of lime plaster. It is covered by a low-pitch gabled roof with redwood shingles, which extends across an open veranda extending the width of the building, supported by simple square wooden posts. It has four bays on the front, three of which are occupied by doors or full- height windows.
The Sophia Sweetland House stands in northern Windsor, on the east side of Palisado Avenue (Connecticut Route 159) a short way north of its junction with Bissell Ferry Road. It is a 2-1/2 story brick structure, with a front-facing gabled roof. The main facade is three bays wide, with the entrance in the right bay, framed by sidelight and transom windows. It is sheltered by a porch with slender columns and brackets that form arched openings, and has a low-pitch roof with extended eaves supported by decoratively cut brackets.
The tower is capped by a low-pitch pyramidal roof with heavy brackets. Windows in the side walls are large round-arch stained glass windows, except in the first bay, where a recessed panel houses three small windows similar to those on the front. To the rear of the main church is a small chapel, added in 1915. The church was designed by the architect Richard Upjohn and built in 1852 for a congregation established in 1823, which originally met in a wood-frame structure located just north of this building's site.
The Dixmont Corner Church is located in the rural village center of Dixmont, on the south side of US 202/Maine State Route 9, east of its junction with Maine State Route 7. It is a single-story wood frame structure, with a gabled roof and clapboard siding. The roof is surmounted by an integrated square belfry, which is topped by a low-pitch hip roof with pinnacles at the corners. The front (north-facing) facade is symmetrical, with a pair of entrances flanking a raised sash window.
Audio demo of chorus effect on bass (dry, then with chorus) with a Sire V7 bass and Ampeg chorus simulation on Amplitube. A bass chorus is an electronic effect used with the electric bass. It creates the same "shimmering" sound as a chorus effect for electric guitar chorus pedals, which recreates the sound of having multiple instruments doubling the same musical line (as with a string orchestra). The difference is that bass chorus pedals are modified in various ways to suit the low pitch register of the electric bass.
Many of these early theaters contain a balcony, an elevated level across the auditorium above the theater's rearmost seats. The rearward main floor "loge" seats were sometimes larger, softer, and more widely spaced and sold for a higher price. In conventional low pitch viewing floors the preferred seating arrangement is to use staggered rows. While a less efficient use of floor space this allows a somewhat improved sight line between the patrons seated in the next row toward the screen, provided they do not lean toward one another.
Woods–Evertz Stove Company Historic District, also known as General Wesco Stove Company, is a historic industrial complex and national historic district located at Springfield, Greene County, Missouri. The district encompasses six contributing buildings associated with a large cast iron stove manufacturer. The district developed between about 1904 and 1953, and all six buildings are in a simple industrial, factory style, with minimal architectural embellishment and have flat, low-pitch and gabled roofs. (includes 12 photographs from 2003) and Site map It was added to the National Register of Historic Places in 2003.
The Peirce–Nichols House is a three-story wood-frame building sheathed in clapboards. It has a low pitch hipped roof that is encircled by a low balustrade at the cornice, which further has a central flat section that functions as a roof deck and is also surrounded by a balustrade. The corners of the building are decorated by fluted Doric pilasters rising the height of the building. The front entry is in the center bay (of five), and is sheltered by a pedimented porch supported by Doric columns set on a brownstone step.
The Quincy Hotel is located in the center of the village of Enosburg Falls, on the north side of Depot Street between Vermont Route 108N and Archambault Street. It is located across the street from the former railroad right-of-way of the Missisquoi Railroad, now the Missisquoi Valley Rail Trail. The building is a roughly U-shaped wood frame structure, three stories in height, with a low- pitch hip roof and clapboarded exterior. A single-story porch extends across the nine-bay front facade, supported by Tuscan columns.
Cambridge Encyclopedia of the English Language (Cambridge University Press, 1995), page 360 Further, in some Indian languages, stress is associated with a low pitch, whereas in most English dialects, stressed syllables are generally pronounced with a higher pitch. Thus, when some Indian speakers speak, they appear to put the stress accents at the wrong syllables, or accentuate all the syllables of a long English word. Certain Indian accents possess a "sing-song" quality, a feature seen in a few English dialects of Britain, such as Scouse and Welsh English.Varshney, R.L., "An Introductory Textbook of Linguistics and Phonetics", 15th Ed. (2005), Student Store, Bareilly.
U. S. Custom House, Bath, Maine 1991 The former United States Customhouse and Post Office stands at the southern end of Front Street, on a lot also bounded by Lambard and Commercial Streets, and by United States Route 1 on the south. It is a two-story masonry structure, built out of ashlar granite and covered by a truncated metal hip roof. Its front facade (facing west) has a center projecting section topped by a fully pedimented low-pitch gable. The gable and the main roof line eaves are studded with modillions, and the building corners are quoined.
The former Sandown Depot is located on the north side of the village center of Sandown, just off Main Street between Depot Road and the former railroad right-of-way now occupied by the Rockingham Recreational Trail. It is a single-story wood frame structure, measuring about . Its exterior is finished in wooden clapboards, and it is covered by a broad low-pitch hip roof, whose eaves extend well beyond the structure and are supported by large knee brackets. The track side of the building has a projecting window bay near the center, next to which a semaphore mast rises through the roof.
The Old Post Office is located in Liberty's village center, set close to the south side of Main Street (Maine State Route 173), two doors east of the public library. It is a small single-story eight-sided wood frame structure, covered by a low-pitch octagonal roof and clapboard siding. It has no foundation beyond a small amount of rubblestone to provide a level surface, and is built on top of hand-sawn beams measuring in cross section. The only entrance is in the street-facing facade, with sash windows in the other seven walls.
The pitching match-up would see Alfred Saylor pitch a 5 hitter for the Barons, while the Grays' Johnny Wright and Ray Brown would give up 11 hits. The Barons struck first in the top of the 1st inning when Felix McLaurin hit a double past Grays' 1st baseman Buck Leonard. Tommy Sampson hit a single to right field, scoring McLaurin, and then was thrown out trying to steal second. Clyde "Little Splo" Spearman hit a double, advanced on a Piper Davis single, and then scored after Grays' catcher Josh Gibson boggled a low pitch after he slipped in the mud.
The Charles Browne House is located southeast of downtown North Adams, on the east side of South Church Street (Massachusetts Route 8A), a short way north of Southview Cemetery and also a short way west of the western portal of the Hoosac Tunnel. It is a two-story wood frame structure, roughly cubic in shape, with a low-pitch hip roof and clapboarded exterior. The main facade is three bays wide, with the entrance in the left bay, sheltered by a hip-roofed portico supported by decorative metalwork. Both the porch and main roof have extended eaves supported by decorative brackets.
52 Main Street is located east of downtown Southbridge, on the north side of Main Street between Maple and Crystal Streets. It was built during a housing boom brought about by the success of the nearby American Optical Company, during which larger house lots on Main Street were subdivided and built on with this type of worker housing. In this instance, the present three-story building was built as a replacement for an older two-family residence. This building is of wood frame construction, with a clapboarded exterior and low-pitch gable roof, and is set on a brick foundation.
The Franklin Johnson House is located in a residential area south of Wallingford's central business district on the west side of South Main Street south of Prince Street. It is a 2-1/2 story masonry structure, built out of brick that has been finished with stucco-like concrete scored to resemble stone. It is covered by a low-pitch hip roof, at whose center is a square cupola. The roof eaves are decorated with large carved brackets, and the cupola, a reproduction of the building's original one (lost in the New England hurricane of 1938) also exhibits Italianate features.
The house is a two-story brick structure measuring about by , resting on a brick foundation that is set in a low artificial earthen mound. The exterior walls have been stuccoed, and the roof is a low pitch hip roof pierced by four slender chimneys. The building is encircled by a two-story veranda, which is sheltered by the roof and supported by twelve latticework pillars (four at the corners and two additional ones on each side). On the western corner of the first floor the veranda has been closed in to provide a sun room.
The Scarbrough House is located on the west side of central Savannah, on the west side of Martin Luther King, Jr., Boulevard, between Orange Street and West Bryant Street. It is now set close to the street, its original front yard having been lost due to widening of the road. It is a two- story masonry structure, with walls of brick that has been stuccoed and scored to resemble stone blocks. The building is set on a raised basement, and had a low-pitch hip roof over its front section, and another similar roof over the rear section, which housed the ballroom.
The General George Stark House is located north of downtown Nashua, on the west side of Concord Street, just north of a triangular grassy area formed by its junction with Manchester Street. It is a 2-1/2 story wood frame structure, covered by a low-pitch gabled and hipped roof with elongated eaves supported by brackets. It has an irregular plan, with a three-story square tower rising over its entrance, which is set in an arched opening. The main block is finished in flushboarding, while an ell extending west behind the tower is clapboarded.
Melodic Intonation Therapy appears to work particularly well in patients who have had a unilateral, left hemisphere stroke, show poor articulation, are non-fluent or have severely restricted speech output, have moderately preserved auditory comprehension, and show good motivation. MIT therapy on average lasts for 1.5 hours per day for five days per week. At the lowest level of therapy, simple words and phrases (such as "water" and "I love you") are broken down into a series of high- and low-pitch syllables. With increased treatment, longer phrases are taught and less support is provided by the therapist.
New Glarus yodelers in traditional Swiss garb (1922) Yodeling (also jodeling) is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register (or "chest voice") and the high- pitch head register or falsetto. The English word yodel is derived from the German (and originally Austro-Bavarian) word jodeln, meaning "to utter the syllable jo" (pronounced "yo" in English). This vocal technique is used in many cultures worldwide. Alpine yodeling was a longtime rural tradition in Europe, and became popular in the 1830s as entertainment in theaters and music halls.
The McCobb–Hill–Minott House is located in the central village of Phippsburg, on the north side of Parker Head Road, overlooking the Kennebec River to the east. It is a roughly square two-story wood frame structure, with a hip roof, and clapboard siding. The roof has a large cupola at its center, covered by a low-pitch roof, with windows and three sides and a door on the fourth, providing access to the roof and chimneys. It has principal facades facing southeast and northwest, with center entrances framed by Doric pilasters and gabled pediments.
The former Grace Episcopal Church is set on the east side of US 1, in the dispersed rural village of Robbinston, overlooking the St. Croix River. It is a single story wood frame structure, finished with a combination of clapboards and board-and- batten siding. Basically rectangular in shape, it has a porte-cochere to the right, whose broad low-pitch gabled roof extends to cover the main entrance. The front (west-facing) gable end is distinguished by Stick style woodwork at the peak, and a three-part round-arch window at the center, framed by a bargeboard surround.
Like GR spelling, B–C spelling uses contrasting unvoiced/voiced pairs of consonants to represent aspirated and unaspirated sounds. B–C also uses single versus double vowels letters to represent certain short + high versus long + low final vowels even in open syllables where the contrast does not exist: buk, buut, baa, and different letters to represent the contrast in other cases: sek, sin. Some vowels are only long and do not use doubling to represent length: ea, o, y. The Cantonese high and low pitch registers are indicated by inserting -h- or -r- after the initial: bhat, brat.
The Rodney Davis Three-Decker is located in a residential area on Worcester's east side Belmont Hill neighborhood, on the south side of Catharine Street between Eastern and Rodney Streets. It is a three-story wood frame structure, with a hip roof and its exterior finished in modern siding. It has an asymmetrical front facade, with a projecting three- story polygonal bay on the right, and a single bay on the left with the building entrance on the ground floor and windows on the upper floors. The entrance is sheltered by a low-pitch gable roof supported by modern square posts.
The two-story, Colonial Revival style house was designed by local architect Albert G. Simms and constructed in 1906. The central facade has a large central projection with a gabled roof. This section is fronted by a porch with a low pitch hip roof, which continues around the sides of the projection, and is supported by simple Colonial Revival columns. The projecting section's gable end hangs over a recessed second floor porch area that has a low railing, that also has a flush polygonal bay section that is continued on the first floor, where the main entrance is located.
The Daniel Pinkham House is one of a cluster of houses known as The Hill, located south of Deer Street north of downtown Portsmouth, that was created as the result of a road works project in the 1970s. It is a three-story wood frame structure, with a low- pitch hip roof and clapboarded exterior. Its main facade is five bays wide with a center entrance; the windows are simply trimmed, with smaller windows on the third floor. Its front entry is flanked by Adamesque pilasters with rope molding, and topped by a semicircular fanlight window.
The movement of power lever to ground idle will result to the propeller pitch angle changes to low pitch angle which produces significant drag. The NTSC stated that because it happened on 112 ft, it was impossible to not crash. Interviews from Merpati officials revealed that the first two aircraft had several problems on the Power Lever Lock System, whereas the automatic power lever lock system sometimes failed to open after landing. In May 2008, the board of instructors had agreed to revise the Normal Checklist that the Power Lock system selects to “OPEN” before landing.
This discovery established that the timing of electrical stimuli was important for low pitch when this had been difficult to determine with sound. But discrimination of pitch up to 4000 Hz is required for speech understanding, so Clark emphasised early in the development of his cochlear implant that "place coding through multi-channel stimulation" would have to be used for the important mid-to-high speech frequencies. Clark and Tong next discovered that place of stimulation was experienced as timbre, but without a strong pitch sensation. The patient could identify separate sensations according to the site of stimulation in the cochlea.
CTCSS (Continuous Tone-Coded Squelch System) continuously superimposes any one of about 50 low-pitch audio tones on the transmitted signal, ranging from 67 to 254 Hz. The original tone set was 10, then 32 tones, and has been expanded even further over the years. CTCSS is often called PL tone (for Private Line, a trademark of Motorola), or simply tone squelch. General Electric's implementation of CTCSS is called Channel Guard (or CG). RCA Corporation used the name Quiet Channel, or QC. There are many other company-specific names used by radio vendors to describe compatible options.
38-42 Worcester Street is located in the area north of downtown Southbridge known as "The Flats", which was heavily developed beginning in the late 1880s with densely built worker housing. It is a three-story wood frame structure, with a low-pitch roof that extends over a porch that extends across the front and halfway down each side. The porch is accessed via front-facing stairs at either end, and shelters outside stairs that provide access to each of the building's six units. This type of porch is found in other buildings of Southbridge that were built by or for French Canadian immigrants.
From 1937, Ahlgrimm was the first fortepianist in Europe to use original Viennese instruments in the performance of the music of W. A. Mozart. In 1951, she presented the entire solo output of Mozart in a series of nine concerts (The Mozart Cycle), on original fortepianos by Michael Rosenberger (1790) and Anton Walter (1787). She gave the first performance of Bach's The Musical Offering in its original form, (recorded with Nikolaus Harnoncourt in 1955). With Erich Fiala, she prepared the first recordings of the Bach harpsichord concertos using original string instruments of the baroque era (drawn from Fiala's extensive collection), tuned to low pitch (c.
The outer bays have polygonal bay windows on the ground floor, topped by a low-pitch roofs with Italianate brackets, and the center bay has a pair of entrances, sheltered by a hood supported by three large Italianate brackets. Center Street was one of the first streets to experience residential development due to the expansion of the Arlington Mills, located to the west on the banks of the Spicket River. It lies in what is now the Arlington Mills Historic District, the area immediately to the west along Stevens Pond of the Spicket River. The mills employed thousands of workers who lived in Lawrence and Methuen, but owned comparatively little housing.
In European languages it is common for a word which is picked out for contrast to be pronounced on a higher pitch than the other words in a sentence, e.g. in the sentence they fed the _baboon_ fish, not the elephant, it is likely that the speaker will draw attention to the word baboon by pronouncing it on a high pitch, while the word fish, which has been mentioned already, will be on a low pitch. This kind of emphasis is known as 'focus'. In tonal languages it appears that this raising or lowering of the pitch to indicate focus is either absent or much less noticeable.
Upon its foundation, whenaccording to Green (1990)it was said to be a "temporary expedient", the school was based at Stafford House, in East Street in the centre of Tonbridge.Green (1990), p. 22 Previously used by private tutor Isaac Fleming in 1878, it was a building whose central urban position was, Taylor (1988) said, a "major asset, and possibly the only one"; Headmaster Bryant "bore its numerous shortcomings, its bricked ambience and grasslessness". Positioned in a narrow street and originally designed for 20 boarders, traffic noise, awkward arrangement and low pitch of the classrooms and the distance of the school from its playing fields made the building far from ideal.
In perception, neither the pattern played by one nor the pattern played by the other musician is perceived, and although the parallel octaves can be heard, they are hardly noticeable. Instead, perceptually, the music seems to consist of two to three pitch levels in which irregular melodic/rhythmic inherent patterns can be heard. The inherent patterns in the middle pitch level combine out of low pitch notes of the higher octave and high pitch notes of the lower octave. Generally, the patterns that can be heard are not played by any of the musicians but result from the combination of the actions of both musicians.
Northern Portugal, specially above the Douro river, is a very mountainous region, where the sound of bagpipes can be heard miles away due to the resonance effect created by the oppressive humidity and altitude. The gaita transmontana has a peculiarly grave tone, which resulted in an awkwardly low pitch. In fact, numerous written records of French commanders during the Peninsular War noted the intimidating effect the sound had on foot soldiers, specially at night, unfamiliar with such sound. Only recently this type of bagpipe has been recovered through the gathering of repertoires, aided by the promotion of the instrument from several bagpipe associations from Portugal and Galicia in Spain.
Like Ainu, Middle Korean, and some modern Korean dialects, most Japonic varieties have a lexical pitch accent, which governs whether the moras of a word are pronounced high or low, but it follows widely- different patterns. In Tokyo-type systems, the basic pitch of a word is high, with an accent (if present) marking the position of a drop to low pitch. In Kyushu dialects, the basic pitch is low, with accented syllables given high pitch, and in Kyoto-type systems, both types are used. Japonic languages, again like Ainu and Korean, are left-branching (or head-final), with a basic subject–object–verb word order, modifiers before nouns, and postpositions.
The roneat thung has sixteen bamboo or wooden bars, measuring about 18.75 inches (low pitch) to 15.25 inches (high pitch) in length. The width of the bars (low and high) is approximately 2.5 inches and the thickness of both is about 0.75 inch. As the materials, which are used to make the bars, are the same as the roneat aek, the same tuning blobs are also utilized. Like the roneat aek, the roneat thung bars are suspended with two cords running through holes in each bar and placed on two hooks at each of the two curved end-pieces that are connected to the resonator.
The Cuban tres is significantly smaller than the Spanish guitar, with a scale length between and .The Stringed Instrument Database It has three courses (groups) of two strings each for a total of six strings. From the low pitch to the highest, the principal tuning is in one of two variants in C Major, either: G4 G3, C4 C4, E4 E4 (top course in unisons), or more traditionally: G4 G3, C4 C4, E3 E4 (top course in octaves). Note that when the octave tuning is used, the order of the octaves in the first course is the reverse of the order in the third course (low-high versus high-low).
The Dinsmoor–Hale House is located south of downtown Keene, at the southwest corner of Main and Winchester Streets on the campus of Keene State College. It is a three-story brick building, roughly square in plan, with a stuccoed exterior and a low-pitch hip roof. There is a slight projection on the south facade, where there is a stairwell, and on the main facade, where a semicircular bay rises the full three stories and is capped by a low rounded roof. The center entry is recessed from the main facade, with a recessed porch above, which is capped by a small gable.
Like the southeastern Gyeongsang dialect but unlike other Korean dialects, the Hamgyŏng dialect has a distinct high-low pitch accent system used to distinguish what would otherwise be homophones. Pitch-accent minimal pairs do not have tone in isolation, but only in the presence of a particle or copula. For instance, the word —homophonous in the toneless standard Korean dialect of Seoul—may mean both "pear" and "belly" in Hamgyŏng as well, so long as the word exists in isolation. But when attached to the topic marker , is realized as with a high pitch on the second syllable, while is realized as with high pitch on the first syllable.
Cinema Odeon auditorium in Florence Interior of Hoyts cinemas auditorium in Perth, Australia, with stadium seating, acoustic wall hangings, wall-mounted speakers, and cup holders Interior of a 1950s style fine arts movie theater auditorium. A low pitch viewing floor is used. Tennispalatsi, one of the major Finnkino multiplex movie theatre places, in Helsinki, Finland A typical raked (sloped) floor for a movie auditorium, which gives all viewers a clear view of the screen. Traditionally a movie theater, like a stage theater, consists of a single auditorium with rows of comfortable padded seats, as well as a foyer area containing a box office for buying tickets.
The George Batchelder House stands in northern Reading, on the north side of Franklin Street just east of its junction with Main Street (Massachusetts Route 28). The house was originally oriented facing Main Street, and was moved a short distance to its present location in 1947. It is a 2-1/2 story wood frame structure, with a side low-pitch gable roof, two interior chimneys, and a clapboarded exterior. The house exhibits a few more high-style Federal period details than are typical for surviving houses in Reading of the period, including an elaborate entrance surround with tapered pilasters, sidelight windows, and a half-oval starburst louver above.
The main (west) facade of the Schiller Piano Company factory building faces Third Street with no setback from the street and its secondary facade, along with the rest of the exterior, features an exposed basement because the elevation lowers as the terrain slopes toward the Rock River. The rear facade exhibits a U-shape while maintaining the exposed basement level found throughout much of the rest of the structure. The front facade features seven bays, demarcated by wooden trim between the stucco panels, entrances are located on each of the even numbered panels. The roof is an unusual multi-gabled, low pitch roof, which is still original in its form.
Sánchez catching in 2018 On April 26, Sánchez hit his first career walk-off, a three-run home run off of Minnesota Twins closer Fernando Rodney as the Yankees won 4-3. On June 24, 2018, he injured his groin following an awkward landing at first base. He was placed on the disabled list, allowing backup catcher Austin Romine to fill his place and become the primary catcher. On July 23, after a game against the Tampa Bay Rays, Sanchez was criticized for lack of effort twice during the game. In the bottom of the first inning, a low pitch from Luis Severino bounced off Sanchez’s foot and rolled up the third base line.
A. J. Pierzynski of the Chicago White Sox checks his swing on a low pitch. A checked swing is a type of motion in baseball made by a batter. A checked swing occurs when a batter starts to swing the bat at the ball, but stops the swing in order to allow the ball to pass without hitting it. If the swing was indeed checked, so that there was no swing, and if the bat did not touch the ball and it did not go through the strike zone, the pitch counts as a ball; but in that circumstance if the swing was not checked, so that a swing occurred, then the pitch counts as a strike.
Ken Humphreys and Edward Haase developed a series of architectural speakers, speakers that use the structure of a building as the “cabinet”, at the request of Fleetwood Enterprises of Riverside, California, which wanted to incorporate high-end speakers in its motor homes without taking up much space. Their first experiment with replacing bulky box speakers was a speaker featuring an in-wall mounted subwoofer, a loudspeaker used to produce low-pitch sounds. They then tested the feasibility of using walls and ceilings as alternatives for speaker cabinets; all experimenting was done with anechoic chambers, microphones, and wall enclosures. Soon Humphreys and Haase reproduced the high quality sound produced by large, space-consuming box speakers in flush-mounted architectural speakers.
The Manor House is located on the south side of United States Route 302, several miles north of the town center of Naples, at a location that would have historically had a view of Long Lake to the north. The house is a 2-1/2 story wood frame structure, five bays wide, with a low- pitch hip roof, brick side walls, clapboarded front and back walls, and a stone foundation. The main entrance is centrally located, with flanking pilasters and sidelight windows, and a semi-oval transom window above. A Palladian window with a half-round central window and narrow side windows is set on the second floor above the entrance, also articulated by pilasters.
In most eastern low-tone dialects, accent 1 uses a low flat pitch in the first syllable, while accent 2 uses a high, sharply falling pitch in the first syllable and a low pitch in the beginning of the second syllable. In both accents, these pitch movements are followed by a rise of intonational nature (phrase accent)—the size (and presence) of which signals emphasis or focus, and corresponds in function to the normal accent in languages that lack lexical tone, such as English. That rise culminates in the final syllable of an accentual phrase, while the utterance-final fall common in most languages is either very small or absent. There are significant variations in pitch accent between dialects.
A performer playing janggu' Janggu is used throughout traditional Korean instrumental music, such as court music(궁중음악), wind music(풍류음악), folk music(민속음악) and shamanistic music(무속음악), as well as traditional performing arts divisions such as vocal music and dance and Yeonhui(연희). Nongak(Pungmul), which only plays percussion instruments, serves to make the rhythms of percussion music colorful by playing finely divided rhythms of the combined notes of several percussion instruments. Traditionally the janggu is played using yeolchae on the right hand high pitch area and uses the bare hand on the low pitch area. Such an example can be seen on pungmul players for a number of folk songs and shamanistic rituals.
This is clear from the description of Dionysius of Halicarnassus (see above), who tells us that a circumflex accent was a blend of high and low pitch in a single syllable, and it is reflected in the word 'high-low' (or 'acute-grave'), which is one of the names given to the circumflex in ancient times. Another description was 'two-toned'. Another piece of evidence for the pronunciation of the circumflex accent is the fact that when two vowels are contracted into one, if the first one has an acute, the result is a circumflex: e.g. 'I see' is contracted to with a circumflex, combining the high and low pitches of the previous vowels.
A 1670 painting of an English theorbo player. The Italian theorbo first came to England at the beginning of the seventeenth century, but an alternate design based on the English two-headed lute, designed by Jaques Gaultier, soon became more popular. English theorbos were generally tuned in G and double strung throughout, with only the first course in reentrant tuning. Theorbos tuned in G were much better suited to flat keys, and so many English songs or consort pieces that involved theorbo were written in flat keys that would be very difficult to play on a theorbo in A. By the eighteenth century, the theorbo had fallen out of fashion in England due to its large size and low pitch.
In some Southern African Bantu languages such as Zulu a voiced consonant at the beginning of a syllable not only has a low pitch itself, but can also lower the pitch of all or part of the following vowel. Such consonants are known as 'depressor consonants'. The question of whether Chichewa has depressor consonants was first considered by Trithart (1976) and further by Cibelli (2012). According to data collected by Cibelli, a voiced or nasalised consonant does indeed have a small effect on the tone of a following vowel, making it a semitone or more lower; so that for example the second vowel of 'to buy' would have a slightly lower pitch than that of 'to grow' or 'to sit'.
Although the larger London orchestras were quick to conform to the new, low pitch, provincial orchestras continued using the high pitch until at least the 1920s, and most brass bands were still using the high pitch in the mid-1960s. Highland pipe bands continue to use an even sharper tuning, around A = 470–480 Hz, over a semitone higher than A440. As a result, bagpipes are often perceived as playing in B despite being notated in A (as if they were transposing instruments in D-flat), and are often tuned to match B brass instruments when the two are required to play together. The Stuttgart Conference of 1834 recommended C264 (A440) as the standard pitch based on Scheibler's studies with his Tonometer.
Born in Frankfurt, Germany, Troyer settled in San Francisco sometime before 1871, where he became known alternatively as a musician, pianist and teacher of music; he began using the name Carlos around 1885. In 1893 he published Two Zuñi Songs, an arrangement of Zuni music. Eventually, his works became further romanticized and ad lib in their style, culminating in his final published piece, Midnight Visit to the Sacred Shrines, a Zuñian Ritual: a Monody for Two Flute-trumpets of High and Low Pitch (Clarinet and Oboe); a Traditional Chant of Melodic Beauty, and Parting Song on Leaving the Shrines, with English and Indian Texts … the Accompaniment may be played on the Piano. He died in Berkeley, California at the age of 83.
Although Gilchrist had not done anything untoward, Ponting was elevated because Australian selectors wanted him to captain if Waugh was to be injured. This was Ponting's third tour to the Caribbean, and he was rested from the only warm-up match ahead of the Tests.Ponting and Murgatroyd (2004), p. 5. Nevertheless, he continued his World Cup form in the First Test, scoring 117 and 42 not out on a slow and low pitch, as Australia won by nine wickets.Ponting and Murgatroyd (2004), p. 7–15.Ponting and Murgatroyd (2004), p. 410. Ponting scored his first double century (206) in the Second Test, as he and Darren Lehmann shared an Australian third-wicket partnership record of 315 against a weak bowling attack.
The Chimo Drive area, in particular, has preserved its original architectural style, remarkable for its wide lots heavily treed with evergreens and birch, pedestrian-friendly globe-style lawn lamps, and no sidewalks. There is a variety of house models of similar style, set well back from the streets, and their earth-toned exteriors and low-pitch roofs contribute to the natural, almost cottage-country feel of this community. The more recently developed areas between Kakulu Road and Hazeldean Road, and between Castlefrank Road and Terry Fox Drive, are more modern and somewhat higher-density, but also have the lawn lamps and networks of connecting pathways characteristic of neighbourhoods established during the period when a municipal committee existed to uphold Kanata neighbourhood-design standards.
Desi Haryanvi folk music, is a form of Haryanvi music, based on Raag Bhairvi, Raag Bhairav, Raag Kafi, Raag Jaijaivanti, Raag Jhinjhoti and Raag Pahadi and used for celebrating community bonhomie to sing seasonal songs, ballads, ceremonial songs (wedding, etc.) and related religious legendary tales such as Puran Bhagat. Relationship and songs celebrating love and life are sung in medium pitch. Ceremonial and religious songs are sung in low pitch. Young girls and women usually sing entertaining and fast seasonal, love, relationship and friendship related songs such as Phagan (song for eponymous season/month), Katak (songs for the eponymous season/month), Samman (songs for the eponymous season/month), bande-bandi (male-female duet songs), sathne (songs of sharing heartfelt feelings among female friends).
The difference in density of the breathing gas causes a non-linear shift of low-pitch vocal resonance, due to resonance shifts in the vocal cavities, giving a nasal effect, and a linear shift of vocal resonances which is a function of the velocity of sound in the gas, known as the Donald Duck effect. Another effect of higher density is the relative increase in intensity of voiced sounds relative to unvoiced sounds. The contrast between closed and open voiced sounds and the contrast between voiced consonants and adjacent vowels decrease with increased pressure. Change of the speed of sound is relatively large in relation to depth increase at shallower depths, but this effect reduces as the pressure increases, and at greater depths a change in depth makes a smaller difference.
Stone walls at southwest corner of original administration block The administration block is a lowset, single- story, timber-framed and masonry structure that is sheltered by a low-pitch gable roof clad in profiled metal sheeting. The building consists of two wings: the original, 1957-8 wing to the north; and a later, -6 wing to the south (the southern wing is not of cultural heritage significance). The exterior of the northern wing is generally clad in metal sheets, with stone walls featured in the southwestern corner and a facebrick feature wall forming the eastern elevation. Original angled concrete steps, concrete pavers and two face brick flower-boxes have been retained in the northwestern corner of the building, and a concrete garden plot survives east of the building, south of a raised concrete slab.
Many linguists analyse Japanese pitch accent somewhat differently. In their view, a word either has a downstep or does not. If it does, the pitch drops between the accented mora and the subsequent one; if it does not have a downstep, the pitch remains more or less constant throughout the length of the word: That is, the pitch is "flat" as Japanese speakers describe it. The initial rise in the pitch of the word, and the gradual rise and fall of pitch across a word, arise not from lexical accent, but rather from prosody, which is added to the word by its context: If the first word in a phrase does not have an accent on the first mora, then it starts with a low pitch, which then rises to high over subsequent morae.
Although modern Japanese dialects have pitch accent systems, they were usually not shown in man'yōgana. However, in one part of the Nihon Shoki, the Chinese characters appeared to have been chosen to represent a pitch pattern similar to that recorded in the Ruiju Myōgishō, a dictionary that was compiled in the late 11th century. In that section, a low pitch syllable was represented by a character with the Middle Chinese level tone, and a high pitch was represented by a character with one of the other three Middle Chinese tones. (A similar division was used in the tone patterns of Chinese poetry, which were emulated by Japanese poets in the late Asuka period.) Thus, it appears that the Old Japanese accent system was similar to that of Early Middle Japanese.
In modern Greek the accent is for the most part in the same syllable of the words as it was in ancient Greek, but is one of stress rather than pitch, so that an accented syllable, such as the first syllable in the word , can be pronounced sometimes on a high pitch, and sometimes on a low pitch. It is believed that this change took place around 2nd–4th century AD, at around the same time that the distinction between long and short vowels was also lost. One of the first writers to compose poetry based on a stress accent was the 4th-century Gregory of Nazianzus, who wrote two hymns in which syllable quantities play no part in the metre, but almost every line is accented on the penultimate syllable.; .
By and large, a collective review of these studies shows that music can be effective in reducing physiological effects that stress has on the human body. This can be anywhere from changing pulse rates, breathing rates, to even decreasing the occurrence of fatigue. This can even be seen in different tempo's and pitch, such as low pitch creates a relatively calming effect on the body whereas high pitch tends to generate stressors for the body. Furthermore, it has been suggested that if a patient can control the music that he or she listens to in the recovery process, then the return to normalcy happens at a much faster, more efficient rate than if the subject was assigned a music genre that he or she did not find appealing.
The Parkhill Mill complex is located west of downtown Fitchburg, on the south bank of the Nashua River east of Oak Hill Road and north of Cleghorn Street. The complex consists of four buildings, three of which are joined in a U shape open to the south; the fourth, the mill's former boiler house, is located just east of these three, oriented north-south and parallel to the eastern leg of the U. Other features of the complex include its original brick chimney stack, and a former railroad bridge spanning the Nashua River. The main mill buildings are four stories in height, and are built out of red brick. Windows are set in segmented-arch openings, and the roof is of low pitch, with a projecting eave adorned with exposed rafters.
So the sequence "hashi" spoken in isolation can be accented in two ways, either háshi (accent on the first syllable, meaning 'chopsticks') or hashí (flat or accent on the second syllable, meaning either 'edge' or 'bridge'), while "hashi" plus the subject-marker "ga" can be accented on the first syllable or the second, or be flat/accentless: háshiga 'chopsticks', hashíga 'bridge', or hashigá 'edge'. In poetry, a word such as omoshirói, which has the accent on the fourth mora ro, is pronounced in five beats (morae). When initial in the phrase (and therefore starting out with a low pitch), the pitch typically rises on the o, levels out at mid range on the moshi, peaks on the ro, and then drops suddenly on the i, producing a falling tone on the roi. In all cases but final accent, there is a general declination (gradual decline) of pitch across the phrase.
Kilroy starred as an MLB rookie during the season for the last-place Baltimore Orioles. He started 68 games, completing 66 of them while throwing 583 innings. Although he had a disappointing record of 29 wins and 34 losses, he set a mark that was unequalled in major league pitching. Kilroy struck out 513 batters that season, the most ever in a single season and far ahead of second-place Charles "Old Hoss" Radbourn's total of 441 in . During this period there were many differences in game play from the modern rules, such as a base on balls being awarded after six balls rather than the modern four, and the pitcher being located 50 feet from home plate rather than the modern 60 feet 6 inches; it was also the last season in which batters could request either a high pitch or a low pitch.
Artlex Art Dictionary The researches of M. Choisy (L'Art de bâtir chez les Romains), based on a minute examination of those portions of the vaults which still remain in situ, have shown that, on a comparatively slight centering, consisting of trusses placed about apart and covered with planks laid from truss to truss, were laid – to begin with – two layers of the Roman brick (measuring nearly square and 2 in. thick); on these and on the trusses transverse rings of brick were built with longitudinal ties at intervals; on the brick layers and embedding the rings and cross ties concrete was thrown in horizontal layers, the haunches being filled in solid, and the surface sloped on either side and covered over with a tile roof of low pitch laid direct on the concrete. The rings relieved the centering from the weight imposed, and the two layers of bricks carried the concrete till it had set. Plan of a groin vault from above showing resultant outward thrust.
The spinettone was Cristofori's second effort to fulfill this requirement, the first one having been his (less successful) oval spinet. Besides being smaller than a regular harpsichord, the spinettone had another advantage, pointed out by Kottick: owing to the diagonal geometry of the strings, the player could be seated more or less facing the performers on stage, while the sound was projected in the direction of the audience. The great length of the spinettone was an advantage in the deep bass; as harpsichord scholar Grant O'Brien noted, "the bass strings are very long with very little bass string-scaling foreshortening" — in other words, their low pitch was achieved almost optimally, through length, rather than having to resort as in many instruments to lower tension or greater thickness. Kottick suggests that the instrument may have been designed to have a powerful bass because it was substituting for the theorbo, a plucked bass instrument, in performances.
For example, in (1), the first line represents the theorized underlying tonal melody of the two nouns, with the L tone associative marker in bold. The second line shows the two tones which are actually pronounced at the surface, with the pitch level shown in brackets (a very low pitch followed by a mid-range pitch). Likewise in (2), the first line shows the theoretical tonal melody of what at the surface are pronounced as a LH contour on Noun1 and a down-stepped high tone on Noun2. Thus, in brackets we see a slash indicating a rise from low to high pitch, and a mid-level line indicating a mid-range pitch. (1) L-(H) (L) (L)-H-(L)) (2) L-(L) (H) (L)-H-(L) L H [ _ – ] LH ↓ H [ / – ] nzwi mɛn bǎm mɛn nzwí mɛ́n bàám ↓ mɛ́n woman of child belly of child 'the woman of the child' 'the belly of the child' (adapted from Voorhoeve 1971:50) Examples (3) to (6) illustrate the realization of the associative in contexts where Noun1 is L-tone and Noun2 is H-tone.
In verbs the accent is generally predictable and has a grammatical rather than a lexical function, that is, it differentiates different parts of the verb rather than distinguishing one verb from another. Finite parts of the verb usually have recessive accent, but in some tenses participles, infinitives, and imperatives are non-recessive. In the classical period (5th–4th century BC) word accents were not indicated in writing, but from the 2nd century BC onwards various diacritic marks were invented, including an acute, circumflex, and grave accent, which indicated a high pitch, a falling pitch, and a low or semi-low pitch respectively. The written accents were used only sporadically at first, and did not come into common use until after 600 AD. The fragments of ancient Greek music that survive, especially the two hymns inscribed on a stone in Delphi in the 2nd century BC, appear to follow the accents of the words very closely, and can be used to provide evidence for how the accent was pronounced.
In both accents, these pitch movements are followed by a rise of intonational nature (phrase accent), the size (and presence) of which signals emphasis/focus and which corresponds in function to the normal accent in languages that lack lexical tone, such as English. That rise culminates in the final syllable of an accentual phrase, while the fall to utterance-final low pitch that is so common in most languages is either very small or absent. On the other hand, in most of western and northern Norway (the so-called high-pitch dialects) accent 1 is falling, while accent 2 is rising in the first syllable and falling in the second syllable or somewhere around the syllable boundary. The two tones can be transcribed on the first vowel as for accent 1 and for accent 2; the modern reading of the IPA tone diacritics (low and falling ) corresponds to the pronunciation of eastern Norway, whereas an older tradition of using diacritics to represent the shape of the pitch trace (falling and rising-falling ) corresponds to the pronunciation of western Norway.
Before 1883, pitchers were required to deliver pitches with their hand below their hips; in that year, the rule was changed to allow shoulder-high deliveries. Until 1887, batters could call for either a high or low pitch, and the strike zone was either above or below the waist. In 1885, the rules changed, until 1893, to allow bats to be flat on one side; beginning in 1893, they had to be round. In 1887, the rules changed so that batters could no longer call for a pitch; and the strike zone was defined as from the shoulders to the knees. During this period, the pitcher's mound was much closer to home plate, foul balls were not counted as strikes, batters got four strikes, and the number of "called balls" resulting in a walk—which initially included strikes and foul balls- went from 9 to 8 to 7 to 6 to 5 and, in 1889, to 4. In that same year, the number of strikes went from 4 to 3. In 1887, a rule was adopted for that year only counting walks as hits, which played havoc with statistics. In 1892, the 154 game schedule was adopted.

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