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73 Sentences With "lovesickness"

How to use lovesickness in a sentence? Find typical usage patterns (collocations)/phrases/context for "lovesickness" and check conjugation/comparative form for "lovesickness". Mastering all the usages of "lovesickness" from sentence examples published by news publications.

It makes a good soundtrack to Snow's existential, sex-centric lovesickness.
You'd struggle to find more universal stories than these ones, of sexual attraction, romantic love, lovesickness and distrust.
In the medical tradition, lovesickness led to general dryness of the body, rashes, dry eyes, worn appearance and so on.
Not unlike girl in red, Boy Pablo are all about distilling the general lovesickness and joy and embarrassment of being young.
"Lovesickness may actually be the stress hormone cortisol contracting the blood vessels in your stomach, making you feel sick," Dr. Kirk says.
Another worry is that the existence of love drugs will lead to "medicalizing" romantic relationships — soon, "lovesickness" would no longer be a metaphor.
"Collecting can be a sort of lovesickness," writes Susan Orlean in "Orchid Fever," her New Yorker article about a modern collector-turned-thief.
Onto Mitski I had projected a pining frailty, believing that the lovesickness in her songs prefigured a neglect of the self, a docile masochism.
Finally, Mario, a waiter from a cafe who is suffering from lovesickness, is entranced into thinking the magician is the woman he pines for.
The face mask emoji represents cholera, but also lovesickness and sick psychopaths, and the colors sort of bleed into each other like bleeding hearts.
Some point to the idea that the spikes in teen depression are about lovesickness, not a change in hormonal balance brought on by birth control.
Viola may be in love with Duke Orsino (Denis Podalydès, who makes gentle comedy out of the character's lovesickness), but Olivia is never far from her mind.
In "The Novel Cure: An A-Z of Literary Remedies," they show how Gabriel Garcia Marquez can help overcome a fear of death and Patricia Highsmith can cure lovesickness.
If you're in search of American independent film that displays genuine daring and very little lovesickness, a series this month at the streaming site Filmatique will fit the bill.
It dissolves all the core romantic relationships of the show — and sets up the eventual return of Spike, cured of his lovesickness through his yen for violence and back to his old, evil self.
By the 1970s he was gripped by anxiety, self-doubt, lovesickness and bad dreams, all of which he sublimated into diaries, paintings and collage that put the joy of "Fancy Free" and "West Side Story" into relief.
Johannes's lovesickness, which is what forces him to break free from his undying devotion to Hitler, is mined for serious, almost maudlin drama — a narrative that has also surfaced, often in problematic ways, in other movies and fiction.
Ponies affected by a love potion realize too late that it is in fact a love poison, so they are doomed to lovesickness, compelled to gaze gaga-eyed at each other and call each other ridiculous pet names forever.
From Hippocrates to the Persian Avicenna to Galen up to the Montpellier School, there is frequent mention of the link between love and madness, to the representation of a specific morbid picture, lovesickness or insane love, unbridled or erotic melancholy.
The atrabilious maladies to which artists were supposedly vulnerable included lovesickness and plague.
Musically, it was described as an Albanian-language ballad, which lyrically revolves around lovesickness and the pain of separation.
His main works are the Reminder of the Homestayer, dealing with the philosophical terms used in medicine, and a treatise on lovesickness.
Rather than suffering from lovesickness on her own, she goes after him assertively, and wins him over by melting his icy exterior with her optimistic, affectionate nature.
In exchange for a chaplet made by Hephaestus, Eros agrees to cause Morrheus to fall in love with Chalcomede. Shaken by lovesickness Morrheus loses interest in battle and pursues Chalcomede, who makes him think that she reciprocates his feelings. Morrheus' lovesickness becomes more acute during the night. Chalcomede fears for her virginity but is comforted by Thetis, who asks her to delude Morrheus and promises that a serpent will protect her virginity.
Lovesickness / Amor Hereos refers to an affliction that can produce negative feelings when deeply in love, during the absence of a loved one or when love is unrequited. It has been considered a condition since the medieval ages and symptoms that have remained consistent across time include a loss of appetite and insomnia. The term lovesickness is rarely used in medical or psychological fields but new research is being undertaken on the impact of heartbreak on the body and mind.
In the brain, certain neurotransmitters — phenethylamine, dopamine, norepinephrine and oxytocin — elicit the feeling of high from "love" or "falling in love" using twelve different regions of the brain. These neurotransmitters mimic the feeling of amphetamines. On average a psychologist does not get referrals from general practitioners mentioning "lovesickness", although this can be prevalent through the language of what the patient feels. With the common symptoms of lovesickness being related to other mental diseases, it is often misdiagnosed or it is found that with all the illnesses one could be facing, love is the underlying problem.
"This emotional and physical distress is a key element of fin'amor that echoes into Gothic metal", according to The Oxford Handbook of Music and Medievalism. "In particular, lovesickness was associated with desires and passions that remained unfulfilled, resulting in symptoms such as sleeplessness, sighing, and loss of appetite, all of which were considered manifestations of the mind's efforts to restrain its passions." The lyrics to American R&B; singer Bilal's song "Something to Hold on To" (from the album Love for Sale) are described as a plea to romantic devotion hastily written in a moment of lovesickness.
Du Liniang () is a fictional character from Tang Xianzu's play The Peony Pavilion. "Du" () is her surname; "Li" () means "beautiful", and "Niang" (), "young lady". Only sixteen years old, she encounters a dream lover Liu Mengmei when she falls asleep in a long-abandoned garden. Overcome by lovesickness, she wastes away and dies, only to be brought back to life.
Dedicated is an "collection of forward-thinking" pop, electropop, synth-pop, disco and dance-pop songs inspired by music from the 1980s and 1990s with elements of house and R&B.; Its lyrics span themes of "crushing hard, having anxiety about a new relationship, experiencing true lovesickness, breaking up, and finally coming to terms with being alone".
She threw herself out of the window twelve years ago out of lovesickness and since then her soul has found no rest. He succeeds in persuading Barbara to leave earth for good. Charlotte is still looking for Fred and hopes to finally find his body. He again suspects that his wife is the third person he is supposed to help her happiness.
"Going Away to College" is a song by American rock band Blink-182 from the band's third studio album, Enema of the State (1999). It examines themes of heartbreak and lovesickness. It was written primarily by bassist Mark Hoppus, and credited to both he and guitarist Tom DeLonge. Hoppus writes from the perspective of an adolescent boyfriend, young and in love.
Njörðr, Skaði, and Freyr as depicted in The Lovesickness of Frey (1908) by W. G. Collingwood. In the Poetic Edda poem Grímnismál, the god Odin (disguised as Grímnir) reveals to the young Agnarr the existence of twelve locations. Odin mentions the location Þrymheimr sixth in a single stanza. In the stanza, Odin details that the jötunn Þjazi once lived there, and that now his daughter Skaði does.
"The Lovesickness of Frey" (1908) by W.G. Collingwood. Skírnismál (Old Norse: 'The Lay of Skírnir') is one of the poems of the Poetic Edda. It is preserved in the 13th-century manuscripts Codex Regius and AM 748 I 4to but may have been originally composed in heathen times. Many scholars believe that the poem was acted out, perhaps in a sort of hiéros gamos.
In 1934 he returned to bullfighting. Earlier he had had a torrid affair with the French Hispanist Marcelle Auclair, whom he had met at the home of Jorge Guillén. His lovesickness was so clear to García Lorca that he wanted him to end the affair because he was convinced that La Argentinita would kill them both. Sánchez followed Auclair to Paris, where he ran into her husband.
She meets him privately to reconcile their differences but, unfortunately, her sister-in-law spots them and announces it to the guests. All depart, leaving Latha with her family. Then, all of a sudden, Kalyan's mother enters the room and declares that Latha should marry his son. When Latha arrives at the palace, she is shocked to see Kalyan's condition, that out of desperation and lovesickness he had poisoned himself.
Erasistratus Discovering the Cause of Antiochus' Disease () is a 1774 oil painting by French neoclassical artist Jacques-Louis David. The work is a history painting depicting an episode from Plutarch's Lives in which Greek court physician Erasistratus diagnoses the illness of Antiochus, the son of Seleucus I, as lovesickness for his stepmother Stratonice. The painting was awarded the 1774 Prix de Rome by the Académie royale de peinture et de sculpture.
At the clinic, the emu vet examines Doxie with a stethoscope and an x-ray. In no time, the vet comes out of the emergency room and tells Oswald that no trace of any illness is diagnosed but only "lovesickness." For unknown reasons, Oswald is angered by the news and opts to be the one to "cure" Doxie. Doxie is still in the emergency room, strapped in the bed.
La Damigella di Scalot, or Donna di Scalotta, is a thirteenth-century Italian romance novellina, i.e. a very short story, included in the collection Il Novellino: Le ciento novelle antike (Novellino. The hundred ancient tales) as the 82nd tale.Il Novellino: Le ciento novelle antike It tells the story of the unrequited love of the titular Lady of Scalot for Sir Lancelot and the subsequent death of the lady by lovesickness.
Ancient Nanfeng Kiln is one of the eight attractions of Foshan, as well as a national key cultural relics protection units and AAAA level scenic spots. The main attractions are Shiwan Ceramics Museum, Shiwan Doll Street, International Ceramics Village, Ancient Stove Tree (), The Lin's Hall () etc., with totally nine blessing spots: the god of fire (), Dragon Kiln (), Yunyong Pavilion (), God Banya (), Scholars well (), Beidi Temple (), Tank Falls (), WuDiShengGen (), and Lovesickness Desk ().
A drawn love heart on paper The heart shape (❤, ♥️, <3) is an ideograph used to express the idea of the "heart" in its metaphorical or symbolic sense as the center of emotion, including affection and love, especially romantic love. The "wounded heart" indicating lovesickness came to be depicted as a heart symbol pierced with an arrow (Cupid's), or heart symbol "broken" in two or more pieces. heart symbol online.
Liu Mengmei's bold advances ignite a passionate romance between the two lovers and it flourishes rapidly. Du Liniang's dream is interrupted by a flower petal falling on her (according to her soliloquy in a later act, "Retracting the Dream"). Du Liniang can not seem to get the oneiric love affair out of her mind, and her lovesickness quickly consumes her. Unable to recover from her fixation, Du Liniang wastes away and dies.
Teverbaugh described the plot behind the song: "...about a woman so self-absorbed in her own lovesickness that she believes everyone knows and is making her more aware of her own misery." About.com gave Single White Female a fairly mixed review, stating that the release "was filled with songs of emotion, happy or sad." The site gave the song "The Love That We Lost" negative feedback, calling the production on it, "bland and pop".
The urban version "attacks" with a modern and aggressive beat; the bachata version is slower, with Luny Tunes' tropical rhythms. In the lyrics, Ivy Queen declares to a rival: "The guy you're dating is mine, and you know it, but here's the detail: He's worthless in bed. That's why I'm here to congratulate you for setting me free, I have to confess". The reggaeton rhymes tell a story of revenge and lovesickness.
The story opens with two merchants, one living in Baghdad and the other in Egypt, who know each other through hearsay. One day, the one from Baghdad happens to have business in Egypt and travels there. He is welcomed to stay at the house of the other merchant but suddenly falls ill. The other merchant, who is hosting him, calls in the most experienced doctors in Egypt who diagnose him with lovesickness.
She meets him privately to reconcile their differences, but her sister-in-law and the groom's mother spot them and announce it to the guests who depart, botching Latha's marriage. All of a sudden, Anand's mother enters the room and declares that Latha should marry Anand. When Latha arrives at the palace, she is shocked to see Anand's condition. She does not know that out of desperation and lovesickness he drank poison.
But things get more complicated for Judith when the mysterious man turns out to be Fabian's brother David (Sven Koller). Judith is conflicted at first about the relation to her ex-boyfriend, but is then fine with it. But David only sees Judith as a good friend and no matter what she does, David doesn't fall for her. She tells Constantin about her lovesickness and doesn't guess about his feelings for her.
It lyrically revolves around lovesickness and the pain of separation from a loved one. The song represented Albania in the Eurovision Song Contest 2008 in Belgrade, Serbia, after winning the country's pre-selection competition Festivali i Këngës. The country reached the 17th place in a field of 25, gathering a total of 55 points. During her dark-themed show, Boka was on stage accompanied by three instrumentalists, while the LED screens displayed various violet and yellow-coloured hearts.
Hi-wa itck is a tradition concerning lovesickness mostly associated with the Mohave American Indians. This syndrome is associated with the separation of a loved one with symptoms including insomnia, depression, loss of appetite, and possibly suicide. Hi-wa itck is typically experienced by men, especially older men abandoned by their younger wives.Devereux 95, 103 It is similar to the condition of abandonment and rejection sensitivity associated with borderline personality disorder combined with a depressive episode.
"Sledgehammer" received generally positive reviews from music critics. Jason Lipshutz of Billboard praised the song's "EDM-meets-new-wave beat" and its "immediate hook", believing that "Sledgehammer" is "the best pop track about the physical effects of lovesickness since Demi Lovato's "Heart Attack" (2013)". It was tied as the best ranked song of the week, sharing the honor with "Don't It" (2014) by country singer Billy Currington. Mike Wass of Idolator called it "a sugary sweet synth-pop anthem with serious radio appeal".
Jiang Zhong He start to searching of his family roots after his great-aunt's death for 50 years of separation and lovesickness between his great-aunt and great-uncle. With his great-aunt's aborigine wooden totem necklace given by his great-uncle, Jiang Zhong He meets An-An in Taiwan, who also wears the same necklace. An-An is a passionate Taiwanese aborigine princess. She carries much on her shoulders, trying to support the local orphanage through her job and seeking corporate sponsors.
The book is divided into five sections and sixteen chapters. Each chapter is written from the perspective of one of the two authors; nine are by Eric, while Leslie writes seven, as well as the introduction. The first section, "Desiring a Love Story", addresses sexual desire and lovesickness, suggesting that temporary relationships cannot fulfill those longings. Section Two, "Preparing for a Love Story", advances ways in which one might, before initiating a romantic relationship, develop the characteristics of a good spouse.
In the middle of the community stands the Brentanohaus. Here, Goethe spent some time in 1814 as a guest of the Frankfurt banking family Brentano. The family's children were Clemens, Gunda and Bettina Brentano. Karoline von Günderrode, a poet and one of Bettina's friends, stabbed herself here in Winkel in 1806 on the Rhine's bank out of lovesickness and life weariness. Since 2003, the barn across from the Brentanohaus has hosted the cultural and event venue Brentanoscheune (Scheune means “barn”).
William Shakespeare's Romeo and Juliet portrays the true madness of "love" and the grief that the two young, infatuated lovers feel. When Romeo finds his love dead (or so he believes), with the thought of living without his "true love", the grief and depression overcomes him and he takes his own life. Juliet, after awaking and upon seeing his dead body is also overcome with despair and takes her own life. Gothic metal songs thematize lovesickness from Medieval literary influences.
Jan Steen, The Physician's Visit, 1660-1662, oil on canvas Steen had an interest in the theme of love: contemporary or ancient. He used love to expose the passion and vulnerability that overcomes humans when they are in love. His use of humor in genre paintings helped to convey the follies of love in a relatable way. Genre paintings of his that show a love theme include subjects such as marriage, brothel scenes, and the treatment of lovesickness (The Physician's Visit).
They decide that what they need is pipes so that when they meet the other shepherds and shepherdesses they can join in the dances; Pan throws a flute in the lap of Daphnis, but it won't play for him. Pan mocks the innocent lovers. When Chloé rushes off to her flock Pan pursues her while Daphnis tries to dream of her. The bacchantes return and prevent Daphnis from leaving; they convince him that the way to cure his lovesickness is to take a mistress.
Siw Gunnel Margareta Malmkvist (born 31 December 1936) is a Swedish singer and actor popular in Scandinavia and West Germany.Siw Malmqvist biographical entry in Nationalencyklopedin She had a number one hit in West Germany in 1964 with "Liebeskummer lohnt sich nicht" ("Lovesickness Is Not Worthwhile"), and on 18 July 1964 she became the first Swede to have a hit on the US Billboard Hot 100 chart, when "Sole Sole Sole", a duet with Italian singer Umberto Marcato, entered the chart, peaking at No. 58.
The keyboard bass line was based on the one from the single "Murder She Wrote" by Chaka Demus & Pliers, released in 1992. It also includes a repeating sample of a horse's neigh from Mel and Tim's "Good Guys Only Win in the Movies" (1970), which became popular after Cypress Hill's "Insane in the Brain" (1993). "Otra Cosa" features Dominican singer Natti Natasha and is a fusion between reggaeton, dancehall and moombahton music written by Daddy Yankee, Natti Natasha and Puerto Rican producer Haze. 1:20–1:40 The lyrics are about lovesickness.
In the past, audiences of traditional Taiwanese opera wanted to see as many martial art scenes as possible, even if the physical feats on stage had nothing to do with the plot. For the Taipei performances, however, Yang toned down the combat scenes to give the story a more intellectual appeal. In 2000, Yang and her troupe performed Liang-Zhu 《梁祝》, a Chinese love story famous for its romantic yet tragic ending. Separated because of their feuding families, the hero Liang Shan-po dies of lovesickness and the heroine Zhu Ying-tai commits suicide.
The Petrarchan conceit is a form of love poetry wherein a man's love interest is referred to in hyperbole. For instance, the lover is a ship on a stormy sea, and his mistress is either "a cloud of dark disdain" or the sun. The paradoxical pain and pleasure of lovesickness is often described using oxymoron, for instance uniting peace and war, burning and freezing, and so forth. But images which were novel in the sonnets of Petrarch, in his innovative exploration of human feelings, became clichés in the poetry of later imitators.
In Korean myth and culture, the tiger is regarded as a guardian that drives away evil spirits and a sacred creature that brings good luck – the symbol of courage and absolute power. For the people who live in and around the forests of Korea, the tiger considered the symbol of the Mountain Spirit or King of mountain animals. So, Koreans also called the tigers "San Gun" (산군) means Mountain Lord.Standard Korean Language Dictionary In Buddhism, the tiger is one of the Three Senseless Creatures, symbolising anger, with the monkey representing greed and the deer lovesickness.
The love sick Antiochus I Soter Love sickness is not just an expression but has been studied as an actual illness. In 1915, Sigmund Freud asked rhetorically, "Isn't what we mean by 'falling in love' a kind of sickness and craziness, an illusion, a blindness to what the loved person is really like".Janet Malcolm, Psychoanalysis: The Impossible Profession (1988) p. 9 Scientific study on the topic of lovesickness has found that those in love experience a kind of high similar to that caused by illicit drugs such as cocaine.
Lyrically, "Making Out" finds Stefani expressing her dislike of long-distance relationships and requesting for her lover to return home. Disappointed by the absence of her man, she rejects his acts of kindness ("The flowers arrive to my surprise / But that just ain't good enough") and instead conveys a feeling of lovesickness. Upon his arrival home, she predicts to endure kissing sessions to atone for lost time. With widely simple lyrics, Stefani sings in the chorus: "I'm really missing you in so many ways / I anticipate us making out".
The song's lyrics are in Spanish and see Inna discussing jealousy and lovesickness. Upon its release, "Iguana" was well-received by music critics, who pointed out its catchiness and praised Inna's emotional vocal delivery. An accompanying music video was premiered on Inna's YouTube channel simultaneously with the song's digital release and was directed by Bogdan Păun. During the clip, the singer is shown at a night fiesta in an intoxicated state—as speculated by a reviewer—fighting back for her alleged love interest, who resides with another woman at an outside bar.
Natsuki goes to the concert and has a great time until one of the songs (Diagnosis: Lovesickness ("Byoumei Koi Wazura")) makes her realize she is in love with Yu. Koyuki walks her home and notices Natsuki looking at Yu's house. Thinking about Natsuki and Yu's previous fight, Koyuki hugs Natsuki and tries to confess, saying he would not make her sad like Yu had. Koyuki is interrupted by Yu and the two argue about their hidden feelings in front of Natsuki, who begins to cry. Yu ends the conversation by leading Natsuki home.
Literature and poetry have often described love as a kind of madness, and the medical profession takes a similar approach. According to the Hippocratic Medicine view, passionate love will almost always fade or turn into "love melancholy" — this is a form of depression or sadness. Passionate love is the love in the "honeymoon phase", the beginning of new love, but it burns itself out after a year or two, compassionate love is what occurs after passionate love fades, it is a stronger bond of companionship. In both cases, lovesickness can be experienced if love is lost or unrequited.
Arabian Love was made to profit on the success of The Sheik (1921), a film which romanticizes sheiks and Latin lovers.McLaren, A., Sexual Blackmail: a Modern History. p. 161 Most films John Gilbert made at Fox Film Corporation flopped, but Arabian Love became a great success. Gilbert was praised for his portrayal of a sheik, but the actor himself loathed it and made sure he later would not appear again in that sort of character. Barbara La Marr was praised by the critics too, with the film magazine Moving Picture World stating that "the forlorn lovesickness of the sheik’s daughter [is] unusually effective".
" Additionally, its "depth and sweetness" was considered unexpected by Dan LeRoy from The Scene, commenting "West's swaying '50s pastiche "I Want You" is delightful". Richard Cromelin of the Los Angeles Times exclaimed the track "has a swooning charm, with a chimes-studded texture that suggests the sweeping light-points of a disco ball." Mikael Wood of Baltimore City Paper gave a similar critique, saying the "luscious slow jam" ultimately "shimmers with the sweet lovesickness Karen Carpenter had to fight through a scrim of suburban sang-froid to express." Stephen Thomas Erlewine of AllMusic declared the song "on the slower side", containing "a verse that's memorable.
Valentine has brought home with him a young man he met on his travels, named Francisco; he feels an unusually strong bond for the young man, a strangely intense affection. (The opening scene's conversations also reveal that Valentine is a widower who, years before, had lost a child "at sea / Among the Genoa gallies.") Francisco barely arrives at Valentine's home when he falls ill. (The play contains some satire on doctors and their treatments; it was this material that was abstracted to form the droll described above.) It soon becomes clear that Francisco's sickness is largely lovesickness: he had fallen in love with Cellide.
At times the source of the arrows was said to be the image of the beautiful love object itself. If these arrows were to arrive at the lover's eyes, they would then travel to and 'pierce' or 'wound' his or her heart and overwhelm him/her with desire and longing (lovesickness). The image of the "arrow's wound" was sometimes used to create oxymorons and rhetorical antithesis concerning its pleasure and pain. "Love at first sight" was explained as a sudden and immediate beguiling of the lover through the action of these processes, but this was not the only mode of entering into passionate love in classical texts.
'Moans of approaching Death from unsatisfied Desire and other physical manifestations of Lovesickness', performed by Francesca Cluny at Tate Modern, 24 June 2016, within the Painting With Light exhibition. Tai Shani collaborated with Let’s Eat Grandma and Maya Lubinsky to produce "Mystical Best Friend, A Miracle Play" as part of the Miracle Marathon festival at the Serpentine Sackler Gallery 8–9 Oct 2016. In 2019-2020 Rafael Barber Cortell at CentroCentro, Madrid, Spain, commissioned Shani and Florence Peake to produce work as a pair as part of the curatorial project Absolute Beginners. Shani and Peake built upon their collaborative piece 'Andromedan Sad Girl' which was presented for the first time at Wysing Arts Centre in 2017.
This is incredibly dangerous when one does not seek help or cannot cope because love has been known to be fatal (a consequence of which might be attempted suicide, thus dramatising the ancient contention that love can be fatal). In his book The Social Nature of Mental Illness, Len Bowers (Professor, Emeritus; King's College, London) postulates that although physiological differences exist in the brain of those that are deemed "mentally ill," there are several other criteria that must be met before the differences can be called a malfunction. It is possible, therefore, that many mental illnesses (such as lovesickness), will never bear strong enough evidence to clinically warrant 'legitimate' affliction by clinical-standards; without further, correspondingly parasympatric, criterions of established dysfunction(s).
At Electric Lady, he held improvisatory jam sessions with a live band featuring the trumpeter Leron Thomas, the drummer Steve McKie, and the pianist Robert Glasper, one of several former classmates the singer enlisted from New York's New School for Jazz and Contemporary Music. With the assistance of a few select producers, such as Dr. Dre and Soulquarians member J Dilla, Bilal experimented with different recording techniques, longer free-form compositions, and arrangements drawn from jazz and the blues. The resulting music features a densely layered fusion of genres, including soul, funk, and rock, with unconventional song structures and rhythms. Bilal's varied falsetto vocal performances throughout the album include sensual and ecstatic expressions of romantic devotion and lovesickness, with lyrics reflecting a distaste for writing what he called "contrived love songs".
Njörðr, Skaði, and Freyr as depicted in The Lovesickness of Frey (1908) by W. G. Collingwood Njörðr is described as a future survivor of Ragnarök in stanza 39 of the poem Vafþrúðnismál. In the poem, the god Odin, disguised as "Gagnráðr" faces off with the wise jötunn Vafþrúðnir in a battle of wits. While Odin states that Vafþrúðnir knows all the fates of the gods, Odin asks Vafþrúðnir "from where Njörðr came to the sons of the Æsir," that Njörðr rules over quite a lot of temples and hörgrs (a type of Germanic altar), and further adds that Njörðr was not raised among the Æsir. In response, Vafþrúðnir says: > :"In Vanaheim the wise Powers made him :and gave him as hostage to the gods; > :at the doom of men he will come back :home among the wise Vanir."Larrington > (1999:46). In stanza 16 of the poem Grímnismál, Njörðr is described as having a hall in Nóatún made for himself.

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