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7 Sentences With "lost color"

How to use lost color in a sentence? Find typical usage patterns (collocations)/phrases/context for "lost color" and check conjugation/comparative form for "lost color". Mastering all the usages of "lost color" from sentence examples published by news publications.

"I had a bunch of racists telling me that because Hermione 'turned white' – that is, lost color from her face after a shock – that she must be a white woman, which I have a great deal of difficulty with," Rowling said.
"I had a bunch of racists telling me that because Hermione 'turned white' — that is, lost color from her face after a shock — that she must be a white woman, which I have a great deal of difficulty with," she recalled to The Guardian.
Similarly, if the rowan flowered twice in a year there would be many potatoes and many weddings that autumn. And in Sipoo people are noted as having said that winter had begun when the waxwings (Bombycilla garrulus) had eaten the last of the rowan fruit. In Sweden, it was also thought that if the rowan trees grew pale and lost color, the fall and winter would bring much illness.
By 1995, McCarthy had dropped the "Focus" interview program from his duties to concentrate on the morning show. He had been in talks to take his program into national syndication through a production company he started with his producer, Michael Patrick Shiels. But in the early summer of that year, McCarthy began feeling rundown and tired. He had lost color in his face and was clearing his throat frequently.
Her Variety reviews were good. She easily managed the transition to sound films, making a total of 28, and appeared in some of the very first, including United Artists's Bulldog Drummond (1929), The Trial of Mary Dugan (1929), the now-lost color musical Gold Diggers of Broadway (1929), and New York Nights (1930) with Norma Talmadge. She starred as a murderess in the melodrama Murder by the Clock, as a self-sacrificing mother in The Road to Reno (1931), and as a chorus girl in Wine, Women and Song (1933).
No Cross is visible; the natural world itself also appears to have nearly vanished: a lonely cloud and a shadowed patch of ground with a crumpled sheet provide sky and stratum for the mourners. If the sky and earth have lost color, the mourners have not; bright swathes of pink and blue envelop the pallid, limp Christ. Pontormo's undulating mannerist contortions have been interpreted as intending to express apoplectic and uncontrolled spasms of melancholy.For an historiographic look at the use of the term mannerism see Craig Hugh Smyth, "Manerism and Maniera" (1963), reprinted in Liana de Girolami Cheney, ed, Readings in Italian Mannerism, with foreword by Craig Hugh Smyth (New York: Peter Lang, 1997, 2004), pp. 69-112.
The film is considered lost, The Library of Congress/FIAF American Silent Feature Film Survival Catalog:Sally 1925 but a short sequence of color film(maybe from the 1929 talkie) may have been discovered, as reported by Ron Hutchinson of the Vitaphone project: "Malcolm Billingsley has discovered a previously unknown cache of 45- 75 second 35mm Technicolor nitrate spools with previously lost color scenes from ON WITH THE SHOW, SHOW OF SHOWS , SALLY and GOLD DIGGERS OF BROADWAY." / post on Nitrateville discussion board. When in February 1956, Jack Warner sold the rights to all of his pre-1950 films to Associated Artists Productions (which merged with United Artists Television in 1958. In 1969 UA donated 16mm prints of some Warner Bros.

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